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Ukratko
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873) je slika autora Jakob Henrih Maris koja privlači najviše pažnje; original se nalazi u muzeju National Gallery of Art, Washington. Nakon toga, pogled se seli na The little marquise (1870) i The Fishmonger (1856). Među 202 dela umetnika Jakob Henrih Maris u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
The little marquise emerges from the shadows of history as a quiet genre painting by Jacob Maris. This work captures a fleeting moment of stillness, inviting the viewer into a private, introspective space. The artist, Jacob Maris, brings a sense of lived presence to the figure, grounding the scene in a specific, unhurried atmosphere. Born in The Hague, Netherlands, the painter carries the sensibilities of his Dutch origins into this…
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
A woman lays sheets or laundry on the ground of a fence-closed bleach field. In the middle is a woman at a water pump. In the background the houses of a city and a church.
Girl with a Peacock Feather, Jacob Maris, c. 18771877 · Rijksmuseum
12
Gray day with ships1877 · Rijksmuseum
13
De afgesneden molen1872
14
Bomschuit on the Beach1880 · Kunstmuseum Den Haag
15
Shell Fishers1885
16
Landscape with Windmills1890
17
Outside a Café1868 · Scottish National Gallery
18
Een molen in de winter1899
19
Meisje bij een deuropening., Jacob Maris, 1870 - 18991899 · Rijksmuseum
20
Young Girl (Artist's Daughter) picking Flowers in the Grass1899 · Rijksmuseum
21
The Violist (Son of the Painter)1887 · Groninger Museum
22
The Dry-Nurse1877 · Museum Boijmans Van Beuningen
23
The Butcher1871 · Museum Boijmans Van Beuningen
24
Summer1889 · Rijksmuseum
25
Canal Side1878 · Metropoliten музеј у Њујорку
26
De Schreierstoren te Amsterdam1880 · Rijksmuseum
27
"Portret van Willem", vermoedelijk Willem Matthijs Maris Jbzn, zoon van Jacob Maris, Jacob Maris, c. 18761876 · Rijksmuseum
28
Lady in the Forest1860 · Museum Gouda
29
Small Courtyard, Jacob Maris, 18621862 · Rijksmuseum
30
The Prayer1867 · Amsterdam Museum
31
Landscape with Rocks, Fontainebleau1864
32
Lady on a Bench in the Park1870 · Museum Gouda
33
The Dawn1865 · Museum Gouda
34
A boat on a beach1870 · Museum Boijmans Van Beuningen
35
View of a city1867 · The Mesdag Collection
36
Tired Out (Mother Watched), Jacob Maris, 18691869 · Rijksmuseum
37
Ferry-boat1870 · Teylers Museum
38
A Girl Seated Outside a House1867
39
Feeding chicks1866 · Rijksmuseum
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Girl feeding her Bird in a Cage1867
41
Catharina Hendrika Horn1867 · Rijksmuseum
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Ferry1870 · Kunstmuseum Den Haag
43
Girl knitting on the balcony, Montmartre1869
44
Praying Monk1864 · Rijksmuseum
45
Moe gewaakt'1869
46
Towpath1875 · Rijksmuseum Twenthe
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City in Landscape with Windmill1875 · Dordrechts Museum
48
Return of the Fishing Boat1875 · Amsterdam Museum
49
Prins Hendrikkade with the Schreierstoren1875 · Amsterdam Museum
50
View of The Hague1875 · Museum Boijmans Van Beuningen
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The wooden bridge1877 · Dordrechts Museum
52
The Five Windmills1878 · Centraal Museum
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City view1875 · The Mesdag Collection
54
View of a Dutch City with the Schreierstoren in Amsterdam1873
55
The Truncated Windmill, Jacob Maris, 18721872 · Rijksmuseum
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Townscape with a Domed Church, Jacob Maris, c. 1872 - c. 18751875 · Rijksmuseum
57
Villagers1872 · Rijksmuseum
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View of the new port at the Zuid Kolk in Delft1872
59
De Buitenkant met de Schreierstoren te Amsterdam1875
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View of the Mill and Bridge at the Noordwest Buitensingel in The Hague1873
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De Schreierstoren met de brug over de Gelderse Kade te Amsterdam1876
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De molen en de brug bij de Noord-West-Buitensingel in Den Haag1877
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View of Dordrecht1884 · Amsterdam Museum
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View of the Lek near Wijk bij Duurstede1882 · Amsterdam Museum
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Vaart bij maanlicht1882 · Rijksmuseum
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By Evening1884 · Rijksmuseum
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River landscape1884 · Rijksmuseum
68
Mill1879 · The Mesdag Collection
69
Schelpenvissen, Jacob Maris, 18851885 · Rijksmuseum
70
Bluff-bowed Fishing Boat on the Beach at Scheveningen, Jacob Maris, c. 18851885
71
Girl at a piano1879 · Rijksmuseum
72
Windmill and Houses beside the Water. Stormy Sky1880
73
Three Windmills1880
74
View on a city (also known as Gezicht op een stad)1882
75
De brug1879
76
Oud buurtje aan het water1883 · Rijksmuseum
77
Dutch Landscape with Shepherdess1891 · Bavarske državne slikopisne kolekcije
78
Cityscape with a River1887 · Centraal Museum
79
Landscape with windmills1890 · Groninger Museum
80
Landscape with Canal1887 · Walters Art Museum
81
Landscape near The Hague1891 · Rijksmuseum
82
Havengezicht, Jacob Maris, c. 18901890
83
Harbour View1890 · Rijksmuseum
84
View of a Port1887 · Rijksmuseum
85
Windmill1886 · Rijksmuseum
86
Meisje aan de piano1889 · Rijksmuseum
87
Girl at the Window1890
88
Polder na onweer1892 · Rijksmuseum
89
View of a River near a City1896 · Dordrechts Museum
90
Harbor View1894 · Dordrechts Museum
91
View of a Town1893 · Museum Boijmans Van Beuningen
92
Towpath, Jacob Maris, c. 18961896 · Rijksmuseum
93
Jaagpad1894 · Rijksmuseum
94
Dorpsgezicht bij Schiedam1894 · Dordrechts Museum
95
Stadsgezicht1898 · Rijksmuseum
96
Visserspink aan het strand1899
97
Molen bij maanlicht1899 · Rijksmuseum
98
Havengezicht1899 · Rijksmuseum
99
Huizen aan de Prins Hendrikkade te Amsterdam op een mistige dag1899 · Rijksmuseum
100
Fishersboat at the Beach of Scheveningen1899 · Rijksmuseum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Jakob Henrih Maris | Slike iz ovog spiska |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 44 | A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877, Gray day with ships |
 Dordrechts Museum |
Dordrecht | 7 | Siesta, The Annoying Guest, City in Landscape with Windmill |
 Amsterdam Museum |
Amsterdam | 6 | The Fishmonger, The Prayer, Return of the Fishing Boat |
 Museum Boijmans Van Beuningen |
Rotterdam | 7 | The Dry-Nurse, The Butcher, A boat on a beach |
 The Mesdag Collection |
Haga | 5 | Servant girl, On the lookout, View of a city |
 Kunstmuseum Den Haag |
Hag | 9 | The little marquise, Schilder aan het werk, Bomschuit on the Beach |
 Museum Gouda |
Gouda | 3 | Lady in the Forest, Lady on a Bench in the Park, The Dawn |
 Groninger Museum |
Groningen | 2 | The Violist (Son of the Painter), Landscape with windmills |
Izaberite deceniju da biste videli original koji je definiše.
The air in the room feels heavy, thick with the scent of salt and the dampness of a morning tide. A single, directional light spills from a background doorway, cutting through the gloom to strike the center of the scene. In this pool of warmth, a man and a woman meet amidst the quiet commerce of a stall. He is the fishmonger, a figure defined by the interplay of light…
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague is a work by Jacob Maris, executed in 1873. The artist, born in The Hague, Netherlands, in 1837, remained a central figure in the Dutch landscape tradition until his death in Karlsbad in 1899.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague (1873), National Gallery of Art, Washington. Slede The little marquise (1870) i The Fishmonger (1856).
36 godina: View of the Mill and Bridge on the Noordwest Buitensingel in The Hague datira iz 1873, a Jakob Henrih Maris je rođen/a 1837.
View of the Mill and Bridge on the Noordwest Buitensingel in The Hague, The little marquise, The Fishmonger, Servant girl, Schilder aan het werk, Siesta, A Bleaching Field, Jacob Maris, 1870, The Annoying Guest, Boy and girl drinking in the open air i On the lookout. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 202 dela umetnika Jakob Henrih Maris, datiranih od 1856 do 1899.
Većinom u Rijksmuseum (Amsterdam), Dordrechts Museum (Dordrecht) i Amsterdam Museum (Amsterdam). Tabela muzeja iznad sadrži njih sve.
U 1870s: 38 od 100 dela na ovoj stranici nastalo je tada, od čega je View of the Mill and Bridge on the Noordwest Buitensingel in The Hague.
Na ovoj stranici, najstarije delo je iz The Fishmonger (1856), a najnovije iz Een molen in de winter (1899).
Dutch landscape (5), Girls (5) i Landscape (4), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 8 od 100 dela na ovoj stranici.
Hague school i Impressionism, sudeći po originalima na ovoj stranici.
A Bleaching Field, Jacob Maris, 1870, Girl with a Peacock Feather, Jacob Maris, c. 1877 i Gray day with ships: Rijksmuseum, Amsterdam čuva 35 dela sa ove stranice.
Maris je započeo svoj umetnički put prvim lekcijama kod J.A.B. Stroebela (1849–1852), čime je postavio temelje za svoju buduću karijeru.
Svoju formalnu edukaciju stekao je na Akademiji umetnosti u Hagu od 1850. do 1853. godine, usavršavajući svoje veštine i razvijajući svoj rani umetnički stil.
Ključni trenutak nastupio je kada je jedan trgovac umetninom prepoznao Marisov talenat i omogućio mu rad u studiju Hubertusa van Hovea, što je predstavljalo značajan uticaj na njegov početni razvoj.
Kada je njegov brat, Matthijs Maris, dobio kraljevsku stipendiju, to je dovelo do njihovog zajedničkog rada, stvarajući kolaborativno okruženje koje je dodatno oblikovalo njihove umetničke puteve.
Marisova karijera bila je obeležena komercijalnim uspehom, a prodaje kolekcionarima u Sjedinjenim Amerikskim Državama i Škotskoj svedočile su o njegovoj rastućoj reputaciji.
Putovanja kroz Nemačku, Švajcarsku i Francusku (1861) izložila su ga različitim umetničkim stilovima, proširujući njegove uticaje i doprinoseći stilskoj evoluciji.
Postao je čuven po slikanju pejzaža koji uključuju reke, vodenice, staze uz kanale i prizore plaža sa ribaričkim čamcima, čime je uspostavio svoju prepoznatljivu tematiku.
Među Marisovim delima povremeno se povlače poređenja sa radovima ranijih holandskih majstora poput Jana van Goyena, Jacoba van Ruisdaela i Johannesa Vermeera, što ističe njegovu povezanost sa bogatom tradicijom holandskog pejzažnog slikarstva.
Maris je slavljen zbog serije portreta Kraljevske kuće Orange, urađene u saradnji sa njegovim bratom Matthijsom, čime je pokazao svoje veštine portretiranja uporedo sa pejzažnim radovima.
Delo „Schip on the Scheveningen Beach“ (Brod na plaži Ševeningen) predstavlja vrhunac njegove sposobnosti da uhvati obalne scene sa atmosferskom dubinom i detaljem.
Postao je član studija Pulchri u 1871. godini, što je označilo njegovo priznanje unutar utvrđene umetničke zajednice.
Od 1885. godine nadalje, Maris je postigao široko priznanje u Holandiji, učvrstivši svoju poziciju lidera Hajgske škole.
Marisov doprinos Hajgskoj školi je značajan; pomogao je u definisanju njene estetike koja se odlikuje realističnim prikazima holandskih pejzaža i naglaskom na atmosferske efekte.
Njegov uticaj prevazišao je njegovo životno doba, inspirišući naredne generacije umetnika svojim distinktivnim stilom i pristupom slikanju pejzaža.
Njegova dela se mogu pronaći u istaknutim kolekcijama kao što je Rijksmuseum, što je svedočanstvo njihove trajnog umetničkog značaja i istorijske važnosti.
Marisovo nasleđe leži u njegovoj sposobnosti da uhvati suštinu holandskog seoskog predelem kroz jedinstven spoj zapažanja, tehnike i umetničke vizije.
