1988

Untitled (Larry Bell, 1988)

Larry Bell (1939) je napravio Untitled. Datirano je iz 1988. Dimenzije su 305 × 152 cm.

  • 1988
  • 305 × 152 cm
Untitled autor Larry Bell, 1988
Untitled autor Larry Bell, 1988.

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Untitled, ukratko

Naslov
Untitled
Umetnik
Larry Bell (1939)
Rođen/a u
Chicago, United States
Datum
1988
Dimenzije
305 × 152 cm

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Untitled autor Larry Bell, 1988
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Podaci o autorstvu

Larry Bell, Untitled (1988).

Odgovori na pitanja o Untitled

U kojoj godini je nastalo delo „Untitled”, autor Larry Bell?

Delo „Untitled”, autor Larry Bell datira iz 1988. godine.

Koje su dimenzije originalnog dela „Untitled”, autor Larry Bell?

Dimenzije originalnog dela „Untitled”, autor Larry Bell su 305 x 152 cm.

Da li je delo „Untitled”, autor Larry Bell u javnom vlasništvu?

Što se tiče autorskih prava, delo "Untitled" je i dalje je zaštićeno autorskim pravima.

Ko je autor dela "Untitled"?

Autor dela "Untitled" je Larry Bell. Delo je katalogizovano pod imenom Larry Bell.

Koliko je godina imao/la Larry Bell u vreme nastanka dela "Untitled"?

Larry Bell je imao/la 49 godina kada je kreirao/la "Untitled" u 1988. Godina je izračunata na osnovu godine rođenja umetnika, 1939.

O umetniku, Larry Bell

Larry Bell

1939, United States

Larry Bell

Larry Bell: Sculpting Perception Larry Bell, a name synonymous with light, space, and the evocative interplay between art and environment, is a pivotal figure in contemporary American sculpture. Born in Chicago in 1939 and currently residing in Taos, New Mexico, and Venice, California, his career spanning over four decades has been marked by an unwavering exploration of perceptual experience – how we see, how we interact with objects, and the subtle shifts in our awareness that occur when confronted with carefully crafted illusions. Bell’s work isn't simply about creating beautiful forms; it’s a deliberate invitation to question the nature of reality itself. From his early studies at the Chouinard Art Institute in Los Angeles during the late 1950s, under the tutelage of luminaries like Robert Irwin and Emerson Woelffer, Bell began to develop a fascination with abstraction and the relationship between form and space.

Eseji o delu Untitled