Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 159 dela Alfred Volis u našem katalogu
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Za ljubitelje galerije, najpoznatije delo umetnika Alfred Volis je Sailing Ship and Orchard (1937), čiji se original nalazi u muzeju Kettle's Yard, Kembrijdž. Fishing Boat with Two Masts and Yellow Sails (1920) i String of Boats (1928) čine triju koju svako oko prepoznaje. Od 159 dela umetnika Alfred Volis u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
A collection of sailboats drifts across a quiet expanse of water, their varying scales suggesting a sense of depth and distance. In the background, a lighthouse provides a fixed point of reference against the horizon, anchoring the nautical scene. The composition is defined by a muted, earthy palette, where shades of brown dominate the visual field, lending the work a grounded, somber quality. The arrangement of the vessels creates a…
The painting titled White House and Cottages, the Old House, Porthmeor Square, St Ives was created by the artist Alfred Wallis. This work dates to about 1932. The artist, a self-taught painter from the United Kingdom, produced this piece during a period of prolific activity in St Ives, Cornwall.
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
In the evocative masterpiece St Ives, we are invited into a world where the boundaries between memory and reality dissolve into a charming, stylized landscape. Created around 1928, this work offers an aerial perspective that looks down upon a cluster of coastal dwellings and maritime vessels nestled along a serene blue expanse. The composition is dominated by a central grouping of buildings and boats, arranged with a density that suggests…
Headland with two three masters (verso)1938 · The Pier Arts Centre
12
Green Sails1939
13
The Blue Ship1934
14
Boats before a Great Bridge (Royal Albert Bridge )1937 · Kettle's Yard
15
Rough Sea
16
Ship, People and AnimalsKettle's Yard
17
Schooner in Full Sail near a Lighthouse1928 · Kettle's Yard
18
P. Z. 111928
19
Seven Boats Entering Harbour1928 · Kettle's Yard
20
Houses at St Ives, Cornwall1928
21
Houses at the Water's Edge (Porthleven )1928 · Kettle's Yard
22
Seascape, Ships Sailing Past the Long Ships1928 · Kettle's Yard
23
Five Ships, Mount's Bay1928 · Kettle's Yard
24
St Ives1928
25
Two Ships and Steamer Sailing Past a Port, Falmouth and St Anthony Lighthouse1931 · Kettle's Yard
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St. Ives Harbor1932
27
Schooner Approaching a Harbour1930
28
White Houses, Hales Down, near St Ives1932 · Kettle's Yard
29
Two Boats1930 · Jerwood Gallery
30
House1935
31
Fishes and Lobster Pots1936 · Kettle's Yard
32
Boats under Saltash Bridge (Royal Albert Bridge) (recto)1937 · Kettle's Yard
33
Harbour Scene (verso)1937 · Kettle's Yard
34
Grey Sailing Ship and Small Boat (verso)1938 · Kettle's Yard
35
Harbour with Two Lighthouses and Motor Vessel, St Ives Bay1934 · Kettle's Yard
36
House1936
37
Harbour, St Ives, Cornwall1936
38
House with Trees1937 · Kettle's Yard
39
Cottages in a Wood, St Ives1937 · Kettle's Yard
40
Crucifixion or Allegory with Three Figures and Two Dogs1934 · Kettle's Yard
41
St Ives harbour White sailing ship (recto)1938 · The Pier Arts Centre
42
Trees and Cottages1937 · Kettle's Yard
43
Three Master and Steamer in Port (verso)1937 · Kettle's Yard
44
White sailing ship – three masts1938 · The Pier Arts Centre
45
Three ships and lighthouse (verso)1938 · The Pier Arts Centre
46
Against Longships fog (recto)1938 · The Pier Arts Centre
47
Ravine with Estuary (Bristol Channel and Suspension Bridge )1938 · Kettle's Yard
48
Landscape with Field, Chimneys and Road between Blue and Dark Green Cottages (Consols Mine)1936 · Kettle's Yard
49
St Ives harbour and Godrevy (recto)1938 · The Pier Arts Centre
50
Boat on the Sea1937
51
Yacht, pink and green (verso)1938 · The Pier Arts Centre
52
'Consols Mine Raswall Hill and the Road Zennor to Farms. The White You See Is Granite'1936
53
Black Steamship1938 · The Pier Arts Centre
54
Shipwreck 2, the Wreck of the 'Alba'1941 · Kettle's Yard
55
Death Ship1942 · Kettle's Yard
56
Boat with Figures1940
57
Shipwreck 1, the Wreck of the 'Alba'1940 · Kettle's Yard
58
Small Boat in a Rough Sea1936 · Kettle's Yard
59
Land, Fish and Motor Vessel1937 · Kettle's Yard
60
Two Ships with Brown Green Sails in Rising SeaKettle's Yard
61
Motor Vessel Mounting a WaveKettle's Yard
62
Trawler1925 · Arts Council Collection
63
Три мастоведа брод код фара1930 · Kettle's Yard
64
Steam Boat
65
Three Master in Full Sail near a LighthouseKettle's Yard
66
Four Steam Ships and Three Jetties (verso)Kettle's Yard
67
Three Sailing Boats in a Line (recto)Kettle's Yard
68
Mount's Bay
69
Two BoatsKettle's Yard
70
Three Grey Sailed ShipsKettle's Yard
71
Large and Small SteamboatsKettle's Yard
72
Ships in HarbourUniversity of Essex
73
Nine Ships in HarbourKettle's Yard
74
Fishing Boat in Harbour, with Red Sail Mast SteepedKettle's Yard
75
Grey Three MasterKettle's Yard
76
Harbour and Sailing ShipUniversity of Essex
77
Mount's Bay with Four LighthousesKettle's Yard
78
Sailing Ships and Two Steamers, Newlyn HarbourKettle's Yard
79
Penzance HarbourKettle's Yard
80
A Fishing Boat off the Coast
81
BoatsWolfson College
82
Two Sailing Ships with a LighthouseKettle's Yard
83
Knill's MonumentKettle's Yard
84
Schooner
85
Wreck of the Alba
86
Fishing Boat Between Two Lighthouses
87
Three Boats off the Shore
88
Passin Ice Burgs
89
Fishing Boat
90
Two Masted Schooner, Ketch
91
Four Masted Sailing Ship and LighthouseKettle's Yard
92
Four Sailing Boats Leaving Pier with LighthouseKettle's Yard
93
Grey Steam BoatKettle's Yard
94
Two Funnel Steamboat amongst Three Sailing BoatsKettle's Yard
95
Motor Vessel with Four MenKettle's Yard
96
Three Master with Four Sailors and Four Dolphins in Green SeaKettle's Yard
97
Two Masted YawlFitzwilliam College
98
GatewayKettle's Yard
99
Motor Vessel near LandKettle's Yard
100
Wreck of the Alba
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Alfred Volis | Slike iz ovog spiska |
|---|---|---|---|
 Kettle's Yard |
Kembrijdž | 96 | Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea |
 The Pier Arts Centre |
Stromness | 9 | Headland with two three masters (verso), St Ives harbour White sailing ship (recto), White sailing ship – three masts |
 University of Essex |
Colchester | 5 | Ships in Harbour, Harbour and Sailing Ship |
 Arts Council Collection |
London | 2 | Trawler |
 Wolverhampton Art Gallery |
Wolverhampton | 1 | A Brig, Close to Shore |
 Tate Britain |
London | 1 | St Ives |
 Jerwood Gallery |
Hastings | 1 | Two Boats |
 Wolfson College |
Oxford | 1 | Boats |
Izaberite deceniju da biste videli original koji je definiše.
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
Sailing Ship and Orchard (1937), Kettle's Yard, Kembrijdž. Slede Fishing Boat with Two Masts and Yellow Sails (1920) i String of Boats (1928).
82 godina: Sailing Ship and Orchard datira iz 1937, a Alfred Volis je rođen/a 1855.
Sailing Ship and Orchard, Fishing Boat with Two Masts and Yellow Sails, String of Boats, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea, Voyage to Labrador, Brigantine Sailing Past Green Fields, Landscape with Two Large Trees and Houses, A Brig, Close to Shore i St Ives. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 159 dela umetnika Alfred Volis, datiranih od 1920 do 1942.
Većinom u Kettle's Yard (Kembrijdž), The Pier Arts Centre (Stromness) i University of Essex (Colchester). Tabela muzeja iznad sadrži njih sve.
U 1930s: 39 od 100 dela na ovoj stranici nastalo je tada, od čega je Sailing Ship and Orchard.
Na ovoj stranici, najstarije delo je iz Fishing Boat with Two Masts and Yellow Sails (1920), a najnovije iz A Brig, Close to Shore (1942).
Coastal landscape (9), Boats (8) i Sea (7), kroz svih 100 dela na ovoj stranici.
Oil, za 5 od 100 dela na ovoj stranici.
Naive art, sudeći po originalima na ovoj stranici.
Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives i Barque with a Man at the Wheel on a Stormy Sea: Kettle's Yard, Kembrijdž čuva 56 dela sa ove stranice.
Alfred Volis (1855–1942) izdvaja se od tradicionalnog umetničkog pejzaža svog vremena – to je figura čija tiha jednostavnost skriva duboku posvećenost posmatranju i nepokolebljivu predanost hvatanju same suštine obale Kornvala. Rođen u Devonportu, u Engleskoj, Volis nije posedovao formalno umetničko obrazovanje; bio je to samouki zanatlija koji je veći deo svog života proveo radeći kao brodograditelj, oblikujući drvo u plovila koja su krstarila vodama Atlantika. Ovo praktično, direktno majstorstvo usadilo mu je pedantnu pažnju posvećenu detaljima i intimno razumevanje materijala koje će kasnije pronaći svoj izraz u njegovim upečatljivim slikama. Njegove formativne godine provedene su usavršavanjem veština brodogradnje, zanata koji se prenosio generacijama kornskih porodica, što mu je pružilo jedinstvenu, gotovo fizičku vezu sa morskim svetom koji će na kraju ovekovečiti na platnu.
Tek 1920-ih umetnička karijera Volisa je istinski procvetala, nakon njegovog preseljenja u vibrantnu umetničku enklavu Sent Ajvs u Kornvolu. Privučen kreativnom energijom ove zajednice – kojoj su pripadale značajne ličnosti poput Bena Berela i Džordža Neša – počeo je da stvara plodnu seriju dela koja prikazuju čamce, luke i pejzaže okopljane specifičnom svetlošću Kornvala. Njegova estetika je nesumnjivo jedinstvena, karakterisana spljoštenom perspektivom, odvažnim konturama i prigušenom paletom boja u kojoj dominiraju duboke plave i morsko-zelene nijanse. Volisovo delo otelovljuje principe naivnog umetništva, stila ukorenjenog u direktnom čulnom iskustvu, a ne u intelektualizovanoj akademskoj teoriji. On je izbegavao složene kompozicije i preterane poteze četkicom, dajući prioritet jasnoći i trenutnom, emocionalnom utisku.
Značaj Volisovog doprinosa umetnosti leži u njegovoj sposobnosti da obične elemente pomorskog života transformiše u nešto duboko duhovno i atmosferično. Njegove slike nisu samo prikazi mesta; one su prožete opipljivim osećajem pokreta i sećanja. Kroz dela kao što su Trawler i Boat, može se osetiti težina Atlantika i ritmični puls plime i oseke. Čak i u turbulentnijim kompozicijama poput Rough Sea, njegov ekspresivni stil i upečatljivi potezi četkicom hvataju sirovu snagu okeana kroz prizmu tradicije narodne umetnosti. Odbacivanjem krutih akademskih konvencija svog vremena, Volis je postigao nivo iskrenosti koji rezonuje sa posmatračima koji traže povezanost sa elementarnim silama prirode.
Njegov istorijski značaj potvrđen je ulogom mosta između surove stvarnosti pomorskog rada i modernih umetničkih pokreta 20. veka. Iako mu je nedostajalo formalno obrazovanje, njegov "primitivni" pristup ponudio je osvežavajuću alternativu sofisticiranim tehnikama tog doba, utičući na način na koji percipiramo odnos između teme i medija. Delo njegovog života ostaje svedočanstvo moći neobučevanog oka, dokazujući da prava umetnička vizija često izrasta iz duboke, doživotne bliskosti sa okruženjem. Danas njegovo nasleđe nastavlja da inspiriše sve one koje privlači šarm kornskog života i vanvremenska lepota mora.
