Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 123 dela Barthel Bruyn Stariji u našem katalogu
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Portrait of a knight (1531) je slika autora Barthel Bruyn Stariji koja privlači najviše pažnje; original se nalazi u muzeju Kunsthistorisches Museum, Beč. Nakon toga, pogled se seli na Portrait of Wilhelm Kannengiesser (1550) i Portrait of Elisabeth Bellinghausen (1530). Među 123 dela umetnika Barthel Bruyn Stariji u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · Bavarske državne slikopisne kolekcije
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · Bavarske državne slikopisne kolekcije
13
Pietà1514 · Nacionalni muzej u Varšavi
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · Bavarske državne slikopisne kolekcije
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · Bavarske državne slikopisne kolekcije
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · Bavarske državne slikopisne kolekcije
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · Bavarske državne slikopisne kolekcije
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · Bavarske državne slikopisne kolekcije
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · Bavarske državne slikopisne kolekcije
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · Bavarske državne slikopisne kolekcije
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · Bavarske državne slikopisne kolekcije
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · Bavarske državne slikopisne kolekcije
23
Christ Bids Farewell to His Mother1532 · Wallraf-Richartz-Museum
24
Sybilla von Aich, born Reidt, with four daughters1520 · Bavarske državne slikopisne kolekcije
25
Christ carrying the cross1520 · Bavarske državne slikopisne kolekcije
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · Bavarske državne slikopisne kolekcije
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · Bavarske državne slikopisne kolekcije
28
Johann von Aich, mayor of Cologne, with his two sons1520 · Bavarske državne slikopisne kolekcije
29
The lamentation of Christ1531 · Bavarske državne slikopisne kolekcije
30
The martyrdom of Saint Cyriacus1532 · Bavarske državne slikopisne kolekcije
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · Bavarske državne slikopisne kolekcije
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · Nacionalni muzej lepih umetnosti
36
Christ appearing to Mary Magdalene1520 · Nacionalni muzej u Varšavi
37
The Annunciation1520 · Nacionalni muzej u Varšavi
38
The Nativity1520 · Музеј Тисен-Борнемиза
39
Portrait of a Young Man1528 · Kraljevski muzej lepih umetnosti u Antverpenu
40
Crucifixion1532 · Wallraf-Richartz-Museum
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · Wallraf-Richartz-Museum
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · Harvard Art Museums
45
Christ appearing before Mary1520 · Nacionalni muzej u Varšavi
46
Founder with two sons (left panel)1549 · Museum Catharijneconvent
47
Foundress with three daughters before landscape (right wing)1549 · Museum Catharijneconvent
48
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
49
Portrait of Chancellor Balthasar von Kerpen1535 · Kunstmuseum
50
Portrait of Sibylla Kessel1542 · Städel Museum
51
Portrait of Peter Heyman1542 · Städel Museum
52
Portrait of an unknown family: a father with his three sons1549 · Bavarske državne slikopisne kolekcije
53
Passion Altarpiece of the Siegen Family: Left Panels1540 · Bavarske državne slikopisne kolekcije
54
Passion Altarpiece of the Siegen Family: Right Panels1540 · Bavarske državne slikopisne kolekcije
55
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · Bavarske državne slikopisne kolekcije
56
Passion Altarpiece of the Siegen family: Central Panel1540 · Bavarske državne slikopisne kolekcije
57
Margarethe von Aich (1517–1570)1540 · Muzej finih umetnosti u Bostonu
58
Johann von Aich (1510–1549)1540 · Muzej finih umetnosti u Bostonu
59
Man's portrait with armour, rear: child wifh skull1544 · Wallraf-Richartz-Museum
60
Portrait of a Woman1534 · Gemäldegalerie
61
Portrait of a Man1534 · Gemäldegalerie
62
Portrait of a Woman1537 · Harvard Art Museums
63
Portrait of a Man1537 · Harvard Art Museums
64
Portrait of a Man1550 · Bavarske državne slikopisne kolekcije
65
Rinck Altar II: Saint Benedict1550 · Bavarske državne slikopisne kolekcije
66
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · Bavarske državne slikopisne kolekcije
67
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · Bavarske državne slikopisne kolekcije
68
Portrait of a Man with a Book1550 · Bonnefanten Museum
69
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
70
Kreuzigungs-Triptychon, St. Andreas Köln1550
71
Portrait of a Woman1565 · Saint Louis Art Museum
72
Portrait of a Woman of the Slosgin Family of Cologne1557 · Metropoliten музеј у Њујорку
73
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
74
Bacchus with putti1747 · Muzej Plantin-Moretus
75
Portrait of Scholar Petrus von Clapis1528 · Szépművészeti Múzeum
76
Vanitas Still-lifeKröller-Müller Museum
77
Portrait of a Woman1539 · Музеј Тисен-Борнемиза
78
Portrait of a Woman1541 · Yale University Art Gallery
79
German, )1493
80
Crucifixion of christ1515 · Böttcherstraße Museums
81
Portrait of a Woman1533 · Metropoliten музеј у Њујорку
82
Portrait of a Man1533 · Metropoliten музеј у Њујорку
83
Portrait of a Man with Three Sons1530 · Ermitaž
84
Portrait of an Older Man1535 · Gemäldegalerie
85
Burgomaster Arnold von Brauweiler1535 · Wallraf-Richartz-Museum
86
Crucifixion Altar: Emperor Henry II the SaintBavarske državne slikopisne kolekcije
87
Crucifixion Altar: Saint HelenaBavarske državne slikopisne kolekcije
88
Portrait of a Man (Vanitas Portrait)Bavarske državne slikopisne kolekcije
89
Appearance of the Risen Christ before MaryBavarske državne slikopisne kolekcije
90
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with FoundressBavarske državne slikopisne kolekcije
91
Portrait of Johannes Draconites
92
Resurrection of ChristKraljevski muzej lepih umetnosti u Antverpenu
93
Portrait of a ManKraljevski muzej lepih umetnosti u Antverpenu
94
Portrait of a WomanKraljevski muzej lepih umetnosti u Antverpenu
95
Triptych with DonorsKraljevski muzej lepih umetnosti u Antverpenu
96
Portrait of a ManKraljevski muzej lepih umetnosti u Antverpenu
97
Portrait of a Lady
98
Portrait of a Man
99
Portrait of a clergymanNacionalni muzej u Varšavi
100
CATHERINE DE BOREMusée Condé
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Barthel Bruyn Stariji | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 Kraljevski muzej lepih umetnosti u Antverpenu |
Antverpen | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 Wallraf-Richartz-Museum |
Keln | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 Nacionalni muzej u Varšavi |
Varšava | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 Gemäldegalerie |
Berlin | 5 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 Kunsthistorisches Museum |
Beč | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 Städel Museum |
Frankfurt | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 Harvard Art Museums |
Kembriđ | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
Izaberite deceniju da biste videli original koji je definiše.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The gaze of the viewer meets the steady presence of Founder with two sons (left panel), a work that captures a family moment frozen in time. This portrait, dating to about 1549, presents a man and his children within a structured, formal arrangement. The scene holds a quiet gravity, as if the subjects have just paused their movements to face the observer. Every detail of their attire and the landscape…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531), Kunsthistorisches Museum, Beč. Slede Portrait of Wilhelm Kannengiesser (1550) i Portrait of Elisabeth Bellinghausen (1530).
38 godina: Portrait of a knight datira iz 1531, a Barthel Bruyn Stariji je rođen/a 1493.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor i The Nativity with the Donors Peter von Clapis and Bela Bonenberg. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 123 dela umetnika Barthel Bruyn Stariji, datiranih od 1514 do 1550.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Kraljevski muzej lepih umetnosti u Antverpenu (Antverpen) i Wallraf-Richartz-Museum (Keln). Tabela muzeja iznad sadrži njih sve.
U 1530s: 31 od 100 dela na ovoj stranici nastalo je tada, od čega je Portrait of a knight.
Na ovoj stranici, najstarije delo je iz Pietà (1514), a najnovije iz Portrait of Wilhelm Kannengiesser (1550).
Man (41), Woman (35) i Landscape (22), kroz svih 100 dela na ovoj stranici.
Oil On Panel, za 79 od 100 dela na ovoj stranici.
Northern renaissance, sudeći po originalima na ovoj stranici.
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music i Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: Bavarske državne slikopisne kolekcije, Minhen čuva 34 dela sa ove stranice.
