Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 20 dela Čezare Da Sesto u našem katalogu
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Mary with child and Saint John (1513) je slika autora Čezare Da Sesto koja privlači najviše pažnje; original se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Nakon toga, pogled se seli na Madonna and Child with Saint John the Baptist and Saint George (1515) i Christ Carrying His Cross (1520). Među 20 dela umetnika Čezare Da Sesto u našem katalogu, ovih 20 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The painting presents a pyramidal arrangement of figures set against a receding landscape. At the center, the Madonna sits upon an elevated stone pedestal characterized by detailed relief carvings of classical figures. She wears a red gown and a blue mantle. The Christ Child is positioned with her, creating a focal point within the structured geometry of the work. To the left, Saint John the Baptist is depicted holding an…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Cesare da Sesto's "Holy Family with St Catherine," painted in 1515, is more than just a depiction of a sacred scene; it’s a window into the heart of the Florentine Renaissance and a testament to the enduring power of artistic lineage. This oil on canvas masterpiece, measuring 89 x 71 cm, immediately draws the viewer into a world of serene contemplation, a space where faith, familial love, and divine grace…
A muscular, aged figure kneels upon a grassy slope, his skin textured by years of ascetic discipline. This is Jerome, caught in a moment of profound quietude. He is semi-nude, draped only in a small loincloth, his body angled toward a small figure of the Christ Child. The infant lies upon a wooden cross, which is itself draped in a heavy crimson fabric. The scene is set against a landscape…
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
A man sits upon the earth, his body anchored by the gravity of thought. He wears a red robe, the color of dried blood or deep wine, which spills in heavy folds across the ground. His hair and beard are long, catching the light in a way that suggests the dust of many years. In his hands, he cradles a skull. The bone is pale against the warmth of his…
In The Wounded Christ appears to Oliviero Carafa, Cesare da Sesto presents a profound moment of spiritual encounter. The composition centers on the figure of Jesus, whose red clothing provides a heavy visual weight against the scene. He stands over a man kneeling in prayerful respect, a figure draped in a pink robe that offers a soft contrast to the more intense tones of the central subject. Around them, several…
Studies of Feet is a work by Cesare da Sesto. The artist was born in Sesto Calende, Italy, in 1477. His hand moved across the surface until his death in 1523.
In the quiet intimacy of Madonna and Child with the Lamb of God, we are invited into a sacred moment that transcends the boundaries of time. Painted around 1515 by the masterful Cesare da Sesto, this work serves as a profound testament to the grace of the High Renaissance. The composition centers on the Virgin Mary, whose presence radiates both maternal warmth and divine serenity. Clad in a striking red…
The Virgin and Child with Saint John the BaptistNational Gallery of Ireland
12
Salomè with head of John the BaptistNational Gallery
13
Study of a BullPierpont Morgan Library
14
Holy Family with the Infant Saint John the Baptist
15
Madonna and ChildPinacoteca di Brera
16
Seated BullRoyal Collection
17
Studija drvetaRoyal Collection
18
Virgin, Child and St. John the BaptistNacionalni muzej stare umetnosti
19
The Adoration of the Magi1516 · Museo di Capodimonte
20
The Last Supper1550
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Čezare Da Sesto | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 2 | Seated Bull, Studija drveta |
 Bavarske državne slikopisne kolekcije |
Minhen | 1 | Mary with child and Saint John |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Madonna and Child with Saint John the Baptist and Saint George |
 Musée de Grenoble |
Grenoble | 1 | Christ Carrying His Cross |
 Ermitaž |
Sankt Peterburg | 1 | Holy Family with St Catherine |
 Nationalmuseum |
Стокхолм | 1 | St Jerome |
 Wilton House |
Salisbury | 1 | Leda and the Swan |
 City Art Gallery |
Southampton | 1 | St Jerome |
Izaberite deceniju da biste videli original koji je definiše.
The painting depicts a scene from Greek mythology involving Leda and a swan. Two female figures occupy the central space of the composition. Leda is positioned in the foreground, holding a nursing infant in her arms. A second woman stands behind her, observing the scene. The figures are surrounded by several birds; one bird is situated on the left side of the frame, while two others are placed toward the…
The composition rests upon a stable, pyramidal structure, centering the Virgin Mary within a quiet, sacred geometry. She sits draped in heavy fabrics of deep red, teal, and gold, the textures of the cloth folds rendered with a tactile realism. Across her lap, the Christ Child reclines, a small movement of life as he reaches toward her with one arm while clutching an open book in the other. In the…
The oil painting titled Christ Carrying His Cross, or Le Christ portant sa croix, was executed by the artist Cesare da Sesto. Also known by the epithet Le Milanese, the painter was active during the High Renaissance. This specific work is a religious composition that depicts a central biblical scene through a focused, intimate lens.
Mary with child and Saint John (1513), Bavarske državne slikopisne kolekcije, Minhen. Slede Madonna and Child with Saint John the Baptist and Saint George (1515) i Christ Carrying His Cross (1520).
36 godina: Mary with child and Saint John datira iz 1513, a Čezare Da Sesto je rođen/a 1477.
Mary with child and Saint John, Madonna and Child with Saint John the Baptist and Saint George, Christ Carrying His Cross, Holy Family with St Catherine, St Jerome, Leda and the Swan, St Jerome, The Wounded Christ appears to Oliviero Carafa, Studies of Feet i Madonna and Child with the Lamb of God. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 20 dela umetnika Čezare Da Sesto, datiranih od 1505 do 1520.
Većinom u Royal Collection (London), Bavarske državne slikopisne kolekcije (Minhen) i Fine Arts Museums of San Francisco (San Francisco). Tabela muzeja iznad sadrži njih sve.
U 1510s: 5 od 20 dela na ovoj stranici nastalo je tada, od čega je Mary with child and Saint John.
Na ovoj stranici, najstarije delo je iz Leda and the Swan (1505), a najnovije iz Christ Carrying His Cross (1520).
Man (5), Woman (4) i Child (3), kroz svih 20 dela na ovoj stranici.
Oil, za 7 od 20 dela na ovoj stranici.
High renaissance i Renaissance, sudeći po originalima na ovoj stranici.
Seated Bull i Studija drveta: Royal Collection, London čuva 2 dela sa ove stranice.
Čezare Da Sesto (1477–1523) predstavlja ključnu figuru florentinskog Renesanse, umetnik čije je nasleđe prvenstveno smešteno u živopisno umetničko okruženje Milana i njegovih okolnih teritorija. Rođen u Sesto Calende, u Lombardiji—regiji poznatoj po svojoj zaštiti umetnosti—Sestov formativni years koincidirao je sa vrhuncem uticaja Leonarda da Vinčija, podstivši estetsko srodstvo koje će prožimati njegovo celokupno delo. Kao deo uticajne grupe Leonardeschi, umetnici poput Bernardinog Luinija i Marka d’Oggione na sličan način su apsorbovali Da Vinčijeve inovativne pristupe perspektivi i chiaroscuro tehnici, čime je Čezare Da Sesto čvrsto utemeljio svoje mesto u ovoj prestižnoj umetničkoj lozi.
Njegov put bio je put stalnog kretanja i duboke uronjenosti u velike centre italijanske kulture. Dokazi ukazuju na to da je svoje veštine usavršavao pod mentorstvom Baldassare Peruzzija u Rimu tokom 1505. godine, uronivši u rastući humanistički duh papalskog dvora. Ovaj period je prinesao značajne narudžbine, kao što je luneta koja krasi baziliku Sant’Onofrio i nekoliko slika izvršenih u Campagnano Romano, što je demonstriralo Sestov rani talenat za hvatanje emotivnih narativa unutar pedantno izrađenih kompozicija. Njegova umetnička evolucija bila je obeležena sposobnošću da spoji meki, atmosferski sfumato milanske tradicije sa strukturnim grandioznim stilom koji se nalazi u rimskom klasicizmu.
Širina Sestovog talenta možda je najvidljivija u njegovom majstorstvu kako u monumentalnim religioznim narativima, tako i u intimnim, detaljnim studijama. Njegova dela često prenose osećaj duboke duhovne težine, uravnotešen klasičnom lepotom koja definiše Visoku renesansu. Istaknati primeri njegove veštine uključuju:
Značajno poglavlje njegove karijere odigralo se u Napulju između 1514. i 1515. godine, gde je Čezare Da Sesto ostvario plodan umetnički rad koji je učvrstio njegovu reputaciju svestranog slikara. Vrhunac ovog perioda stigao je sa završetkom monumentalnog dela Pobožnost magova, umetničkog dela koje je duboko uticalo na umetnike koji su kasnije radili u Južnoj Italiji—delo koje se danas čuva u Nacionalnom muzeju u Napulju.
Vraćajući se u Milano 1520. godine, Sesto je započeo još jedan ambiciozan poduhvat: ciklus freski za crkvu San Rocco, kolaborativni napor sa Bernardinom Bernazzanom. Iako je veliki deo njegovih originalnih radova iz određenih projekata nažalost nestao tokom vekova, njegov uticaj na razvoj lombardske škole ostaje neporeciv. Uspešno je premostio jaz između eksperimentalnih inovacija Leonarda i strukturiranijih, klasičnih zahteva kasnijeg perioda Renesanse.
Danas se Čezare Da Sesto pamti ne samo kao sledbenik Da Vinčija, već kao majstor sam po sebi koji je uneo jedinstvenu emotivnu dubinu u religiozne i naturalističke teme svog vremena. Njegova sposobnost da navigira kroz složene zahteve papalskih narudžbina, velikih poliptiča i delikatnih skica osigurala mu je mesto u panteonu velikih majstora italijanske renesanse.
