Plating Bicycle Frames (Cliff Rowe)

Cliff Rowe (1904–1988) je napravio Plating Bicycle Frames. Dimenzije su 133 × 73 cm.

  • 133 × 73 cm
Plating Bicycle Frames autor Cliff Rowe
Plating Bicycle Frames autor Cliff Rowe.

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Plating Bicycle Frames, ukratko

Naslov
Plating Bicycle Frames
Umetnik
Cliff Rowe (1904–1988)
Rođen/a u
United Kingdom
Dimenzije
133 × 73 cm

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Plating Bicycle Frames autor Cliff Rowe
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Podaci o autorstvu

Cliff Rowe, Plating Bicycle Frames.

Odgovori na pitanja o Plating Bicycle Frames

Kolikih je dimenzija originalnog dela "Plating Bicycle Frames"?

„Plating Bicycle Frames“ u svom izvornom obliku ima dimenzije 133 x 73 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.

Da li je delo „Plating Bicycle Frames”, autor Cliff Rowe u javnom vlasništvu?

Što se tiče autorskih prava, delo "Plating Bicycle Frames" je i dalje je zaštićeno autorskim pravima.

Ko je umetnik koji stoji iza dela "Plating Bicycle Frames"?

Delo "Plating Bicycle Frames" je kreirao/la Cliff Rowe. Informacije na ovoj stranici opisuju originalno delo umetnika Cliff Rowe.

Da li je delo "Plating Bicycle Frames" autora Cliff Rowe u javnom vlasništvu i zašto?

„Plating Bicycle Frames”, autor Cliff Rowe je u i dalje je zaštićeno autorskim pravima. Autorska prava traju od smrti umetnika, koja se dogodila 1988.

O umetniku, Cliff Rowe

1904–1988, United Kingdom

Cliff Rowe

The Visionary of the Working Class: The Life and Legacy of Cliff Rowe Born in the heart of Wimbledon, South London, to working-class parents, Clifford Rowe’s life was a profound tapestry woven from threads of social conviction and artistic mastery. His early years were defined by a dual education: the formal training at the Wimbledon School of Art and the Royal College of Art, which sharpened his technical draughtsmanship, and the raw, lived experience of London’s streets, which forged his political soul. This unique intersection of modernist experimentation and Marxist ideology would become the hallmark of his career, allowing him to bridge the gap between avant-garde aesthetics and the urgent realities of the common man. The 1920s served as a crucible for Rowe’s developing worldview.

Takođe i Cliff Rowe

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