Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 50 dela Сидни Ричард Перси u našem katalogu
Ukratko
Loch Coruisk, Isle of Skye (1874) je slika autora Сидни Ричард Перси koja privlači najviše pogleda. Nakon toga, pogled se seli na A Rest On The Roadside i Path to the Bay, Fairlight Cove (1860). Među 50 dela umetnika Сидни Ричард Перси u našem katalogu, ovih 50 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
A Masterpiece of Landscape Painting 'CITE>Sidney Richard Percy's Loch Coruisk, Isle of Skye, created in 1874, is a breathtaking oil on canvas painting that captures the essence of nature's grandeur. Measuring 116 x 182 cm, this artwork is a testament to Percy's skill in depicting serene landscapes. The Scene Unfolds The painting presents a majestic scene with a lake in the foreground, surrounded by towering mountains. A herd of cows…
Near Bettwys-y-Coed1869
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Llyn y Cwn Flynnon, North Wales1871
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Loch Linne1869
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Pen-y-Bont, Llanbedr, North Wales1866
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Mawddach March1877
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Carn Dearg and Ben Nevis from Achintee1874
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Llyn-y-Ddinas, North Wales1873
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Grizedale, Westmorland1883
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The Shepherdess' Rest
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Cattle By A Lake
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The Ponway, Trefew, North Wales
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Overlooking the Bay
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Near Trefriw, North Wales
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The Path Down To The Lake North Wales
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Glen Falock, Dunbartonshire
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Harvest Time
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The Road to Loch Turrett
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Figures On A Path By A Rocky Stream
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Rest on the Roadside
30
On the Llugwy North Wales
31
The Wye
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Llyn y Ddinas North Wales
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Lyn y Ddinas, North Wales
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By The Shore
35
Near Llyn Crafnant
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The Path Down to the Lake, North Wales
37
The Lizard
38
Streatly On Thames
39
Landscape With A Lake, And Mountains Beyond
40
Moel Siabab, North Wales
41
The road across the common
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Easdale Tarn, Westmoreland
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Cattle and Drovers on a Path, Styhead Pass, Cumberland
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Langdale, Westmorland
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Moel Siabod from Glyn Lledr, with Figures and Cattle on a Riverside Path
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The Bonnie Moor with Bracken Clad
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Cattle in a Highland Landscape
48
Williams cattle and sheep in a scottish highland landscape
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River Landscape Pair Part 2Dordrechts Museum
50
River Landscape Pair Part 1
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
2 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Сидни Ричард Перси | Slike iz ovog spiska |
|---|---|---|---|
 Royal Collection |
London | 1 | A view of Llyn Dulyn |
 Dordrechts Museum |
Dordrecht | 1 | River Landscape Pair Part 2 |
Izaberite deceniju da biste videli original koji je definiše.
A Masterpiece of Landscape Painting 'CITE>Sidney Richard Percy's Loch Coruisk, Isle of Skye, created in 1874, is a breathtaking oil on canvas painting that captures the essence of nature's grandeur. Measuring 116 x 182 cm, this artwork is a testament to Percy's skill in depicting serene landscapes. The Scene Unfolds The painting presents a majestic scene with a lake in the foreground, surrounded by towering mountains. A herd of cows…
Loch Coruisk, Isle of Skye (1874). Slede A Rest On The Roadside i Path to the Bay, Fairlight Cove (1860).
53 godina: Loch Coruisk, Isle of Skye datira iz 1874, a Сидни Ричард Перси je rođen/a 1821.
Loch Coruisk, Isle of Skye, A Rest On The Roadside, Path to the Bay, Fairlight Cove, Kilchum Castle Loch Awe, Lock Coruisk, In Snowdonia, A view of Llyn Dulyn, The Angler's Corner, Homeward Bound i Snowdon. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 50 dela umetnika Сидни Ричард Перси, datiranih od 1851 do 1883.
Većinom u Royal Collection (London) i Dordrechts Museum (Dordrecht). Tabela muzeja iznad sadrži njih sve.
U 1850s: 5 od 50 dela na ovoj stranici nastalo je tada, od čega je In Snowdonia.
Na ovoj stranici, najstarije delo je iz The Angler's Corner (1851), a najnovije iz Grizedale, Westmorland (1883).
Landscape (5), Roads (5) i Lakes (4), kroz svih 50 dela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
Sidney Richard Percy (1821–1886) stands as a cornerstone of the Barnes School, an artistic movement that flourished in London’s southwest during the Victorian era. Born into a family steeped in artistic tradition—his father, Edward Williams, was himself a celebrated painter—Percy inherited not only talent but also a profound connection to the rural landscapes of Britain. This familial lineage shaped his oeuvre with meticulous observation and a distinctive aesthetic that would eventually define much of the 19th-century English landscape tradition.
His upbringing within the Williams family fostered an environment where artistic pursuits were deeply valued. The siblings—including Henry John Boddington and Arthur Gilbert—all pursued careers as artists, establishing a remarkable familial tradition. While Percy’s development was largely self-directed, his apprenticeship under Thomas Hilliard, a respected gilder and engraver in Carnaby Street, provided him with invaluable technical insights. This early exposure to the precision of engraving profoundly influenced his approach to composition, allowing him to master the delicate interplay of light and shadow that characterizes his most celebrated works.
The relocation to Barnes, a tranquil village bordering the Thames River, marked a pivotal moment in Percy’s artistic life. Surrounded by marshes, farms, and rolling hills, this landscape provided an unparalleled source of inspiration. Embracing the Romantic tradition championed by masters such as James Ward and George Moront, Percy prioritized atmospheric perspective to capture the sublime beauty of the British countryside. His work often transcends mere documentation, instead evoking a sense of nostalgia and peace through the use of soft, luminous light and earthy tones.
Percy’s technical mastery is most evident in his ability to render diverse terrains with emotional depth:
Throughout his career, Percy achieved significant recognition within the British art establishment. Debuting at the Royal Academy in 1842, he quickly established himself as a professional force, launching his career with vigor during the 1840s. His ability to blend the realism of the landscape with the emotional resonance of Luminism allowed his work to resonate with both contemporary Victorian audiences and modern collectors alike.
The historical significance of Sidney Richard Percy lies in his role as a chronicler of a vanishing era. As the Industrial Revolution began to reshape the British landscape, Percy’s paintings preserved the memory of an untouched, pastoral England. Through his detailed depictions of grazing cattle, winding paths, and misty valleys, he created a timeless visual record of the sublime. Today, his work remains a testament to the enduring beauty of the natural world and a definitive contribution to the legacy of English landscape painting.
