1969
White World (Mark Tobey, 1969)
Mark Tobey (1890–1976) je napravio White World. Datirano je iz 1969. Dimenzije su 153 × 91 cm.
- 1969
- 153 × 91 cm
White World, ukratko
- Naslov
- White World
- Umetnik
- Mark Tobey (1890–1976)
- Rođen/a u
- Centerville, United States
- Datum
- 1969
- Dimenzije
- 153 × 91 cm
Slike visoke rezolucije za White World
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Mark Tobey, White World (1969).
Odgovori na pitanja o White World
U kojoj godini je nastalo "White World"?
Delo „White World”, autor Mark Tobey nastalo je 1969.
Koje su dimenzije originalnog dela „White World”, autor Mark Tobey?
„White World“ u svom izvornom obliku ima dimenzije 153 x 91 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.
Da li se prikaz „White World”, autor Mark Tobey može slobodno reprodukovati?
„White World”, autor Mark Tobey pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Ko je autor dela "White World"?
Autor dela "White World" je Mark Tobey. Delo je katalogizovano pod imenom Mark Tobey.
Koliko je godina imao/la Mark Tobey kada je kreirao/la "White World" 1969. godine?
Mark Tobey je kreirao/la "White World" u uzrastu od 79 godina. Umetnik je rođen/a 1890, a delo je datirano na 1969. godinu.
Šta objašnjava status autorskih prava za „White World”, autor Mark Tobey?
"White World" autora Mark Tobey je u i dalje je zaštićeno autorskim pravima. Autorska prava se računaju od godine smrti umetnika, a Mark Tobey je preminuo/la 1976.
O umetniku, Mark Tobey
1890–1976, United States
Mark Tobey
A Life Woven in Light and Calligraphy Mark George Tobey, born in Centerville, Wisconsin, in 1890, was more than just a painter; he was a spiritual seeker whose artistic journey mirrored his lifelong exploration of faith, philosophy, and the delicate balance between Eastern and Western aesthetics. His early life, steeped in the Congregationalist traditions of his parents – George Tobey, a carpenter with a penchant for carving animal figures, and Emma Cleveland Tobey – instilled within him an appreciation for craftsmanship and observation. The family’s move to Chicago in 1893 exposed young Mark to a burgeoning urban landscape and, crucially, to the Art Institute of Chicago, where he received his initial formal training. However, it was a path largely self-directed that truly shaped his artistic vision.