1919
The Diners (William Roberts, 1919)
William Roberts (1895–1980) je napravio The Diners. Datirano je iz 1919. Dimenzije su 152 × 83 cm.
- 1919
- 152 × 83 cm
The Diners, ukratko
- Naslov
- The Diners
- Umetnik
- William Roberts (1895–1980)
- Rođen/a u
- London, United Kingdom
- Datum
- 1919
- Dimenzije
- 152 × 83 cm
Slike visoke rezolucije za The Diners
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William Roberts, The Diners (1919).
Odgovori na pitanja o The Diners
U kojoj godini je nastalo "The Diners"?
Delo „The Diners”, autor William Roberts datira iz 1919. godine.
Kolikih je dimenzija originalnog dela "The Diners"?
Dimenzije dela „The Diners”, autor William Roberts su 152 x 83 cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.
Da li se prikaz „The Diners”, autor William Roberts može slobodno reprodukovati?
Status autorskih prava za „The Diners”, autor William Roberts: delo je i dalje je zaštićeno autorskim pravima. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.
Kome se pripisuje delo "The Diners"?
Autor dela "The Diners" je William Roberts. Delo je katalogizovano pod imenom William Roberts.
Koliko je godina imao/la William Roberts u vreme nastanka dela "The Diners"?
Kada je delo "The Diners" nastalo 1919. godine, William Roberts – rođen/a 1895. godine – imao/la je 24 godina.
Zašto je status autorskih prava za "The Diners" takav kakav jeste?
"The Diners" autora William Roberts je u i dalje je zaštićeno autorskim pravima. Autorska prava se računaju od godine smrti umetnika, a William Roberts je preminuo/la 1980.
O umetniku, William Roberts
1895–1980, United Kingdom
William Roberts
The Architect of Fragmented Reality: The Life of William Patrick Roberts In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.