Portret Consort Jin

1 najpoznatijih slika umetnika Consort Jin, izbor iz galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 1 dela Consort Jin u našem katalogu

Ukratko

Od svih originala koje je Consort Jin ostavio, najpoznatiji je Untitled, koji se nalazi u kolekciji Muzej u Zabranjenom gradu, Peking. Naš katalog sadrži 1 dela umetnika Consort Jin; galerija je čuvala 1 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1873 – 1924 Najviše dela: Muzej u Zabranjenom gradu

Top 10 slika umetnika Consort Jin: izbor galerije

Muzeji u kojima se čuvaju originalna dela umetnika Consort Jin

1 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Consort Jin Slike iz ovog spiska
Muzej u Zabranjenom gradu, PekingMuzej u Zabranjenom gradu Peking 1 Untitled

Pitanja kolekcionara o slikama umetnika Consort Jin

Po kojem delu je Consort Jin najpoznatiji/a?Otkrij odgovor

Untitled

Koliko je slika ostavio Consort Jin?Otkrij odgovor

Naš katalog sadrži 1 dela umetnika Consort Jin.

U kojim muzejima se nalaze remek-dela umetnika Consort Jin?Otkrij odgovor

Većinom u Muzej u Zabranjenom gradu (Peking). Tabela muzeja iznad sadrži njih sve.

Consort Jin: život i delo

Historical Identity of Consort Jin

Consort Jin was not a visual artist, but a historical figure of the Qing dynasty. Born into the Manchu Bordered Red Banner Tatara clan, she was a consort of the Guangxu Emperor. Her life was marked by various imperial titles, including Concubine Jin, Consort Jin, and later, Noble Consort Jin. Following the end of the dynasty, she held the high rank of Dowager Imperial Noble Consort Duankang and was eventually known as Imperial Noble Consort Wenjing.

Her family connections were significant within the imperial court; her father was Changxu, who served as the Right Vice Minister of Revenue, and her sister was Consort Zhen. During the transition from the Qing dynasty to the Republican era, she remained a prominent figure in the palace, eventually becoming the highest-ranked woman in the palace after the death of Empress Dowager Longyu.