Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 59 dela Bartolomeo Passarotti u našem katalogu
Ukratko
Od svih originala koje je Bartolomeo Passarotti ostavio, najpoznatiji je Portrait of an old woman (1582), koji se nalazi u kolekciji Kunsthistorisches Museum, Beč. Odmah za njima slede The Anatomy Lesson (1550) i Family Portrait (1585). Naš katalog sadrži 59 dela umetnika Bartolomeo Passarotti; galerija je čuvala 56 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…
The Portrait of the physician Carlo Fontana is an oil on canvas work created by the artist Bartolomeo Passarotti. This portrait, which dates to 1580, depicts a male subject in a medium close-up composition. The painting is categorized within the genre of portraiture.
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…
The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…
The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…
In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…
The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…
Portrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK)
12
Portrait of Pope Pius V1579
13
Portrait of a Young General1575
14
Pope Gregory XIII1580 · Gemäldegalerie
15
Portrait of a Man1580 · Harvard Art Museums
16
Poultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi
17
Blood of the RedeemerMuzej finih umetnosti u Bostonu
18
Portrait of Ignazio Danti1597 · Musée des Beaux-Arts de Brest
19
Portrait of a Man Playing a Lute1576 · Muzej finih umetnosti u Bostonu
20
Copy after Michelangelo1550 · Nelson-Atkins Museum of Art
21
DIANE CHASSERESSELuvr
22
The Holy Family with St Elizabeth and the Infant St John the Baptist1572
23
Portrait of a Young Man Holding a Statuette1575
24
Portrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina
25
The Fishmonger's Shop1580 · Galleria Nazional d Art Antica
26
Portrait of a Man with a Dog1585 · Pinacoteca Capitolina
27
Study of Male Nudes Fighting1572
28
Perseus frees Andromeda1575
29
Family portraitGemäldegalerie Alte Meister
30
Saint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg
31
Lute palyer
32
Portrait d'homme en armure
33
A Butchery1575 · Galleria Nazional d Art Antica
34
Male Nude1550 · Музеј Прадо
35
Copy of a Statue with A Female Nude From Back1550 · Музеј Прадо
36
Lucretia's Suicide1550
37
Portrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada
38
Portrait of Pope Pius V1566 · Walters Art Museum
39
Portrait of a Lady with a Dog1569
40
Double Portrait of Musicians1579 · Kapitolinski muzeji
41
Double Dressed Portrait of Circe and Ulysses1575
42
Copy of the Good Thief, From the Last Judgement of Michelangelo1570 · Музеј Прадо
43
The Holy Family Accompained by an Angel and two Saints1565 · Музеј Прадо
44
Portrait of a Gentleman1580
45
Nude Studies1580
46
Portrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art
47
The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia
48
St. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna
49
Domenico Giuliani and His Servant
50
Portrait of an Old Woman
51
A Group of Six Men, Including a Self Portrait
52
Portrait of a lady, head and shouldersBavarske državne slikopisne kolekcije
53
Portrait of an Unknown Soldier in ArmourNational Trust
54
Holy Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum
55
Two market women and a boy with chicken and vegetablesGemäldegalerie
56
The Butcher's Shop1580 · Galleria Nazional d Art Antica
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Bartolomeo Passarotti | Slike iz ovog spiska |
|---|---|---|---|
 Музеј Прадо |
Мадрид | 4 | Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo |
 Kunsthistorisches Museum |
Beč | 3 | Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana |
 Galleria Nazional d Art Antica |
Рим | 3 | The Fishmonger's Shop, A Butchery, The Butcher's Shop |
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Portrait of a Man, Portrait of a lady, head and shoulders |
 Muzej finih umetnosti u Bostonu |
Boston | 2 | Blood of the Redeemer, Portrait of a Man Playing a Lute |
 Pinacoteca Capitolina |
Rim | 2 | Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog |
 Galleria Borghese |
Rim | 1 | The Anatomy Lesson |
 National Gallery of Ireland |
Dublin | 1 | Saint Jerome |
Izaberite deceniju da biste videli original koji je definiše.
The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…
The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.
In this intimate portrait, we encounter the physician Carlo Fontana, a man whose presence is defined by a quiet, scholarly intensity. He is captured in a three-quarter view, his gaze meeting the viewer with a directness that suggests a lifetime of observation. The lighting is deliberate, a controlled chiaroscuro that emerges from the upper left to illuminate the textures of his weathered skin, the crispness of his white collar, and…
The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.
Portrait of an old woman (1582), Kunsthistorisches Museum, Beč. Slede The Anatomy Lesson (1550) i Family Portrait (1585).
53 godina: Portrait of an old woman datira iz 1582, a Bartolomeo Passarotti je rođen/a 1529.
Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe i Three Men with Two Dogs. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 59 dela umetnika Bartolomeo Passarotti, datiranih od 1550 do 1585.
Većinom u Музеј Прадо (Мадрид), Kunsthistorisches Museum (Beč) i Galleria Nazional d Art Antica (Рим). Tabela muzeja iznad sadrži njih sve.
U 1580s: 15 od 56 dela na ovoj stranici nastalo je tada, od čega je Portrait of an old woman.
Na ovoj stranici, najstarije delo je iz The Anatomy Lesson (1550), a najnovije iz Family Portrait (1585).
Man (19), Beard (8) i Book (6), kroz svih 56 dela na ovoj stranici.
Oil On Canvas, za 18 od 56 dela na ovoj stranici.
Mannerism i Renaissance, sudeći po originalima na ovoj stranici.
Male Nude, Copy of a Statue with A Female Nude From Back i Copy of the Good Thief, From the Last Judgement of Michelangelo: Музеј Прадо, Мадрид čuva 4 dela sa ove stranice.
U živopisnom, promenljivom pejzažu kasnog šesnaestog veka, malo je umetnika uspelo da sa toliko veštine zabeleži tranziciju od strukturirane elegancije visokog renesansa do dramatičnog intenziteta baroka kao Bartolomeo Passarotti. Rođen u Bolonji 1529. godine, Passarotti se pojavio ne samo kao slikar, već kao ključni most između era. Njegove rane godine obeleženo je dubokim uronjavanjem u rimsku umetničku scenu, gde je između 1550. i 1555. tražio vođstvo kod majstora kao što su Giacomo Barozzi da Vignola i Taddeo Zuccari. Ovaj period rimskog obrtanja bio je transformativan; ulio je u njega duboko poštovanje prema klasičnoj antici i humanističkim principima anatomske preciznosti i uravnotežene kompozicije, čak i dok je počeo da eksperimentiše sa izduženijim i složenijim oblicima koji će definisati maniristički pokret.
Nakon povratka u rodnu Bolonju, Passarotti se nije samo nastavio sa lokalnim radom; on je osnovao moćno umetničko središte. Njegov studio postao je krionosnica inovacije, privlačeći generaciju talenata koji će na kraju preoblikovati evropsku umetnost. Među njegovim najznačajnijim učenicima bili su Agostino Carracci, Lucio Massari i Francesco Brizzi—umetnici koji će uneti seme njegovih stilskih eksperimenata u usledni barok. Ovo nasleđe mentorstva osiguralo je da Passarottijev uticaj prevaziđe zidove njegove radionice, jer je njegov pristup svetlosti, teksturi i predmetu umetnosti prožao samu srž boloonske škole.
Passarottijevo delo slavi se zbog svoje izuzetne svestranosti, koja se kreće od božanskog do duboko zemaljskog. Posedovao je jedinstvenu sposobnost da balansira između grandioznih religijskih oltarskih slika i intimnih, često sirovih, žanrovskih scena. Njegova dela često prikazuju upečatljivo korišćenje chiaroscuro tehnike, koristeći oštre kontraste između svetlosti i senke kako bi svojim temama podario osećaj psihološke dubine i fizičkog prisustva. Ova tehnika, koja je najavila dramatično osvetljenje koje će kasnije usavršiti Caravaggio, omogućila mu je da oživi kako mitološke figure, tako i svakodnevne radnike.
U svojim žanrovskim slikama, Passarotti je pokazao izuzetan oko za detalje i fascinaciju teksturama svakodnevnog postojanja. Dela kao što je The Butcher's Shop (1580) služe kao očaravajući prozori u svet kasnog renesanse, prikazujući majstorsko vladanje toplim tonovima i realističan prikaz komunalnog života. Slično tome, njegova sposobnost da prikaže božansko vidljiva je u delima kao što je Diane Chasseresse, gde je rimska boginja lovca uhvaćena sa dinamičnom, mišićavom gracioznošću koja otelovljuje samu esenciju manirističke energije. Bilo da je prikazivao tišinu i samoću Lute Player ili solemnitet religioznog odavanja, njegov potezi četkicom su neprestano težili da uhvate prolaznu tenziju između idealnog i stvarnog.
Iako istorija ponekad previđa Passarottija u korist revolucionarnijih figura poput Michelangela, njegova važnost za evoluciju italijanske umetnosti je neosporna. Bio je majstor tranzicije, umetnik koji je razumeo kako da odiže počast klasičnoj prošlosti, dok istovremeno priprema tlo za emocionalni nemir narednog veka. Njegova kasnija dela, pod uticajem toskanskih modela kao što su Giorgio Vasari i Prospero Fontana, pokazuju kontinuiranu evoluciju i neizblednu radoznalost o promenljivim talasima estetskog ukusa.
Istorijski značaj Bartolomeo Passarottija leži u njegovoj ulozi kao temeljnog stvoritelja za Carracci akademiju i širu bolońsku tradiciju. Njegov životni rad — spoj pedantnog anatomskog proučavanja, dramatičnog osvetljenja i dubokog interesovanja za čovečanstvo — ostaje svedočanstvo neprolazne moći manirizma. Kroz svoj studio, svoje učenike i svoja upečatljiva platna, Passarotti je osigurao da duh Bolonje ostane u srcu evropskog umetničkog dijaloga generacijama koje dolaze.
