Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 34 dela Аделаида Лабиљ-Гијар u našem katalogu
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Portrait of Madame de Genlis (1790) je slika autora Аделаида Лабиљ-Гијар koja privlači najviše pažnje; original se nalazi u muzeju Los Angeles County Museum of Art, Los Anđeles. Nakon toga, pogled se seli na Self-Portrait with Two Pupils (1785) i Portrait of a Woman (1793). Među 34 dela umetnika Аделаида Лабиљ-Гијар u našem katalogu, ovih 34 su najpoznatija, od kojih je svako jedinstveni original predstavljen sa godinom nastanka, muzejom i razlogom zbog kojeg je i danas neprocenjivo.
The Portrait of Madame de Genlis is a work by the French artist Adélaïde Labille-Guiard. Executed in 1790, this oil on canvas depicts Stéphanie Félicité, comtesse de Genlis. The subject was a French writer active during the late 18th and early 19th centuries.
Step closer to observe the quiet authority within this large-scale oil on canvas. Here, Adélaïde Labille-Guiard places herself at the center of her own professional narrative, seated before an easel in a way that suggests both stability and command. The composition follows a triangular structure, with the artist anchoring the left side while two of her pupils, Marie-Gabrielle Capet and Marie-Marguerite Carreaux de Rosemond, lean in from the right. There…
is an oil painting by the French artist Adélaïde Labille-Guiard. Executed in 1793, the work presents an elegant and dignified subject in a three-quarter view. The composition is presented in an oval format, a common choice for portraiture of this period.
In the Portrait of Mme. Clodion geb. Pojou by Adélaïde Labille-Guiard, an aristocratic woman occupies the center of the frame. She is positioned in a three-quarter view, her presence anchored against a dark, indistinct background. This placement pushes her figure forward, making her the singular focus of the composition. The sitter carries a sense of poise, her gaze and posture suggesting a quiet, steady presence within the space.
An elegant bust-length portrait, rendered in oil on canvas, captures a woman in an oval composition. Set against a dark, atmospheric background, the subject emerges through a sophisticated use of chiaroscuro. The lighting, directed from the upper left, casts gentle shadows across her features, emphasizing the three-dimensional form of her face and neck. Her expression remains calm and poised, conveying a sense of aristocratic grace through a subtle, enigmatic gaze.
This intimate 18th-century portrait miniature is presented in an oval format. The composition features two figures: a woman in the foreground, positioned slightly to the left and facing the viewer, and a man in the background, positioned to the right, appearing as if he is being painted on a canvas within the scene. The color palette is sophisticated and muted, dominated by soft lavenders, greys, whites, and earthy tones, with…
The gaze of the sitter meets us in Portrait de Joseph Benoît Suvée, a formal portrait painted by Adélaïde Labille-Guiard. This work, dating to 1783, captures the likeness of Joseph Benoît Suvée with a sense of quiet, aristocratic dignity. The subject sits poised, his presence defined by the careful rendering of his features and the subtle textures of his attire. There is a stillness here, as if the moment of…
The oil on canvas work titled Mme Dugazon in the role of Babet was executed by the French artist Adélaïde Labille-Guiard. This portrait dates to about 1782. The subject is presented in a specific costume, which indicates a theatrical theme related to a character performance.
Presented in an oval format, the composition focuses on the head and upper torso of the subject. She is styled with an elaborate, high-piled powdered wig, which is adorned with pearls. A single pink rose is tucked near her shoulder, providing a point of organic color against the textures of her attire.
In the 1784 Portrait of the Princess of Béthune, Adélaïde Labille-Guiard presents a young woman within an elegant oval format. The composition focuses on the subject from the chest up, a bust-length arrangement that brings her presence close to the viewer. She emerges from a dark, mottled teal-green background, a choice that pushes her pale complexion and luminous attire into sharp relief. The stillness of the scene feels heavy with…
The Painter Joseph Vernet in 17821782 · Musée Calvet
12
Portrait of Philiberte-Orléans Perrin de Cypierre, Countess of Maussion1787 · Musée Cognacq-Jay
13
The Princess of Montléar1790 · Collection Bemberg
14
Study of a Seated Woman Seen from Behind1789 · Metropoliten музеј у Њујорку
15
Elisabeth-Philippe-Marie-Hélène of France, known as Madame Elisabeth (1764-1794)1788 · Château de Versailles
16
Marie-Adélaïde of France, known as Madame Adélaïde1787 · Opera House
17
Portrait of Duchesse d'Aiguillon1790
18
Madame Victoire of France1788 · Château de Versailles
19
Portrait of Madame la comtesse de Lameth1790
20
Monsieur Meunier1798 · Honolulu Museum of Art
21
Portrait of Physician Jacques Charles1798 · Bibliothèque de l'Institut de France
22
LE PEINTRE FRANCOIS ANDRE VINCENT (1746 1816)Luvr
23
Portrait of a ManDallas Museum of Art
24
Portrait of a Young Woman Leaning on a Statue of Cupid, Traditionally Called, Mme Papillon de la FertéChâteau de Rambouillet
25
portrait of Gaspard Gilbert Delamalle
26
MARIE ADELAIDE DE FRANCE, DITE MADAME ADELAIDE (1732 1799)
27
MARIE THERESE LOUISE VICTOIRE DE FRANCE, DITE MADAME VICTOIRE (1733 1799)
28
CHARLES ROGER, PRINCE DE BAUFFREMONT (1713 1795)
29
ELISABETH PHILIPPINE MARIE HELENE DE FRANCE, MADAME ELISABETH (1764 1794)
30
CHARLES AMEDEE PHILIPPE VAN LOO (1719 1795)
31
Madame de Selve faisant de la musique1787
32
Head of a Young Woman1779 · J. Paul Getty Museum
33
Portrait of a Woman1787 · Musée des Beaux-Arts de Quimper
34
LOUISE ELISABETH DE FRANCE, DUCHESSE DE PARME (1727 1759)Château de Versailles
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka sa svojim vrhunskim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Аделаида Лабиљ-Гијар | Slike iz ovog spiska |
|---|---|---|---|
 Château de Versailles |
Versaj | 3 | Elisabeth-Philippe-Marie-Hélène of France, known as Madame Elisabeth (1764-1794), Madame Victoire of France, LOUISE ELISABETH DE FRANCE, DUCHESSE DE PARME (1727 1759) |
 Metropoliten музеј у Њујорку |
Њујорк | 2 | Self-Portrait with Two Pupils, Study of a Seated Woman Seen from Behind |
 Los Angeles County Museum of Art |
Los Anđeles | 1 | Portrait of Madame de Genlis |
 National Museum of Women in the Arts |
Vašington, D.C. | 1 | Portrait of a Woman |
 Musée des Beaux-Arts |
Carcassonne | 1 | Portrait of a woman |
 Nationalmuseum |
Стокхолм | 1 | Madame Lefranc Painting the Portrait of her Husband Charles Lefranc |
 Groeningemuseum |
Brug | 1 | Portrait de Joseph Benoît Suvée |
 Finnish National Gallery |
Helsinki | 1 | Mme Dugazon in the role of Babet |
Izaberite deceniju da biste videli original koji je definiše.
This intimate 18th-century portrait miniature is presented in an oval format. The composition features two figures: a woman in the foreground, positioned slightly to the left and facing the viewer, and a man in the background, positioned to the right, appearing as if he is being painted on a canvas within the scene. The color palette is sophisticated and muted, dominated by soft lavenders, greys, whites, and earthy tones, with…
Step closer to observe the quiet authority within this large-scale oil on canvas. Here, Adélaïde Labille-Guiard places herself at the center of her own professional narrative, seated before an easel in a way that suggests both stability and command. The composition follows a triangular structure, with the artist anchoring the left side while two of her pupils, Marie-Gabrielle Capet and Marie-Marguerite Carreaux de Rosemond, lean in from the right. There…
The Portrait of Madame de Genlis is a work by the French artist Adélaïde Labille-Guiard. Executed in 1790, this oil on canvas depicts Stéphanie Félicité, comtesse de Genlis. The subject was a French writer active during the late 18th and early 19th centuries.
Portrait of Madame de Genlis (1790), Los Angeles County Museum of Art, Los Anđeles. Slede Self-Portrait with Two Pupils (1785) i Portrait of a Woman (1793).
41 godina: Portrait of Madame de Genlis datira iz 1790, a Аделаида Лабиљ-Гијар je rođen/a 1749.
Portrait of Madame de Genlis, Self-Portrait with Two Pupils, Portrait of a Woman, Portrait of Mme. Clodion geb. Pojou, Portrait of a woman, Madame Lefranc Painting the Portrait of her Husband Charles Lefranc, Portrait de Joseph Benoît Suvée, Mme Dugazon in the role of Babet, Portrait of Helena Apolonia Potocka née Massalska (1763-1815) i Portrait of the Princess of Béthune. Gornji rang pokazuje godinu i muzej za svako od njih.
Naš katalog sadrži 34 dela umetnika Аделаида Лабиљ-Гијар, datiranih od 1779 do 1798.
Većinom u Château de Versailles (Versaj), Metropoliten музеј у Њујорку (Њујорк) i Los Angeles County Museum of Art (Los Anđeles). Tabela muzeja iznad sadrži njih sve.
U 1780s: 15 od 34 dela na ovoj stranici nastalo je tada, od čega je Self-Portrait with Two Pupils.
Na ovoj stranici, najstarije delo je iz Madame Lefranc Painting the Portrait of her Husband Charles Lefranc (1779), a najnovije iz Monsieur Meunier (1798).
Woman (18), Lace (9) i Man (6), kroz svih 34 dela na ovoj stranici.
Oil On Canvas, za 16 od 34 dela na ovoj stranici.
Neoclassicism i Rococo, sudeći po originalima na ovoj stranici.
Elisabeth-Philippe-Marie-Hélène of France, known as Madame Elisabeth (1764-1794), Madame Victoire of France i LOUISE ELISABETH DE FRANCE, DUCHESSE DE PARME (1727 1759): Château de Versailles, Versaj čuva 3 dela sa ove stranice.
