The mocking of Christ
The light fades into the dark.
Ukratko
The mocking of Christ (1699) je slika autora Anthoni Schoonjans koja privlači najviše pažnje; original se nalazi u muzeju Kunsthistorisches Museum, Beč. Nakon toga, pogled se seli na The Apple of Eris (1690) i Portrait of an unknown lady (1690). Među 15 dela umetnika Anthoni Schoonjans u našem katalogu, ovih 15 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
3 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Anthoni Schoonjans | Slike iz ovog spiska |
|---|---|---|---|
| Minhen | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Beč | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Izaberite deceniju da biste videli original koji je definiše.
The mocking of Christ (1699), Kunsthistorisches Museum, Beč. Slede The Apple of Eris (1690) i Portrait of an unknown lady (1690).
44 godina: The mocking of Christ datira iz 1699, a Anthoni Schoonjans je rođen/a 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew i Elector Johann Wilhelm on Horseback. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 15 dela umetnika Anthoni Schoonjans, datiranih od 1690 do 1716.
Većinom u Bavarske državne slikopisne kolekcije (Minhen), Kunsthistorisches Museum (Beč) i Charlottenburg Palace (Berlin). Tabela muzeja iznad sadrži njih sve.
U 1690s: 10 od 15 dela na ovoj stranici nastalo je tada, od čega je The mocking of Christ.
Na ovoj stranici, najstarije delo je iz The Apple of Eris (1690), a najnovije iz Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, za 2 od 15 dela na ovoj stranici.
The Apple of Eris, Portrait of an unknown lady i Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarske državne slikopisne kolekcije, Minhen čuva 11 dela sa ove stranice.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.