1969
Factory Workers (Saul Steinberg, 1969)
Saul Steinberg (1914–1999) je napravio Factory Workers. Datirano je iz 1969. Dimenzije su 59 × 74 cm.
- 1969
- 59 × 74 cm
Pregledaj u prostoru
Ručno oslikano uljanim bojama
Pošalji
Podeli
Informativni list
Preuzmi
Slični predmeti
Rendgenski snimak
Automatska prezentacija
Pitanja i odgovori
StatistikaFactory Workers, ukratko
- Naslov
- Factory Workers
- Umetnik
- Saul Steinberg (1914–1999)
- Rođen/a u
- Râmnicu Sărat, Romania
- Datum
- 1969
- Dimenzije
- 59 × 74 cm
Slike visoke rezolucije za Factory Workers
Protected by copyright: these files are for personal reference, not a licence to republish.
Saul Steinberg, Factory Workers (1969).
Odgovori na pitanja o Factory Workers
U kojoj godini je nastalo "Factory Workers"?
Delo „Factory Workers”, autor Saul Steinberg nastalo je 1969.
Koje su stvarne dimenzije dela „Factory Workers”, autor Saul Steinberg?
Dimenzije originalnog dela „Factory Workers”, autor Saul Steinberg su 59 x 74 cm.
Da li je delo „Factory Workers”, autor Saul Steinberg u javnom vlasništvu?
Status autorskih prava za „Factory Workers”, autor Saul Steinberg: delo je i dalje je zaštićeno autorskim pravima. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.
Ko je umetnik koji stoji iza dela "Factory Workers"?
Autor dela "Factory Workers" je Saul Steinberg. Delo je katalogizovano pod imenom Saul Steinberg.
Koliko je godina imao/la Saul Steinberg u vreme nastanka dela "Factory Workers"?
Saul Steinberg je kreirao/la "Factory Workers" u uzrastu od 55 godina. Umetnik je rođen/a 1914, a delo je datirano na 1969. godinu.
Zašto je status autorskih prava za "Factory Workers" takav kakav jeste?
„Factory Workers”, autor Saul Steinberg je u i dalje je zaštićeno autorskim pravima. Autorska prava traju od smrti umetnika, koja se dogodila 1999.
O umetniku, Saul Steinberg
1914–1999, Romania
Saul Steinberg
The Writer in Line: The Visionary World of Saul Steinberg To encounter the work of Saul Steinberg is to step into a realm where the boundaries between thought and line, between reality and metaphor, begin to dissolve. Often described by the man himself as “a writer who draws,” Steinberg did not merely illustrate; he used the tip of his pen to reason on paper, constructing complex philosophical inquiries through the deceptively simple medium of ink. His journey began in Râmnicu Sărat, Romania, born into a family of Russian Jewish descent, and was shaped by a life defined by movement, displacement, and an ever-watchful eye for the absurdities of modern existence. This profound sense of observation would later become the heartbeat of his most iconic contributions to The New Yorker, where he transformed the printed page into a stage for surrealist exploration.
Rooftop City1954
Artist and Art1966
Outstanding Landscape1969
The Elephant Table1975