The Day's Work, Hop Picking (Thérèse Lessore)
Thérèse Lessore (1884–1945) je napravio The Day's Work, Hop Picking. Dimenzije su 77 × 54 cm.
- 77 × 54 cm
The Day's Work, Hop Picking, ukratko
- Naslov
- The Day's Work, Hop Picking
- Umetnik
- Thérèse Lessore (1884–1945)
- Rođen/a u
- Southwick, United Kingdom
- Dimenzije
- 77 × 54 cm
Slike visoke rezolucije za The Day's Work, Hop Picking
Thérèse Lessore, The Day's Work, Hop Picking. Javno dobro.
Odgovori na pitanja o The Day's Work, Hop Picking
Kolikih je dimenzija originalnog dela "The Day's Work, Hop Picking"?
Dimenzije originalnog dela „The Day's Work, Hop Picking”, autor Thérèse Lessore su 77 x 54 cm.
Da li je "The Day's Work, Hop Picking" slobodan od autorskih prava?
„The Day's Work, Hop Picking”, autor Thérèse Lessore pripada u javnom vlasništvu – autorska prava su istekla. Ovaj status određuje način na koji se slika dela može reprodukovati.
Kome se pripisuje delo "The Day's Work, Hop Picking"?
Delo "The Day's Work, Hop Picking" je kreirao/la Thérèse Lessore. Informacije na ovoj stranici opisuju originalno delo umetnika Thérèse Lessore.
Da li je delo "The Day's Work, Hop Picking" autora Thérèse Lessore u javnom vlasništvu i zašto?
„The Day's Work, Hop Picking”, autor Thérèse Lessore je u u javnom vlasništvu – autorska prava su istekla. Autorska prava traju od smrti umetnika, koja se dogodila 1945.
O umetniku, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.