Pruneau (Nick James)
Nick James (1980) je napravio Pruneau. Čuva se u muzeju Coventry University u mestu Coventry, United Kingdom. Dimenzije su 127 × 102 cm.
- 127 × 102 cm
- Coventry University
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StatistikaPruneau, ukratko
- Naslov
- Pruneau
- Umetnik
- Nick James (1980)
- Dimenzije
- 127 × 102 cm
- Gde se može videti
- Coventry University, Coventry, United Kingdom
U kom muzeju se nalazi Pruneau?
Coventry University
Coventry, United Kingdom
A Tapestry of Innovation and Heritage In the heart of England’s West Midlands, Coventry University emerges not merely as an academic institution but as a vibrant sanctuary where scholarly rigor meets the boundless possibilities of public accessibility. Its story is one of profound metamorphosis, tracing a lineage that began in 1843 with the prestigious Coventry School of Design. This evolution—from its origins as a specialized design school to the era of Lanchester Polytechnic and finally attaining university status in 1992—mirrors the very resilience and adaptability of Coventry itself.
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Nick James, Pruneau, Coventry University.
Odgovori na pitanja o Pruneau
Gde mogu videti originalno delo „Pruneau”, autor Nick James?
Originalno delo „Pruneau”, autor Nick James čuva se u muzeju Coventry University, Coventry, United Kingdom. Reprodukcija omogućava da se ovo umetničko delo izloži u vašem domu.
Koje su dimenzije originalnog dela „Pruneau”, autor Nick James?
„Pruneau“ u svom izvornom obliku ima dimenzije 127 x 102 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.
Da li je delo „Pruneau”, autor Nick James u javnom vlasništvu?
„Pruneau”, autor Nick James pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Kome se pripisuje delo "Pruneau"?
Autor dela "Pruneau" je Nick James. Delo je katalogizovano pod imenom Nick James.
O umetniku, Nick James
1980
Nick James
The Poetics of Salvage: Introducing Nick James Nick James is an artist who doesn’t so much *create* sculpture as he exhumes it, breathing new life into the discarded fragments of our collective past. Emerging from a foundation at WahooArt, his work isn't rooted in traditional artistic training but rather in a deeply intuitive understanding of material and memory. He operates not within the pristine realm of untouched canvas or virgin clay, but amongst the detritus of everyday existence – forgotten toys, corroded metal, chipped porcelain, and weathered wood. These aren’t simply objects repurposed; they are vessels carrying echoes of previous lives, carefully assembled into hauntingly beautiful wearable assemblages that explore themes of vulnerability, loss, and the surreal nature of recollection.
Peligro, enfermo, no pasar
Se estremeció solo de pensarlo
Le oiseau
Hay marcas negras por todo el suelo