Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 22 dela Gilis Van Koninkslo u našem katalogu
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Woodland with Saint Jerome (1583) je slika autora Gilis Van Koninkslo koja privlači najviše pažnje; original se nalazi u muzeju Museum of Fine Arts Ghent (MSK), Gent. Nakon toga, pogled se seli na Jonah Preaching to the Ninevites (1583) i Landscape with the judgment of Midas (1598). Među 22 dela umetnika Gilis Van Koninkslo u našem katalogu, ovih 21 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
Jonah Preaching to the Ninevites by Gillis Van Coninxloo depicts a specific biblical narrative. Created about 1583, the work illustrates the prophet Jonah delivering a message to the inhabitants of Nineveh. The scene focuses on the interaction between the central figure and the gathered crowd. This subject matter is intended to convey themes of repentance and awe through the varied gestures and facial expressions of the assembly.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
Landscape with the Judgement of Paris is a large-scale, panoramic landscape painting by Gillis Van Coninxloo. Created about 1610, the work integrates a mythological narrative into an expansive natural setting. The scene focuses on the Judgement of Paris, situating the figures within a complex, multi-layered environment.
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Undergrowth1597 · Musée des Beaux-Arts de Strasbourg
12
Forest Landscape1600 · Detroit Institute of Arts
13
Mountainous Landscape1600 · Museum Boijmans Van Beuningen
14
Forest Landscape1598 · Liechtenstein Museum
15
Mountain Landscape with River Valley and the Prophet HoseaMuseum Mayer van den Bergh
16
Landscape with Venus and AdonisCleveland Museum of Art
17
Elias is fed by ravensKraljevski muzeji fine umetnosti Belgije
18
Landscape with a scene of the Conversion of Saul
19
Landscape with a scene of the Conversion of Saul.
20
LandscapeМузеј Прадо
21
Landscape with Leto and Peasants of LykiaErmitaž
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Gilis Van Koninkslo | Slike iz ovog spiska |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 2 | Jonah Preaching to the Ninevites, A River Landscape |
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Forest Landscape with the Expulsion of Hagar and Ishmael, Forest Landscape with Hagar and the Angel |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | Woodland with Saint Jerome |
 Staatliche Kunstsammlungen Dresden |
Drezden | 1 | Landscape with the judgment of Midas |
 Национални музеј западне уметности |
Tokyo | 1 | Landscape with the Judgement of Paris |
 Kunsthistorisches Museum |
Beč | 1 | Wooded landscape |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Jesus and Zacchaeus |
 Musée des Beaux-Arts de Strasbourg |
Strasburg | 1 | Undergrowth |
Izaberite deceniju da biste videli original koji je definiše.
Woodland with Saint Jerome is an oil painting by Gillis Van Coninxloo. Created in 1583, the work places a solitary figure, likely Saint Jerome, within a dense thicket. He rests in the mid-ground, a quiet presence amidst the heavy growth of the trees.
In Landscape with the judgment of Midas, Gillis Van Coninxloo organizes a vast, panoramic world through a strict three-tier landscape structure. The viewer enters through a dark, densely wooded foreground where twisting branches and heavy foliage frame the view. This shadowed threshold pushes the eye toward the middle ground, where the mythological judgment of King Midas unfolds among scattered figures and architectural elements. The scale is expansive, a Mannerist arrangement…
A dense, enveloping canopy of trees dominates this composition, framing a recessed view into the depths of a thick woodland. The scene is defined by an intricate network of organic lines, following the gnarled, twisting forms of trunks and the overlapping silhouettes of foliage. Sunlight filters through the heavy ceiling of leaves, creating a high-contrast environment where bright highlights on leaf edges meet deep, dark shadows within the forest floor.…
Woodland with Saint Jerome (1583), Museum of Fine Arts Ghent (MSK), Gent. Slede Jonah Preaching to the Ninevites (1583) i Landscape with the judgment of Midas (1598).
39 godina: Woodland with Saint Jerome datira iz 1583, a Gilis Van Koninkslo je rođen/a 1544.
Woodland with Saint Jerome, Jonah Preaching to the Ninevites, Landscape with the judgment of Midas, Landscape with the Judgement of Paris, Wooded landscape, Forest Landscape with the Expulsion of Hagar and Ishmael, Jesus and Zacchaeus, A River Landscape, Landscape with Jesus and his disciples on their way to Emmaüs (Luke 24:13-35) i Forest Landscape with Hagar and the Angel. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 22 dela umetnika Gilis Van Koninkslo, datiranih od 1574 do 1600.
Većinom u Statens Museum For Kunst (Kopenhagen), Bavarske državne slikopisne kolekcije (Minhen) i Museum of Fine Arts Ghent (MSK) (Gent). Tabela muzeja iznad sadrži njih sve.
U 1580s: 5 od 21 dela na ovoj stranici nastalo je tada, od čega je Woodland with Saint Jerome.
Na ovoj stranici, najstarije delo je iz Forest Landscape with the Expulsion of Hagar and Ishmael (1574), a najnovije iz Wooded landscape (1600).
Landscape (7), Figures (4) i Trees (3), kroz svih 21 dela na ovoj stranici.
Oil On Panel, za 4 od 21 dela na ovoj stranici.
Jonah Preaching to the Ninevites i A River Landscape: Statens Museum For Kunst, Kopenhagen čuva 2 dela sa ove stranice.
Gilis Van Koninkslo predstavlja ključnu figuru u evoluciji severne pejzažne umetnosti, služeći kao vitalni most između zamršenih manierističkih tradicija i naglo rastuće atmosferske dubine ranog baroka. Rođen u Antverpenu, u Belgiji, njegov život je bio duboko isprepleten sa bogatom umetničkom linijom Niskih zemalja. Kao sin slikara, bio je uronjen u svet u kojem su zanatska veština i posmatranje prirode bili od presudnog značaja. Njegovo rano obezbeđivanje znanja pod maestrima kao što su Pieter Coecke van Aelst mlađi i Lenaert Kroes pružilo mu je rigoroznu osnovu, ali upravo je rad u radionici koju je vodio Gillis Mostaert omogućio njegovom talentu da zaista procveta, dopuštajući mu da doprinosi profesionalnim delima dok je istovremeno usavršavao svoju jedinstvenu viziju.
Njegovo putovanje bilo je put kretanja i širenja, odražavajući promenljive političke i kulturne talase tog doba. Dok su njegovi koreni bili u Antverpenu, drugi deo njegovog života obeležilo je putovanje kroz veliki deo Evrope, rad u Nemačkoj i konačno nastanjenje u Holandskoj republiki. Ovo nomadsko postojanje omogućilo je njegovom stilu da apsorbuje različite regionalne uticaje, što je na kraju doprinelo sofisticiranom razvoju šumskog pejzaža. Postao je poznat po svojoj sposobnosti da običan prikaz šume pretvori u duboko čulno iskustvo, gde posmatrač ne gleda samo u drveće, već je pozvan da zakorači u živi, dišući ekosistem.
Pravo briljantstvo koje poseduje Gilis Van Koninkslo leži u njegovom neuporedivom majstorstvu u prikazivanju šumskog pejzaža. Posedovao je jedinstvenu sposobnost manipulacije svetlošću i senkom—tehnikom koja se često povezuje sa chiaroscuro stilom—kako bi oblikovao guste šume i isprepletene grane koje definišu njegove kompozicije. U delima kao što je njegov Šumski pejzaž, može se primetiti gotovo opsesivna pažnja posvećena detaljima; svaka vena lista i svaka tekstura kore je izvedena sa pedantnom pažnjom. Koristio je medijum ulja na panelu i bakru kako bi postigao luminoznost, omogućavajući svetlosti da se probija kroz krošnje različitih nijansi zelene, stvarajući osećaj atmosferske dubine koja deluje istovremeno opipljivo i eterično.
Pored same tehničke izvedbe, njegovi pejzaži su proženi osećajem narativa i tihog simbolizma. Zakoljivo put može voditi oko oka ka dalekom, skromnom selu ili impresivnom zamku na horizontu, sugerišući teme izolacije, zaštite ili koegzistencije civilizacije i divljine. Njegovo delo beleži tranziciju u istoriji umetnosti gde pejzaž prestaje da bude samo pozadina za ljudsku dramu i umesto toga postaje glavni protagonista. Kroz svoju pažljivu konstrukciju svetlosti, senke i dubine, Gilis Van Koninkslo je stvorio svetove koji pozivaju na spokojno kontempliranje, ostavljajući neizbrisiv trag u razvoju holandskog i flamanskog Zlatnog doba.
