Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 89 dela Žan Baptist Žuvene u našem katalogu
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Iz perspektive galerije, najpoznatije delo umetnika Žan Baptist Žuvene je LA MORT DE SAINT FRANCOIS. Claude-François Poullart des Places (1679-1709) (1700) i Head of an old man. (1687) čine triju koju svako oko prepoznaje. Od 89 dela umetnika Žan Baptist Žuvene u našem katalogu, galerija u nastavku predstavlja 88 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The scene captures the final moments of Saint Francis, lying upon a simple wooden bed within a crowded monastic cell. Surrounding the saint, a group of monks gather in various states of grief and prayer, their presence filling the interior space with a sense of solemnity. From above, an angel descends, extending a crown of leaves toward the dying man. This gesture signals a divine reward and the transition from…
This three-quarter length portrait presents a young man positioned with a slight turn toward the viewer. He gazes directly forward with a composed expression. The subject is rendered against a dark, indeterminate background that lacks specific architectural or landscape details. His pale complexion and the white of his collar provide the primary points of light within the composition. A dark garment covers his shoulders and upper torso, its folds defined…
The oil on canvas painting titled Head of an old man. is a portrait created by the French artist Jean Jouvenet. This work, which dates to 1687, depicts an elderly man. The subject is presented in a close-up bust-length view, focusing on the physical characteristics of the man's face and head.
The oil on canvas painting titled Venus in the Vulkan forge is a work by the artist Jean Jouvenet. This piece depicts a mythological scene involving the goddess Venus and the god Vulcan. The composition centers on the figure of Venus, who is accompanied by a small Cupid within a subterranean setting. The artist, Jean Jouvenet, was born in 1644 in Rouen, France, and lived until 1717.
In the grand, sweeping tapestry of the French Baroque, few works resonate with as much visceral intensity as Jean-Baptiste Jouvenet’s Descent from the Cross. Completed in 1697, this monumental canvas serves as a profound meditation on grief, faith, and the raw physicality of human suffering. The scene captures the harrowing moment when the body of Jesus Christ is lowered from the cross, a pivotal instant of transition between death and…
The gaze of the sitter meets us directly in PORTRAIT DE CHANOINE, a work by the French artist Jean Jouvenet. This portrait captures a man known as Chanoine, whose presence fills the frame with a quiet, steady dignity. He sits as a church official, a man of status and religious duty, presented to the viewer through a lens of solemnity. The subject's identity is tied closely to his vocation, which…
The scene known as Zéphyr et Flore unfolds through the brush of Jean Jouvenet, a painter who captures the very essence of a mythological encounter. This work emerges from the late 17th century, specifically dating to about 1688. It breathes with the energy of a moment caught in mid-motion, where the wind and the bloom meet in a lush, natural setting.
A golden chalice catches the light, suspended between the mortal and the celestial. Saint John reaches upward, his arms open to receive the vessel offered by a seated angel. The scene is a fragment of a larger movement, a vertical slice of a heavenly encounter. Clouds, thick and billowing, form a soft foundation for the figures, while the background dissolves into a hazy, indeterminate sky. The light descends from an…
The air in the room feels heavy with the weight of a profound teaching. Light spills across the scene, catching the folds of heavy drapery and the soft contours of skin, while the shadows retreat into the corners of the stone architecture. Jesus Christ sits at the center of this domestic sanctuary, his presence commanding the space through a quiet, steady authority. He is engaged in conversation, his gestures guiding…
In this 1685 oil painting, we encounter a celestial presence emerging from a swirling expanse of clouds. The figure of God the Father is rendered as an elderly man, his presence defined by flowing white hair and a beard that merges into the ethereal atmosphere. He is positioned in a three-quarter view, arms outstretched in a gesture that suggests both expansive movement and a reaching toward the heavens. The composition…
Portrait of Father Louis Bourdaloue1680 · Bavarske državne slikopisne kolekcije
12
Winter1699 · Musée-promenade de Marly-le-Roi
13
Jesus Healing the Sick by the Shore of the Lake of Gennesaret1689
14
The Triumph of Justice1695 · Petit Palais
15
Louis XIV touchant les malades des écrouelles1690
16
The Sacrifice of Iphigenia1688 · Statens Museum For Kunst
17
Jean Jouvenet1700 · Opera House
18
The Last Supper1700
19
Self-Portrait of Jean-Baptiste Jouvenet Reduction of the painting kept in the Musée de Rouen1701 · Muzej Carnavalet
20
The Deposition1709 · Toledo Museum of Art
21
Cena1700 · Nacionalni muzej u Varšavi
22
The Miraculous Draught1706
23
The Ascension of Christ1711
24
Jesus Driving the Merchants from the Temple1714
25
Adoration of the Magi1700 · Detroit Institute of Arts
26
Dr Raymond Finot1704 · Luvr
27
LA RESURRECTION DE LAZARELuvr
28
Portrait of an Unknown Man1700 · Ermitaž
29
The Education of the Virgin1700 · Galerija Ufizi
30
LA DESCENTE DE CROIXLuvr
31
L'EXTREME ONCTIONLuvr
32
The Martyrdom of Saint OvidMusée de Grenoble
33
The Presentation in the TempleBrest national naval museum
34
Christ healing the sickNacionalni muzej u Varšavi
35
St thomas
36
Saint André
37
Saint Pierre
38
Saint Paul
39
Saint Jude
40
Saint Thomas
41
LA PENTECOTE
42
Saint Simon
43
Saint Jacques le majeur
44
Saint Philippe
45
APOLLON SUR SON CHAR SE PRESENTE A THETYSChâteau de Versailles
46
Saint Jacques le mineur
47
Saint Barthélémy
48
Latone et les paysans de Lycie
49
Portrait de l'artiste par lui mêmeNationalmuseum
50
Autoportrait
51
Apothéose de Saint Jean
52
Apothéose de Saint Luc
53
L'ANNONCIATION
54
Le Christ descendu de la Croix
55
Isaac bénissant Jacob
56
SAINT LOUIS SOIGNANT LES BLESSES APRES LA BATAILLE DE MANSOURAH.1250
57
Le départ de Phaéton
58
PORTRAIT D'UN MAGISTRAT
59
Saint Mathias (titre moderne) saint Mathieu (titre ancien)
60
JESUS AU JARDIN DES OLIVIERS
61
LA PRESENTATION AU TEMPLE
62
MARC ANTOINE FAISANT CONSUL ALBINUS
63
CYRUS HARANGUANT SES TROUPES
64
LE TRIOMPHE DE LA JUSTICE
65
LA DESCENTE DU SAINT ESPRIT SUR LES APOTRES
66
JESUS CHRIST CHEZ MARTHE ET MARIELuvr
67
LA MESSE DU CHANOINE DE LA PORTE OU LE MAITRE AUTEL DE NOTRE DAMELuvr
68
The Miraculous DraughtLuvr
69
Isaac blessing jacob
70
The Presentation in the Temple
71
The Descent from the Cross
72
The Death of St Francis
73
Apotheosis of st. nicholasMuzej Plantin-Moretus
74
Christ in the House of Martha and Mary
75
Foundation of a Town in Germania by the Tectosages
76
The Mass of Canon Antoine de La Porte or The Altar of Notre Dame
77
LA VICTOIRE SOUTENUE PAR HERCULE ET ACCOMPAGNEE DE L'ABONDANCE, DE LA FELICITE ET DE LA PAIX
78
Head of a man looking to the left
79
Fondation d'une ville en Germanie par les Tectosages
80
Esther devant Assuérus Evanouissement d'Ester (ancien titre)
81
Madonna of the Magnificat
82
The Raising of LazarusLos Angeles County Museum of Art
83
The marriage of the virgin
84
Madame de Maintenon as Saint Cecilia and a Boy (possibly the Duc de Maine) as an Angel Blowing an Organ
85
LE MEDECIN RAYMOND FINOT DIT AUTREFOIS LE MEDECIN FAGONLuvr
86
LA PECHE MIRACULEUSELuvr
87
JESUS CHEZ SIMON LE PHARISIENMuzej lepih umetnosti u Lionu
88
The Raising of Lazarus1706 · Luvr
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Žan Baptist Žuvene | Slike iz ovog spiska |
|---|---|---|---|
 Luvr |
Pariz | 11 | Descent from the Cross, Dr Raymond Finot, LA RESURRECTION DE LAZARE |
 Nacionalni muzej u Varšavi |
Varšava | 4 | Head of an old man., Venus in the Vulkan forge, Cena |
 Bavarske državne slikopisne kolekcije |
Minhen | 2 | Claude-François Poullart des Places (1679-1709), Portrait of Father Louis Bourdaloue |
 Opera House |
Versailles | 2 | Zéphyr et Flore, Jean Jouvenet |
 Musée des Beaux-Arts |
Rem | 1 | God the Father |
 Musée-promenade de Marly-le-Roi |
Marly-le-Roi | 1 | Winter |
 Petit Palais |
Pariz | 1 | The Triumph of Justice |
 Statens Museum For Kunst |
Kopenhagen | 1 | The Sacrifice of Iphigenia |
Izaberite deceniju da biste videli original koji je definiše.
The air in the room feels heavy with the weight of a profound teaching. Light spills across the scene, catching the folds of heavy drapery and the soft contours of skin, while the shadows retreat into the corners of the stone architecture. Jesus Christ sits at the center of this domestic sanctuary, his presence commanding the space through a quiet, steady authority. He is engaged in conversation, his gestures guiding…
The oil on canvas painting titled Head of an old man. is a portrait created by the French artist Jean Jouvenet. This work, which dates to 1687, depicts an elderly man. The subject is presented in a close-up bust-length view, focusing on the physical characteristics of the man's face and head.
In the grand, sweeping tapestry of the French Baroque, few works resonate with as much visceral intensity as Jean-Baptiste Jouvenet’s Descent from the Cross. Completed in 1697, this monumental canvas serves as a profound meditation on grief, faith, and the raw physicality of human suffering. The scene captures the harrowing moment when the body of Jesus Christ is lowered from the cross, a pivotal instant of transition between death and…
This three-quarter length portrait presents a young man positioned with a slight turn toward the viewer. He gazes directly forward with a composed expression. The subject is rendered against a dark, indeterminate background that lacks specific architectural or landscape details. His pale complexion and the white of his collar provide the primary points of light within the composition. A dark garment covers his shoulders and upper torso, its folds defined…
The Ascension of Christ is a large-scale oil on canvas painting by Jean Jouvenet. Executed in 1711, the work measures 190.0 x 104.0cm. The composition is organized into two distinct vertical tiers that separate the celestial and earthly realms. In the upper portion, Christ ascends toward a source of white and golden light, his arms extended outward. He is positioned among billowing clouds and two angels, his form illuminated by…
LA MORT DE SAINT FRANCOIS. Slede Claude-François Poullart des Places (1679-1709) (1700) i Head of an old man. (1687).
LA MORT DE SAINT FRANCOIS, Claude-François Poullart des Places (1679-1709), Head of an old man., Venus in the Vulkan forge, Descent from the Cross, PORTRAIT DE CHANOINE, Zéphyr et Flore, Saint Jean, Jesus Christ at the Home of Martha and Mary i God the Father. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 89 dela umetnika Žan Baptist Žuvene, datiranih od 1675 do 1714.
Većinom u Luvr (Pariz), Nacionalni muzej u Varšavi (Varšava) i Bavarske državne slikopisne kolekcije (Minhen). Tabela muzeja iznad sadrži njih sve.
U 1700s: 13 od 88 dela na ovoj stranici nastalo je tada, od čega je Claude-François Poullart des Places (1679-1709).
Na ovoj stranici, najstarije delo je iz Jesus Christ at the Home of Martha and Mary (1675), a najnovije iz Jesus Driving the Merchants from the Temple (1714).
Man (14), Saints (10) i Figures (7), kroz svih 88 dela na ovoj stranici.
Oil On Canvas, za 29 od 88 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Descent from the Cross, Dr Raymond Finot i LA RESURRECTION DE LAZARE: Luvr, Pariz čuva 11 dela sa ove stranice.
U veličanstvenom, sveobuhvatnom tapiseriji francuskog baroka, malo je niti što sija sa toliko dramatičnog intenziteta i duhovne dubine kao one koje je utkao Žan-Batist Žuvene. Rođen 1644. godine u istorijskom gradu Ruanu, Žuvene je bio suđen životu prožet pigmentima i filozofijama svojih predaka. Izronio je iz ilustrovane umetničke loze; njegov otac, Loren Žuvene, pružio mu je početno vođstvo, dok šaputaji o povezanosti sa legendarnim Nikolom Pasonom preko njegovog dede, Noela Žuveneja, sugerišu poreklo ukorenjeno u samim temeljima evropske klasične tradicije. Ovakva rana uronjenost u jezik umetnosti omogućila mu je da razvije osetljivost za svetlost i formu koja će na kraju očarati najprestižnije dvorove u Francuskoj.
Žuvenejev uspon u pariskom umetničkom svetu bio je ništa menos nego meteorski. Po dolasku u prestonicu, njegov prožimajući talenat privukao je pažnju Šarla Le Bruna, titanske figure francuskog kraljevskog slikarstva. Pod Le Brunovim mentorstvom, Žuvene se našao u srcu najznačajnijeg umetničkog podviga tog doba: dekoracije Salona Mars u Versaju. Ovaj period intenzivne saradnje i izlaganja kraljevskom veličanstvu poslužio je kao temelj za njegov razvojni stil. Do 1675. godine, primljen je u Académie Royale de Peinture et de Sculpture, što je postignuće označilo njegov prelazak iz obećavajućeg učenika u majstora po sopstvenom priznanju. Njegov uticaj unutar Akademije steadily je rastao, što ga je na kraju dovelo do prestižnih uloga profesora i jednog od četiri večita rektora, gde je oblikovao estetske senzibilitete sledeće generacije francuskih slikara.
Ono što istinski izdvaja Žuveneja od njegovih savremenika bila je sposobnost da spoji monumentalnu skalu baroka sa dubokim, dirljivim naturalizmom. Dok su se mnogi umetnici tog doba snažno oslanjali na teatralnost i veštačnost, Žuvanje je tražio dublju istinu u svojim motivima. Njegove religiozne kompozicije, iako veličanstvenog obima, poseduju intimnu emocionalnu rezonancu koja uvlači posmatrača u sveti narativ. Bilo da je prikazivao nežnu domaćinsku atmosferu pronađenu u delu Isus Hrist kod Marte i Marije ili dinamičnu, vrtložnu energiju Čudesnog ulova ribama, koristio je bogatu paletu i majstorski kjaroskuro kako bi udahnuo život u božansko.
Njegova tehnička virtuoznost bila je posebno evidentna u rukovanju pokretom i svetlošću. U delima kao što je Sveti Filip, može se primetiti kako koristi vibrantne boje i osećaj ritmičnog kretanja da prenese veličinu Hrista. Ova sposobnost balansiranja epskog sa ljudskim omogućila mu je da preuzme masovne projekte freski u kultnim lokacijama poput Luvra i Palate Tvilrij, gde je njegov potez četkice mogao da vlada ogromnim arhitektonskim prostorima bez gubitka svoje suštinske intimnosti. Njegovi portreti, poput upečatljivog dela Dr Rejmond Finot, dodatno demonstriraju ovu svestranost, pokazujući oštro oko za psihološku dubinu i realističan prikaz karaktera koji ostaje zapanjujuće moderan.
Istorijska važnost Žana-Batista Žuveneja leži u njegovoj ulozi mosta između rigidnog klasicizma ranog 17. veka i emotivnijih, fluidnijih stilova koji su usledili. Bio je centralna figura Le Brunove škole, ali je tu tradiciju prožao jedinstvenim vitalitetom koji je sprečavao njenu stagnaciju. Njegova karijera, koja je obuhvatila vrhunac vladavine Luja XIV, odrazila je pomeranje ere ka sofisticiranijem i emocionalno složenijem vizuelnom jeziku.
Dok danas razmatramo njegovo stvaralaštvo, nekoliko ključnih elemenata njegovog nasleđa ostaje neobmistno:
Iako je preminuo u Parizu 1717. godine, odjeki Žuvenejevog četkice i dalje se mogu osetiti u hodnicima velikih evropskih muzeja. On ostaje majstor "božanskog trenutka", umetnik koji je mogao da uhvati presek zemaljskog i večnog sa neprevaziđenom gracioznošću.
