Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 77 dela Fransoa Ibert Drua u našem katalogu
Ukratko
Od svih originala koje je Fransoa Ibert Drua ostavio, najpoznatiji je Madame de Pompadour (1763), koji se nalazi u kolekciji National Gallery, London. Odmah za njima slede Louise-Marie de France (1763) i Hubert Drouais, the Artist's father (1760). Naš katalog sadrži 77 dela umetnika Fransoa Ibert Drua; galerija je čuvala 77 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
In this 1763 oil on canvas, François Hubert Drouais presents Louise-Marie de France in a three-quarter length composition. The subject is positioned slightly off-center against a muted, dark, and indistinct background, which directs the viewer's attention toward her figure. She is depicted with a calm expression and a direct gaze. Her attire consists of heavy, patterned silk and intricate lace sleeves, featuring multi-colored floral motifs in shades of blue, orange,…
In this intimate portrait from 1760, we find Hubert Drouais seated within the quiet confines of his studio. He is captured in a moment of quiet focus, his gaze meeting ours as if we have just stepped into his private workspace. There is a profound sense of professional dignity in his posture, a man settled into his vocation. He holds a sheet of paper in his hands, poised to begin…
In this 1761 portrait, we encounter Marie Rinteau, known as Mademoiselle de Verrières, presented with a poise that defines the Rococo era. She is seated in a three-quarter length pose, her gaze meeting ours with a gentle, steady expression. The composition follows a stable pyramidal structure, centering her within an atmospheric, dark background that allows her figure to emerge through a soft chiaroscuro effect. There is a quiet dignity in…
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
In this intimate bust portrait from 1750, we encounter a young woman who embodies the quiet refinement of the French court. She is positioned slightly off-center, her gaze directed toward the viewer's left, yet her eyes maintain a gentle, direct connection with us. The composition is characterized by a soft, luminous quality that seems to emanate from her skin, set against a dark, undifferentiated background that pushes her presence to…
An elegant portrait of a young woman, likely Mademoiselle de Forges, captures the refined grace of the mid-eighteenth century. She is positioned centrally within an oval frame, depicted from the waist up against a muted, atmospheric landscape. The composition relies on soft, curvilinear lines, seen in the flowing lace of her gown and the gentle curves of her powdered hair. A sense of three-dimensional depth is achieved through diffused lighting…
Lady with girl at a mirror is a portrait by François Hubert Drouais. This work dates to about 1752. The image presented here is a monochrome, grayscale reproduction of the original 18th-century Rococo portrait. It captures a quiet, intimate moment between two figures, rendered in shades of black, white, and gray.
François-Hubert Drouais’s “Madame Sophie de France” (1762) is more than simply a portrait; it's a meticulously crafted window into the opulent world of 18th-century French aristocracy. Painted during a period of significant social and political change, this work captures not just the likeness of a young woman but also embodies the grandeur, formality, and subtle anxieties of the era. The painting’s enduring appeal lies in its exquisite detail, masterful use…
The Prince Dmitry Mikhaylovich Golitsyn1762 · Pushkin State Museum
12
Portrait of the Marquise d'Aguirandes1759 · Cleveland Museum of Art
13
The Sourches family1756 · Opera House
14
Drouais - Adélaïde of France1763 · Opera House
15
Mlle. Marguerite Catherine Haynault, later the Marquise de Montmelas in Turkish Costume1757 · Muzej finih umetnosti u Bostonu
16
Carlos Fernando FitzJames-Stuart, Marquess of Jamaica1765 · Birmingham Museum of Art
17
Madame de Pompadour1764 · Montreal Museum of Fine Arts
18
A Young Boy Holding a Portfolio1761
19
Portrait of Jeanne Antoinette Poisson, the Marquise de Pompadour (1721-1764) in muff1763 · Musée des Beaux-Arts
20
Portrait of Countess Darya Petrovna Saltykova (1739-1802)1762 · Pushkin State Museum
21
Portrait of Madame du Barry (1743-1793)1770 · Музеј Прадо
22
Louis de Bourbon-Condé, Count of Clermont (1709-1771)1771 · Opera House
23
Portrait de Madame Du Barry en Flore1774 · Musée des Beaux-Arts d'Agen
24
Madame Du Barry as Flora1774 · Château de Versailles
25
Portrait de madame Du Barry tenant une corbeille de roses1770 · Musée Fabre
26
Portait of Count of Provence1772 · Fondazione Accorsi - Ometto - Museo di Arti Decorative
27
Marquise de Caumont La Force1767 · David Owsley Museum of Art Ball State University
28
Boy with a Black Spaniel1767 · Metropoliten музеј у Њујорку
29
Monsieur Denis-Paul le Pot de la Fontaine1772 · Detroit Institute of Arts
30
Boy with a House of CardsMetropoliten музеј у Њујорку
31
Portrait of a Young Woman as a Vestal Virgin1767 · Metropoliten музеј у Њујорку
32
Jeanne Bécu, Comtesse du Barry1770 · National Gallery of Art
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Marie Antoinette, Queen of France, in a court dressNacionalni muzej u Varšavi
34
Madame Drouais, Wife of the Artist1758 · Luvr
35
PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUTLuvr
36
The Children of the Duc de Bouillon1756
37
Le Comte de Vaudreuil1758
38
Jeanne Bécu, Comtesse du Barry1774 · National Portrait Gallery of Sweden
39
Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)1757 · Metropoliten музеј у Њујорку
40
Family Portrait1756 · Nationalmuseum
41
Portrait of a Little Girl Holding a DollMusée Cognacq-Jay
42
Portrait of a Little Girl in a White Dress, called Alexandrine Lenormant d'EtiollesMusée Cognacq-Jay
43
Portrait of Princess Louise Marie of France (1737-1787)Opera House
44
Portrait of a young woman
45
LE COMTE D'ARTOIS ET MADAME CLOTILDE
46
Marie-Joséphine-Louise de SavoieChâteau de Versailles
47
LA FAMILLE DE SOURCHES
48
GUILLAUME II COUSTOU (1716 1777)Opera House
49
The Prince, and PrincessNational Trust
50
LOUIS DE BOURBON, COMTE DE CLERMONT, LIEUTENANT GENERAL DES ARMEES DU ROI (1709 1771)
51
LOUIS STANISLAS XAVIER, COMTE DE PROVENCE (1755 1824)
52
MARIE CLOTILDE XAVIERE DE FRANCE, DITE MADAME CLOTILDE, REINE DE SARDAIGNE (1759 1802)Opera House
53
Portrait de Jeanne Antoinette Poisson, marquise de PompadourMusée Condé
54
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS (1757 1836)
55
Madame la Dauphine Marie Antoinette, en HébéMusée Condé
56
Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog)Birmingham Museum of Art
57
Madame Jacques Benoit LoysLuvr
58
ENFANT AU TRICORNELuvr
59
LOUISE ELISABETH DE MAILLE KARMANLuvr
60
EDME BOUCHARDONLuvr
61
Family Portrait1756 · National Gallery of Art
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LE COMTE DE NOGENTLuvr
63
MADAME DROUAISLuvr
64
Miss golden
65
Portrait of a Child
66
A Girl Holding a Canary, Time of Louis XVBowes Museum
67
Child with a TambourineFitzwilliam Museum
68
The Prince de Guémenée , and Mademoiselle de Soubise Dressed as Grape HarvestersNational Trust
69
Louis Auguste, duc de BerryMuseu de Arte de São Paulo Assis Chateaubriand
70
SOPHIE PHILIPPINE ELISABETH JUSTINE DE FRANCE, DITE MADAME SOPHIE (1744 1782)
71
Portrait du scuplteur Edme Bouchardon (1698 1762)Muzej Carnavalet
72
Portrait de Monseigneur Dominique de la Rochefoucauld, archevêque d'Albi, plus tard Cardinal archevêque de Rouen
73
LOUIS XV, ROI DE FRANCE ET DE NAVARRE (1710 1774)Opera House
74
CHARLES PHILIPPE DE FRANCE, COMTE D'ARTOIS, ET SA SOEUR MADAME CLOTHILDELuvr
75
Madame de Pompadour at her Tambour FrameNational Gallery
76
The Comte and Chevalier de Choiseul as Savoyards1758 · The Frick Collection
77
Le Comte de VaudreuilNational Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Fransoa Ibert Drua | Slike iz ovog spiska |
|---|---|---|---|
 Luvr |
Pariz | 9 | Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT, Madame Jacques Benoit Loys |
 Opera House |
Versailles | 7 | The Sourches family, Drouais - Adélaïde of France, Louis de Bourbon-Condé, Count of Clermont (1709-1771) |
 Metropoliten музеј у Њујорку |
Њујорк | 6 | Marie Rinteau, called Mademoiselle de Verrières, Madame Sophie de France (1734–1782), Boy with a Black Spaniel |
 National Gallery |
London | 3 | Madame de Pompadour, Madame de Pompadour at her Tambour Frame, Le Comte de Vaudreuil |
 Nationalmuseum |
Стокхолм | 2 | Hubert Drouais, the Artist's father, Family Portrait |
 Pushkin State Museum |
Moskva | 2 | The Prince Dmitry Mikhaylovich Golitsyn, Portrait of Countess Darya Petrovna Saltykova (1739-1802) |
 Birmingham Museum of Art |
Birmingham | 2 | Carlos Fernando FitzJames-Stuart, Marquess of Jamaica, Les Portraits de MM. De Béthune Jouant avec un Chien (Children of the Marquis de Béthune Playing with a Dog) |
 Château de Versailles |
Versaj | 2 | Madame Du Barry as Flora, Marie-Joséphine-Louise de Savoie |
Izaberite deceniju da biste videli original koji je definiše.
The canvas holds a young woman caught in a soft, directional light. She sits in a three-quarter pose, her body turned slightly toward the viewer, draped in fabrics that catch the glow of an unseen sun. Her skin possesses a porcelain clarity, achieved through thin, translucent glazes of oil paint that suggest a warmth beneath the surface. Around her, the atmosphere is thick with the quietude of a garden, where…
The air in the room feels still, held in a quiet suspension as the young woman gazes out from her oval frame. She sits with a poised, calm expression, her presence filling the space with a sense of refined dignity. A delicate lace headdress, secured by a large striped ribbon beneath her chin, frames a face that seems to glow with an inner light. Her gown, adorned with intricate floral…
To gaze upon this portrait of Madame de Pompadour is to step directly into the gilded salons of 18th-century France, a world steeped in whispered secrets and breathtaking opulence. François Hubert Drouais captured not merely a likeness, but an entire atmosphere—the very essence of aristocratic grace during the reign of Louis XV. The subject herself radiates an undeniable magnetism; her posture is one of studied ease, yet every fold of…
Madame de Pompadour (1763), National Gallery, London. Slede Louise-Marie de France (1763) i Hubert Drouais, the Artist's father (1760).
36 godina: Madame de Pompadour datira iz 1763, a Fransoa Ibert Drua je rođen/a 1727.
Madame de Pompadour, Louise-Marie de France, Hubert Drouais, the Artist's father, Marie Rinteau, called Mademoiselle de Verrières, Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence., Portrait of a Lady with Lace Headdress and Muff, Portrait of a Young Lady, Portrait of a Lady, said to be Mademoiselle de Forges, Lady with girl at a mirror i Madame Sophie de France (1734–1782). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 77 dela umetnika Fransoa Ibert Drua, datiranih od 1737 do 1774.
Većinom u Luvr (Pariz), Opera House (Versailles) i Metropoliten музеј у Њујорку (Њујорк). Tabela muzeja iznad sadrži njih sve.
U 1760s: 15 od 77 dela na ovoj stranici nastalo je tada, od čega je Madame de Pompadour.
Na ovoj stranici, najstarije delo je iz Mademoiselle Marie Pélissier (1707-1749), of the Opéra, also known as Marie Pélissier in Florence. (1737), a najnovije iz Portrait de Madame Du Barry en Flore (1774).
Woman (20), Portraiture (13) i Lace (13), kroz svih 77 dela na ovoj stranici.
Oil On Canvas, za 36 od 77 dela na ovoj stranici.
Rococo, sudeći po originalima na ovoj stranici.
Madame Drouais, Wife of the Artist, PORTRAIT D'HOMME DIT AUTREFOIS ANTOINE MICHAUT i Madame Jacques Benoit Loys: Luvr, Pariz čuva 9 dela sa ove stranice.
U svetlucavoj i raskošnoj atmosferi Francuske sredine osamnaestog veka, malo je umetnika uspelo da tako intimno dočara suštinu aristokratskog otmenog duha kao Fransoa Ibert Drua. Kao vodeći portretista u poslednjim godinama vladavine Luja XV, Drua je posedovao jedinstven dar da prenese prefinjenost i šarm francuskog dvora na platno. Njegovo delo služi kao zadivljujući prozor u eru rokokoa, period koji je definisan težnjom ka idealizovanom osećaju lepote i pažljivo orkestriranom simfonijom svetlosti i teksture.
Rođen u Parizu, u Francuskoj, Drua je od najranijih godina bio uronjen u svet bele umetnosti. Pratio je stopama svog oca, Huberta Drua, od kojeg je primio svoje prve umetničke pouke. Ova porodična tradicija portretistike pružila je temelj tehničkog majstorstva koji će mu kasnije omogućiti da se kreće najvišim slojevima pariskog društva. Njegov talenat nije bio ograničen samo na pogađanje fizičkih sličnosti; posedovao je duboku sposobnost da svojim modelima podari psihološko prisustvo koje prevazilazi vekove, čineći njegove portrete istovremeno ličnim i vanvremenskim.
Uspon Druine popularnosti bio je neraskidivo povezan sa njegovim sve većim prisustvom na francuskom dvoru. Kako je njegova reputacija rasla, krug klijenata se proširio i obuhvatio francusku kraljevsku porodicu, plemištvo, stranu aristokratiju i bogate fermiers-généraux. Njegovi portreti postali su modna neophodnost za članove pariskog društva i njihove ljubimce, koji su želeli da ovekoveče svoj status kroz njegov izvrsni potez četkicom.
Druina tehnika karakterisala je delikatna slojevitost tankih, prozirnih glazura uljanih boja. Ova metoda mu je omogućila da postigne porcelanski sjaj kože svojih subjekata, stvarajući meko, difuzno osvetljenje koje je izgledalo kao da emanira iz samog unutrašnjih slojeva platna. Njegovo majstorstvo prevazilazilo je ljudsku formu i doticalo same teksture rokokoskog načina života:
Istorijski značaj koji nosi Fransoa Ibert Drua leži u njegovoj ulozi definitivnog hroničara Ancien Régime-a. Kroz njegove oči, mi svedočimo tihom dostojanstvu i suptilnoj eleganciji figura kao što su Madame Jacques Benoit Loys i Comte de Vaudreuil. Njegovo delo čini više od puke dokumentacije istorijskih ličnosti; ono hvata samu dušu jednog perioda definisanog težnjom ka vrhuncu prefinjenosti.
Njegov uticaj se proširio i kroz njegovu porodicu, naročito na njegovog sina, Jeana Germaina Drua, koji je nastavio tradiciju portretistike i istorijskog slikarstva. Iako je era rokokoa vremenom ustupila mesto novim umetničkim pravcima, dela Fransoa Iberta Drue ostaju trajni spomenici izgubljenom dobu francuskog sjaja, sačuvanim u prestižnim kolekcijama kao što su National Gallery u Londonu i National Gallery of Art.
