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The Rowers of the Meurthe (1888) je slika autora Емил Фријан koja privlači najviše pažnje; original se nalazi u muzeju musée de l'École de Nancy, Nancy. Nakon toga, pogled se seli na Woman with a lion (1919) i Portrait de sa mère épluchant un navet, devant une fenêtre (1887). Među 60 dela umetnika Емил Фријан u našem katalogu, ovih 60 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
Portrait de sa mère épluchant un navet devant une fenêtre : Une Œuvre Réaliste au Cœur de Nancy Émile Friant, né à Dieuze en 1863, est une figure marquante ayant tissé les liens entre le réalisme du XIXe siècle et les mouvements artistiques émergents du début du XXe siècle. Son parcours vitifié par les bouleversements politiques et sociaux de son temps témoigne d'une sensibilité profondément ancrée dans la réalité française…
Émile Friant's "A Student," painted in 1885, is more than just a portrait; it’s a poignant glimpse into the quiet contemplation of a young man grappling with his studies and perhaps, with something deeper within himself. This oil painting, currently residing at the Musée des Beaux-Arts in Nancy, France, offers a remarkably intimate portrayal of a figure lost in thought, rendered with Friant's signature blend of realism and subtle emotional…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In the soft, diffused light of a late nineteenth-century afternoon, Émile Friant invites us into a space of profound intimacy and domestic stillness. Portrait of my mother peeling a turnip, in front of a window is not merely a depiction of a mundane chore; it is a masterful study of presence and the beauty found within the ordinary. The scene unfolds before a large, rectangular window that serves as both…
The oil on canvas titled Polynices Cursed by Oedipus captures a heavy, suspended moment of tragedy. Created about 1883, the work is a product of the hand of Émile Friant. The scene is fixed in a stillness that feels as weighted as the shadows cast across the figures' skin.
The Study by Émile Friant, created about 1885, presents a medium shot of two figures within a well-appointed interior. A man sits in the foreground, his attention directed toward the act of drawing or sketching. Positioned before him is a woman who stands with her back turned toward the viewer, acting as the subject of his work. The arrangement of these figures creates a sense of depth, placing the subjects…
Presentation of the Odalisques to the Sultan1881 · Muzej lepih umetnosti u Nansiju
12
Portrait of Georges Jeanniot1884 · Musée des Beaux-Arts de Dijon
13
Les artistes Mathias Schiff et Camille Martin1880
14
A Wood-Line1885
15
Memories1891 · Petit Palais
16
The Garden Walk1889 · Philadelphia Museum of Art
17
Spinner from El Kantara1892
18
Spring1888
19
The Bread1894
20
Voyage a l'Infini1899
21
Portrait of Aimé Morot1905
22
Émile Hinzelin1908 · Musée d'Art Moderne et Contemporain de Strasbourg
23
Devant la psyché1912 · Muzej lepih umetnosti u Nansiju
24
The Familiar Birds1921
25
Portrait of Jean Scherbeck1928
26
Guillaume Dubufe1905 · Musée d'Orsay
27
Self portraitMuzej lepih umetnosti u Nansiju
28
The Frugal Repast
29
Tube of Gouache1877 · Muzej lepih umetnosti u Nansiju
30
Self portrait1877
31
Self-portrait at twenty years of three quarters1883
32
Portrait of Madame Petitjean1883 · Muzej lepih umetnosti u Nansiju
33
The Landscape Painter in his Studio1885
34
The Entrance of the Clowns1881
35
Jeanniot peignant la Ligne de feu1886
36
Soir d'automne (also known as Study for Les amoreux)1888
37
Portrait of Camille Majorelle1888 · musée de l'École de Nancy
38
Douleur1898 · Muzej lepih umetnosti u Nansiju
39
Self-portrait1893
40
Portrait de M. Paul1896 · Muzej lepih umetnosti u Nansiju
41
A Child's Dissapointment1897 · The Frick Pittsburgh
42
Self-portraitmusée de l'École de Nancy
43
Portrait of Young Girl
44
Coquelin Senior in the Role of Jean Dacier
45
Young girl
46
Studio Visit
47
Portrait of M. Sidrot1881 · Muzej lepih umetnosti u Nansiju
48
Les Buveurs1884 · Muzej lepih umetnosti u Nansiju
49
Portrait of Sculptor Ernest Bussière (also known as Interior of the Studio)1884 · Muzej lepih umetnosti u Nansiju
50
Maternal Tenderness1906
51
Madame Coquelin Mere
52
Political Dicussion1889
53
Dress with Knitted CoatKunstgewerbemuseum
54
Draft of Dress with Knitted CoatKunstgewerbemuseum
55
Lovers1888 · Muzej lepih umetnosti u Nansiju
56
Young Woman of Nancy in a Winter Landscape1887 · Muzej lepih umetnosti u Nansiju
57
The Small BoatMuzej lepih umetnosti u Nansiju
58
All Saints' Day1888 · Musée d'Orsay
59
Ombres portées1891 · Musée d'Orsay
60
Wrestling1889 · Musée Fabre
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Емил Фријан | Slike iz ovog spiska |
|---|---|---|---|
 Muzej lepih umetnosti u Nansiju |
Nanci | 15 | Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), Presentation of the Odalisques to the Sultan |
 musée de l'École de Nancy |
Nancy | 3 | The Rowers of the Meurthe, Portrait of Camille Majorelle, Self-portrait |
 Musée d'Orsay |
Pariz | 3 | Guillaume Dubufe, All Saints' Day, Ombres portées |
 Kunstgewerbemuseum |
Berlin | 2 | Dress with Knitted Coat, Draft of Dress with Knitted Coat |
 Art Gallery of Hamilton |
Hamilton | 1 | The Expiation |
 Nationalmuseum |
Стокхолм | 1 | The Tramp |
 la Cour D'or |
Metz | 1 | Self portrait |
 Musée des Beaux-Arts de Nancy |
Nansi | 1 | Portrait of my mother peeling a turnip, in front of a window |
Izaberite deceniju da biste videli original koji je definiše.
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
In "The Familiar Birds" by Émile Friant, a quiet intimacy unfolds as a seated woman rests amidst a gathering of exotic birds. The composition centers entirely on her figure, drawing the eye to her relaxed, asymmetrical pose. She sits with one leg tucked inward while the other extends outward, creating a sense of ease within the frame. Around her, the birds interact closely, their presence blurring the line between a…
The Rowers of the Meurthe (1888), musée de l'École de Nancy, Nancy. Slede Woman with a lion (1919) i Portrait de sa mère épluchant un navet, devant une fenêtre (1887).
25 godina: The Rowers of the Meurthe datira iz 1888, a Емил Фријан je rođen/a 1863.
The Rowers of the Meurthe, Woman with a lion, Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), The Expiation, The Tramp, Self portrait, Portrait of my mother peeling a turnip, in front of a window, Polynices Cursed by Oedipus i The Study. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 60 dela umetnika Емил Фријан, datiranih od 1877 do 1928.
Većinom u Muzej lepih umetnosti u Nansiju (Nanci), musée de l'École de Nancy (Nancy) i Musée d'Orsay (Pariz). Tabela muzeja iznad sadrži njih sve.
U 1880s: 27 od 60 dela na ovoj stranici nastalo je tada, od čega je The Rowers of the Meurthe.
Na ovoj stranici, najstarije delo je iz Tube of Gouache (1877), a najnovije iz Portrait of Jean Scherbeck (1928).
Man (12), Woman (10) i Portrait (8), kroz svih 60 dela na ovoj stranici.
Oil On Canvas, za 21 od 60 dela na ovoj stranici.
Realism i Contemporary realism, sudeći po originalima na ovoj stranici.
Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait) i Presentation of the Odalisques to the Sultan: Muzej lepih umetnosti u Nansiju, Nanci čuva 15 dela sa ove stranice.
