1949
Composition (William Gear, 1949)
William Gear (1915–1997) je napravio Composition. Datirano je iz 1949. Dimenzije su 116 × 89 cm.
- 1949
- 116 × 89 cm
Composition, ukratko
- Naslov
- Composition
- Umetnik
- William Gear (1915–1997)
- Rođen/a u
- Methil, United Kingdom
- Datum
- 1949
- Dimenzije
- 116 × 89 cm
Slike visoke rezolucije za Composition
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William Gear, Composition (1949).
Odgovori na pitanja o Composition
Kada je nastalo delo „Composition”, autor William Gear?
Delo „Composition”, autor William Gear nastalo je 1949.
Kolikih je dimenzija originalnog dela "Composition"?
Dimenzije originalnog dela „Composition”, autor William Gear su 116 x 89 cm.
Da li je "Composition" slobodan od autorskih prava?
Što se tiče autorskih prava, delo "Composition" je i dalje je zaštićeno autorskim pravima.
Ko je autor dela "Composition"?
Delo "Composition" pripisuje se umetniku William Gear.
Koliko je godina imao/la William Gear kada je stvorio/la "Composition"?
Kada je delo "Composition" nastalo 1949. godine, William Gear – rođen/a 1915. godine – imao/la je 34 godina.
Zašto je status autorskih prava za "Composition" takav kakav jeste?
Status autorskih prava za delo "Composition" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 1997.
O umetniku, William Gear
1915–1997, United Kingdom
William Gear
A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.