Portret Charles de Steuben

19 najpoznatijih slika umetnika Charles de Steuben, izbor iz galerije

Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 19 dela Charles de Steuben u našem katalogu

Ukratko

Od svih originala koje je Charles de Steuben ostavio, najpoznatiji je Portrait of Anna Benardaki (1844), koji se nalazi u kolekciji Ermitaž, Sankt Peterburg. Odmah za njima slede Portrait of Baron Alexander Stieglitz (1844) i Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Naš katalog sadrži 19 dela umetnika Charles de Steuben; galerija je čuvala 19 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1788 – 1856, Bauerbach Romanticism Najviše dela: Ermitaž

Top 10 slika umetnika Charles de Steuben: izbor galerije

1
Portrait of Anna Benardaki (1844) čiji je Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Ermitaž, Sankt Peterburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) čiji je Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) čiji je Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Ermitaž, Sankt Peterburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) čiji je Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Ermitaž, Sankt Peterburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) čiji je Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Ermitaž, Sankt Peterburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) čiji je Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Ermitaž, Sankt Peterburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Izbor umetnika Charles de Steuben se nastavlja, od 11 do 19

Motivi koji su privlačili pažnju Charles de Steuben

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Charles de Steuben

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Charles de Steuben Slike iz ovog spiska
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LilePalais des Beaux-Arts de Lille Lile 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Muzej Carnavalet, ParizMuzej Carnavalet Pariz 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParizMusée Victor Hugo Pariz 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersalOpera House Versal 1 Anne d'Autriche, reine de France
Château de Versailles, VersajChâteau de Versailles Versaj 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 1 Battle of Poitiers, 25 October 732

Charles de Steuben deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika Charles de Steuben

Po kojem delu je Charles de Steuben najpoznatiji/a?Otkrij odgovor

Portrait of Anna Benardaki (1844), Ermitaž, Sankt Peterburg. Slede Portrait of Baron Alexander Stieglitz (1844) i Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Koliko je godina imao/la Charles de Steuben kada je nastalo delo Portrait of Anna Benardaki?Otkrij odgovor

56 godina: Portrait of Anna Benardaki datira iz 1844, a Charles de Steuben je rođen/a 1788.

Koja su deset najpoznatijih slika umetnika Charles de Steuben?Otkrij odgovor

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" i Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio Charles de Steuben?Otkrij odgovor

Naš katalog sadrži 19 dela umetnika Charles de Steuben, datiranih od 1800 do 1850.

U kojim muzejima se nalaze remek-dela umetnika Charles de Steuben?Otkrij odgovor

Većinom u Ermitaž (Sankt Peterburg), Palais des Beaux-Arts de Lille (Lile) i Muzej Carnavalet (Pariz). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je Charles de Steuben naslikao svoja najpoznatija dela?Otkrij odgovor

U 1830s: 9 od 19 dela na ovoj stranici nastalo je tada, od čega je Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Koja su prva i poslednja čuvena originalna dela umetnika Charles de Steuben?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz The Death of Napoleon (1800), a najnovije iz Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Koje je motive Charles de Steuben najčešće birao/la?Otkrij odgovor

Woman (3), Man (3) i Lace (2), kroz svih 19 dela na ovoj stranici.

Koju je tehniku najčešće koristio/la Charles de Steuben?Otkrij odgovor

Oil On Canvas, za 5 od 19 dela na ovoj stranici.

Kojem umetničkom pravcu pripada Charles de Steuben?Otkrij odgovor

Romanticism, sudeći po originalima na ovoj stranici.

Čija se dela umetnika Charles de Steuben nalaze u Ermitaž?Otkrij odgovor

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz i Portrait of Alexander P. von Benckendorff (1819 – 1851): Ermitaž, Sankt Peterburg čuva 7 dela sa ove stranice.

Charles de Steuben: život i delo

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.