Baroque · 1631

The Annunciation (Matthias Stom, 1631)

Matthias Stom (1600–1650) je napravio The Annunciation. Datirano je iz 1631. Pripada pokretu Baroque. Izrađeno je u Oil On Canvas. Čuva se u muzeju Kunsthistorisches Museum u mestu Beč, Austrija. Dimenzije su 117 × 171.5 cm.

The Annunciation autor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum
The Annunciation autor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum. Javno dobro.

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The Annunciation, ukratko

Naslov
The Annunciation
Umetnik
Matthias Stom (1600–1650)
Rođen/a u
Amersfoort, Netherlands
Datum
1631
Tehnika
Oil On Canvas
Dimenzije
117 × 171.5 cm
Gde se može videti
Kunsthistorisches Museum, Beč, Austrija
Pokret
Baroque
Tema
woman, angel, lily, red cloak, blue drapery, wings

Šta prikazuje The Annunciation?

Identification of The Annunciation by Matthias Stom

The Annunciation is an oil on canvas by Matthias Stom. This work captures a specific biblical scene where the Virgin Mary is visited by an angel. She is often depicted in the act of reading when the divine messenger arrives to deliver the news. The painting measures 117 x 171.5 cm.

The artist, Matthias Stom, was a Dutch painter who spent many years in Italy. This particular piece was created about 1631. It focuses on the intimate, silent moment of revelation between the celestial visitor and the woman. The scale of the canvas allows for a heavy presence of light and shadow within the sacred encounter.

Technical Details and Artistic Influence

The oil on canvas carries the weight of the Baroque and Caravaggesque style. Light acts as a sculptor here, carving form out of a dark, atmospheric void. This technique relies on a sophisticated command of chiaroscuro, where a strong light source from the upper right illuminates the faces and hands of the subjects. Such dramatic contrast defines the religious art of the period, grounding the divine encounter in a tangible, physical reality.

Stom’s hand moves with a quiet precision. Smooth brushwork renders the fine details of the scene, from the delicate texture of the lily held by Gabriel to the heavy, sculptural folds of the drapery. This meticulousness reflects a Northern sensibility applied to the intense, tenebristic traditions of Italy. The artist’s style emerged from a convergence of influences, absorbing the dramatic lighting of the followers of Caravaggio and the heavy, emotive realism found in the works of Jusepe de Ribera and Peter Paul Rubens.

The composition relies on organic, fluid shapes and a shallow perspective. By overlapping the figures, the artist creates an intimate space that pulls the viewer into the immediate tension of the revelation. The interplay of deep blues, vibrant reds, and warm golds against earthy shadows creates a sense of weight and texture. It is a study of light emerging from shadow.

Current Location and Museum Collection

The oil on canvas resides within the Kunsthistorisches Museum in Vienna. It is held as part of the Gemäldegalerie collection. The work carries the accession number 5806. This specific piece is also associated with the Galleria degli Uffizi in Florence.

The painting remains a physical presence in these halls. It rests under the quiet stewardship of these institutions. A shadow of its history connects it to both Vienna and Florence. The light of the gallery finds the surface of the canvas.

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U kom muzeju se nalazi The Annunciation?

Kunsthistorisches Museum

Beč, Austrija

Istorija muzeja Kunsthistorisches Museum Kunsthistorisches Museum u Beču, u Austriji, proizašao je iz duboke želje da se ogromna, dragocena imovina porodice Habsburg dobije na viđenju javnosti. Po nalogu cara Franca Jozefa I, ova institucija osnovana je 1871. godine kako bi postala dom za ove carske umetničke kolekcije.

Slike visoke rezolucije za The Annunciation

The Annunciation autor Matthias Stom, 1631, oil on canvas, Kunsthistorisches Museum
Besplatno preuzimanje

Javno dobro: umetnik je preminuo 1650.

Ostale veličine, isečci i citiranje →
Podaci o autorstvu

Matthias Stom, The Annunciation (1631), Kunsthistorisches Museum. Javno dobro.

Odgovori na pitanja o The Annunciation

U kom muzeju se čuva originalni "The Annunciation"?

Originalno delo "The Annunciation" možete videti u muzeju Kunsthistorisches Museum, Beč, Austrija.

Kada je nastalo delo „The Annunciation”, autor Matthias Stom?

Delo „The Annunciation”, autor Matthias Stom nastalo je 1631.

Kojom tehnikom je urađeno „The Annunciation”, autor Matthias Stom?

"The Annunciation" je urađeno u tehnici Oil On Canvas.

Koje su dimenzije originalnog dela „The Annunciation”, autor Matthias Stom?

Dimenzije dela „The Annunciation”, autor Matthias Stom su 117.0 x 171.5cm. Reprodukcije se mogu naručiti u drugim dimenzijama uz zadržavanje istih proporcija.

Šta prikazuje „The Annunciation”, autor Matthias Stom?

Motivi dela "The Annunciation" su woman, angel, lily, red cloak, blue drapery, wings, hands.

Da li je delo „The Annunciation”, autor Matthias Stom u javnom vlasništvu?

Što se tiče autorskih prava, delo "The Annunciation" je u javnom vlasništvu – autorska prava su istekla.

Ko je autor dela "The Annunciation"?

Delo "The Annunciation" pripisuje se umetniku Matthias Stom.

Koji umetnički pravac obuhvata „The Annunciation”, autor Matthias Stom?

Umetnički pravac koji se povezuje sa delom „The Annunciation”, autor Matthias Stom je Baroque. Ova klasifikacija smešta rad među srodne umetnike i umetnička dela.

U kojoj periodi karijere umetnika Matthias Stom pripada delo "The Annunciation"?

"The Annunciation" predstavlja Italian Period umetnika Matthias Stom.

O umetniku, Matthias Stom

Matthias Stom

1600–1650, Netherlands

Matthias Stom

Stomer Mathias: A Caravaggist’s Journey Through Italy The name Stomer Mathias, a figure shrouded in the mists of 17th-century art history, represents a fascinating convergence of Dutch artistic training and Italian Caravaggesque influence. Born around 1600, likely in Amersfoort, Netherlands – though definitive proof remains elusive – Mathias’s life was one dedicated to mastering and adapting the dramatic style pioneered by Michelangelo Merisi da Caravaggio. He wasn't a household name during his lifetime, often overshadowed by more prominent contemporaries, yet his output of approximately 200 paintings offers a compelling glimpse into a pivotal period in European art. Early accounts suggest Mathias received his initial artistic education within the Utrecht Mannerist tradition, possibly under the tutelage of Abraham Bloemaert and Joachim Wtewael – artists known for their meticulous detail and refined compositions.

Takođe i Matthias Stom

Eseji o delu The Annunciation