1966
Untitled (Robert Ryman, 1966)
Robert Ryman (1930) je napravio Untitled. Datirano je iz 1966. Dimenzije su 191 × 192 cm.
- 1966
- 191 × 192 cm
Untitled, ukratko
- Naslov
- Untitled
- Umetnik
- Robert Ryman (1930)
- Rođen/a u
- Nashville, United States of America
- Datum
- 1966
- Dimenzije
- 191 × 192 cm
Slike visoke rezolucije za Untitled
Zaštićeno autorskim pravima: slika je prikazana samo u informativne svrhe.
Ostale veličine, isečci i citiranje →Robert Ryman, Untitled (1966).
Odgovori na pitanja o Untitled
Kada je nastalo delo „Untitled”, autor Robert Ryman?
„Untitled“ potiče iz 1966. Ovaj datum smešta delo u okviru karijere umetnika Robert Ryman i same ere.
Koje su stvarne dimenzije dela „Untitled”, autor Robert Ryman?
„Untitled“ u svom izvornom obliku ima dimenzije 192 x 191 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.
Da li je "Untitled" slobodan od autorskih prava?
„Untitled”, autor Robert Ryman pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Ko je umetnik koji stoji iza dela "Untitled"?
Delo "Untitled" je kreirao/la Robert Ryman. Informacije na ovoj stranici opisuju originalno delo umetnika Robert Ryman.
Koliko je godina imao/la Robert Ryman u vreme nastanka dela "Untitled"?
Kada je delo "Untitled" nastalo 1966. godine, Robert Ryman – rođen/a 1930. godine – imao/la je 36 godina.
O umetniku, Robert Ryman
1930, United States of America
Robert Ryman
A Life Dedicated to the Essence of Painting Robert Ryman, born in Nashville, Tennessee, in 1930 and passing away in 2019, wasn’t interested in depicting the world; he was captivated by painting itself. His journey began not with a formal artistic education geared towards representation, but with studies at the Tennessee Polytechnic Institute and George Peabody College for Teachers – foundations that would later inform his disciplined approach. A stint in the United States Army from 1950 to 1952 instilled a sense of structure, perhaps subtly influencing the rigorous self-examination that characterized his artistic practice. However, it was his relocation to New York City in 1952 that proved pivotal.