Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 59 dela Henri Inman u našem katalogu
Ukratko
Od svih originala koje je Henri Inman ostavio, najpoznatiji je Tenskwatawa (1831), koji se nalazi u kolekciji National Portrait Gallery, Vašington, D.C.. Odmah za njima slede Portrait of Mrs. James W. Wallack (1828) i John Wesley Jarvis (1822). Naš katalog sadrži 59 dela umetnika Henri Inman; galerija je čuvala 57 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
Henry Inman presents a formal portrait of John Wesley Jarvis, executed around 1822. The sitter is captured in a three-quarter view, positioned centrally against a nebulous, atmospheric background. This work emerged during a period when Inman was refining his technical precision under the mentorship of established masters in New York City.
In this close-up bust portrait, Henry Inman focuses the viewer's attention entirely on the subject's face and upper torso. The composition is centered, with the woman's head turned toward the viewer. While her body faces forward, her gaze is directed slightly off to the left, creating a sense of quiet engagement. The background remains plain and dark, isolating the figure and emphasizing her presence within the frame.
This artwork is a portrait of John Wesley Jarvis, executed by the artist Henry Inman. The work dates to 1822. The subject is presented as a single individual, depicted as a dignified gentleman.
Henry Inman created Children in the Park in 1824. This watercolor engraving captures a quiet moment of companionship. Two children walk through a wooded or park-like setting, their figures moving through the soft light of a shaded grove. The scene is a small, intimate window into a private afternoon.
In the Portrait of Clara Fisher, Henry Inman presents a single female figure that commands the space with a quiet, steady presence. This three-quarter length portrait captures her in a moment of poised stillness, positioned slightly off-center to create a sense of natural, unforced grace. She does not meet the viewer's gaze directly; instead, her eyes are turned toward the left of the frame, as if lost in a private…
Alethea Lenox sits within an oval frame, her presence commanding a quiet, steady attention. She faces the viewer directly, her expression poised and calm, as if she has just paused in a moment of private reflection. The light catches the curve of her neck and the soft contours of her face, emerging from a deep, shadowy background that pushes her forward into the viewer's space. She wears a gown of…
Henry Inman captures the subject in a three-quarter view, facing toward the right of the frame. The portrait presents an elderly man, Henry Rutgers, rendered with the precision of classical realism. A stark black coat and a bright white cravat anchor the composition, providing a sharp contrast to the warm, muted tones of the background. Deep browns, ochre, and burnt sienna define the space behind him, creating a sense of…
In this intimate oil portrait, we encounter Mrs. Robert Lenox (Rachel Carmer, 1763-1843), a work executed by the American artist Henry Inman. The painting offers a quiet study of Rachel Carmer, capturing her presence with a sense of dignity that reflects her social standing during the early nineteenth century. It is a piece that invites a closer look at the individual behind the name, presenting a woman of character through…
Frances Wright (1795–1852)1824 · New York Historical Society
12
Portrait of a Lady1825 · Metropoliten музеј у Њујорку
13
Portrait of a Gentleman1830 · Metropoliten музеј у Њујорку
14
Mary Ward Betts1834 · Cleveland Museum of Art
15
Frederic Betts; Mary Ward Betts1834 · Cleveland Museum of Art
16
Emma Embury1833 · National Portrait Gallery
17
Eleazer Parmly1835 · National Portrait Gallery
18
Mr. Hackett, in the Character of Rip Van Winkle1832 · National Portrait Gallery
19
David Paul Brown1832 · Pennsylvania Academy of Fine Arts
20
Georgianna Buckham and Her Mother (Anna Traphagen Buckham)1839 · Muzej finih umetnosti u Bostonu
21
Tshi-Zun-Hau-Kau (He-Who-Runs-with-Deer), Winnebago1832 · Fine Arts Museums of San Francisco
22
Cornelia Rutgers Livingston1833 · New Britain Museum of American Art
23
Mrs. John Bishop Hall (d. 1901)1839 · New York Historical Society
24
John Bishop Hall (1807–1889)1839 · New York Historical Society
25
Anthony Morris (1791-1839) or Herman Morris (1794-1849)1838 · New York Historical Society
26
Martin Van Buren (1782-1862)1835 · New York Historical Society
27
The Reverend Hooper Cumming (1787–1825)1832 · New York Historical Society
28
William Charles Macready as William Tell1826 · Metropoliten музеј у Њујорку
29
Daniel Huntington1842 · National Portrait Gallery
30
Major George Washington Whistler1843 · Cincinnati Art Museum
31
John Church Hamilton1825 · Detroit Institute of Arts
32
Martin Van Buren1837 · Metropoliten музеј у Њујорку
33
Mrs. Charles Cummings (Rebecca Pittard)1825 · Metropoliten музеј у Њујорку
34
Lieutenant Philip Augustus Stockton1833 · Detroit Institute of Arts
35
The Young Fisherman1829 · Metropoliten музеј у Њујорку
36
Black Hoof1831 · National Portrait Gallery
37
Ebenezer Martin1838 · Smithsonian American Art Museum
38
Mr. Rutherford1820 · Smithsonian American Art Museum
39
John Inman1830 · Metropoliten музеј у Њујорку
40
Portrait of a Lady1827 · Metropoliten музеј у Њујорку
41
Portrait of a Gentleman1825 · Smithsonian American Art Museum
42
Unidentified Lady1835 · New York Historical Society
43
A Gentleman of the Wilkes Family1838 · Metropoliten музеј у Њујорку
44
Henry G. Stebbins1838 · Metropoliten музеј у Њујорку
45
George Pope Morris1836 · National Gallery of Art
46
Dr. George Ackerly1835 · Smithsonian American Art Museum
47
Portrait of a Woman1840 · Georgia Museum of Art
48
Janet Halleck Drake1825 · Metropoliten музеј у Њујорку
49
Portrait of a Young ManNew York Historical Society
50
Hayne Hudjihini, Eagle of Delight1832 · Metropoliten музеј у Њујорку
51
John MarshallLibrary of Virginia
52
James Bogert, Jr.1835 · Metropoliten музеј у Њујорку
53
No-Tin (Wind)
54
Pes-Ke-Le-Cha-Co1832 · Metropoliten музеј у Њујорку
55
Angelica Singleton Van Buren (Mrs. Abraham Van Buren)1842
56
Dismissal of School on an October Afternoon1845 · Muzej finih umetnosti u Bostonu
57
Rip Van Winkle Awakening from his Long Sleep1823 · National Gallery of Art
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Henri Inman | Slike iz ovog spiska |
|---|---|---|---|
 Metropoliten музеј у Њујорку |
Њујорк | 15 | Portrait of a Lady, Portrait of a Lady, Portrait of a Gentleman |
 New York Historical Society |
New York City | 11 | Alethea Lenox (1807-1878), Henry Rutgers (1745–1830), Mrs. Robert Lenox (Rachel Carmer, 1763-1843) |
 National Portrait Gallery |
Vašington, D.C. | 6 | Tenskwatawa, Emma Embury, Eleazer Parmly |
 Smithsonian American Art Museum |
Vašington, D.C. | 5 | John Wesley Jarvis, Ebenezer Martin, Mr. Rutherford |
 Detroit Institute of Arts |
Detroit | 3 | Children in the Park, John Church Hamilton, Lieutenant Philip Augustus Stockton |
 Cleveland Museum of Art |
Klivlend | 2 | Mary Ward Betts, Frederic Betts; Mary Ward Betts |
 Muzej finih umetnosti u Bostonu |
Boston | 2 | Georgianna Buckham and Her Mother (Anna Traphagen Buckham), Dismissal of School on an October Afternoon |
 National Gallery of Art |
Washington | 2 | George Pope Morris, Rip Van Winkle Awakening from his Long Sleep |
Izaberite deceniju da biste videli original koji je definiše.
The Portrait of Mrs. James W. Wallack is an oil on canvas painted by Henry Inman. Created in the United States, this work captures the likeness of Susan Johnstone, known as Mrs. James W. Wallack. The portrait emerged from the artist's brush circa 1828.
This oil on canvas portrait depicts Tenskwatawa, a Shawnee prophet and holy man who lived from approximately 1775 to 1837. The subject is the brother of the Shawnee leader Tecumseh. The work is dated 1831. It was executed by the American artist Henry Inman, who was born in 1801.
This 1842 portrait captures more than a mere likeness; it seeks to reveal the inner dignity and intellect of the young man. The composition relies on the interplay of light and shadow to breathe life into his features, creating a psychological depth that feels intimate. There is a quietude in his expression, a sense of a moment frozen in time, where the viewer is invited to wonder about the thoughts…
Tenskwatawa (1831), National Portrait Gallery, Vašington, D.C.. Slede Portrait of Mrs. James W. Wallack (1828) i John Wesley Jarvis (1822).
30 godina: Tenskwatawa datira iz 1831, a Henri Inman je rođen/a 1801.
Tenskwatawa, Portrait of Mrs. James W. Wallack, John Wesley Jarvis, Portrait of a Lady, John Wesley Jarvis, Children in the Park, Portrait of Clara Fisher, Alethea Lenox (1807-1878), Henry Rutgers (1745–1830) i Mrs. Robert Lenox (Rachel Carmer, 1763-1843). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 59 dela umetnika Henri Inman, datiranih od 1820 do 1845.
Većinom u Metropoliten музеј у Њујорку (Њујорк), New York Historical Society (New York City) i National Portrait Gallery (Vašington, D.C.). Tabela muzeja iznad sadrži njih sve.
U 1830s: 30 od 57 dela na ovoj stranici nastalo je tada, od čega je Tenskwatawa.
Na ovoj stranici, najstarije delo je iz Portrait of a Lady (1820), a najnovije iz Dismissal of School on an October Afternoon (1845).
Man (20), Portrait (15) i Woman (11), kroz svih 57 dela na ovoj stranici.
Oil On Canvas, za 23 od 57 dela na ovoj stranici.
Academic realism i Romanticism, sudeći po originalima na ovoj stranici.
Portrait of a Lady, Portrait of a Lady i Portrait of a Gentleman: Metropoliten музеј у Њујорку, Њујорк čuva 15 dela sa ove stranice.
U uzrastajućem pejzažu američke umetnosti devetnaestog veka, malo je figura tako intimno dočaralo evoluirajući identitet mlade nacije kao što je to učinio Henri Inman. Rođen 1801. godine u Utice, u državi Njujork, u porodici engleskih imigranata, Inman je bio proizvod kako tradicije starog sveta, tako i ambicija novog. Njegove rane godine u naselju Utika pružile su mu temelj marljivosti, ali je upravo preseljenje u vibrantnu, rastuću metropolu Njujorka 1elog godina 1812. zaista zapalilo njegovu umetničku sudbinu. Pod mentorstvom utvrđenih majstora kao što su Džon Vesli Džervis i Džon Kdidor, Inman je usavršio tehničku preciznost koja će postati njegov zaštitni znak, učeći da balansira između realističnog prikaza i duševne ekspresije neophodne za portretiranje visokog društva.
Inmanov umetnički put nikada nije bio ograničen na jedan jedini žanr; naprotiv, to je bilo višestrano istraživanje američkog iskustva. Iako je posedovao izuzetan talenat za hvatanje tihih, svakodnevnih trenutaka života kroz svoje žanrovske scene — naročito kroz svoje upečatljive prikaze „Rip Van Winkla” i „Novinara” — njegovo srce je pripadalo proučavanju ljudskog karaktera. Njegovi portreti nisu bili samo puke sličnosti; oni su bili psihološke studije koje su nastojale da otkriju unutrašnje dostojanstvo i intelekt svojih subjekata. Kroz pedantnu primenu svetlosti i senke, on je oživljavao lica najuticajnijih figura tog doba, stvarajući vizuelni zapis vođstva i intelekta koji ostaje od vitalnog značaja za naše razumevanje američke istorije.
Možda najdubnije poglavlje Inmanove karijere leži u njegovom monumentalnom doprinosu očuvanju nasleđa američkih starosedelaca. Sarađujući sa slavnim litografom Tomasom L. Mekenijem, Inman je preduzeo Herkulov posao stvaranja dela „Istorija indijanskih plemena Severne Amerike”. Ovaj poduhvat zahtevao je od njega da pedantno kopira preko sto uljanih slika koje su prvobitno izvršio Čarls Bird King. Ovo nije bio samo tehnički zadatak reprodukacije; to je bio čin istorijskog očuvanja. Kroz svoj marljiv rad, Inman je pomogao da se osigura da sličnosti i kulturno dostojanstvo vođa američkih starosedelaca zostanu urezani u trajne godišnjake američke istorije umetnosti.
Ovaj period njegovog života pokazao je duboku empatiju i usklađenost sa intelektualnim strujama njegovog vremena, koje su nastojale da dokumentuju složenosti promenljivog kontinenta. Njegova sposobnost da prenese veličinu ovih originalnih dela u format dostupan široj publici učvrstila je njegovu reputaciju umetnika velike društvene i istorijske odgovornosti. Čineći to, on je premostio jaz između bele umetnosti i etnografskog zapisa, postajući ključna figura u ranom američkom pokretu ka kulturnoj dokumentaciji.
Obim Inmanovog portretstva služi kao Who's Who istog devetnaestoveg američkog značaja. Njegova platna prikazivala su izvanredan niz istaknutih ličnosti, uključujući:
Izvan njegovih pojedinačnih platna, Inmanov uticaj se protezaao i na same institucije koje su oblikovale američku umetnost. Njegova uloga u osnivanju Nacionalne akademije dizajna naglašava njegovu posvećenost uspostavljanju formalne strukture za umetničku izvrsnost u Sjedinjenim Državama. Iako je njegov život bio tragično kratak, završen 1846. godine, uticaj njegovog rada ostaje neizbrisiv. Za sobom je ostavio nasleđe definisano retkom kombinacijom tehničke virtuoznosti i dubokog poštovanja prema subjektima koje je portretirao, osiguravajući da lica prošlosti nastave govoriti generacijama sadašnjosti.
