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Карл Лароссон, Title in Swedish: Midvinterblot (1915), Национален музеј. Domen javnog dobra. Pogledajte ovo platno pod pokretnim svetlom: crtež, pravu boju ispod vernisa, čisti pigment

Osnovne informacije

Umetnik
Карл Лароссон originaluniqueart.com/sr/artists/karl-larosson_sr/
Podaci o umetniku
1853 – 1919
Slikano
1915
Originalne dimenzije
13600 x 6400 cm
Pokret
Art Nouveau Flowing, plant-like curves running through everything from paintings to lamps and doorways.
Epoha
19th Century
Mesto održavanja
Национален музеј originaluniqueart.com/sr/museums/natsionalen-muzej-stokkholm_sr/
Artistic style
Linear, intensive color
Influences
Snorri Sturluson
Notable elements
Gilded sections
Subject or theme
Pagan sacrifice

U kontekstu

Title in Swedish: Midvinterblot — Карл Лароссон

Godina nastanka

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Red iznad: godine. Red ispod: koliko je umetnik imao godina na početku i na kraju svakog perioda — 0 u rođenju, 66 u smrti.

Naslikano kada je umetnik imao 62 godina. Umetnik je doživeo 66. 118 od 120 datiranih dela ovog umetnika u našem katalogu nastalo je ranije.

Osenčeno: životni vek umetnika Карл Лароссон (1853–1919) ▲ ovo delo, 1915 svaka datirana slika, deceniju po deceniju

Prva dela: do 1895 Glavne radne godine: 1895–1905 Kasna dela: od 1905

Ova tri segmenta dele dela koja u ovom katalogu imaju naveden datum na prvi kvartal, srednju polovinu i poslednji kvartal. Ona ne predstavljaju kompletan umetnikov opus: tanji niz može biti praznina u arhivu pre nego period mirovanja. Iste godine kroz koje se proteže život umetnika

Slična dela

Izaberite jedno od gore navedenih dela: navedite dve stvari koje su mu zajedničke sa ovim i jednu stvar koja ga razlikuje.

Još dela koja se mogu postaviti pored ovog: originaluniqueart.com/sr/art/similar/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

Paleta boja

Izmereno na osnovu slike

    Glavna boja

    Espresso #625039

    Katalogizovana paleta

    • #625039
    • #BCB4A9
    • #8E7D67
    • #2C2214

    Ove boje unutar cele umetnikove palete Pronađite druge slike prema boji

    Paleta
    Earthy Dominantna grupa boja na slici.
    Naziv glavne boje
    Espresso
    Intenzitet
    Balanced Koliko su boje zasićene i raznolike, od jedne prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Bold Razlika u svetlini i zasićenosti boja širom slike.
    Harmonija
    Strong Color Unity Koliko se dobro boje uklapaju, od kontrastnih do potpuno ujedinjenih.
    Osvetljenost
    Shadow Koliko je slika u celini svetla ili tamna, od duboke senke do najsvetlijih tonova.
    Zasićenost
    Subtle Color Koliko su boje čiste i snažne, od skoro sivih do potpuno živopisnih.

    Gde u svetu se posmatra ova slika?

    • ispod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova slika sama po sebi ima premalo zabeleženih posetilaca da bi se napravila mapa, pa ploča prikazuje svaki rad koji je kreirao Карл Лароссон tokom poslednjih dvanaest meseci — ukupno u 24 zemalja. Odakle ovi podaci potiču

    Deset vodećih zemalja

    1. 1 Кина 50,2%
    2. 2 Сједињене Америчке Државе 15,9%
    3. 3 Француска 12,4%
    4. 4 Хонг Конг 3,0%
    5. 5 Сингапур 3,0%
    6. 6 Аустрија 2,1%
    7. 7 Шведска 2,1%
    8. 8 Румунија 1,7%
    9. 9 Јужна Африка 1,3%
    10. 10 Немачка 0,9%
    11. · 14 ostalih zemalja 7,4%

    Pronađite tri najtamnije zemlje na mapi. Da li se muzej u kojem se čuva ova slika nalazi u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi sa dalekih mesta mogli posmatrati.

    20 najposećenijih dela umetnika Карл Лароссон

    1. 1 In the Carpenter Shop, 1905 6,2%
    2. 2 Jenny With Flower Girland 5,8%
    3. 3 Karin's Room and the little ones 4,4%
    4. 4 Bo 4,0%
    5. 5 The Old Man and the New Trees, 1883 2,2%
    6. 6 The Slaughter 2,2%
    7. 7 LillAnna And The Crocus, 1912 1,8%
    8. 8 Christmas Tree Confetti 1,8%
    9. 9 October (also known as The Pumpkins), 1882 1,8%
    10. 10 Midvinterblot (sketch) 4 1,8%
    11. 11 Potato harvest 1,8%
    12. 12 Viking Woman 1,8%
    13. 13 detalle de lisbeth leyendo, 1904 1,5%
    14. 14 Brita With A Cat And A Sandwich 1,5%
    15. 15 Leontine Sitting In The Atelier 1,5%
    16. 16 Palmera 1,5%
    17. 17 modelo escribiendo una tarjeta postal, 1906 1,1%
    18. 18 Mme Jeanne Tramcourt 1,1%
    19. 19 Garden with Sculptures, 1881 1,1%
    20. 49 Title in Swedish: Midvinterblot, 1915 ova slika 0,4%

    Zajedno, ova dela privlače 45,3% pažnje koju su slike ovog umetnika dobile tokom poslednjih dvanaest meseci. Katalog sadrži 456 dela ovog umetnika, od kojih je 137 pregledano barem jednom. Ova slika zauzima 49 mesto među njima, sa 0,4% te pažnje. Isto važi i za mesec po mesec

    Barovi mere pažnju, ne kvalitet. Odaberite rad na vrhu i ovaj: navedite jednu stvar koja bi sliku mogla učiniti slavnom pored toga koliko je dobro naslikana.

    O ovom umetničkom delu

    Title in Swedish: Midvinterblot — Карл Лароссон

    A Frozen Rite: Unveiling Carl Larsson’s ‘Midvinterblot’

    Carl Larsson's “Midvinterblot,” completed in 1915, isn’t merely a painting; it’s a visceral plunge into the heart of Swedish mythology and a potent commentary on artistic convention. Measuring an imposing 6.5 by 13.5 meters, this mural dominates any space it graces, demanding attention with its scale and arresting imagery. Initially rejected by the Nationalmuseum due to historical inaccuracies and perceived offense – reflecting anxieties about the shifting landscape of modern art – “Midvinterblot” has since been recognized as a masterpiece of Art Nouveau influence, a dramatic fusion of ancient ritual and evocative symbolism.

    The scene depicts a chilling tableau: King Domalde, stripped bare and dragged onto a gilded sled, awaits sacrifice before the towering temple of Uppsala. The air crackles with an unsettling energy, conveyed through Larsson’s masterful use of color and light. Deep blues and purples dominate the palette, creating a sense of foreboding and winter's grip, while flashes of gold highlight the sacrificial altar and the opulent details of the temple. The figures surrounding Domalde – warriors armed to the teeth, ecstatic women dancing in a frenzy, and a priest concealing his blade – are rendered with an almost sculptural quality, their forms imbued with both power and vulnerability.

    Art Nouveau’s Dramatic Embrace

    Larsson's choice of subject matter—a pagan sacrifice rooted in the Eddas of Snorri Sturluson—was deliberately provocative. He wasn’t simply recreating a historical event; he was tapping into a primal, almost unsettling, narrative that resonated deeply with Scandinavian folklore and anxieties about societal change. The painting is undeniably infused with Art Nouveau principles: flowing lines, stylized forms, and an emphasis on decorative elements are evident throughout the composition. The intricate detailing of the temple architecture, the swirling patterns in the women’s garments, and the serpentine bronze wind instruments all contribute to this distinctly artistic style.

    Technically, Larsson employed a layered approach, utilizing both oil paint and tempera on canvas. The large-scale mural necessitated careful planning and execution, with meticulous attention paid to perspective and detail. The use of gold leaf adds an extraordinary richness and luminosity to the work, further emphasizing the sacrificial ritual’s grandeur and highlighting the temple's imposing presence. It is a testament to Larsson’s skill that he manages to convey both the brutality of the scene and its underlying spiritual significance.

    Symbolism and Emotional Resonance

    Beyond its aesthetic qualities, “Midvinterblot” is rich in symbolic meaning. The sacrifice itself represents a desperate plea for divine intervention—a recognition of the gods’ capricious nature and a willingness to offer tribute in exchange for protection from impending hardship. Domalde's vulnerability underscores the precariousness of human existence, while the ecstatic dance of the women suggests a potent connection between the earthly realm and the supernatural. The painting speaks to themes of faith, sacrifice, and the enduring power of myth.

    More than just a historical depiction, “Midvinterblot” evokes a profound sense of unease and wonder. It’s a haunting meditation on mortality, tradition, and the human need for meaning in a world often marked by uncertainty. The painting's enduring appeal lies not only in its technical brilliance but also in its ability to tap into our deepest emotions and connect us with the timeless narratives that have shaped cultures across millennia. Reproductions of this iconic artwork offer a chance to bring this dramatic scene into your own space, inviting contemplation and sparking conversation.

    A Legacy Preserved

    Following its initial rejection, “Midvinterblot” was eventually exhibited at the Museum of National Antiquities in 1983-84. The Nationalmuseum ultimately acquired the painting in 1984, recognizing its significance as a cornerstone of Swedish art history. Today, it remains a celebrated work, housed within the museum’s collection and serving as a powerful reminder of Carl Larsson's artistic vision and his willingness to challenge conventional norms.

    Umetnik i muzej

    Umetnik

    Карл Лароссон

    Mesto rođenja Стокхолм, Шведска

    A Life Etched in Light: The World of Carl Larsson

    Carl Larsson, a name synonymous with idyllic Swedish domesticity and artistic innovation, emerged from humble beginnings to become one of Scandinavia’s most beloved painters. Born in Stockholm's Old Town in 1853, his early life was far removed from the serene scenes he would later immortalize on canvas. Poverty cast a long shadow over his childhood; his parents struggled financially, and tales of hardship and instability permeated his formative years. Yet, even amidst these difficulties, a spark of artistic talent ignited within young Carl, nurtured by a perceptive teacher who recognized his potential and encouraged him to apply to the Royal Swedish Academy of Arts at just thirteen years old. This marked the beginning of a journey that would not only transform his own life but also redefine perceptions of home and family in Sweden and beyond. His initial experiences at the academy were fraught with insecurity, a sense of being an outsider amongst more privileged peers, but he persevered, finding solace and confidence within the vibrant student community.

    From Academic Training to Artistic Awakening

    Larsson’s artistic development was marked by periods of experimentation and searching for his unique voice. After completing his formal training, he spent several years illustrating books, magazines, and newspapers – a practical necessity but one that didn't fully satisfy his creative aspirations. A pivotal moment arrived with his move to Grez-sur-Loing, an artists’ colony near Paris in 1882. It was here, amidst the camaraderie of fellow Scandinavian artists, that he met Karin Bergöö, who would become his wife and muse. More importantly, it was at Grez that Larsson abandoned oil painting in favor of watercolors – a decision that proved transformative. Watercolor allowed him to capture light and atmosphere with an unprecedented delicacy, perfectly suited to depicting the intimate scenes that would define his oeuvre. This shift wasn’t merely technical; it reflected a growing desire to portray everyday life with honesty and warmth, moving away from the grand historical narratives favored by many of his contemporaries. The influence of Art Nouveau is subtly present in his flowing lines and organic forms, while echoes of the Arts and Crafts movement resonate in his emphasis on handcrafted beauty and the celebration of domesticity.

    The Lilla Hyttnäs Idyll: A Home as Artwork

    The year 1888 witnessed another turning point when Karin’s father gifted the couple a small house named Lilla Hyttnäs in Sundborn, Dalarna. This wasn't just a home; it became a living work of art, meticulously decorated and furnished by Carl and Karin themselves. The interiors, bathed in soft light and filled with handcrafted details, served as both inspiration and subject matter for Larsson’s most celebrated paintings. His depictions of family life – children playing, meals shared, moments of quiet intimacy – resonated deeply with a public yearning for warmth and authenticity. These weren't idealized portrayals; they were honest glimpses into the joys and challenges of raising a large family. Cosy Corner, Matts Bergom Larsson, and countless other watercolors captured the essence of Swedish hemtrevnad – a concept encompassing coziness, comfort, and a sense of belonging. The house itself became famous through reproductions of his paintings, influencing interior design trends for generations and shaping the popular image of the ideal Swedish home.

    Beyond Domestic Bliss: Monumental Works and Lasting Legacy

    While Larsson is best known for his intimate domestic scenes, it’s important to remember that he considered his monumental works – frescoes in public buildings – to be his most significant artistic achievement. Midvinterblot (Midwinter Sacrifice), a large-scale painting depicting an ancient Norse religious ceremony, stands as a testament to his ambition and technical skill. Though initially rejected by the National Museum in Stockholm, it eventually found its rightful place within its walls, becoming a symbol of Swedish national identity. However, Larsson’s later years were marred by bouts of depression and ill health. He struggled with feelings of artistic frustration and disappointment, particularly regarding the reception of Midvinterblot. Despite these personal struggles, his influence continued to grow. His work offered a powerful counterpoint to the prevailing academic styles of the time, championing simplicity, honesty, and the beauty of everyday life. He captured not just what life looked like, but how it felt – the simple joys, quiet moments, and unwavering love that define the essence of home. His paintings are not merely depictions of a bygone era; they are timeless celebrations of family, home, and the enduring power of light and love.

    A Continuing Influence

    Carl Larsson’s legacy extends far beyond the realm of art history. He remains a cultural icon in Sweden, his paintings instantly recognizable and deeply ingrained in the national consciousness. His work continues to inspire artists, designers, and anyone seeking to create spaces that are both beautiful and inviting. The enduring appeal of his paintings lies in their ability to evoke a sense of warmth, nostalgia, and genuine human connection. He captured not just what life looked like, but how it felt – the simple joys, quiet moments, and unwavering love that define the essence of home. His influence can be seen in countless contemporary interiors, illustrating his lasting impact on our understanding of domestic space and the art of creating a haven from the world. His paintings are not merely depictions of a bygone era; they are timeless celebrations of family, home, and the enduring power of light and love.

    Muzej

    Национален музеј

    Prikazano u Стокхольм, Шведска

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled on the serene Blasieholmen peninsula in Stockholm’s heart, the Nationalmuseum is more than simply a repository for art; it's a vibrant chronicle of Sweden’s cultural evolution. Founded in 1792 as Kungliga Museet – the Royal Museum – its story is inextricably linked to the nation’s journey, from medieval artistry and aristocratic patronage to a bold embrace of contemporary expression. Stepping through its doors is akin to embarking on an immersive exploration of Swedish identity, interwoven with the rich tapestry of European artistic traditions. The building itself, a magnificent testament to Northern Italian Renaissance architecture conceived by German architect Friedrich August Stüler, stands as a powerful symbol – a deliberate restraint in façade design concealing a breathtakingly spacious interior, while the dramatic flight of stairs ascending towards the uppermost galleries serves not just as functional access but as an ascent into the realm of artistic contemplation. This architectural choice, reflecting the museum’s origins rooted in royal collections, speaks to a fascinating transformation: from a space initially conceived for showcasing regal treasures acquired through patronage to a democratized public institution dedicated to all Swedes.

    The Nationalmuseum's collection is an astonishing panorama of artistic voices spanning centuries. The painting galleries offer a sweeping journey, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion – and culminating in the masterful chiaroscuro of Rembrandt and the emotionally charged canvases of Goya. These works, juxtaposed against Swedish national treasures, highlight the museum’s commitment to showcasing both international luminaries and pivotal works defining Swedish artistic heritage. Beyond these European giants, the museum champions Swedish artists, presenting their contributions across various periods and movements – from the dramatic landscapes of Albert Rydberg to the poignant portraits of Carl Larsson. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities; a testament to Sweden’s engagement with both established traditions and innovative approaches.

    Architectural Heartbeat

    The building’s significance extends far beyond its artistic holdings. Inaugurated in 1866, the Nationalmuseum's structure draws inspiration from Northern Italian Renaissance architecture, a deliberate choice reflecting the museum’s origins and its connection to the Swedish monarchy. The façade, deliberately restrained, conceals within it a breathtakingly spacious interior – a testament to the ambition of its architects and builders. The dramatic flight of stairs ascending towards the uppermost galleries is not merely a means of access; it's a powerful symbol, representing an ascent into the realm of artistic contemplation. This architectural choice speaks volumes about the museum’s evolution from a royal repository to a public institution dedicated to all Swedes. The building’s construction was a monumental undertaking, involving skilled artisans and craftsmen from across Europe, and its completion marked a pivotal moment in Stockholm's cultural landscape.

    Collection Highlights: A Journey Through Time

    From the ethereal beauty of Botticelli’s Primavera to the turbulent grandeur of Caspar David Friedrich’s Wanderer Above the Sea of Fog, the Nationalmuseum’s collection embodies Sweden’s artistic heritage across eras. Visitors can marvel at Swedish landscapes rendered with unparalleled sensitivity – capturing the sublime majesty of nature—and contemplate portraits that reveal glimpses into the lives and personalities of influential figures.

    Engaging With Contemporary Expression

    Recent exhibitions have underscored the museum's role as a catalyst for dialogue and reflection. “Hanna Hirsch Pauli – The Art of Being Free,” explored how artistic endeavors serve as instruments for confronting societal challenges, demonstrating a commitment to fostering intellectual curiosity and promoting critical engagement with pressing issues.

    A Legacy Preserved, A Future Embraced

    The Nationalmuseum’s ongoing renovation project reaffirms its dedication to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the museum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

    Saznajte više

    Pronađite ovo na mreži

    QR kod koji vodi na stranicu za preuzimanje Title in Swedish: Midvinterblot

    originaluniqueart.com/sr/art/download/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

    Citiranje ovog umetničkog dela

    MLA
    Лароссон, Карл. Title in Swedish: Midvinterblot. 1915, Национален музеј. https://originaluniqueart.com/sr/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    APA
    Лароссон, Карл (1915). Title in Swedish: Midvinterblot [Painting]. Национален музеј. https://originaluniqueart.com/sr/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Chicago
    Карл Лароссон. Title in Swedish: Midvinterblot. 1915. Национален музеј. https://originaluniqueart.com/sr/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/
    Harvard
    Лароссон, Карл (1915) Title in Swedish: Midvinterblot. Национален музеј. Available at: https://originaluniqueart.com/sr/art/carl-larsson-title-in-swedish-midvinterblot-D3ZDFJ-en/

    Pogledajte pažljivije

    Title in Swedish: Midvinterblot — Карл Лароссон

    Pažljiviji pogled

    Odgovorite svojim rečima. Ovde nema netačnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Šta vam prvo privuče pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. U našem katalogu ovo delo je klasifikovano pod: swedish history, pagan sacrifice, ancient uppsala. Da li se slažete? Šta biste dodali ili uklonili?
    4. Vratite se na A studio idyll. The artist's wife with daughter Suzanne, ranije u ovom vodiču. Navedite dve stvari koje to delo deli sa ovim radom i jednu koja ih razlikuje.
    5. Art Nouveau: Flowing, plant-like curves running through everything from paintings to lamps and doorways. Gde se to može uočiti u ovom delu?

    Vaš odgovor

    Napišite kratak pasus o ovom umetničkom delu. Koristite činjenice iz prethodnih delova ovog vodiča i svoje odgovore navedene iznad.

    Kviz o umetnosti

    Title in Swedish: Midvinterblot — Карл Лароссон

    Koliko dobro poznajete ovo umetničko delo?

    Označi jedan tačan odgovor za svako od poniženih 5 pitanja. Svako pitanje ima samo jedan tačan odgovor.

    1. 1. What is the primary subject depicted in Carl Larsson’s ‘Midvinterblot’?

      • A A depiction of a royal wedding ceremony.
      • B A pagan sacrifice scene inspired by Icelandic mythology.
      • C A modern-day battle between warring factions.
    2. 2. The painting ‘Midvinterblot’ is notable for its influence from which artistic movement?

      • A Cubism
      • B Art Nouveau
      • C Renaissance realism
    3. 3. What was a significant reason for the initial rejection of ‘Midvinterblot’ by Swedish authorities?

      • A Its overly simplistic style.
      • B Its historical inaccuracies and perceived offensive subject matter.
      • C The use of expensive materials.
    4. 4. What architectural element is prominently featured in the composition of ‘Midvinterblot’?

      • A A Gothic cathedral
      • B A Roman temple
      • C A medieval castle
    5. 5. Approximately what are the dimensions of ‘Midvinterblot’?

      • A 6.5 by 13.5 meters
      • B 10 by 20 centimeters
      • C 3 feet by 5 feet

    Moj rezultat: ____ od ukupno 5

    Ključ odgovora — za nastavnike

    Ovo započinje novu štampanu stranicu, pa se prilikom kopiranja može jednostavno izostaviti.

    1B · 2B · 3B · 4B · 5A

    Proverite svaki odgovor upoređujući ga sa katalogom za ovu sliku

    Pitanja i odgovori

    Kako mogu da preuzmem sliku dela „Title in Swedish: Midvinterblot”, Карл Лароссон?

    Slika dela „Title in Swedish: Midvinterblot”, Карл Лароссон može se preuzeti na stranici za preuzimanje ovog umetničkog dela: Preuzimanje: preuzimanje digitalne slike visoke rezolucije.

    Koja veličina je preporučena za "Title in Swedish: Midvinterblot" u prostoriji tipa Living Room?

    Za Living Room, preporučena veličina štampe dela „Title in Swedish: Midvinterblot”, Карл Лароссон je Large.

    Da li "Title in Swedish: Midvinterblot" prikazuje snažne kontraste svetla i tame?

    Nivo kontrasta dela „Title in Swedish: Midvinterblot”, Карл Лароссон je Bold.