1939
Two Violinists (David Park, 1939)
David Park (1911–1960) je napravio Two Violinists. Datirano je iz 1939. Dimenzije su 90 × 97 cm.
- 1939
- 90 × 97 cm
Two Violinists, ukratko
- Naslov
- Two Violinists
- Umetnik
- David Park (1911–1960)
- Rođen/a u
- Boston, United States
- Datum
- 1939
- Dimenzije
- 90 × 97 cm
Slike visoke rezolucije za Two Violinists
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David Park, Two Violinists (1939).
Odgovori na pitanja o Two Violinists
Kada je nastalo delo „Two Violinists”, autor David Park?
Delo „Two Violinists”, autor David Park datira iz 1939. godine.
Kolikih je dimenzija originalnog dela "Two Violinists"?
Dimenzije originalnog dela „Two Violinists”, autor David Park su 90 x 97 cm.
Da li se prikaz „Two Violinists”, autor David Park može slobodno reprodukovati?
Status autorskih prava za „Two Violinists”, autor David Park: delo je i dalje je zaštićeno autorskim pravima. Ovo određuje da li se reprodukcije slike mogu slobodno izrađivati.
Ko je umetnik koji stoji iza dela "Two Violinists"?
Delo "Two Violinists" pripisuje se umetniku David Park.
Koliko je godina imao/la David Park u vreme nastanka dela "Two Violinists"?
David Park je kreirao/la "Two Violinists" u uzrastu od 28 godina. Umetnik je rođen/a 1911, a delo je datirano na 1939. godinu.
Da li je delo "Two Violinists" autora David Park u javnom vlasništvu i zašto?
Status autorskih prava za delo "Two Violinists" - i dalje je zaštićeno autorskim pravima - proizilazi iz godine smrti umetnika, 1960.
O umetniku, David Park
1911–1960, United States
David Park
The Genesis of a VisionaryBorn in the historic atmosphere of Boston in 1911, David Park’s artistic journey was anchored by a profound respect for the structural essence of life. His early years at Boston University, studying under the legendary George Bridgman, instilled in him an unparalleled understanding of anatomy and the rhythmic power of gesture. This foundational discipline provided the skeletal strength upon which he would later drape his most vibrant explorations of color. As he moved westward to the Otis Art Institute in Los Angeles, Park began to absorb the expansive light and energy of the American West, setting the stage for a transformation that would eventually challenge the very foundations of contemporary painting.The Great Stylistic RevolutionFor much of his early career, Park navigated the complex territories of abstraction, yet the year 1949 marked a seismic turning point in both his practice and his soul.