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Za ljubitelje galerije, najpoznatije delo umetnika Ђовани Лоренцо Бернини je The Martyrdom of St Lawrence (1614), čiji se original nalazi u muzeju Galerija Ufizi, Firenca. Daniel and the Lion (1650) i Aeneas, Anchises, and Ascanius (1618) čine triju koju svako oko prepoznaje. Od 172 dela umetnika Ђовани Лоренцо Бернини u našem katalogu, galerija u nastavku predstavlja 100 najpoznatijih dela, od kojih je svako originalno, sa navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In the annals of art history, few moments are as poignant as the emergence of a prodigy. The Martyrdom of St Lawrence, sculpted by the incomparable Gian Lorenzo Bernini around 1614, serves as a breathtaking introduction to the genius who would eventually redefine the Roman Baroque. Created when the artist was a mere fifteen years old, this marble masterpiece is far more than a youthful exercise; it is a profound…
Gian Lorenzo Bernini's "Daniel and the Lion," sculpted between 1655 and 1657, isn’t merely a depiction of a biblical story; it’s a visceral embodiment of faith, courage, and divine protection. Housed within the Chigi Chapel of Santa Maria del Popolo in Rome, this masterpiece transcends its marble form to become a profoundly moving experience for the viewer. Bernini, already establishing himself as the preeminent sculptor of his era, masterfully captures…
To stand before this magnificent depiction of Aeneas, Anchises, and Ascanius is to be transported across the wine-dark sea of history, into the very crucible of mythic departure. This sculpture does not merely represent figures; it captures a moment suspended between profound loss and inevitable destiny. The marble itself seems imbued with the drama of their journey—a tangible echo of Troy’s fall and the arduous passage toward a new beginning.…
A Portrait of Power: Francesco I d'Este by Gian Lorenzo Bernini This striking black and white photograph captures a marble bust sculpture depicting Francesco I d’Este (1594-1658), Duke of Modena and Reggio. Created around 1650 by the celebrated Italian sculptor Gian Lorenzo Bernini, this work transcends a simple portrait; it's a powerful statement of status, authority, and refined taste within the context of Baroque Europe. The image showcases the sculpture’s…
The air seems to thicken with tension as Pluto, god of the underworld, exerts his overwhelming strength upon Proserpina. In this moment, captured in 1621, the white marble does not feel like cold stone but like living, straining flesh. You can almost hear the sharp intake of breath and the rustle of fabric as the abduction unfolds. Pluto’s fingers press into the soft surface of her skin, a feat of…
Gian Lorenzo Bernini’s “Self-Portrait,” painted in 1635, isn't merely a likeness; it’s an intensely revealing glimpse into the mind of one of Rome’s most celebrated artists. More than just a depiction of a man, it’s a carefully constructed statement about identity, ambition, and the very nature of artistic creation. This oil on canvas, now residing within the Borghese Gallery in Rome, offers a rare intimacy with an artist who shaped…
Gian Lorenzo Bernini's 1623 sculpture, “David,” residing within the opulent Galleria Borghese in Rome, isn’t merely a depiction of the biblical hero; it’s a visceral embodiment of youthful defiance and impending triumph. Commissioned by Cardinal Scipione Borghese, a fervent admirer of classical antiquity, this masterpiece transcends simple narrative illustration, becoming a profound meditation on courage, vulnerability, and the very essence of human potential. Bernini, already establishing himself as the leading…
In the grand theater of the High Baroque, few works command the room with such effortless authority as Gian Lorenzo Bernini's Bust of Louis XIV. Created in 1665 during the artist's transformative tenure in Paris, this marble masterpiece is far more than a mere likeness of a monarch; it is a profound manifestation of power, grace, and divine right. As one contemplates the sculpture, the viewer is immediately struck by…
To gaze upon this study for the East Façade of the Louvre is to witness not merely an architectural drawing, but a moment suspended in time—a brilliant flash of creative ambition from the heart of the High Baroque. In 1664, Gian Lorenzo Bernini, already a titan whose genius shaped Rome's very skyline, was tasked with envisioning the monumental entrance to the Louvre palace for King Louis XIV. This drawing captures…
In this marble sculpture, Gian Lorenzo Bernini captures the Gorgon Medusa, a figure from classical mythology characterized by hair composed of living snakes. Unlike many traditional depictions that present the creature as a vanquished victim—often shown with her head severed by Perseus—Bernini portrays her as a living monster. The work focuses on the immediate, terrifying presence of the creature rather than the aftermath of her defeat.
Two Angels1667 · Ponte Sant'Angelo
12
Apollo and Daphne1655 · Galleria Borghese
13
Fontana delle Api (Fountain of the Bees)1644 · Palazzo Barberini
14
Fontana dei Quattro Fiumi (Fountain of the Four Rivers)1651 · Piazza Navona
15
Narcissus1639 · Alte Pinakothek
16
Neptune and Triton1620 · Victoria and Albert Museum
17
Martyrdom of St Lawrence1614 · Contini Bonacossi Collection
18
Study for an Equestrian Statue of Loius XIV1669 · Museo Civico
19
Bust of Cardinal Scipione BorgheseBazilika Svetog Petra
20
Martydom of Saint Lawrence1617
21
Aeneas, Anchises, and Ascanius1618 · Galleria Borghese
22
Bust of Scipione Borghese1632 · Galleria Borghese
23
David with the Head of Goliath1625 · Galleria Nazional d Art Antica
24
The Rape of Proserpina1621 · Galleria Borghese
25
Fountain of the Four Rivers1648 · Piazza Navona
26
Statue of Saint AugustineBazilika Svetog Petra
27
Fontana dei Quattro Fiumi (Fountain of the Four Rivers) Rio del Plata1651 · Piazza Navona
28
Modello for the Fountain of the Moor1653 · Kimbell Art Museum
29
Fontana del Tritone1624 · Palazzo Barberini
30
Emperor Constantine1654 · Palazzi Pontifici
31
Louis XIV of France (bust)1665
32
Bust of Scipione Borghese1632 · Galleria Borghese
33
Pope Urban VIII1632 · Galleria Nazional d Art Antica
34
Neptune and Triton1620 · Victoria and Albert Museum
35
Tomb of Pope Alexander (Chigi) VII (detail)1671 · Bazilika Svetog Petra
36
Saint Longinus1631 · Bazilika Svetog Petra
37
The Rape of Proserpina (rear view)1621 · Galleria Borghese
38
The Rape of Proserpina1621 · Galleria Borghese
39
Fountain of the Moor1653 · Piazza Navona
40
Bust of Camilla Barbadori (dead 1609). Mother of Pope Urban VIII Barberini1619 · Nacionalna galerija Danske
41
Bust of Cardinal Scipione BorgheseBazilika Svetog Petra
42
Tomb of Pope Alexander (Chigi) VII1671 · Bazilika Svetog Petra
43
Fontana della Barcaccia1627 · Piazza di Spagna
44
Apollo and Daphne (detail)1622 · Galleria Borghese
45
Tomb of Pope Alexander (Chigi) VII1671 · Bazilika Svetog Petra
46
The Baldacchino1624 · Bazilika Svetog Petra
47
Memorial to Maria Raggi1643 · Santa Maria sopra Minerva
48
Portrait of a Boy1638 · Galleria Borghese
49
David1623 · Galleria Borghese
50
Fontana del Tritone1624 · Palazzo Barberini
51
Equestrian Statue of King Louis XIV1669 · Galleria Borghese
52
The Throne of Saint Peter1657 · Bazilika Svetog Petra
53
Altar Cross1657 · Treasury of San Pietro
54
Paul V1617 · Galleria Borghese
55
Self-Portrait as a Young Man1623 · Galleria Borghese
56
Fountain of the Four Rivers1648 · Piazza Navona
57
Kneeling Angel1626
58
Elephant and Obelisk (detail)1667
59
Self Portrait as a Young Man1623 · Galleria Borghese
60
The Rape of Proserpina (detail)1621
61
The Ecstasy of St. Teresa1652
62
Model for the lion on the Four rivers FountainAccademia di San Luca
63
Bust of Giovan Battista Santoni1610 · Santa Prassede
64
Portrait of a Young Man (Self-Portrait)1615
65
Bust of Monsignor Pedro de Foix Montoya1621 · Santa Maria di Monserrato
66
Bust of Pope Gregory XV1621
67
Head of a young man1628
68
Portrait of Nicolas Poussin1628 · York Art Gallery
69
Portrait of a Young Man1630
70
Portrait of a Man with a Moustache1630
71
Bust of Pope Urban VIII1632
72
Charity Tomb of Urban VIII1634
73
Monsignor Francesco Barberini1623
74
Portrait Bust of Cardinal Richelieu1641
75
Loggia of the Founders1647
76
A Boy Singing1650 · The Hunterian Museum and Art Gallery
77
Saint Jerome1661
78
Portrait of Pope Clement IX1668
79
Constantine (detail)1663
80
Saint Jerome1663
81
St. Jerome1665
82
Emperor Constantine1670
83
King Louis XIV (copy)1684
84
Bust of Thomas Baker1638 · Victoria and Albert Museum
85
Madonna with Child (detail)Bazilika Svetog Petra
86
Altar of the Cappella del Sacramento
87
Torso of Neptune1620
88
Bust of Camilla Barberini nee Barbadori1618
89
Aeneas and Anchises1619
90
Rape of Proserpine1622
91
The Rape of Proserpina (detail)1621 · Galleria Borghese
92
Portrait Bust of Pedro de Foix Montoya1622
93
David1624
94
Charity with four children1627
95
David (detail)1623 · Galleria Borghese
96
St. Bibiana1626
97
Bust of Costanza Buonarelli1635
98
Charity with four children (detail)1627
99
Charity with four children (detail)1627
100
Charity with two children1634
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Ђовани Лоренцо Бернини | Slike iz ovog spiska |
|---|---|---|---|
 Galleria Borghese |
Rim | 24 | Aeneas, Anchises, and Ascanius, The Rape of Proserpina (detail), David (detail) |
 Bazilika Svetog Petra |
Vatikan | 13 | Bust of Cardinal Scipione Borghese, Statue of Saint Augustine, Tomb of Pope Alexander (Chigi) VII (detail) |
 Piazza Navona |
Rim | 8 | Fontana dei Quattro Fiumi (Fountain of the Four Rivers), Fountain of the Four Rivers, Fontana dei Quattro Fiumi (Fountain of the Four Rivers) Rio del Plata |
 Palazzo Barberini |
Rim | 4 | Fontana delle Api (Fountain of the Bees), Fontana del Tritone, Fontana del Tritone |
 Victoria and Albert Museum |
London | 3 | Neptune and Triton, Neptune and Triton, Bust of Thomas Baker |
 Galerija Ufizi |
Firenca | 2 | The Martyrdom of St Lawrence, Self-Portrait |
 Galleria Nazional d Art Antica |
Рим | 2 | David with the Head of Goliath, Pope Urban VIII |
 Santa Maria del Popolo |
Rim | 1 | Daniel and the Lion |
Izaberite deceniju da biste videli original koji je definiše.
In the annals of art history, few moments are as poignant as the emergence of a prodigy. The Martyrdom of St Lawrence, sculpted by the incomparable Gian Lorenzo Bernini around 1614, serves as a breathtaking introduction to the genius who would eventually redefine the Roman Baroque. Created when the artist was a mere fifteen years old, this marble masterpiece is far more than a youthful exercise; it is a profound…
The air seems to thicken with tension as Pluto, god of the underworld, exerts his overwhelming strength upon Proserpina. In this moment, captured in 1621, the white marble does not feel like cold stone but like living, straining flesh. You can almost hear the sharp intake of breath and the rustle of fabric as the abduction unfolds. Pluto’s fingers press into the soft surface of her skin, a feat of…
Gian Lorenzo Bernini’s “Self-Portrait,” painted in 1635, isn't merely a likeness; it’s an intensely revealing glimpse into the mind of one of Rome’s most celebrated artists. More than just a depiction of a man, it’s a carefully constructed statement about identity, ambition, and the very nature of artistic creation. This oil on canvas, now residing within the Borghese Gallery in Rome, offers a rare intimacy with an artist who shaped…
To stand before a fountain such as Fontana delle Api is to step directly into the vibrant heart of Baroque Rome. This piece is not merely a source of flowing water; it is a meticulously crafted tableau vivant, an embodiment of classical artistry meeting the dramatic flourish of the seventeenth century. The composition itself speaks volumes about Roman engineering and aesthetic ambition. Observe the central basin, its substantial stone form…
Gian Lorenzo Bernini's "Daniel and the Lion," sculpted between 1655 and 1657, isn’t merely a depiction of a biblical story; it’s a visceral embodiment of faith, courage, and divine protection. Housed within the Chigi Chapel of Santa Maria del Popolo in Rome, this masterpiece transcends its marble form to become a profoundly moving experience for the viewer. Bernini, already establishing himself as the preeminent sculptor of his era, masterfully captures…
In the grand theater of the High Baroque, few works command the room with such effortless authority as Gian Lorenzo Bernini's Bust of Louis XIV. Created in 1665 during the artist's transformative tenure in Paris, this marble masterpiece is far more than a mere likeness of a monarch; it is a profound manifestation of power, grace, and divine right. As one contemplates the sculpture, the viewer is immediately struck by…
Gian Lorenzo Bernini's Tomb of Pope Alexander VII, completed in 1678, is not merely a funerary monument; it’s a breathtaking distillation of Baroque drama and papal power. Located within the grandeur of St. Peter’s Basilica, this sculpture complex transcends its function as a resting place for a pope, evolving into a profound meditation on faith, mortality, and divine grace. Bernini, already establishing himself as Rome's foremost sculptor, poured his genius…
The Martyrdom of St Lawrence (1614), Galerija Ufizi, Firenca. Slede Daniel and the Lion (1650) i Aeneas, Anchises, and Ascanius (1618).
16 godina: The Martyrdom of St Lawrence datira iz 1614, a Ђовани Лоренцо Бернини je rođen/a 1598.
The Martyrdom of St Lawrence, Daniel and the Lion, Aeneas, Anchises, and Ascanius, Francesco I d'Este, The Rape of Proserpina (detail), Self-Portrait, David (detail), Bust of Louis XIV, The Louvre, East Façade (study for the First Project) i Medusa. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 172 dela umetnika Ђовани Лоренцо Бернини, datiranih od 1610 do 1671.
Većinom u Galleria Borghese (Rim), Bazilika Svetog Petra (Vatikan) i Piazza Navona (Rim). Tabela muzeja iznad sadrži njih sve.
U 1620s: 33 od 100 dela na ovoj stranici nastalo je tada, od čega je The Rape of Proserpina (detail).
Na ovoj stranici, najstarije delo je iz Bust of Giovan Battista Santoni (1610), a najnovije iz Tomb of Pope Alexander (Chigi) VII (detail) (1671).
Sculpture (38), Bernini (26) i Man (22), kroz svih 100 dela na ovoj stranici.
Marble, za 42 od 100 dela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Aeneas, Anchises, and Ascanius, The Rape of Proserpina (detail) i David (detail): Galleria Borghese, Rim čuva 19 dela sa ove stranice.
