Portret Pieter Pietersz Lastman

59 najpoznatijih slika umetnika Pieter Pietersz Lastman, izbor iz galerije

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Od svih originala koje je Pieter Pietersz Lastman ostavio, najpoznatiji je The adoration of the kings (1608), koji se nalazi u kolekciji Ermitaž, Sankt Peterburg. Odmah za njima slede Abraham and the Three Angels (1623) i The Resurrection (1612). Naš katalog sadrži 60 dela umetnika Pieter Pietersz Lastman; galerija je čuvala 59 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1583 – 1633, Амстердам Baroque Najviše dela: Ermitaž

Top 10 slika umetnika Pieter Pietersz Lastman: izbor galerije

1
The adoration of the kings (1608) čiji je Pieter Pietersz Lastman

The adoration of the kings

1608 · Oil On Canvas · Ermitaž, Sankt Peterburg

In 1608, Pieter Lastman painted The adoration of the kings, an oil work that captures a profound moment of religious significance. The scene depicts the biblical episode of the Adoration of the Magi, focusing on the intimate encounter between the divine and the earthly. Within this composition, the Virgin Mary and the Christ Child are the central figures, receiving the homage of the three kings: Melchior, Caspar, and Balthazar. It…

2
Abraham and the Three Angels (1623) čiji je Pieter Pietersz Lastman

Abraham and the Three Angels

1623 · Oil On Panel · Ermitaž, Sankt Peterburg

In this 1623 oil on panel, the biblical patriarch Abraham meets a divine presence through three celestial visitors. Pieter Lastman captures the moment of profound hospitality and revelation that defines this sacred encounter. The scene unfolds with a sense of immediate spiritual weight, as the elderly Abraham kneels in reverence before the visitors. This religious art focuses on the quiet intensity of the meeting, where the mortal realm brushes against…

3
The Resurrection (1612) čiji je Pieter Pietersz Lastman

The Resurrection

1612 · Oil On Canvas · J. Paul Getty Museum, Los Anđeles

The Resurrection is a significant oil painting by Pieter Pietersz Lastman, created in 1612. This work captures a pivotal biblical scene, depicting the moment of Christ's Resurrection. The composition focuses on the triumph of the divine over the earthly realm, a theme central to Lastman's narrative approach to religious subjects.

4
The beheading of S. Paul (1601) čiji je Pieter Pietersz Lastman

The beheading of S. Paul

1601 · Oil On Panel · Museum Catharijneconvent, Utreht

The tension in The beheading of S. Paul by Pieter Lastman hangs heavy in the air. Created about 1601, this work captures a moment of profound religious and visceral intensity. We find ourselves witnessing the martyrdom of Saint Paul, a scene where the spiritual weight of faith meets the brutal reality of physical sacrifice. The air seems to thicken with the gravity of the event as the executioner prepares to…

5
The Rest on the Flight to Egypt (1608) čiji je Pieter Pietersz Lastman

The Rest on the Flight to Egypt

1608 · Oil On Canvas · Gemäldegalerie, Berlin

The shadows of a dense, dark thicket press against the left side of the canvas. Within this cool, shaded sanctuary, three figures find a brief respite. The Virgin Mary, draped in deep blue and red, cradles the Christ Child, whose skin catches a soft, luminous light. Beside them, Saint Joseph sits in the stillness. The composition forms a steady triangle, anchoring the family against the ruggedness of the landscape. To…

6
The baptism of the eunuch (1608) čiji je Pieter Pietersz Lastman

The baptism of the eunuch

1608 · Oil On Panel · Gemäldegalerie, Berlin

The baptism of the eunuch is an oil on panel by Pieter Lastman. The artist, born in Amsterdam in 1583, captured this moment on a surface measuring 85 by 115 cm. A quiet weight resides in the wood, holding the figures within its grain. Lastman lived until 1633, leaving behind this specific window into a biblical encounter.

7
The Baptism of the Moorish Chamberlain (1620) čiji je Pieter Pietersz Lastman

The Baptism of the Moorish Chamberlain

The painting titled The Baptism of the Moorish Chamberlain is an oil work by the Dutch artist Pieter Lastman. This specific piece was executed about 1620. The artist, who was born in Amsterdam in 1583, utilized a painterly technique to render this biblical scene. The composition focuses on a group of figures gathered at a water's edge, involving both individuals on foot and those on horseback.

8
Joseph Selling Corn in Egypt (1612) čiji je Pieter Pietersz Lastman

Joseph Selling Corn in Egypt

1612 · Oil On Canvas · National Gallery of Ireland, Dublin

In this work, titled Joseph Selling Corn in Egypt, the artist Pieter Lastman presents a crowded, dramatic scene of commerce and abundance. The narrative draws from the Book of Genesis, focusing on the period when Joseph, having risen to power in Egypt, manages the distribution of grain during a time of famine. It is a moment of intense human activity, where the necessity of survival meets the organized structure of…

9
Balaam and his Ass (1622) čiji je Pieter Pietersz Lastman

Balaam and his Ass

1622 · Oil · Izraelski muzej, Jerusalim

In this work, titled Balaam and his Ass, Pieter Lastman captures a moment of divine interruption. Created about 1622, the painting presents a man on a donkey facing a winged angel. The scene is frozen in a state of sudden tension. A sword is held aloft, cutting through the stillness of the landscape. The figure of Balaam, draped in a deep crimson cloak, reacts to the celestial presence that blocks…

10
Entombment of Christ (1612) čiji je Pieter Pietersz Lastman

Entombment of Christ

1612 · Oil · Palais des Beaux-Arts de Lille, Lille

Pieter Lastman, born in Amsterdam in 1583, executed this oil painting titled Entombment of Christ. The work emerged during the Dutch Golden Age, a period in which Lastman established himself as a significant figure in historical and biblical narrative painting. His approach to religious subject matter focused on the psychological weight of the scene, utilizing the dramatic tension inherent in the moment of Christ's burial.

Izbor umetnika Pieter Pietersz Lastman se nastavlja, od 11 do 59

11Hippocrates and Democritus (1622) čiji je Pieter Pietersz LastmanHippocrates and Democritus1622 · Palais des Beaux-Arts de Lille 12King David Handing the Letter to Uriah (1611) čiji je Pieter Pietersz LastmanKing David Handing the Letter to Uriah1611 · Detroit Institute of Arts 13Saint Matthew (1613) čiji je Pieter Pietersz LastmanSaint Matthew1613 · Rhode Island School of Design Museum of Art 14Paris and Oenone (1619) čiji je Pieter Pietersz LastmanParis and Oenone1619 · Worcester Art Museum 15The Raising of Lazarus (1622) čiji je Pieter Pietersz LastmanThe Raising of Lazarus1622 · Mauritshuis 16Tobias catches the fish (1613) čiji je Pieter Pietersz LastmanTobias catches the fish1613 · Fries Museum 17Haman begging Esther for mercy (1618) čiji je Pieter Pietersz LastmanHaman begging Esther for mercy1618 · Nacionalni muzej u Varšavi 18Wedding Night of Tobias and Sarah (1611) čiji je Pieter Pietersz LastmanWedding Night of Tobias and Sarah1611 · Muzej finih umetnosti u Bostonu 19Paul and Barnabas at Lystra (1617) čiji je Pieter Pietersz LastmanPaul and Barnabas at Lystra1617 · Amsterdam Museum 20Ecce Homo (1610) čiji je Pieter Pietersz LastmanEcce Homo1610 · Amsterdam Museum 21David in the temple (1618) čiji je Pieter Pietersz LastmanDavid in the temple1618 · Herzog Anton Ulrich Museum 22The meeting of Nausicaa and Ulysses: Ulysses, almost naked, comes out of the bushes; Nausicaa and her companions are startled at the sight (1609) čiji je Pieter Pietersz LastmanThe meeting of Nausicaa and Ulysses: Ulysses, almost naked, comes out of the bushes; Nausicaa and her companions are startled at the sight1609 · Herzog Anton Ulrich Museum 23The Annunciation of the birth of Samson to Manoah and his wife (Judges 13:2-3) (1617) čiji je Pieter Pietersz LastmanThe Annunciation of the birth of Samson to Manoah and his wife (Judges 13:2-3)1617 · Agnes Etherington Art Center 24The Good Samaritan tending the wounds of the traveller (1614) čiji je Pieter Pietersz LastmanThe Good Samaritan tending the wounds of the traveller1614 25Laban Searching for the Idols (1622) čiji je Pieter Pietersz LastmanLaban Searching for the Idols1622 · château-musée de Boulogne-sur-Mer 26The baptism of the Eunuch (1620) čiji je Pieter Pietersz LastmanThe baptism of the Eunuch1620 · Fondation Custodia 27St John the Baptist Preaching (1627) čiji je Pieter Pietersz LastmanSt John the Baptist Preaching1627 · Mauritshuis 28Hagar and the Angel in the Wilderness (1625) čiji je Pieter Pietersz LastmanHagar and the Angel in the Wilderness1625 · Izraelski muzej 29Athena and Odysseus (1625) čiji je Pieter Pietersz LastmanAthena and Odysseus1625 · Rembrandthuis 30Dido's Sacrifice to Juno (1630) čiji je Pieter Pietersz LastmanDido's Sacrifice to Juno1630 · Nationalmuseum 31The Baptism of the Eunuch (1623) čiji je Pieter Pietersz LastmanThe Baptism of the Eunuch1623 · Staatliche Kunsthalle Karlsruhe 32De gortenteller (1730) čiji je Pieter Pietersz LastmanDe gortenteller1730 · Amsterdam Museum 33Saint John on the Isle of Patmos (1613) čiji je Pieter Pietersz LastmanSaint John on the Isle of Patmos1613 · Museum Boijmans Van Beuningen 34The flight into Egypt (1608) čiji je Pieter Pietersz LastmanThe flight into Egypt1608 · Museum Boijmans Van Beuningen 35Jonah and the Whale (1621) čiji je Pieter Pietersz LastmanJonah and the Whale1621 · Kunstpalast 36The Angel and the Young Tobit with the Fish (1610) čiji je Pieter Pietersz LastmanThe Angel and the Young Tobit with the Fish1610 · Szépművészeti Múzeum 37The Baptism of Christ (1629) čiji je Pieter Pietersz LastmanThe Baptism of Christ1629 · Scottish National Gallery 38David Gives Uriah a Letter for Joab (1619) čiji je Pieter Pietersz LastmanDavid Gives Uriah a Letter for Joab1619 · The Leiden Collection 39LE SACRIFICE D'ABRAHAM čiji je Pieter Pietersz LastmanLE SACRIFICE D'ABRAHAMLuvr 40Haman begging the mercy of Esther (Esther 7:6-7) čiji je Pieter Pietersz LastmanHaman begging the mercy of Esther (Esther 7:6-7)Nacionalni muzej u Varšavi 41The lamentation of abel čiji je Pieter Pietersz LastmanThe lamentation of abel 42Susanna And The Elders čiji je Pieter Pietersz LastmanSusanna And The EldersGemäldegalerie 43Christ And The Canaanite Woman čiji je Pieter Pietersz LastmanChrist And The Canaanite WomanRijksmuseum 44The Angel Raphael Takes Leave of Old Tobit and his Son Tobias (1618) čiji je Pieter Pietersz LastmanThe Angel Raphael Takes Leave of Old Tobit and his Son Tobias1618 · Nacionalna galerija Danske 45The Battle of Constantine and Maxentius (1613) čiji je Pieter Pietersz LastmanThe Battle of Constantine and Maxentius1613 · Kunsthalle Bremen 46The Angel And Tobias With The Fish čiji je Pieter Pietersz LastmanThe Angel And Tobias With The Fish 47Juno Discovering Jupiter With Io čiji je Pieter Pietersz LastmanJuno Discovering Jupiter With Io 48The Triumph Of Mordecai čiji je Pieter Pietersz LastmanThe Triumph Of MordecaiRembrandthuis 49The Angel And Tobias With The Fish (detail) čiji je Pieter Pietersz LastmanThe Angel And Tobias With The Fish (detail) 50Hagar and the Angel čiji je Pieter Pietersz LastmanHagar and the AngelLos Angeles County Museum of Art 51Orestes And Pylades Disputing At The Altar čiji je Pieter Pietersz LastmanOrestes And Pylades Disputing At The AltarRijksmuseum 52The Angel Of The Lord Preventing Abraham From Sacrificing His Son Isaac čiji je Pieter Pietersz LastmanThe Angel Of The Lord Preventing Abraham From Sacrificing His Son IsaacMuzej Plantin-Moretus 53The Sacrifice Of Abraham čiji je Pieter Pietersz LastmanThe Sacrifice Of AbrahamRijksmuseum 54The Rest on the Flight into Egypt čiji je Pieter Pietersz LastmanThe Rest on the Flight into EgyptNational Gallery 55Juno discovering Jupiter with Io (1618) čiji je Pieter Pietersz LastmanJuno discovering Jupiter with Io1618 · National Gallery 56Bathsheba at her Toilette (1619) čiji je Pieter Pietersz LastmanBathsheba at her Toilette1619 · Ermitaž 57Annunciation čiji je Pieter Pietersz LastmanAnnunciationErmitaž 58Odysseus And Nausicaa čiji je Pieter Pietersz LastmanOdysseus And NausicaaBavarske državne slikopisne kolekcije 59Abraham's Journey To Canaan čiji je Pieter Pietersz LastmanAbraham's Journey To CanaanErmitaž

Čuvena dela Pieter Pietersz Lastman po periodima

Motivi koji su privlačili pažnju Pieter Pietersz Lastman

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Pieter Pietersz Lastman

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Pieter Pietersz Lastman Slike iz ovog spiska
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 5 The adoration of the kings, Abraham and the Three Angels, Bathsheba at her Toilette
Gemäldegalerie, BerlinGemäldegalerie Berlin 3 The Rest on the Flight to Egypt, The baptism of the eunuch, Susanna And The Elders
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 3 Paul and Barnabas at Lystra, Ecce Homo, De gortenteller
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 3 Christ And The Canaanite Woman, Orestes And Pylades Disputing At The Altar, The Sacrifice Of Abraham
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 2 The Baptism of the Moorish Chamberlain, Odysseus And Nausicaa
Izraelski muzej, JerusalimIzraelski muzej Jerusalim 2 Balaam and his Ass, Hagar and the Angel in the Wilderness
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Entombment of Christ, Hippocrates and Democritus
Mauritshuis, ХагаMauritshuis Хага 2 The Raising of Lazarus, St John the Baptist Preaching

Pieter Pietersz Lastman deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika Pieter Pietersz Lastman

Po kojem delu je Pieter Pietersz Lastman najpoznatiji/a?Otkrij odgovor

The adoration of the kings (1608), Ermitaž, Sankt Peterburg. Slede Abraham and the Three Angels (1623) i The Resurrection (1612).

Koliko je godina imao/la Pieter Pietersz Lastman kada je nastalo delo The adoration of the kings?Otkrij odgovor

25 godina: The adoration of the kings datira iz 1608, a Pieter Pietersz Lastman je rođen/a 1583.

Koja su deset najpoznatijih slika umetnika Pieter Pietersz Lastman?Otkrij odgovor

The adoration of the kings, Abraham and the Three Angels, The Resurrection, The beheading of S. Paul, The Rest on the Flight to Egypt, The baptism of the eunuch, The Baptism of the Moorish Chamberlain, Joseph Selling Corn in Egypt, Balaam and his Ass i Entombment of Christ. Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio Pieter Pietersz Lastman?Otkrij odgovor

Naš katalog sadrži 60 dela umetnika Pieter Pietersz Lastman, datiranih od 1601 do 1630.

U kojim muzejima se nalaze remek-dela umetnika Pieter Pietersz Lastman?Otkrij odgovor

Većinom u Ermitaž (Sankt Peterburg), Gemäldegalerie (Berlin) i Amsterdam Museum (Amsterdam). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je Pieter Pietersz Lastman naslikao svoja najpoznatija dela?Otkrij odgovor

U 1610s: 21 od 59 dela na ovoj stranici nastalo je tada, od čega je The Resurrection.

Koja su prva i poslednja čuvena originalna dela umetnika Pieter Pietersz Lastman?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz The beheading of S. Paul (1601), a najnovije iz Dido's Sacrifice to Juno (1630).

Koje je motive Pieter Pietersz Lastman najčešće birao/la?Otkrij odgovor

Man (19), Woman (15) i People (14), kroz svih 59 dela na ovoj stranici.

Koju je tehniku najčešće koristio/la Pieter Pietersz Lastman?Otkrij odgovor

Oil, za 18 od 59 dela na ovoj stranici.

Kojem umetničkom pravcu pripada Pieter Pietersz Lastman?Otkrij odgovor

Baroque, sudeći po originalima na ovoj stranici.

Čija se dela umetnika Pieter Pietersz Lastman nalaze u Ermitaž?Otkrij odgovor

The adoration of the kings, Abraham and the Three Angels i Bathsheba at her Toilette: Ermitaž, Sankt Peterburg čuva 5 dela sa ove stranice.

Pieter Pietersz Lastman: život i delo

Pionir holandskog narativa: Trajno nasleđe Piatera Lastmana

Pieter Pietersz Lastman, rođen u Amsterdamu 1583. godine, zauzima fascinantnu i ključnu poziciju u istoriji slikarstva holandskog Zlatnog doba. Predugo je ostajao u senci svog najslavnijeg učenika, Rembrandta van Rijna, ali Lastman nije bio samo učitelj, već i revolucionarni umetnik sam po sebi — pionir koji je oživio istorijsko slikarstvo u Holandacije i postavio temelje za dramatične narative koji će definisati tu eru. Njegov život, iako relativno kratak, obeležen je umetničkom ambicijom, značajnim boravkom u Italiji i nepokolebljivom posvećenošću pripovedanju kroz živopisne slike. Lastmanovo ranije detinjstvo pružilo je plodno tlo za njegov rastući talenat; njegov otac, Pieter Segersz, iako je izgubio posao gradskog službenika zbog religijskih uverenja, u njega je ugradio osećaj građanske dužnosti, dok je njegova majka, Barber Jacobsdr, kao proceniteljica slika i dobara, posedovala oštro oko za umetnost. Ovakvo porodično okruženje podstaklo je poštovanje prema vizuelnim umetnostima, ali i prema svetu koji se proteže izvan okvira platna. Svoje umetničko obrazovanje započeo je pod mentorstvom Gerita Pietersza Sweelincka, brata čuvenog kompozitora Jana Pieterszoona Sweelincka, stekavši čvrste tehničke osnove pre nego što je oko 1604. godine krenuo na transformativno putovanje u Italiju.

Italijanski uticaj i povratak u Amsterdam

Lastmanov boravak u Italiji bio je presudan za oblikovanje njegove umetničke vizije. Uronjen u živopisnu umetničku scenu Rima, susreo se sa delima Caravaggia i Adama Elsheimera — umetnika koji su duboko uticali na njegov pristup slikarstvu. Za razliku od tada preovladavajućeg manierističkog stila, Caravaggijev naturalizam i dramatično korišćenje svetlosti snažno su odjeknuli u Lastmanu, dok su Elsheimerova pedantna preciznost i fokus na istorijske teme pružili novi pravac njegovim narativnim ambicijama. Usvojio je italijansku praksu da svoja dela potpisuje kao „Pietro“, pokazujući time svoje prihvatanje tog kulturnog okruženja. Po povratku u Amsterdam 1607. godine, Lastman je postao vodeća figura umetničke zajednice grada. Uspostavio je sebe kao istorijski slikar — žanr koji je bio donekle zapostavljen u holandskoj umetnosti — i brzo je stekao priznanje zbog svojih inovativnih kompozicija i upečatljivog pripovedanja. Njegov studio ubrzo je privukao talentovane učenike, a najpoznatiji među njima bio je Rembrandt van Rijn, koji je proveo šest formativnih meseci pod Lastmanovim mentorstvom 1625. godine.

Majstor biblijskog narativa

Lastmanova dela karakteriše dramatični intenzitet, pedantna pažnja posvećena detaljima i duboki psihološki uvid u svoje likove. Favorizovao je biblijske scene, često birajući manje poznate narative koji su mu omogućavali da istražuje složene teme vere, izdaje i iskupljenja. Dela poput „Bitke kod Konstantina“ predstavljaju primer njegove sposobnosti da stvori dinamične kompozicije ispunjene pokretom i emocijom. Ta scena nije samo prikaz istorijskih događaja, već moćno istraživanje ljudskog sukoba i božanske intervencije. Slično tome, slike poput „David šalje Urijaovu pismo Joavu“ pokazuju Lastmanovu spremnost da se suoči sa izazovnim temama — prikazujući trenutke moralne dvosmislosti i psihološke napetosti. Posebnu pažnju posvećivao je licima, rukama i stopalima svojih figura, prožimajući ih ekspresivnim detaljima koji prenose njihovu unutrašnju borbu. Njegova upotreba boja bila je hrabra i vibrantna, dodatno pojačavajući emocionalni uticaj njegovih scena.

Lastmanovo nasleđe: Oblikovanje jedne generacije

Uticaj Piatera Lastmana protezao se daleko izvan njegovog sopstvenog umetničkog stvaralaštva. Kao učitelj, odigrao je ključnu ulogu u oblikovanju sledeće generacije holandskih slikara. Rembrandt van Rijn, nesumnjivo njegov najpoznatiji učenik, upio je mnoge od Lastmanovih tehnika i narativnih pristupa — naročito dramatično korišćenje svetlosti i senke, fokus na psihološki realizam i sklonost biblijskim motivima. Jan Lievens je takođe profitirao od Lastmanovog vođstva, razvijajući sličan stil koji karakterišu intenzivne emocije i dinamične kompozicije. Pored ovih istaknutih figura, Lastman je mentorisao još nekoliko umetnika koji su doprineli procvatu holandskog slikarstva Zlatnog doba. Bio je presudan u uspostavljanju Amsterdama kao centra istorijskog slikarstva, utirući put umetničkim inovacijama koje će definisati 17. vek. Iako je preminuo relativno mlad 1633. godine, njegov uticaj na holandsku umetnost ostaje dubok — kao svedočanstvo njegove vizije, veštine i nepokolebljive posvećenosti pripovedanju kroz boju.

Ponovno otkrivanje Lastmana: Rastuće priznanje

Tokom vekova, doprinosi Piatera Lastmana često su bili u senci briljantnosti Rembrandta. Međutim, novija naučna istraživanja počela su da ispravljaju ovu neravnotežu, prepoznajući ga kao ključnu figuru u istoriji holandske umetnosti. Kako se sve više pažnje posvećuje njegovim pojedinačnim delima i njegovom uticaju na druge umetnike, rađa se potpunije uvažavanje njegovih jedinstvenih talenata. Muzeji širom sveta ponovo procenjuju svoje kolekcije, izlažući Lastmanova dela uporedo sa delima njegovih učenika, omogućavajući posmatračima da uoče direktnu vezu između njegovog rada i remek-dela koja su usledila. Ponovno otkriće Lastmana nije samo akademski čin, već vitalan korak u razumevanju složene evolucije holandskog slikarstva Zlatnog doba — priznanje doprinosa pravog pionira koji je postavio temelje za jedan od najslavljenih perioda u istoriji umetnosti.