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James Fenimore Cooper (1860) je slika autora Čarlс Loring Eliot koja privlači najviše pažnje; original se nalazi u muzeju National Portrait Gallery, Vašington, D.C.. Nakon toga, pogled se seli na John Frederick Kensett (1854) i Portrait of a Lady (1836). Među 46 dela umetnika Čarlс Loring Eliot u našem katalogu, ovih 45 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
An elderly man is captured in a formal, bust-length portrait, his gaze directed toward the left of the frame. The composition relies on a dramatic chiaroscuro effect, where light strikes the right side of his face and his white cravat, leaving the remainder of the figure to recede into deep, atmospheric shadows. This lighting choice emphasizes the three-dimensional modeling of his features, highlighting the textures of his skin and the…
Charles Loring Elliott is the subject of this mid-19th-century oil portrait, rendered in a formal, academic style. The man is depicted in a three-quarter view, his gaze directed toward the viewer with a steady and calm expression. He possesses dark, wavy hair and a full, well-groomed beard and mustache that frame his face. His attire consists of a dark, heavy fabric coat, likely wool, worn over a white collared shirt…
A young woman is captured in a three-quarter view, her presence defined by a soft, directional light that emerges from the upper left. This illumination carves her features from a dark, atmospheric background, casting gentle shadows across her forehead, cheek, and neck. She is draped in a brown satin-like dress, accented by a heavy black fur stole that rests against her shoulders. In the lower right, a glimpse of rich…
Charles Loring Elliott rendered this oil on canvas portrait of Thomas McKenney in 1856. The work captures the statesman and entrepreneur in a formal, bust-length composition. McKenney, who served as the founding superintendent of Indian affairs, is presented with a stoic and contemplative expression. His features are highlighted by directional lighting that emphasizes the brow and nose, lending a sense of depth to the subject's face.
We are looking at the Portrait of a Gentleman, a work painted by Charles Loring Elliott in 1863. This oil portrait presents a single male figure, captured in a moment of quiet composure. The subject is a middle-aged gentleman, rendered with a sense of dignity that reflects the formal traditions of the mid-19th century.
A formal three-quarter view portrait from 1835 captures Moses Dewitt Burnet in a moment of quiet composure. The subject is positioned slightly off-center, creating a sense of depth against a dark, indistinct background. Lighting originates from the upper left, casting one side of the face into soft shadow and defining the volume of his features. This directional light emphasizes the texture of the skin and the crisp white of the…
This portrait of C. Edwards Lester is a significant work by the American painter Charles Loring Elliott. Executed in 1846, the painting captures the likeness of the subject with a quiet, dignified presence. The sitter is depicted as a man with dark, wavy hair and a prominent dark goatee, presented in a bust-length view that emphasizes his character through a steady, forward gaze.
In the portrait of Tompkins Matteson by Charles Loring Elliott, the subject is presented in a bust-length composition. Positioned slightly off-center, the man faces the viewer with a calm, steady gaze. His fair skin and dark, wavy hair provide a point of contrast against the surrounding tones. The background consists of a dark, neutral brownish-grey, which allows the figure to occupy the foreground of the space.
The portrait of Pieter van Buren presents a three-quarter view of an elderly man, focusing on the head and upper torso. The subject is positioned slightly off-center against a dark, indistinct background. A single light source originates from the upper left, casting deep shadows across the right side of the face and neck. This directional lighting defines the contours of the brow, the anatomical structure of the head, and the…
The light enters from the upper left, a soft, directional glow that carves the silhouette of Mrs. Sylvanus D. Lewis against a void of deep, indistinct browns. She sits in a quiet stillness, her gaze drifting slightly away from the viewer as if caught in a private thought. The creamy white of her gown catches this light, revealing the delicate, tactile texture of lace at her bodice. Every fold of…
John Christian Zimmerman (1786-1857)1847 · New York Historical Society
12
George Pope Morris (1802–1864)1843 · New York Historical Society
13
William C. Bouck (1786–1859)1847 · New York Historical Society
14
John Wakefield Francis, MD (1789–1861)1842 · New York Historical Society
15
Unfinished Portrait of Henry J. Brent, 1811-18501850 · Minneapolis Institute of Art
16
Portrait of an Unknown Man1850 · Walters Art Museum
17
Rufus Wilmot Griswold (1815–1857)1852 · New York Historical Society
18
Daniel Stanton (1789–1864)1855 · New York Historical Society
19
Prosper Montgomery Wetmore (1798–1876)1849 · New York Historical Society
20
Caleb Gasper1852 · Metropoliten музеј у Њујорку
21
Preston Hodges1850 · Metropoliten музеј у Њујорку
22
Mrs. James Clinton Griswold1854 · Metropoliten музеј у Њујорку
23
Captain Warren Delano1852 · National Gallery of Art
24
Self Portrait1860 · Detroit Institute of Arts
25
Washington Irving1860 · National Portrait Gallery
26
Samuel Putnam Avery1863 · National Portrait Gallery
27
Cyrus Hall McCormick1859 · National Portrait Gallery
28
Self-portrait1860 · Walters Art Museum
29
Portrait of Asher B. Durand1860 · Walters Art Museum
30
Anthony Van Corlear (painting)1858 · Walters Art Museum
31
Portrait of a Woman in a White Dress1860 · El Paso Museum of Art
32
Mrs. Peter Moller1858 · New York Historical Society
33
Washington Hunt (1811–1867)1856 · New York Historical Society
34
John Alstyne1866 · New York Historical Society
35
James Edward Freeman1846
36
William Sidney Mount1850 · National Gallery of Art
37
Mathew B. Brady1857 · Metropoliten музеј у Њујорку
38
Portrait of the Artist1850 · Metropoliten музеј у Њујорку
39
Andrew Varick Stout1859 · Metropoliten музеј у Њујорку
40
Erastus Dow Palmer1865
41
Mathew B. Brady (ca. 1823-1896)New York Historical Society
42
Elizabeth Kearns ElliottNew York Historical Society
43
Robert Lenox (1759-1839)
44
John Ericsson1845
45
Robert Havell, Jr.Pennsylvania Academy of Fine Arts
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Čarlс Loring Eliot | Slike iz ovog spiska |
|---|---|---|---|
 New York Historical Society |
New York City | 14 | Moses Dewitt Burnet (1792-1876), Mrs. Sylvanus D. Lewis (1824–1880), John Christian Zimmerman (1786-1857) |
 Metropoliten музеј у Њујорку |
Њујорк | 6 | Caleb Gasper, Preston Hodges, Mrs. James Clinton Griswold |
 National Portrait Gallery |
Vašington, D.C. | 5 | James Fenimore Cooper, Thomas McKenney, Washington Irving |
 Walters Art Museum |
Baltimore | 4 | Portrait of an Unknown Man, Self-portrait, Portrait of Asher B. Durand |
 Detroit Institute of Arts |
Detroit | 3 | John Frederick Kensett, C. Edwards Lester, Self Portrait |
 Los Angeles County Museum of Art |
Los Anđeles | 2 | Portrait of a Lady, Portrait of a Gentleman |
 National Gallery of Art |
Washington | 2 | Captain Warren Delano, William Sidney Mount |
 Cleveland Museum of Art |
Klivlend | 1 | Tompkins Matteson |
Izaberite deceniju da biste videli original koji je definiše.
A young woman is captured in a three-quarter view, her presence defined by a soft, directional light that emerges from the upper left. This illumination carves her features from a dark, atmospheric background, casting gentle shadows across her forehead, cheek, and neck. She is draped in a brown satin-like dress, accented by a heavy black fur stole that rests against her shoulders. In the lower right, a glimpse of rich…
This portrait of C. Edwards Lester is a significant work by the American painter Charles Loring Elliott. Executed in 1846, the painting captures the likeness of the subject with a quiet, dignified presence. The sitter is depicted as a man with dark, wavy hair and a prominent dark goatee, presented in a bust-length view that emphasizes his character through a steady, forward gaze.
Charles Loring Elliott is the subject of this mid-19th-century oil portrait, rendered in a formal, academic style. The man is depicted in a three-quarter view, his gaze directed toward the viewer with a steady and calm expression. He possesses dark, wavy hair and a full, well-groomed beard and mustache that frame his face. His attire consists of a dark, heavy fabric coat, likely wool, worn over a white collared shirt…
An elderly man is captured in a formal, bust-length portrait, his gaze directed toward the left of the frame. The composition relies on a dramatic chiaroscuro effect, where light strikes the right side of his face and his white cravat, leaving the remainder of the figure to recede into deep, atmospheric shadows. This lighting choice emphasizes the three-dimensional modeling of his features, highlighting the textures of his skin and the…
James Fenimore Cooper (1860), National Portrait Gallery, Vašington, D.C.. Slede John Frederick Kensett (1854) i Portrait of a Lady (1836).
48 godina: James Fenimore Cooper datira iz 1860, a Čarlс Loring Eliot je rođen/a 1812.
James Fenimore Cooper, John Frederick Kensett, Portrait of a Lady, Thomas McKenney, Portrait of a Gentleman, Moses Dewitt Burnet (1792-1876), C. Edwards Lester, Tompkins Matteson, Pieter van Buren i Mrs. Sylvanus D. Lewis (1824–1880). Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 46 dela umetnika Čarlс Loring Eliot, datiranih od 1835 do 1866.
Većinom u New York Historical Society (New York City), Metropoliten музеј у Њујорку (Њујорк) i National Portrait Gallery (Vašington, D.C.). Tabela muzeja iznad sadrži njih sve.
U 1850s: 18 od 45 dela na ovoj stranici nastalo je tada, od čega je John Frederick Kensett.
Na ovoj stranici, najstarije delo je iz Moses Dewitt Burnet (1792-1876) (1835), a najnovije iz John Alstyne (1866).
Man (28), Portrait (21) i Dark background (9), kroz svih 45 dela na ovoj stranici.
Oil On Canvas, za 27 od 45 dela na ovoj stranici.
Realism, sudeći po originalima na ovoj stranici.
Moses Dewitt Burnet (1792-1876), Mrs. Sylvanus D. Lewis (1824–1880) i John Christian Zimmerman (1786-1857): New York Historical Society, New York City čuva 14 dela sa ove stranice.
