1973
Clareté I (Mark Tobey, 1973)
Mark Tobey (1890–1976) je napravio Clareté I. Datirano je iz 1973. Dimenzije su 44 × 37 cm.
- 1973
- 44 × 37 cm
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StatistikaClareté I, ukratko
- Naslov
- Clareté I
- Umetnik
- Mark Tobey (1890–1976)
- Rođen/a u
- Centerville, United States
- Datum
- 1973
- Dimenzije
- 44 × 37 cm
Slike visoke rezolucije za Clareté I
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Mark Tobey, Clareté I (1973).
Odgovori na pitanja o Clareté I
Kada je nastalo delo „Clareté I”, autor Mark Tobey?
„Clareté I“ potiče iz 1973. Ovaj datum smešta delo u okviru karijere umetnika Mark Tobey i same ere.
Koje su stvarne dimenzije dela „Clareté I”, autor Mark Tobey?
Dimenzije originalnog dela „Clareté I”, autor Mark Tobey su 44 x 37 cm.
Da li je "Clareté I" slobodan od autorskih prava?
Što se tiče autorskih prava, delo "Clareté I" je i dalje je zaštićeno autorskim pravima.
Ko je umetnik koji stoji iza dela "Clareté I"?
Delo "Clareté I" pripisuje se umetniku Mark Tobey.
Koliko je godina imao/la Mark Tobey kada je stvorio/la "Clareté I"?
Mark Tobey je imao/la 83 godina kada je kreirao/la "Clareté I" u 1973. Godina je izračunata na osnovu godine rođenja umetnika, 1890.
Da li je delo "Clareté I" autora Mark Tobey u javnom vlasništvu i zašto?
Status autorskih prava za delo "Clareté I" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 1976.
O umetniku, Mark Tobey
1890–1976, United States
Mark Tobey
A Life Woven in Light and Calligraphy Mark George Tobey, born in Centerville, Wisconsin, in 1890, was more than just a painter; he was a spiritual seeker whose artistic journey mirrored his lifelong exploration of faith, philosophy, and the delicate balance between Eastern and Western aesthetics. His early life, steeped in the Congregationalist traditions of his parents – George Tobey, a carpenter with a penchant for carving animal figures, and Emma Cleveland Tobey – instilled within him an appreciation for craftsmanship and observation. The family’s move to Chicago in 1893 exposed young Mark to a burgeoning urban landscape and, crucially, to the Art Institute of Chicago, where he received his initial formal training. However, it was a path largely self-directed that truly shaped his artistic vision.
George May1928
Animal Sketches1949
Saints and Serpents1953
Fragments in Time and Space1956