Portret Anna Dorothea Therbusch

36 najpoznatijih slika umetnika Anna Dorothea Therbusch, svaka potpuno jedinstvena

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Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) je slika autora Anna Dorothea Therbusch koja privlači najviše pažnje; original se nalazi u muzeju Bavarske državne slikopisne kolekcije, Minhen. Nakon toga, pogled se seli na Portrait of Prince Augustus Ferdinand of Prussia (1773) i A Scientist Seated at a Desk by Candlelight (1767). Među 37 dela umetnika Anna Dorothea Therbusch u našem katalogu, ovih 36 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.

1721 – 1782, Berlin Rococo Najviše dela: Gemäldegalerie

Top 10 slika umetnika Anna Dorothea Therbusch, iz ugla galerije

1
Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) čiji je Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bavarske državne slikopisne kolekcije, Minhen

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) čiji je Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Ermitaž, Sankt Peterburg

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) čiji je Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Klivlend

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) čiji je Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlin

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

5
Portrait of Anna Elizabeth Louise Ferdinanda of Prussia (1773) čiji je Anna Dorothea Therbusch

Portrait of Anna Elizabeth Louise Ferdinanda of Prussia

1773 · Oil On Canvas · Ermitaž, Sankt Peterburg

This work is the Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, a significant oil on canvas painted by Anna Dorothea Therbusch. The subject of this portrait is Anna Elisabeth Luise, Markgräfin von Brandenburg-Schwedt. She was a woman of notable standing, having married Prinz Ferdinand von Preußen in 1755.

6
Self Portrait (1740) čiji je Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

Čuvena dela umetnika Anna Dorothea Therbusch, od 11 do 36

11Self-portrait (1773) čiji je Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) čiji je Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) čiji je Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) čiji je Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) čiji je Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) čiji je Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) čiji je Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) čiji je Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) čiji je Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) čiji je Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Nacionalni muzej u Varšavi 21Self-Portrait (1782) čiji je Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) čiji je Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) čiji je Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Academy of Fine Arts Vienna 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) čiji je Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Ermitaž 25Self-Portrait (1776) čiji je Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch čiji je Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute čiji je Anna Dorothea TherbuschWoman playing a lute 28Friedrich II čiji je Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor čiji je Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope čiji je Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee čiji je Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. čiji je Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist čiji je Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria čiji je Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz čiji je Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) čiji je Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Нови палата

Motivi koji su privlačili pažnju Anna Dorothea Therbusch

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.

Muzeji u kojima se čuvaju originalna dela umetnika Anna Dorothea Therbusch

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Anna Dorothea Therbusch Slike iz ovog spiska
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bavarske državne slikopisne kolekcije, MinhenBavarske državne slikopisne kolekcije Minhen 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Nacionalni muzej u Varšavi, VaršavaNacionalni muzej u Varšavi Varšava 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 1 A Scientist Seated at a Desk by Candlelight
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 1 Self Portrait
Herzog Anton Ulrich Museum, BrunsvikHerzog Anton Ulrich Museum Brunsvik 1 Self-portrait

Anna Dorothea Therbusch kroz decenije: jedan jedinstveni original za svaku

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Slike umetnika Anna Dorothea Therbusch: pitanja za galeriju

Koje je najpoznatije delo umetnika Anna Dorothea Therbusch?Otkrij odgovor

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bavarske državne slikopisne kolekcije, Minhen. Slede Portrait of Prince Augustus Ferdinand of Prussia (1773) i A Scientist Seated at a Desk by Candlelight (1767).

U kojoj je godini Anna Dorothea Therbusch stvorio/la Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit?Otkrij odgovor

42 godina: Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit datira iz 1763, a Anna Dorothea Therbusch je rođen/a 1721.

Koji je deset najpoznatijih slika autora Anna Dorothea Therbusch?Otkrij odgovor

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben i Portrait of Amalie Princess of Prussia (1723-1787). Gornji rang pokazuje godinu i muzej za svako od njih.

Koliko je poznatih dela umetnika Anna Dorothea Therbusch?Otkrij odgovor

Naš katalog sadrži 37 dela umetnika Anna Dorothea Therbusch, datiranih od 1740 do 1782.

Gde se mogu videti najpoznatiji originali umetnika Anna Dorothea Therbusch?Otkrij odgovor

Većinom u Gemäldegalerie (Berlin), Ermitaž (Sankt Peterburg) i Alte Nationalgalerie (Berlin). Tabela muzeja iznad sadrži njih sve.

U kom periodu je Anna Dorothea Therbusch stvorio/la svoje najpoznatije slike?Otkrij odgovor

U 1770s: 15 od 36 dela na ovoj stranici nastalo je tada, od čega je Portrait of Prince Augustus Ferdinand of Prussia.

Ko je najraniji, a koje je najkasnije čuveno delo umetnika Anna Dorothea Therbusch?Otkrij odgovor

Na ovoj stranici, najstarije delo je iz Self Portrait (1740), a najnovije iz Self-Portrait (1782).

Koje su teme Anna Dorothea Therbusch preferirao/la?Otkrij odgovor

Man (5), Woman (3) i Portrait (3), kroz svih 36 dela na ovoj stranici.

Sa kojim materijalima je Anna Dorothea Therbusch najčešće slikao?Otkrij odgovor

Oil On Canvas, za 8 od 36 dela na ovoj stranici.

Kojem umetničkom pravcu pripada delo umetnika Anna Dorothea Therbusch?Otkrij odgovor

Rococo, sudeći po originalima na ovoj stranici.

Koja originalna dela Anna Dorothea Therbusch mogu videti u Gemäldegalerie?Otkrij odgovor

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man i Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: Gemäldegalerie, Berlin čuva 5 dela sa ove stranice.

Anna Dorothea Therbusch: portret umetnika

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.