Ažurirano: октобар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 111 dela Filip Gaston u našem katalogu
Ukratko
Od svih originala koje je Filip Gaston ostavio, najpoznatiji je The Pit (1976). Odmah za njima slede The Room (1970) i Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938). Naš katalog sadrži 111 dela umetnika Filip Gaston; galerija je čuvala 100 dela koja svet najviše admira, od kojih je svako prikazano sa svojim datumom, muzejom i pričom.
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The canvas presents two hooded figures seated within the interior of an automobile. These figures are rendered with thick, heavy outlines and a cartoonish quality, their faces obscured by the white fabric of their hoods. One figure holds a smoking cigar between its fingers, the grey smoke curling upward into the surrounding space. The vehicle itself is positioned against a background of serially arranged, white, sheep-like clouds that drift across…
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
The title, which references Rome, suggests a preoccupation with the classical world and the layers of history that settle upon a place. There is a tension here between the modern hand and the ancient subject. The work avoids the easy path of mere imitation, opting instead to engage with the essence of classical relief. It captures a sense of what remains after time has passed. The shadows are deep, and…
Gladiators1940
12
The Palette1975
13
Bombardment1937
14
Monopoly1964 · Parrish Art Museum
15
Martial Memory1941
16
The Young Mother1944
17
Porch II1947
18
The Tormentors1948
19
Study for Tormentors1947
20
The Porch1947
21
Painting No. 61951 · Smithsonian American Art Museum
22
Painting, Number 51952 · Metropoliten музеј у Њујорку
23
Painting No. 61951
24
Painting No. 91952
25
Ischia1949
26
Untitled1950
27
Loft I1950
28
Review1949
29
Red Painting1950
30
Three things are necessary for the salvation of man to know what he ought to believe to know what he ought to desire and to know what he ought to do. St. Thomas Aquinas, Two Precepts of Charity, 1273. From the series Great Ideas of Western Man1952
31
Drawing Related to Zone (Drawing No. 19)1954
32
Late April1961 · Izraelski muzej
33
Duo1961
34
Role1959 · Cleveland Museum of Art
35
Rite1958 · Art Institute of Chicago
36
Drawing 19601960 · Metropoliten музеј у Њујорку
37
Close-Up III1961 · Metropoliten музеј у Њујорку
38
Close Up III1961
39
To Fellini1958
40
Celebration1961
41
Inhabiter1965
42
Open Washes1966
43
Untitled (Book)1968
44
Untitled1968
45
City1968
46
Brushes1969
47
Discussion I1969
48
Shoes1968
49
Untitled1973
50
Untitled (Cup)1973
51
Untitled (Wall)1971
52
Painter in Bed1973
53
Roma1971
54
Painting, Smoking, Eating1972
55
Figure in Interior1970
56
Daydreams1970
57
The Street from Ten Lithographs by Ten Artists1971
58
Cerveteri1972
59
Pantheon1973
60
The Lesson1975 · The Phillips Collection
61
Web1975
62
The Street1977
63
Back View1977
64
Couple in bed1977
65
Deluge II1975
66
Ancient Wall1976
67
Midnight Pass Road1975
68
Monument1976
69
Inside - Outside1977
70
Head and Bottle1975
71
Step1979 · Muzej fine umetnosti u Hjustonu
72
Summer1980
73
Wheel1980
74
Room1980
75
East Side1980
76
Untitled (8)1980
77
As It Goes1978
78
Painter's Forms No. 21978
79
Tomb1978
80
Door1981
81
Studio Corner1981
82
Remains from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc1981
83
Gulf1983
84
Painter1983
85
City Limits1969
86
Drawing for Conspirators1930 · Whitney Museum of American Art
87
Curtain
88
Days Work
89
Untitled (9)
90
Box Tree, Rome
91
Clock
92
The return
93
Room
94
Entrance
95
Green Rug
96
Inscapes. Words and Images
97
Talking
98
Sleeping
99
A Critical Study
100
The lesson
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Filip Gaston | Slike iz ovog spiska |
|---|---|---|---|
 Metropoliten музеј у Њујорку |
Њујорк | 3 | Painting, Number 5, Drawing 1960, Close-Up III |
 Smithsonian American Art Museum |
Vašington, D.C. | 2 | Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painting No. 6 |
 Städel Museum |
Frankfurt | 1 | Ride |
 Georgia Museum of Art |
Atina | 1 | Untitled, #342 |
 Parrish Art Museum |
Water Mill | 1 | Monopoly |
 Izraelski muzej |
Jerusalim | 1 | Late April |
 Cleveland Museum of Art |
Klivlend | 1 | Role |
 Art Institute of Chicago |
Čikago | 1 | Rite |
Izaberite deceniju da biste videli original koji je definiše.
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The Pit (1976). Slede The Room (1970) i Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938).
63 godina: The Pit datira iz 1976, a Filip Gaston je rođen/a 1913.
The Pit, The Room, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painter III, To B.W.T., Ride, The Studio, Agean, Last Piece i Untitled, #342. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 111 dela umetnika Filip Gaston, datiranih od 1930 do 1980.
Većinom u Metropoliten музеј у Њујорку (Њујорк), Smithsonian American Art Museum (Vašington, D.C.) i Städel Museum (Frankfurt). Tabela muzeja iznad sadrži njih sve.
U 1970s: 30 od 100 dela na ovoj stranici nastalo je tada, od čega je The Pit.
Na ovoj stranici, najstarije delo je iz Drawing for Conspirators (1930), a najnovije iz Agean (1980).
Symbols (7), Buildings (4) i Arts (4), kroz svih 100 dela na ovoj stranici.
Oil On Canvas, za 2 od 100 dela na ovoj stranici.
Neo expressionism, sudeći po originalima na ovoj stranici.
Painting, Number 5, Drawing 1960 i Close-Up III: Metropoliten музеј у Њујорку, Њујорк čuva 3 dela sa ove stranice.
Filip Gaston bio je čuveni kanadsko-američki slikar i grafičar čija se karijera protezala kroz više od četiri decenije. Njegov umetnički put obeležen je značajnim preobracajima u stilu i tematici, spajajući elemente apstraktnog ekspresionizma i figurativne umetnosti kako bi istražio složene teme rasizma, antisemitizma, fašizma i američkog identiteta.
Gastonovo rano detinjstvo duboko je pogodila tragedija. Njegov otac, ukrajinski jevrejski imigrant, oduzeo je sebi život 1923. godine. Ovaj događaj je snažno uticao na Gastonov umetnički razvoj. Počeo je da crta u mladom uzrastu i pohađao srednju školu „Manual Arts“ u Los Anđelesu, gde je 1ica počeo da slika 1927. godine. Uz podršku majke, često je stvarao umetnost u malom ormaru pod svetlom jedine viseće sijalice.
Gastonova umetnička karijera može se široko podeliti u dve različite faze. U početku, njegov rad je bio figurativan i reprezentativan, prikazujući rane uticaje renesansnih majstora poput Pjera dela Frančeske. Kasnije je prihvatio apstrakciju, postajući istaknuta figura Njujorške škole uporedo sa umetnicima kao što su Džekson Polok i Viljem de Kuning.
Gastonova kasnija dela su možda najkontroverznija i najuticajnija u njegovoj karijeri. Ove slike su često sadržale mračne, satirične elemente, uključujući crteže Ričarda Niksona i pripadnika Ku Klansa sa kapuljačama. Istraživao je teme rasizma, antisemitizma i američkog identiteta sa sirovom iskrenošću koja je izazvala tradicionalne umetničke norme.
Nasleđe Filipa Gastona nastavlja da inspiriše umetnike i ljubitelje umetnosti podjednako. Njegova jedinstvena perspektiva i umetnički stil ostavili su neizbrisiv trag u svetu umetnosti.
