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Ukratko
Lieutenant General Sir George Pollock (1856) je slika autora Sir Frensis Grant koja privlači najviše pažnje; original se nalazi u muzeju Britanska biblioteka, London. Nakon toga, pogled se seli na Henry Edward Colville, Viscount Colville of Culross (1870) i John Hume Egerton, Viscount Alford (1851). Među 269 dela umetnika Sir Frensis Grant u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
In this 1856 portrait, we find ourselves in the presence of Lieutenant General Sir George Pollock, captured at the height of his military career. The subject is presented in a traditional three-quarter pose, his body angled slightly away while his gaze remains fixed and resolute. There is a quiet gravity to his posture, a sense of a man accustomed to the weight of responsibility. He is set against a landscape…
This captivating portrait by Sir Francis Grant, painted in 1870, offers a fascinating window into the life and status of Henry Edward Colville, Viscount Colville of Culross. More than just a likeness, it's a carefully constructed image reflecting Victorian ideals of nobility, leisure, and societal standing. The artwork provides an intimate yet formal depiction of a prominent figure within British high society, inviting viewers to contemplate the nuances of his…
The air feels still around John Hume Egerton, Viscount Alford, as he stands amidst the quietude of the English countryside. He is captured in a moment of poised composure, his gaze meeting the viewer with a steady, quiet confidence. Beside him, a massive oak tree rises, its textured bark and sprawling branches anchoring the scene. The tree reaches upward, its organic curves providing a soft contrast to the straight, dignified…
This oil on canvas portrait depicts John Hume Egerton, Viscount Alford. The subject is rendered by the artist Francis Grant. The work is dated about 1851. The painting captures the likeness of the man who served as an English Tory Member of Parliament and a landowner.
In this intimate portrait, titled Jew Rabbi, Francis Grant turns his attention toward a singular, dignified figure. Painted about 1824, the work presents an elderly Jewish Rabbi, capturing a moment of quietude and profound presence. Grant, who would later become a central figure in the British art establishment, demonstrates an early ability to handle the nuances of character through a focused, somber lens.
In Francis Grant's Queen Victoria with Victoria, Princess Royal, and Albert Edward, Prince of Wales, a sense of quiet domesticity meets royal dignity within a vertical group portrait. The Queen sits at the heart of the scene, her presence anchoring the arrangement. She holds the young Princess Royal upon her lap, while the Prince of Wales stands close by her side. This arrangement creates a tight, intimate triangle of family…
In this intimate oil portrait from 1842, we find ourselves invited into a private, quiet corner of the British monarchy. The scene depicts two young children, Victoria, Princess Royal, and her brother, Albert Edward, Prince of Wales, engaged in a moment of innocent play. There is a profound sense of domestic tranquility here, a departure from the formal, stiff portraiture often associated with the era. Instead, the composition centers on…
A young Queen Victoria sits with poised dignity atop a powerful chestnut horse, her figure positioned slightly left of center to create a sense of forward momentum. The composition is dominated by the equestrian subject, framed by the textured bark of a large tree to the left and a receding line of cavalry soldiers in the background. Under a cloudy, atmospheric sky, the scene captures a moment of ceremonial stillness.…
The portrait titled Prince Albert (1819-61) captures a singular moment of presence. Created by Francis Grant in 1845, the work focuses on the figure of Prince Albert. The subject is rendered with a quiet, steady weight that anchors the composition. It is a study of a man defined by his station and the stillness of his gaze.
A young boy stands poised in a quiet, dignified stance, his presence filling the vertical space with an air of quiet expectation. He is dressed in ceremonial military-style attire, the deep red of his jacket providing a sharp, singular pulse of color against a backdrop of muted, earthy tones. His white trousers and the gold detailing on his uniform catch the light, which spills softly from the upper left to…
Henry Dover1847
12
George Hudson Esq., Lord Mayor of the City of York1847
13
HM Queen Victoria1846
14
Mrs Livesay1851 · Bristol Museum And Art Gallery
15
Frances Anne Emily (nee Vane-Tempest), Marchioness of Londonderry (1800-1865)1853 · Mount Stewart
16
Portrait of Lady Alice Peel1850
17
John Naylor1857
18
Georgiana Naylor1857
19
James John Farquharson1858
20
John Campbell1861
21
George William Coventry, 9th Earl of Coventry (1838-1930) and Lady Blanche Craven, Countess of Coventry (1842-1930)1871
22
Lady Mary Watkin1870
23
John James Hope Johnstone of Annandale1871
24
James Burchell1866
25
Portrait of Edward Nugent Leeson, 6th Earl of Milltown (1835-1890)1875 · National Gallery of Ireland
26
The 4th Earl Of Sefton As A Young Man
27
Edward George Geoffrey Smith Stanley
28
Algernon Percy, 4th Duke Of Northumberland
29
Lord Wilton of the Leicestershire HuntManchester Art Gallery
30
Hugo Francis Meynell Ingram1865 · Leeds Art Gallery
31
John William Spencer Brownlow Egerton Cust1863 · Belton House
32
Lady Marian Margaret Compton, Viscountess Alford1841 · Belton House
33
Frederick William Hervey, First Marquis of Bristol1839
34
Lady Katherine Isabella Manners, Countess Jermyn1839
35
A Shooting Party at Ranton Abbey1840 · Shugborough Hall
36
Frederick William Hervey, 1st Marquess of Bristol1845 · Ickworth
37
The Four Sons of Baron Nathan Mayer de Rothschild Following Hounds (also known as Full Cry)1841 · Ascott House
38
Edward (Clive) Herbert, 2nd Earl of Powis of the Third Creation1845 · Powys Castle Museum
39
James Thomas Brudenell, 7th Earl of Cardigan1841 · National Portrait Gallery
40
John Gibson Lockhart1850
41
John Russell, 1st Earl Russell1853
42
Katherine Boulton1850 · Birmingham Museums And Art Gallery
43
Edwin Landseer1852
44
Marchioness of Bristol1850
45
Mary Isabella Grant Knitting a Shawl1855 · Government Art Collection
46
Margaret Stuart Tyndall Bruce of Falkland1863 · University of Edinburgh Fine Art Collection
47
John Hick, Esq., Member of Parliament for Bolton1861 · Bolton Museum And Art Gallery
48
Francis Molison of Errol Park1861 · Dundee Art Gallery And Museum
49
Louisa Anne, née Stuart, Marchioness of Waterford1860
50
John Henry Gurney1861 · Norfolk Museums
51
Мисис Мэгги Хек1861 · Bolton Museum And Art Gallery
52
George Charles Bingham, 3rd Earl Of LucanNational Portrait Gallery
53
Henry Temple, 3rd Viscount Palmerston
54
John Campbell, 1st Baron Campbell Of St AndrewsNational Portrait Gallery
55
Admiral Lord Charles Scott as a Boy
56
Thomas Brassey, 1st Earl Brassey
57
Portrait Of Sir William Milner Bt
58
Portrait Of Emily Jane, Viscountess Hardinge
59
Alexander Nasmyth
60
Portrait Of A Gentleman, Possibly A Member Of The Fortescue Family
61
The Prince of Wales with Lieutenant Colonel
62
Portrait Of A Gentleman -
63
Portrait of Sir Walter Scott
64
Lord Wilton Of The Leicestershire Hunt
65
Robert Pulsford -
66
Charles Dalrymple Fergusson, BtNew York Historical Society
67
Edward Rigby
68
Sir edward watkin
69
Portrait Of The Hon. Henry Charles Hardinge
70
Alexander Randall, Founder Of The Kentish Bank
71
Portrait of a Man Out Shooting with his Dog
72
Portrait Of Charlotte Sofia
73
William Long
74
The Right Honourable Sir Frederick Pollock
75
James Bruce, 8th Earl of Elgin and 12th Earl of Kincardine, Governor General of India
76
Portrait Of A Gentleman
77
Sir james hope grant
78
Sir walter scott
79
Edward Knight II
80
Sir George Cornewall Lewis, Bt, MP
81
Portrait of a gentleman, half-length, in a black jacket and white waistcoat
82
The Honourable Elizabeth Albana UptonIckworth
83
Lady Lucy Graham, Countess of Powis
84
Andrew Orr Of Harvieston And Castle Campbell, Lord Provost Of Glasgow
85
HRH Prince Albert
86
Lady Susan Hamilton, Daughter of Alexander, 10th Duke of Hamilton
87
George Hay, 8th Marquess of Tweeddale, AgriculturistScottish National Portrait Gallery
88
Edward Geoffrey Smith StanleyHughenden Manor
89
George Osbaldeston
90
Emily Charlotte Meynell Ingram1867 · Leeds Art Gallery
91
Portrait of John Naylor1857 · Walker Art Gallery
92
A Grey Horse Trotting Out Of A Wood
93
Robert Pulsford
94
Richard Sutton And The Quorn Hounds
95
Robert Pulsford -
96
Joseph Warner Henley
97
Charles Manners, Marquis of Granby
98
William Beckett
99
The Meeting Of Her Majesty's Stag Hounds
100
Meeting Of His Majesty's Staghounds On Ascot Heath
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Sir Frensis Grant | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 6 | Queen Victoria with Victoria, Princess Royal, and Albert Edward, Prince of Wales, Victoria, Princess Royal (1840-1901) and Albert Edward, Prince of Wales (1841-1910), Queen Victoria (1819-1901) on Horseback |
 National Portrait Gallery |
London | 13 | James Thomas Brudenell, 7th Earl of Cardigan, George Charles Bingham, 3rd Earl Of Lucan, John Campbell, 1st Baron Campbell Of St Andrews |
 Belton House |
Grantham | 4 | John Hume Egerton, Viscount Alford, John William Spencer Brownlow Egerton Cust, Lady Marian Margaret Compton, Viscountess Alford |
 Ickworth |
Suffolk County | 3 | Frederick William Hervey, 1st Marquess of Bristol, The Honourable Elizabeth Albana Upton |
 Leeds Art Gallery |
Lids | 2 | Hugo Francis Meynell Ingram, Emily Charlotte Meynell Ingram |
 Bolton Museum And Art Gallery |
Bolton | 2 | John Hick, Esq., Member of Parliament for Bolton, Мисис Мэгги Хек |
 Scottish National Portrait Gallery |
Edinburg | 4 | George Hay, 8th Marquess of Tweeddale, Agriculturist |
 Shugborough Hall |
Stoke-on-Trent | 2 | A Shooting Party at Ranton Abbey |
Izaberite deceniju da biste videli original koji je definiše.
In this intimate portrait, titled Jew Rabbi, Francis Grant turns his attention toward a singular, dignified figure. Painted about 1824, the work presents an elderly Jewish Rabbi, capturing a moment of quietude and profound presence. Grant, who would later become a central figure in the British art establishment, demonstrates an early ability to handle the nuances of character through a focused, somber lens.
In Francis Grant's Queen Victoria with Victoria, Princess Royal, and Albert Edward, Prince of Wales, a sense of quiet domesticity meets royal dignity within a vertical group portrait. The Queen sits at the heart of the scene, her presence anchoring the arrangement. She holds the young Princess Royal upon her lap, while the Prince of Wales stands close by her side. This arrangement creates a tight, intimate triangle of family…
In this 1856 portrait, we find ourselves in the presence of Lieutenant General Sir George Pollock, captured at the height of his military career. The subject is presented in a traditional three-quarter pose, his body angled slightly away while his gaze remains fixed and resolute. There is a quiet gravity to his posture, a sense of a man accustomed to the weight of responsibility. He is set against a landscape…
The canvas presents John Campbell, a man whose presence commands the space through a quiet, settled authority. He sits as the 1st Baron Campbell of St Andrews, a figure defined by his significant service as Lord Chancellor. Through the brush of Sir Francis Grant, the sitter emerges not as a mere historical figure, but as a living presence, his gaze meeting the viewer from across the decades. The oil on…
This captivating portrait by Sir Francis Grant, painted in 1870, offers a fascinating window into the life and status of Henry Edward Colville, Viscount Colville of Culross. More than just a likeness, it's a carefully constructed image reflecting Victorian ideals of nobility, leisure, and societal standing. The artwork provides an intimate yet formal depiction of a prominent figure within British high society, inviting viewers to contemplate the nuances of his…
Lieutenant General Sir George Pollock (1856), Britanska biblioteka, London. Slede Henry Edward Colville, Viscount Colville of Culross (1870) i John Hume Egerton, Viscount Alford (1851).
53 godina: Lieutenant General Sir George Pollock datira iz 1856, a Sir Frensis Grant je rođen/a 1803.
Lieutenant General Sir George Pollock, Henry Edward Colville, Viscount Colville of Culross, John Hume Egerton, Viscount Alford, John Hume Egerton, Jew Rabbi, Queen Victoria with Victoria, Princess Royal, and Albert Edward, Prince of Wales, Victoria, Princess Royal (1840-1901) and Albert Edward, Prince of Wales (1841-1910), Queen Victoria (1819-1901) on Horseback, Prince Albert (1819-61) i Henry Byng (1831-1899), later 4th Earl of Strafford. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 269 dela umetnika Sir Frensis Grant, datiranih od 1824 do 1875.
Većinom u Royal Collection (London), National Portrait Gallery (London) i Belton House (Grantham). Tabela muzeja iznad sadrži njih sve.
U 1850s: 15 od 100 dela na ovoj stranici nastalo je tada, od čega je Lieutenant General Sir George Pollock.
Na ovoj stranici, najstarije delo je iz Jew Rabbi (1824), a najnovije iz Portrait of Edward Nugent Leeson, 6th Earl of Milltown (1835-1890) (1875).
Portrait (19), Victorian era (18) i Man (14), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 28 od 100 dela na ovoj stranici.
Academic realism, sudeći po originalima na ovoj stranici.
Queen Victoria with Victoria, Princess Royal, and Albert Edward, Prince of Wales, Victoria, Princess Royal (1840-1901) and Albert Edward, Prince of Wales (1841-1910) i Queen Victoria (1819-1901) on Horseback: Royal Collection, London čuva 5 dela sa ove stranice.
