Format papira

Vodič za studentske radove

SALES COUNTER

Ime Razred Datum

Franz Ehrlich, SALES COUNTER (1957), Bauhaus Dessau Foundation. Reprodukovano u informativne svrhe; sva prava zadržava vlasnik autorskih prava. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Franz Ehrlich originaluniqueart.com/sr/artists/franz-ehrlich_sr/
Podaci o umetniku
1907 – 1984
Slikano
1957
Medijum
Drawing
Originalne dimenzije
51 x 66 cm
Pokret
Bauhaus
Epoha
Modern
Mesto održavanja
Bauhaus Dessau Foundation originaluniqueart.com/sr/museums/bauhaus-dessau-foundation-dessau-rosslau_sr/
Artistic style
Bauhaus-inspired
Subject or theme
1950s sales scene

U kontekstu

SALES COUNTER — Franz Ehrlich

Dimenzije

Originalne dimenzije su 51 × 66 cm (visina × širina), prikazane ovde pored odrasle osobe prosečne visine.

Godina nastanka

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 77 u smrti.

Naslikano kada je umetnik imao 50 godina. Umetnik je doživeo 77. 24 od 81 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Franz Ehrlich (1907–1984) ▲ ovo delo, 1957 svaka datirana slika, deceniju po deceniju

Prva dela: do 1952 Glavne radne godine: 1952–1970 Kasna dela: od 1970

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/franz-ehrlich-sales-counter-D9EFPZ-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Gray #7e7863

    Katalogizovana paleta

    • #7E7863
    • #555448
    • #736E57
    • #88816E

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Monochrome Dominantna grupa boja na slici.
    Naziv glavne boje
    Gray
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Serene Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Unified Palette Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Bright Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Franz Ehrlich tokom poslednjih dvanaest meseci — ukupno u 4 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 83,8%
    2. 2 Сједињене Америчке Државе 10,8%
    3. 3 Хонг Конг 2,7%
    4. 4 Јапан 2,7%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Franz Ehrlich

    1. 1 Little house in a forest near Berggiesshübel (Floor plans, views, section and layout plan), 1947 8,1%
    2. 2 63 - 64 (Painting with violin, New Year, 1964 8,1%
    3. 3 Floor plan Sleeping room (with interior furnishings), 1962 5,4%
    4. 4 Painting with violin, 1979 5,4%
    5. 5 3 panels 72/51 5,4%
    6. 6 A.D.W. MAIN BUILDING 2 BASEMENT STOREYS 1RST WORKING DESIGN (Academy of Sciences, floor plan), 1976 2,7%
    7. 7 A.D.W. MAIN BUILDING GROUND FLOOR 1RST WORKING DESIGN V.2 (Academy of Sciences, floor plan), 1976 2,7%
    8. 8 A.D.W. MAIN BUILDING 1RST TOP FLOOR 1RST WORKING DESIGN (Academy of Sciences), 1976 2,7%
    9. 9 BASIC SCHEME FOR ROOM UNITS AND UTILISATION IN THE HV HOUSE (Trading House Berlin), 1974 2,7%
    10. 10 1 piece filing cabinet (with tubular steel feet and marble tabletop), 1981 2,7%
    11. 11 HKB II - NEW-BUILD 1RST TOP FLOOR (Ministry of the Interior, Berlin, plan view), 1950 2,7%
    12. 12 800 YRS. DAS BUCH [THE BOOK]. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    13. 13 SALES COUNTER, 1957 ova slika 2,7%
    14. 14 1rst Front door project (Baumann House, Berlin), 1962 2,7%
    15. 15 110.4% plan fulfilment in Leipzig. Report by Leipzig City Council (Brochure), 1949 2,7%
    16. 16 800 YRS. WALL 4 + 5. GROUND PLAN AND VIEWS (Exhibit display racks, Leipzig Trade Fair), 1964 2,7%
    17. 17 Bookshop Hauptstraße / Transversal section (FDGB Bookshop, 1949 2,7%
    18. 18 Table and chair for dining room, 1954 2,7%
    19. 19 800 YRS. BOX FRAME (Leipzig Trade Fair), 1965 2,7%
    20. 20 Painting with violin, 1973 2,7%

    Zajedno, ova dela privlače 72,9% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 101 dela ovog umetnika, od kojih je 30 pregledano barem jednom. Ova slika zauzima 13 mesto među njima, sa 2,7% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    SALES COUNTER — Franz Ehrlich

    A Glimpse into Mid-Century Commerce

    In the delicate lines of "SALES COUNTER," created in 1957 by the visionary German artist Franz Ehrlich, we are transported to a moment frozen in time. This captivating drawing serves as more than just a depiction of a commercial space; it is a window into the social fabric of the mid-2'0s. The composition captures a meticulously arranged sales counter, divided into distinct sections that guide the viewer's eye through a landscape of 1950s utility and design. Within this scene, the presence of chairs scattered near the counter and a central dining table suggests a space where commerce and community intersect. The inclusion of two figures—one standing poised on the left and another positioned toward the right—adds a layer of human narrative, transforming a structural study into a living, breathing vignette of daily life.

    The artwork breathes with the unmistakable influence of the Bauhaus, an institution that shaped Ehrlich’s very soul. One can sense the architectural precision in the way the counter is rendered, reflecting his training in Dessau. The style is characterized by a clean, graphic clarity that emphasizes form and function, yet it avoids the coldness often associated with industrial design. Instead, there is a rhythmic quality to the placement of objects—the mounted television, the arrangement of seating, and the spatial relationship between the people and the furniture—that creates a sense of balanced harmony. For the collector or interior designer, this piece offers a sophisticated interplay of geometry and atmosphere, making it an ideal focal point for spaces that celebrate modernism and structural elegance.

    Beyond its aesthetic appeal, "SALES COUNTER" carries a profound historical weight. Having survived the turbulence of the Nazi regime and the complexities of his political affiliations, Ehrlich’s work often reflects a resilient spirit of reconstruction and order. This drawing, produced in 1957, embodies a period of post-war stabilization, where the design of everyday objects became a way to rebuild a sense of normalcy and progress. The emotional impact of the piece lies in this quiet tension between the rigid lines of architecture and the soft, transient presence of human interaction. It invites the viewer to contemplate the beauty found in the mundane and the enduring strength of organized design.

    For those seeking to adorn a contemporary interior with a sense of history and intellectual depth, a high-quality reproduction of this masterpiece offers an unparalleled opportunity. Whether placed in a minimalist gallery setting or a warm, classic study, "SALES COUNTER" brings with it the prestige of the Bauhaus legacy and the evocative charm of a bygone era. It is a piece that does not merely decorate a wall; it starts a conversation about the intersection of art, life, and the enduring power of the graphic line.

    Umetnik i muzej

    Umetnik

    Franz Ehrlich

    Mesto rođenja Реут, Немачка

    Rana život i obrazovanje

    Franz Ehrlich, poznati nemački arhitekta, kaligraf i grafički dizajner, rođen je 1907. godine. Njegovi formativni godinama bile su obeležene urođenom sklonošću umetnosti, što ga je navelo da se upiše na Bauhaus u Dessau od 1927. do 1930. godine. Ova prestižna institucija igrala je ključnu ulogu u oblikovanju Ehrlichovog umetničkog pogleda, upoznajući ga sa avangardnim pokretima tog doba.

    Umetnička karijera i komunistička pripadnost

    Ehrlichova pripadnost komunističkoj partiji imala je dubok uticaj na njegov život i karijeru. 1935. godine, uhapšen je i zatvoren od strane nacističkog režima, događaj koji je značajno promenio tok njegovih umetničkih nastojanja. Uprkos ovim izazovima, Ehrlich je nastavio da doprinosi svetu umetnosti, ostavljajući nasleđe koje je istovremeno inspirativno i podsticajno za razmišljanje.

    Značajni radovi

    Među najznačajnijim radovima Ehrlicha nalaze se:

    800 yrs. das buch [knjiga]. Osnovni plan i prikazi (izložbeni police, sajmište u Lajpzigu), svedočenje njegovog inovativnog pristupa dizajnu i arhitekturi.

    Izvršnja snimka kuće prof. dr. Baumann (osnovni plan), pokazujući njegovu ekspertizu u arhitektonskom planiranju.

    1933 (foto-skulpturalni reklamni projekat), jedinstvena mešavina fotografije i skulpture, ističući njegov eksperimentalni duh.

    Muzeji i kolekcije sa radovima Ehrlicha

    AllPaintingsStore.com predstavlja bogatu kolekciju radova Ehrlicha, uključujući gore pomenute. Takođe je Bauhaus Dessau fondacija (Dessau-Roßlau, Nemačka) značajno skladište njegovih umetničkih napora.

    Nasleđe i uticaj

    Doprinosi Franz Ehrlicha svetu umetnosti višestruki su, odražavajući njegov širok spektar interesovanja i talenata. Njegova iskustva, kako kreativna tako i lična, nude dragocene uvide u preklapanje umetnosti i politike tokom ključnog trenutka u nemačkoj istoriji.

    Pogledajte više radova Ehrlicha na https://AllPaintingsStore.com/@/franz-ehrlich

    Istražite Bauhaus Dessau fondaciju i njenu kolekciju na Bauhaus Dessau fondacija (Dessau-Roßlau, Nemačka)

    Muzej

    Bauhaus Dessau Foundation

    Prikazano u Dessau-Roßlau, Deutschland

    A Legacy Forged in Experimentation: The Bauhaus Dessau Foundation

    Nestled within the meticulously restored Bauhaus building itself, the Bauhaus Dessau Foundation isn’t merely a museum; it’s an immersive experience. Established in 1994 to safeguard and propagate the radical ideas of Walter Gropius’ legendary school, this institution stands as a testament to a pivotal moment in architectural and design history. More than just showcasing finished products, the Foundation delves into the process of creation – the interplay between art, architecture, technology, and social theory that defined the Bauhaus ethos. The building itself, a masterpiece of functionalist design, immediately establishes this atmosphere; its stark lines, expansive glass walls, and carefully considered spatial relationships invite exploration and contemplation. It’s a space designed to stimulate thought, mirroring the very principles championed by the Bauhaus movement.

    The Foundation's core mission is threefold: preservation, research, and education. It diligently maintains the building’s original fabric, ensuring that future generations can appreciate its groundbreaking design. Simultaneously, it conducts rigorous scholarly research into the Bauhaus’ diverse practices – from furniture design and typography to stagecraft and urban planning. And crucially, it offers a dynamic program of exhibitions, workshops, lectures, and performances, fostering dialogue between past and present, tradition and innovation.

    The Collection: Beyond Iconic Objects

    While iconic pieces like Marcel Breuer’s Wassily Chair undoubtedly draw crowds, the Foundation's collection extends far beyond these instantly recognizable symbols. It’s a remarkably comprehensive archive encompassing not just finished objects but also preliminary sketches, drafts, models, and correspondence – offering an unparalleled glimpse into the creative process itself. A particular highlight is the extensive documentation of the “Versuchsstätte” (experimental workshop), where students explored new materials, techniques, and spatial configurations under the guidance of master craftsmen and artists.

    Early Bauhaus Drawings:

    A remarkable collection of preparatory sketches reveals the iterative nature of design at the school – a constant process of refinement and experimentation.

    Furniture Prototypes:

    Witness the evolution of iconic designs, from initial models to fully realized pieces, showcasing the ingenuity and resourcefulness of Bauhaus craftsmen.

    Stagecraft & Lighting Designs:

    Explore the innovative use of light and space in theatrical productions, demonstrating the Bauhaus’ commitment to integrating art and technology.

    Architectural Models:

    Examine meticulously crafted scale models that illustrate Gropius' visionary approach to building design – a synthesis of form and function.

    Crucially, the collection isn’t presented as a static display; it’s integrated into broader exhibitions that contextualize each object within its historical and intellectual framework.

    Architecture as Art: The Bauhaus Building Itself

    The Bauhaus building itself is arguably the most significant artwork within the Foundation's holdings. Designed by Walter Gropius, it represents a radical departure from traditional architectural conventions – a testament to the Bauhaus’ belief in “form follows function.” The building’s open floor plan, expansive glazing, and carefully considered use of natural light create a dynamic and flexible space that fostered collaboration and experimentation.

    Beyond its aesthetic qualities, the building is also a remarkable feat of engineering – incorporating innovative technologies such as a central heating system and a sophisticated lighting design. It’s a living laboratory, constantly evolving through ongoing research and adaptation. The Foundation actively engages in preserving and restoring the building's original features while simultaneously exploring new ways to utilize its unique spatial qualities.

    Exhibitions & Events: A Living Dialogue with the Past

    The Bauhaus Dessau Foundation’s program of exhibitions and events is a cornerstone of its mission. These offerings aren’t merely retrospective displays; they actively engage with contemporary issues, exploring the enduring relevance of the Bauhaus’ ideas in the 21st century. Recent exhibitions have tackled themes such as sustainability, urban design, and digital culture, demonstrating how the Bauhaus’ principles can inform solutions to pressing global challenges.

    “Versuchsstätte Bauhaus. The Collection” (2019-2026):

    This landmark exhibition provides a comprehensive overview of the school's experimental workshop, revealing the diverse range of materials and techniques explored by students and teachers.

    Annual Bauhaus Festival:

    A vibrant celebration of Bauhaus culture, featuring concerts, performances, workshops, and lectures.

    Thematic Exhibitions:

    Regularly scheduled exhibitions explore specific aspects of the Bauhaus’ legacy – from furniture design to typography to stagecraft.

    Furthermore, the Foundation hosts a range of educational programs, including workshops for children and adults, offering hands-on experiences that connect visitors with the principles of Bauhaus design.

    A visit here isn't simply about seeing objects; it’s about experiencing an idea—the belief that art, architecture, and society can be profoundly intertwined.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje SALES COUNTER

    originaluniqueart.com/sr/art/download/franz-ehrlich-sales-counter-D9EFPZ-en/

    Citiranje ovog umetničkog dela

    MLA
    Ehrlich, Franz. SALES COUNTER. 1957, Bauhaus Dessau Foundation. https://originaluniqueart.com/sr/art/franz-ehrlich-sales-counter-D9EFPZ-en/
    APA
    Ehrlich, Franz (1957). SALES COUNTER [Painting]. Bauhaus Dessau Foundation. https://originaluniqueart.com/sr/art/franz-ehrlich-sales-counter-D9EFPZ-en/
    Chicago
    Franz Ehrlich. SALES COUNTER. 1957. Bauhaus Dessau Foundation. https://originaluniqueart.com/sr/art/franz-ehrlich-sales-counter-D9EFPZ-en/
    Harvard
    Ehrlich, Franz (1957) SALES COUNTER. Bauhaus Dessau Foundation. Available at: https://originaluniqueart.com/sr/art/franz-ehrlich-sales-counter-D9EFPZ-en/

    Pogledajte pažljivije

    SALES COUNTER — Franz Ehrlich

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: retro sales counter, mid century design, geometric art print. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na 3rd FLOOR (Design for a foreign representation of the GDR. Floor plan), ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Franz Ehrlich je imao oko 50 godina kada je ovo nastalo. Šta u ovom delu podseća na rad umetnika u toj životnoj fazi?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Pitanja i odgovori

    Koja je dominantna nijansa dela „SALES COUNTER”, Franz Ehrlich?

    SALES COUNTER“ teži Green to Violet Spectrum tonu.

    Iz koje zemlju potiče Bauhaus rad "SALES COUNTER"?

    Delo "SALES COUNTER" delo je Franz Ehrlich, rođenog u Немачка, u okviru pokreta Bauhaus. Poreklom umetnika, ovo delo se povezuje sa Bauhaus stilom kakav su zastupali umetnici iz Немачка.

    Ko je kreirao "SALES COUNTER"?

    Delo "SALES COUNTER" pripisuje se umetniku Franz Ehrlich.