1989
Untitled (Graeme Todd, 1989)
Graeme Todd (1962–2022) je napravio Untitled. Datirano je iz 1989. Dimenzije su 59 × 75 cm.
- 1989
- 59 × 75 cm
Untitled, ukratko
- Naslov
- Untitled
- Umetnik
- Graeme Todd (1962–2022)
- Datum
- 1989
- Dimenzije
- 59 × 75 cm
Slike visoke rezolucije za Untitled
Protected by copyright: these files are for personal reference, not a licence to republish.
Graeme Todd, Untitled (1989).
Odgovori na pitanja o Untitled
U kojoj godini je nastalo delo „Untitled”, autor Graeme Todd?
Delo „Untitled”, autor Graeme Todd datira iz 1989. godine.
Kolikih je dimenzija originalnog dela "Untitled"?
„Untitled“ u svom izvornom obliku ima dimenzije 59 x 75 cm. Originalne dimenzije su koristan pokazatelj pri odabiru veličine reprodukcije.
Da li je "Untitled" slobodan od autorskih prava?
„Untitled”, autor Graeme Todd pripada i dalje je zaštićeno autorskim pravima. Ovaj status određuje način na koji se slika dela može reprodukovati.
Ko je umetnik koji stoji iza dela "Untitled"?
Autor dela "Untitled" je Graeme Todd. Delo je katalogizovano pod imenom Graeme Todd.
Koliko je godina imao/la Graeme Todd u vreme nastanka dela "Untitled"?
Kada je delo "Untitled" nastalo 1989. godine, Graeme Todd – rođen/a 1962. godine – imao/la je 27 godina.
Zašto je status autorskih prava za "Untitled" takav kakav jeste?
Status autorskih prava za delo "Untitled" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 2022.
O umetniku, Graeme Todd
1962–2022
Graeme Todd
The Painter of Islands and Dreams Graeme Todd, a name synonymous with the evocative power of the Scottish landscape, possessed a singular ability to bridge the gap between the tangible world and the ethereal realm of dreams. Born in Glasgow in 1962, his artistic journey began amidst the vibrant, textured energy of his home city, but it was through his formal training at the Duncan of Jordanstone College of Art between 1979 and 1985 that his technical foundation was truly forged. Under the guidance of influential mentors, Todd developed a profound dedication to the art of observation, learning to see beyond the surface of objects to capture their underlying essence. This period of rigorous study instilled in him a lifelong fascination with the formal qualities of painting—the weight of a brushstroke, the tension of a line, and the transformative potential of light.