Portret John Theodore Heins

45 najpoznatijih slika umetnika John Theodore Heins, izbor iz galerije

Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 45 dela John Theodore Heins u našem katalogu

Ukratko

Od svih originala koje je John Theodore Heins ostavio, najpoznatiji je Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732). Odmah za njima slede John Ives Senior as a Boy (1718 1719–1793) (1728) i Allegory of Trade (1743). Naš katalog sadrži 45 dela umetnika John Theodore Heins; galerija je čuvala 45 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.

1697 – 1756, Germany Najviše dela: Gainsborough's House

Top 10 slika umetnika John Theodore Heins: izbor galerije

Izbor umetnika John Theodore Heins se nastavlja, od 11 do 45

11Thomas Gainsborough (1709–1739) (1731) čiji je John Theodore HeinsThomas Gainsborough (1709–1739)1731 · Gainsborough's House 12Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor (1727) čiji je John Theodore HeinsRobert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor1727 · St John's College 13Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731) (1729) čiji je John Theodore HeinsSamuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)1729 14Edward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes (1732) čiji je John Theodore HeinsEdward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes1732 15John Gainsborough (1711–1772) (1731) čiji je John Theodore HeinsJohn Gainsborough (1711–1772)1731 · Gainsborough's House 16The Death of Thomas Guy (1737) čiji je John Theodore HeinsThe Death of Thomas Guy1737 17The Honourable Horatio Walpole (1678–1757) (1740) čiji je John Theodore HeinsThe Honourable Horatio Walpole (1678–1757)1740 18Thomas Guy Counting His Money (1737) čiji je John Theodore HeinsThomas Guy Counting His Money1737 19William Wiggett (1693 1694–1768), Mayor of Norwich (1742) (1743) čiji je John Theodore HeinsWilliam Wiggett (1693 1694–1768), Mayor of Norwich (1742)1743 20Thomas Emerson (d.1785), Sheriff of Norwich (1785) (1741) čiji je John Theodore HeinsThomas Emerson (d.1785), Sheriff of Norwich (1785)1741 21Christopher Amiraut (1739) čiji je John Theodore HeinsChristopher Amiraut1739 · Musée des Beaux-Arts Jules Chéret 22Benjamin Nuthall (d.1752), Mayor of Norwich (1721 1749) (1738) čiji je John Theodore HeinsBenjamin Nuthall (d.1752), Mayor of Norwich (1721 1749)1738 23A Music Party at Melton Constable (1734) čiji je John Theodore HeinsA Music Party at Melton Constable1734 24Portrait of a Man (1744) čiji je John Theodore HeinsPortrait of a Man1744 25John, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire (1743) čiji je John Theodore HeinsJohn, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire1743 26Robert Walpole (1676–1745), Earl of Orford (1743) čiji je John Theodore HeinsRobert Walpole (1676–1745), Earl of Orford1743 27Thomas Vere (1680 1681–1766), Mayor of Norwich (1735) (1736) čiji je John Theodore HeinsThomas Vere (1680 1681–1766), Mayor of Norwich (1735)1736 28William Clarke (d.1752), Mayor of Norwich (1739) (1740) čiji je John Theodore HeinsWilliam Clarke (d.1752), Mayor of Norwich (1739)1740 29Thomas Harwood (b.1664 1665), Mayor of Norwich (1728) (1737) čiji je John Theodore HeinsThomas Harwood (b.1664 1665), Mayor of Norwich (1728)1737 30Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge (1741) čiji je John Theodore HeinsLady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge1741 · Fries Museum 31Portrait of an Unknown Lady (1748) čiji je John Theodore HeinsPortrait of an Unknown Lady1748 · Oxburgh Hall 32Simeon Waller, Mayor of Norwich (1745) (1746) čiji je John Theodore HeinsSimeon Waller, Mayor of Norwich (1745)1746 33Thomas Hurnard (1711 1712–1753), Mayor of Norwich (1752) (1754) čiji je John Theodore HeinsThomas Hurnard (1711 1712–1753), Mayor of Norwich (1752)1754 34The Reverend Thomas Roger Duquesne (1750) čiji je John Theodore HeinsThe Reverend Thomas Roger Duquesne1750 35Sir Benjamin Wrench (1665–1747), MD (1746) čiji je John Theodore HeinsSir Benjamin Wrench (1665–1747), MD1746 36Richard Walker (1679–1764), Vice Master and Horticulturist (1751) čiji je John Theodore HeinsRichard Walker (1679–1764), Vice Master and Horticulturist1751 37Thomas Harvey (1711–1772), Mayor of Norwich (1748) (1749) čiji je John Theodore HeinsThomas Harvey (1711–1772), Mayor of Norwich (1748)1749 38The Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778) (1750) čiji je John Theodore HeinsThe Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778)1750 · Old Schools 39Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756) čiji je John Theodore HeinsNockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753)1756 40Matthew Goss (b.1680 1681) (1756) čiji je John Theodore HeinsMatthew Goss (b.1680 1681)1756 41Sir Jacob Astley (1692–1760), 3rd Bt čiji je John Theodore HeinsSir Jacob Astley (1692–1760), 3rd Bt 42The Meeting of Abraham and Melchizedek čiji je John Theodore HeinsThe Meeting of Abraham and MelchizedekNational Trust 43John Kirkpatrick (1686–1728) čiji je John Theodore HeinsJohn Kirkpatrick (1686–1728) 44John Harvey (1666–1742), Mayor of Norwich (1727) čiji je John Theodore HeinsJohn Harvey (1666–1742), Mayor of Norwich (1727) 45Portrait of Georg Friedrich Handel (1750) čiji je John Theodore HeinsPortrait of Georg Friedrich Handel1750

Motivi koji su privlačili pažnju John Theodore Heins

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika John Theodore Heins

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika John Theodore Heins Slike iz ovog spiska
Gainsborough's House, SudburyGainsborough's House Sudbury 2 Thomas Gainsborough (1709–1739), John Gainsborough (1711–1772)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Allegory of Trade
Art Institute of Chicago, ČikagoArt Institute of Chicago Čikago 1 Family Group on a Terrace
National Maritime Museum, LondonNational Maritime Museum London 1 Admiral Sir Robert Harland, circa 1715-1784
Riba Library Drawings And Archives Collections, LondonRiba Library Drawings And Archives Collections London 1 Matthew Brettingham the Elder (1699–1769)
St John's College, KembrijdžSt John's College Kembrijdž 1 Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor
Musée des Beaux-Arts Jules Chéret, NiceMusée des Beaux-Arts Jules Chéret Nice 1 Christopher Amiraut
Fries Museum, LeeuwardenFries Museum Leeuwarden 1 Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge

John Theodore Heins deceniju po deceniju: original koji definiše svaku od njih

Radovi po decenijama

Izaberite deceniju da biste videli original koji je definiše.

Pitanja kolekcionara o slikama umetnika John Theodore Heins

Po kojem delu je John Theodore Heins najpoznatiji/a?Otkrij odgovor

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732). Slede John Ives Senior as a Boy (1718 1719–1793) (1728) i Allegory of Trade (1743).

Koliko je godina imao/la John Theodore Heins kada je nastalo delo Robert Marsh (1679 1680–1771), Mayor of Norwich (1731)?Otkrij odgovor

35 godina: Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) datira iz 1732, a John Theodore Heins je rođen/a 1697.

Koja su deset najpoznatijih slika umetnika John Theodore Heins?Otkrij odgovor

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731), John Ives Senior as a Boy (1718 1719–1793), Allegory of Trade, Family Group on a Terrace, Timothy Balderston (1682–1764), Mayor of Norwich (1736 1751), Admiral Sir Robert Harland, circa 1715-1784, Matthew Brettingham the Elder (1699–1769), Isabella Astley (1724–1741), Aged Eight, Self Portrait i Francis Arnam (1673 1674–1741), Mayor of Norwich (1732). Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je slika ostavio John Theodore Heins?Otkrij odgovor

Naš katalog sadrži 45 dela umetnika John Theodore Heins, datiranih od 1726 do 1756.

U kojim muzejima se nalaze remek-dela umetnika John Theodore Heins?Otkrij odgovor

Većinom u Gainsborough's House (Sudbury), Yale Center for British Art (New Haven) i Art Institute of Chicago (Čikago). Tabela muzeja iznad sadrži njih sve.

U kojim godinama je John Theodore Heins naslikao svoja najpoznatija dela?Otkrij odgovor

U 1740s: 16 od 45 dela na ovoj stranici nastalo je tada, od čega je Allegory of Trade.

Koja su prva i poslednja čuvena originalna dela umetnika John Theodore Heins?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Self Portrait (1726), a najnovije iz Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756).

Koje je motive John Theodore Heins najčešće birao/la?Otkrij odgovor

Portraiture (5), 18th century (5) i Dignified (4), kroz svih 45 dela na ovoj stranici.

Čija se dela umetnika John Theodore Heins nalaze u Gainsborough's House?Otkrij odgovor

Thomas Gainsborough (1709–1739) i John Gainsborough (1711–1772): Gainsborough's House, Sudbury čuva 2 dela sa ove stranice.

John Theodore Heins: život i delo

The Quiet Elegance of John Theodore Heins Senior

In the vibrant tapestry of eighteenth-century British art, where the flamboyant grandeur of Joshua Reynolds and the fluid grace of Thomas Gainsborough often command the spotlight, there exists a more intimate, contemplative voice. This is the voice of John Theodore Heins Senior (1697–1756), a portraitist whose work serves as a window into the psychological depth and social dignity of the Enlightenment era. While his name may not resonate with the same thunderous fame as his more celebrated contemporaries, Heins Senior offered a unique brand of visual storytelling, characterized by a meticulous devotion to detail and an uncanny ability to capture the very essence of his subjects—ranging from the scholarly elite to the powerful mayors of Norwich.

Born in London, Heins’s early years were shaped by the rigorous traditions of the English school. His artistic journey was profoundly influenced by his apprenticeship under Jonathan Richardson Sr., a master renowned for integrating theatrical composition with innovative perspectives. From Richardson, Heins inherited more than just technical proficiency; he learned the art of characterization. This foundational training instilled in him a respect for realism and an understanding of how light and shadow could be used to sculpt not just physical form, but the very soul of the sitter. As his career progressed, Heins moved away from mere imitation, developing a signature style that favored a restrained palette and a subtle gradation of tones reminiscent of the Old Master traditions.

Mastery of Light and Texture

The true brilliance of Heins Senior lies in his technical command over the medium of oil painting. Unlike the looser, more impressionistic brushstrokes that would later define much of British portraiture, Heins employed a painstaking method of building up layers of paint. This laborious process allowed him to achieve a remarkable luminosity and a textural complexity that makes his canvases feel almost tactile. His subjects are often bathed in a diffused, soft light, creating an atmosphere of serene contemplation that invites the viewer to linger.

Central to his technique was the masterful use of chiaroscuro. By orchestrating the dramatic interplay between deep shadows and brilliant highlights, Heins could direct the viewer's eye toward the most expressive features of a face or the intricate textures of fine silk and lace. This precision is evident in several of his notable works:

A Legacy of Dignity and Detail

The historical significance of John Theodore Heins Senior resides in his role as a chronicler of an era defined by intellectual growth and social stratification. His portraits were more than mere likenesses; they were carefully constructed symbols of identity, intellect, and authority. Through his work, we gain insight into the architectural symbolism and the sartorial elegance that defined the 18th-century British upper classes and scholarly circles.

Though he may have been overshadowed by the more theatrical movements of his time, Heins Senior’s contribution to the canon of British portraiture remains indispensable. His ability to marry the precision of a craftsman with the sensitivity of an artist allowed him to create works that possess a timeless, quiet dignity. Today, as art historians revisit his oeuvre, they find a painter who did not seek to overwhelm the viewer with spectacle, but rather to enchant them through the profound beauty of truth and meticulous observation.