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The Announcement to Anne and Joachim (1510) je slika autora Bernhard Strigel koja privlači najviše pažnje; original se nalazi u muzeju Музеј Тисен-Борнемиза, Madrid. Nakon toga, pogled se seli na Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507). Među 108 dela umetnika Bernhard Strigel u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The oil on panel painting titled St. Anthony Abbot and St. Paul the Hermit was executed by the German artist Bernhard Strigel in 1507. This work depicts two religious figures, St. Anthony Abbot and St. Paul the Hermit, positioned in close proximity. The two subjects are shown engaged in conversation, their forms set against a gold-toned surface.
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
A single figure occupies the center of the frame, stripped of his garments. The skin of Christ appears pale against the heavy, textured folds of the drapery being pulled away. Around him, several figures press inward, their hands grasping at cloth and limb. The scene is set outdoors, where the dark silhouette of a tree rises in the background, grounding the divine drama in a tangible, earthly space. There is…
Mindelheim Altarpiece: Saint Servatius by Bernhard Strigel is a vertically oriented religious portrait executed about 1505. The composition centers on a seated figure shown in profile, facing toward the left of the frame. The subject is Saint Servatius, depicted in clerical attire and wearing spectacles while reading a book. This figure is positioned near a wooden bookcase, creating a focused, intimate setting. The perspective remains shallow, concentrating the viewer's attention…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air feels thick with anticipation as a procession moves through the narrow, structured gates of a city. Jesus Christ rides a donkey, his presence marked by a golden halo that glows softly against the surrounding figures. Around him, a sea of followers and onlookers surges forward, their faces etched with intense expressions. The composition is vertical and tightly packed, creating a sense of movement that pushes against the edges…
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
This painting depicts Saint Barbara and was executed by the artist Bernhard Strigel. The work is dated to 1500. Strigel was a painter associated with the Swabian school, a group of artists active in the southern German regions. He was born in Memmingen.
Buxheim Altar: Prophet Isaiah1500 · Bavarske državne slikopisne kolekcije
12
Altarpiece: Birth of Mary1500
13
Altarpiece: Martyrdom of Saint Quirinus1500
14
Three Kings Altar: The Adoration of the Magi1500
15
Portrait of a Man1493 · Gemäldegalerie
16
Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
18
Prophets with Scroll1493 · Gemäldegalerie
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Prophets with Scroll1493 · Gemäldegalerie
20
Mindelheim Altarpiece: Anna and Joachim with Mary1500 · Bavarske državne slikopisne kolekcije
21
Virgin with child1490 · Bavarske državne slikopisne kolekcije
22
The returning of David with the head Goliath1500 · Bavarske državne slikopisne kolekcije
23
Mindelheim Altarpiece: Mary Salome and Zebedee with their Childs1500 · Bavarske državne slikopisne kolekcije
24
The Arrest of Christ1500 · Walters Art Museum
25
Pilate Washing His Hands of Guilt for Christ's Death1500 · Walters Art Museum
26
Christ Before the High Priest1500 · Walters Art Museum
27
Death of Mary (Reverse: St. Dorothea and Margaretha)1510 · Bavarske državne slikopisne kolekcije
28
Sliding Lid for the Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
29
Finding and Exaltation of the True Cross1507 · Veste Coburg Art Collections
30
Epitaph of the Familie Funk von Memmingen, 15131513 · Museum of All Saints
31
Ulrich von Frundsberg as Donor of the Family Retable1505
32
St Catherine of Alexandria1505 · Städel Museum
33
The Emperor Maximilian I (1459 - 1519)1508 · Upton House
34
Mindelheim Altarpiece: Cleophas and Maria Cleophae and Childs1505 · Bavarske državne slikopisne kolekcije
35
Mindelheim Altarpiece: Mary of Clopas and Alphaeus with their Childs1505 · Bavarske državne slikopisne kolekcije
36
Mindelheim Altarpiece: Issachar and Susanna and their Childs1505 · Bavarske državne slikopisne kolekcije
37
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs1505 · Bavarske državne slikopisne kolekcije
38
Mindelheim Altarpiece: Eliud and Memelia with Saint Servatius1505 · Bavarske državne slikopisne kolekcije
39
Emperor Maximilan I. (1459-1519) with a Scroll1515 · Gemäldegalerie
40
Portrait of Maximilian I1515
41
Angel with Censer1520 · Louvre Abu Dhabi
42
The Thurifer Angel Dressed in a Yellow Tunic1520 · Louvre Abu Dhabi
43
Prayer of Christ in the Garden of Olives1525 · Staatliche Kunsthalle Karlsruhe
44
Sleeping guard of a grave with a crossbow1520 · Bavarske državne slikopisne kolekcije
45
Calvary (verso): Chris as Man of Sorrows1520 · Bavarske državne slikopisne kolekcije
46
St.Peter and St. Paul1521
47
Portrait d'une dame1520
48
Portrait of Mary of Burgundy1520 · Dumbarton Oaks
49
Portrait of Count Johann II, Count of Montfort and Rothenfels1523 · National Gallery of Ireland
50
Holy Family with Angels1510 · Kunsthistorisches Museum
51
Portrait of a Man1528 · Музеј Тисен-Борнемиза
52
Buxheim Altar: Prophet Zacharias Reverse: Part of an Annunciation(?)1500 · Bavarske državne slikopisne kolekcije
53![Hans Roth [obverse] (1527) čiji je Bernhard Strigel](/media/artworks/images-thumb/c0/53/c0536f9d39bebacea67dcfd17e7277dd.jpg)
Hans Roth [obverse]1527 · National Gallery of Art
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Holy Tribe1520 · Kunsthistorisches Museum
55
Portrait of Hieronymus II. Haller zu Kalchreuth1503 · Bavarske državne slikopisne kolekcije
56
Christ Washing the Disciples' Feet1520 · Staatliche Kunsthalle Karlsruhe
57
The Annunciation1515 · Fundación Colección Thyssen-Bornemisza
58
John the Evangelist is taught to write1510 · Kunsthistorisches Museum
59![Margarethe Vöhlin, Wife of Hans Roth [reverse] (1527) čiji je Bernhard Strigel](/media/artworks/images-thumb/ca/b1/cab156fa5e0148a2e9b0560926d3d422.jpg)
Margarethe Vöhlin, Wife of Hans Roth [reverse]1527 · National Gallery of Art
60![Hans Roth [reverse] (1527) čiji je Bernhard Strigel](/media/artworks/images-thumb/e3/a3/e3a3614e1ef6310758806a32d0c9299c.jpg)
Hans Roth [reverse]1527 · National Gallery of Art
61
Margarethe Vöhlin1527 · National Gallery of Art
62
Portrait of Maximilian I1459
63
Emperor Maximilian I1459
64
Maximilian I1459 · Kunsthistorisches Museum
65
Christ Taking Leave of His Mother1520 · Staatliche Museen zu Berlin
66
Inside Pages of the Wings of the Schussenrieder Marienaltar1515 · Gemäldegalerie
67
Sacrifice of Isaac, and Transfiguration1510
68
Portrait of Georg Tannstetter (Collimitius)1515
69
The eight children Konrad Rehlinger1517 · Bavarske državne slikopisne kolekcije
70
Portrait of Martha Thannstetter (née Werusin)1515 · Liechtenstein Museum
71
Portrait of Dr. Georg Thannstetter1515 · Liechtenstein Museum
72
Portrait of Emperor Maximilian and His Family1515
73
Sleeping guardian of a grave with sword and halberd1520 · Bavarske državne slikopisne kolekcije
74
Saint Mary Salome and Her Family1528 · National Gallery of Art
75
Saint Mary Cleophas and Her Family1528 · National Gallery of Art
76
Portrait of Conrad Rehlinger and his Children1517 · Alte Pinakothek
77
Emperor Maximilian I1459
78
Portrait of a Woman1510 · Metropoliten музеј у Њујорку
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Mary and Joseph with Jesus1506 · Bavarske državne slikopisne kolekcije
80
Lamentation of ChristStaatliche Kunsthalle Karlsruhe
81
Emperor Maximilian IBavarske državne slikopisne kolekcije
82
The Marriage of the VirginStaatsgalerie Stuttgart
83
Crowning of Christ with ThornsStaatliche Kunsthalle Karlsruhe
84
St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj)1511 · Szépművészeti Múzeum
85
Eliud with Memelia and Saint Servatius as a ChildGemäldegalerie
86
Saints Vitus and MargaretGemäldegalerie
87
Annunciation to MaryStaatliche Kunsthalle Karlsruhe
88
Portrait of Hieronymus HallerSzépművészeti Múzeum
89
Saint John the BaptistMuzej finih umetnosti u Bostonu
90
Pair of lovers with the Devil and CupidKupferstichkabinett
91
Portrait of the Cuspinian Family1520
92
Christ Taking Leave of His Mother1520
93
Portrait of Louis II of Hungary1515 · Kunsthistorisches Museum
94
Saint Elizabeth of Thuringia and Emperor Henry IIGemäldegalerie
95
Margaret of Antioch
96
John the Evangelist
97
John the Baptist
98
Barbara of Nicomedia
99
Hans Caspar von LaubbergStaatliche Kunsthalle Karlsruhe
100
Sleeping Grave Guards with Mace and SwordBavarske državne slikopisne kolekcije
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Bernhard Strigel | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 25 | Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk |
 Gemäldegalerie |
Berlin | 10 | Portrait of a Man, Prophets with Scroll, Prophets with Scroll |
 Staatliche Kunsthalle Karlsruhe |
Karlsrue | 6 | Prayer of Christ in the Garden of Olives, Christ Washing the Disciples' Feet, Lamentation of Christ |
 National Gallery of Art |
Washington | 6 | Hans Roth [obverse], Margarethe Vöhlin, Wife of Hans Roth [reverse], Hans Roth [reverse] |
 Kunsthistorisches Museum |
Beč | 6 | Holy Family with Angels, Holy Tribe, John the Evangelist is taught to write |
 Walters Art Museum |
Baltimore | 4 | The Entry Into Jerusalem, The Arrest of Christ, Pilate Washing His Hands of Guilt for Christ's Death |
 Szépművészeti Múzeum |
Budimpešta | 3 | St Ladislas Predaje Vladislava II i njegovih Sinova Bogorodici (detalj), Portrait of Hieronymus Haller |
 Музеј Тисен-Борнемиза |
Madrid | 2 | The Announcement to Anne and Joachim, Portrait of a Man |
Izaberite deceniju da biste videli original koji je definiše.
In this work, titled betrothal of Maria with the founder, Bernhard Strigel presents a solemn depiction of the Betrothal of the Virgin Mary. The scene unfolds within an indoor or semi-enclosed space, where the atmosphere is defined by a dense arrangement of figures. At the heart of the composition, a high priest or officiating figure stands centrally, mediating the ritual between the primary subjects. To the left, a woman kneels…
In this intimate work, titled Funk Diptych: Donor Portrait of Hans Funk, we encounter a quiet moment of devotion captured by the hand of Bernhard Strigel. The portrait focuses on the individual known as Hans Funk, presented with the solemnity typical of a late Gothic donor image. It is a work that seeks to preserve the identity and piety of its subject through a formal, dignified gaze.
The air in the portrait feels heavy with the scent of polished metal and expensive dyes. Maximilian I sits in a profile view, a choice that demands respect and distances the viewer from the intimate space of the ruler. His gaze does not meet ours; instead, it looks toward a horizon only he can see. The light catches the sharp edge of his crown and the fine, meticulous embroidery of…
The painting depicts a domestic interior where a seated woman, Mary, occupies the left side of the frame. She holds a piece of cloth in her hands, her posture settled within a chair. Opposite her, a standing figure, the angel Gabriel, appears in the space of the room. The scene is grounded by a dining table positioned toward the upper right, upon which a single bowl rests. In the lower…
A man stares directly from the panel, his presence heavy and immediate. He wears a black hat adorned with a delicate gold trim, a piece of finery that catches the light against the dark fabric. A red cape drapes over his shoulders, providing a sudden, sharp splash of color against the more somber tones of his attire. His hand is raised, a ring glinting on his finger, as if he…
The Announcement to Anne and Joachim (1510), Музеј Тисен-Борнемиза, Madrid. Slede Portrait of Maximiliaan I van Habsburg (1459-1519) (1500) i St. Anthony Abbot and St. Paul the Hermit (1507).
50 godina: The Announcement to Anne and Joachim datira iz 1510, a Bernhard Strigel je rođen/a 1460.
The Announcement to Anne and Joachim, Portrait of Maximiliaan I van Habsburg (1459-1519), St. Anthony Abbot and St. Paul the Hermit, Portrait of a Gentleman, Disrobing of Christ, Mindelheim Altarpiece: Saint Servatius, Funk Diptych: Donor Portrait of Hans Funk, The Entry Into Jerusalem, betrothal of Maria with the founder i Saint Barbara. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 108 dela umetnika Bernhard Strigel, datiranih od 1485 do 1528.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Gemäldegalerie (Berlin) i Staatliche Kunsthalle Karlsruhe (Karlsrue). Tabela muzeja iznad sadrži njih sve.
U 1500s: 28 od 100 dela na ovoj stranici nastalo je tada, od čega je Portrait of Maximiliaan I van Habsburg (1459-1519).
Na ovoj stranici, najstarije delo je iz betrothal of Maria with the founder (1485), a najnovije iz Portrait of a Man (1528).
Man (41), People (22) i Woman (21), kroz svih 100 dela na ovoj stranici.
Oil On Panel, za 51 od 100 dela na ovoj stranici.
Northern renaissance, sudeći po originalima na ovoj stranici.
Portrait of Maximiliaan I van Habsburg (1459-1519), Mindelheim Altarpiece: Saint Servatius i Funk Diptych: Donor Portrait of Hans Funk: Bavarske državne slikopisne kolekcije, Minhen čuva 25 dela sa ove stranice.
U srcu švabskog pejzaža, u periodu kada je srednjovekovni svet počeo da ustupa mesto svitanju renesanse, Bernhard Strigel se pojavio kao majstor svetlosti i ljudskog prisustva. Rođen u Memmingenu oko 1461. godine, Strigel nije samo slikao figure; on im je oduvao život kroz pedantno vladanje bojom i formom. Njegov put bio je put duboke umetničke evolucije, krećući se od strukturiranih tradicija gotičke ere ka nijansiranijem, opservacionom stilu koji će definisati nemačku renesansu. Kao ključna figura švabske škole, njegovo delo služi kao vitalni most između duhovnog intenziteta srednjeg veka i humanističke jasnoće šesnaestog veka.
Temelji Strigelovog genija postavljeni su unutar intimnih okvira porodične radionice. Pod vođstvom svog oca, Hansa Strigela, i pod uticajem cenjenog majstora Zeitbloma iz Ulma, mladi umetnik je razvio oko za sitne detalje koji karakteriški definišu umetnost severne renesanse. Ovo rano obrazovanje u njemu je usadilo poštovanje prema teksturama stvarnosti — teškom naboru baršunastog ogrtača, suptilnom sjaju bisera i mekom sjaju kože pod svetlošću sveće. U njegovim ranim kompozicijama mogu se pratiti odjeci majstora kao što su Rogier van der Weyden i Dieric Bouts, gde osećaj duboke pobožnosti susreće gotovo naučnu preciznost u detalju.
Strigelov uspon od regionalnog talenta do slavne figure evropskog značaja pokrenula je najmoćnija patronska podrška njegovog doba: ona cara Maksimilijana I. Car, čovek nezasitne žeđi za slikama i istorijskim dokumentacijom, prepoznao je u Strigelu jedinstvenu sposobnost da uhvati ne samo sličnost, već samu suštinu autoriteta i plemenitosti. Ova veza transformisala je Strigelovu karijeru, vodeći ga na velike umetničke ekspedicije kroz kulturna središta Augsburga, Inzbruka i Beča. Njegovo prisustvo na carskim dvorovima omogućilo mu je da učestvuje u najznačajnijim političkim i društvenim narativima svog vremena.
Možda njegov najtrajniji doprinos istoriji portretizma leži u ulozi koju je imao tokom presudnih pregovora o brakovima između dinastija Hapsburg i Jagelonić. Godine 1515, pozvan specifično u Beč, Strigel je dobio zadatak da zabeleži lica Evrope koja se menjala. Njegovi portreti iz ovog doba odlikuju se izuzetnom jasnoćom i psihološkom dubinom koja prevazilazi puki dokumentacioni karakter. Kroz njegovu četkicu, subjekti poseduju dostojanstven mir i luminanciju koja sugeriše dušu kako viri iza pigmenata. Ova dela ne služe samo za beleženje istorije; ona je humanizuju, nudeći nam intiman prozor u lica renesansne elite.
Tehnička briljantnost Bernharda Strigela najočiglednija je u njegovom majstorstvu luminancije. Posedovao je retku sposobnost manipulacije svetlošću tako da se činilo da ona izbija iz same slike, umesto da se samo reflektuje sa njene površine. Ova tehnika, u kombinaciji sa sofisticiranom upotrebom palete boja, omogućila mu je stvaranje dela koja deluju istovremeno fizički opipljivo i duhovno uzvišeno. Bilo da je radio na velikim istorijskim kompozicijama ili intimnim individualnim portretima, njegova posvećenost preciznosti ostala je nepokolebljiva.
Njegova umetnička dostignuća mogu se sažeti kroz nekoliko ključnih stubova njegove karijere:
Danas dela Bernharda Strigela ostaju svedočanstvo ere dubokih transformacija. Njegova sposobnost da uhvati prolaznu svetlost trenutka i očuva je unutar trajnosti ulja i tempera osigurava da njegovo nasleđe nastavi da odjekuje. Pogledati Strigelov portret znači susresti se sa samim duhom švabske renesanse — svetom u kojem je svaki potez četkice čin posvećenosti lepoti vidljivog sveta.
