Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 267 del v našem katalogu avtorja Maurice Denis
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Maurice Denis delo Tri muze (1893), katere original visi v muzeju Musée d'Orsay, Pariz. The Annunciation under the Arch with Lilies (1913) in The Seasons Series September (1891) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 267 del avtorja Maurice Denis v našem katalogu galerija spodaj predstavlja 100 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
Maurice Denis je leta 1893 ustvaril osupljivo delo "Tri muze", ki nas popelje v svet skrivnosti in spokojnosti. Ta dih jemajoča prizorica nas prestavi v očaran gozd, kjer se človeške figure brezhibno prepletajo z naravnim okoljem. Kompozicija je bogata s podrobnimi elementi, ki nas vabijo, da se izgubimo v sanjski atmosferi in premišljujemo zgodbo, ki jo pripoveduje.
The sacred scene of The Annunciation under the Arch with Lilies unfolds before us, a profound religious painting that captures a moment of divine intersection. Created by the artist Maurice Denis, this work invites a quiet contemplation of the spiritual narrative through its specific symbolic arrangement. The piece exists today within a private collection, preserved away from the public eye.
In this 1891 oil on canvas, we find ourselves invited into a moment of stillness. Three women are seated upon a bench, tucked beneath the shade of trees, sharing a quiet meal. There is a certain rhythm to their arrangement—one on the left, one in the center, and one on the right—creating a balanced, harmonious composition that feels both intentional and effortless. A few apples lie scattered near them on…
The canvas holds a quiet afternoon in 1904. A woman sits at the center, her form a soft anchor amidst a sea of pale blues and creamy whites. She cradles an infant, a small weight of life that draws the eye through the gentle curves of her silhouette. Around her, children and another woman settle into the landscape, their presence felt through the rhythmic flow of drapery and the soft,…
Two figures sit in the dim light, their profiles etched against a dark, fragmented background. One figure, likely an artist, leans toward another, perhaps a model, as they share a quiet moment over a piece of paper or canvas. The composition is tightly cropped, pulling the viewer into a small, intimate space where the air feels heavy and still. Deep blacks and charcoal tones dominate the scene, broken only by…
A profound struggle unfolds within a simplified landscape, where the weight of a biblical encounter meets the lightness of divine presence. The figures move through a space that feels both grounded and ethereal, their forms rendered in modern costume rather than ancient tradition. Light washes over the scene, a silent symbol of faith that permeates the entire atmosphere. This is a moment of intense spiritual tension, caught in the stillness…
The painting titled Landscape with Hooded Man was executed by the artist Maurice Denis. This work dates to 1903. The composition features a landscape subject, as indicated by the title, and includes a figure of a hooded man.
In this 1892 composition, we find ourselves in a quiet, sun-drenched field where the air feels heavy with the scent of spring. A group of nine figures is scattered across the landscape, some seated on benches and others standing in gentle conversation. A river winds through the background, its presence marked by a solitary boat drifting in the distance. The scene is anchored by the delicate presence of flowers in…
In this 1891 oil on canvas, a dense group of figures moves across a landscape in a rhythmic, compressed arrangement. The scene depicts an annual religious procession in a village in Brittany, specifically held on the feast day of Saint-Jacques. The figures are layered closely together, creating a shallow sense of depth. At the front of the movement, young women dressed in white lead the way. They are followed by…
In this intimate oil on canvas, titled Mother and Child, the artist Maurice Denis explores the quietude of maternal connection. Painted about 1895, the work presents a scene that is both deeply personal and steeped in religious tradition. While the subject matter depicts a mother and child, the composition functions as a traditional Catholic icon of the Virgin Mary, reimagined within the domestic setting of a nineteenth-century French home.
The Supper at Emmaus1894 · Van Goghov muzej
12
Bretonne dans une barque1892 · Musée des Beaux-Arts de Quimper
13
Dread1891 · Van Goghov muzej
14
Eva Meurier in a Green Dress1891 · Cleveland Museum of Art
15
Portrait of Abbot Vallet1889 · Musée d'Orsay
16
LA DEPECHE DE TOULOUSE, NEW YORK M MODERN ART1892
17
Nativity1894 · Musée des Augustins
18
The Visitation1894
19
The Crown1901 · Bavarske državne slikopisne zbirke
20
Vine Arbor in Saint-Germain1904 · Wallraf-Richartz-Museum
21
Bathers, Pouldu Beach1899 · Petit Palais
22
Blessing of a Yacht on the Belon River1899 · Cleveland Museum of Art
23
Descent from the Cross1901
24
Breakfast1901 · Städel Museum
25
Ulysses with Calypso1905 · Finnish National Gallery
26
Adoration of the mages1904 · Musée d'Orsay
27
LAISSEZ VENIR A MOI LES ENFANTS1900
28
Easter Morning or Easter Mystery1891
29
Gallic Goddess of the Herd1906 · Bavarske državne slikopisne zbirke
30
The Captives1907 · Musée des Beaux-Arts
31
Orpheus and Eurydice1910 · Minneapolis Institute of Art
32
Polyphemus1907 · Pushkin State Museum
33
Baigneuses à Perros-Guirec1910 · Petit Palais
34
Sand Castle1909
35
Panel 3. Psyche Discovers that Her Mysterious Lover is Eros1908 · Ermitaž
36
Panel 4. The Vengeance of Venus1908 · Ermitaž
37
Inner Light1914 · Musée d'Art Moderne et Contemporain de Strasbourg
38
Portrait of Lisbeth in Blue1921 · Musee Departmental du Prieure
39
The Royal Tiger Bacchanale1920
40
Daphnis et Chloé1918
41
Portrait of Elisabeth Denis1922 · Musée Fabre
42
Autoportrait1919 · Musée Fabre
43
The Orange Christ1889 · Cleveland Museum of Art
44
Madonna and Child1923 · Frances Lehman Loeb Art Center
45
First Communion of Léopoldine at Fourqueux1933 · Musée Victor Hugo
46
The Dignity of Work1931
47
Sainte Odile1939 · Musée d'Unterlinden
48
La Sainte Famille1939 · Musée d'Unterlinden
49
Sailing Races at Perros-Guirec1892 · Musée d'Orsay
50
Maquette au dixième de la coupole du théâtre des Champs Elysees
51
Mother and Child at Le Pouldu, Evening Light1899 · Musée de Pont-Aven
52
Bouleaux, sous bois d'automne (Etude pour la Légende de saint Hubert)
53
french, 4)1870
54
Histoire de Psyché, la punition de Psyché
55
Fruit Garden in the Hermitage1892 · Clemens Sels Museum Neuss
56
Breton Landscape1891 · Art Museum at The University of Kentucky
57
Evening Memory I1890 · Museum of Fine Arts
58
Motif Romanesque1890 · Los Angeles County Museum of Art
59
wedding procession1892 · Ermitaž
60
PAUVRE PECHEUR1888
61
Child in an Apron or Little Girl in a Red Dress1889
62
MARTHE AU PIANO1891
63
LES REGATES A PERROS GUIREC1892
64
MADAME RAMSON AU CHAT1892
65
L OFFRANDE AU CALVAIRE1890
66
SCALE IN THE FOLIAGE1892
67
MOTHER AND CHILD, ST PETERSBOURG HERMITAGE1890
68
Sleeping Woman1892
69
Regata at Perros1892
70
The Ecounter, ca Eremitaget1892 · Ermitaž
71
The visitation, eremitaget1894 · Ermitaž
72
Cortona1898 · Bavarske državne slikopisne zbirke
73
Landscape near Fiesole1897 · Bavarske državne slikopisne zbirke
74
Drying the Linen, or Moonrise at the Priory1894 · Cleveland Museum of Art
75
Virginal printemps (pommiers en fleurs)1894
76
Classical Landscape with Figures1898 · Rhode Island School of Design Museum of Art
77
Le Port du Pecq1896 · Auckland Art Gallery Toi o Tāmaki
78
Noele's First Steps1897
79
Forentice Landscape, Viale dei Colli1898
80
The Sacred Wood1898
81
Martha and Mary, Eremitaget1896 · Ermitaž
82
REGATES A PERROS GUIREC1896
83
LE VERGER DES VIERGES SAGES1893
84
Mother and Child1895
85
VITRAIL POUR DENYS COCHIN LE CHEMIN DE VIE1895
86
ANNONCIATION AUX CHAUSSONS ROUGES1898
87
THE PRINCESS IN THE TOWER1894
88
JESUS CHEZ MARTHE ET MARIE1896
89
PROCESSION PASCALE1894
90
TROIS JEUNES PRINCESSES1893
91
Figures in a Spring Landscape (Sacred Grove) , E1897 · Ermitaž
92
SAINTES FEMMES AU TOMBEAU1894
93
LA VISITATION1894
94
Summer Day on the Island of Noirmoutier1903 · Bavarske državne slikopisne zbirke
95
The Red Beach1901 · Musée des Beaux-Arts
96
Intimacy or Mender at the Window1903 · Petit Palais
97
Eurydice1903 · Alte Nationalgalerie
98
VIRGINAL SPRING1899
99
DESCENTE DE CROIX DETREMPE1901
100
Bathsheeba, Blue Background1899
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Maurice Denis | Slike iz tega seznama |
|---|---|---|---|
 Ermitaž |
Sankt Peterburg | 11 | Panel 3. Psyche Discovers that Her Mysterious Lover is Eros, Panel 4. The Vengeance of Venus, wedding procession |
 Musée d'Orsay |
Pariz | 20 | Tri muze, Portrait of Madame de la Laurencie and children, Degas and his model |
 Cleveland Museum of Art |
Cleveland | 5 | Procession or Pardon at Perros-Guirec, Eva Meurier in a Green Dress, Blessing of a Yacht on the Belon River |
 Bavarske državne slikopisne zbirke |
München | 5 | The Crown, Gallic Goddess of the Herd, Cortona |
 Petit Palais |
Pariz | 4 | Bathers, Pouldu Beach, Baigneuses à Perros-Guirec, Intimacy or Mender at the Window |
 Van Goghov muzej |
Amsterdam | 2 | The Supper at Emmaus, Dread |
 Musée des Beaux-Arts |
Reims | 2 | The Captives, The Red Beach |
 Musée Fabre |
Montpellier | 2 | Portrait of Elisabeth Denis, Autoportrait |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The Portrait of Abbot Vallet emerges from the canvas as a quiet encounter with a man in repose. Painted by Maurice Denis in 1889, the work captures a moment of stillness that feels heavy with the weight of years. The subject, an elderly man, rests against pale pillows, his presence filling the space with a sense of weary contemplation. Every line of his face and the soft folds of his…
Maurice Denis je leta 1893 ustvaril osupljivo delo "Tri muze", ki nas popelje v svet skrivnosti in spokojnosti. Ta dih jemajoča prizorica nas prestavi v očaran gozd, kjer se človeške figure brezhibno prepletajo z naravnim okoljem. Kompozicija je bogata s podrobnimi elementi, ki nas vabijo, da se izgubimo v sanjski atmosferi in premišljujemo zgodbo, ki jo pripoveduje.
The canvas holds a quiet afternoon in 1904. A woman sits at the center, her form a soft anchor amidst a sea of pale blues and creamy whites. She cradles an infant, a small weight of life that draws the eye through the gentle curves of her silhouette. Around her, children and another woman settle into the landscape, their presence felt through the rhythmic flow of drapery and the soft,…
The sacred scene of The Annunciation under the Arch with Lilies unfolds before us, a profound religious painting that captures a moment of divine intersection. Created by the artist Maurice Denis, this work invites a quiet contemplation of the spiritual narrative through its specific symbolic arrangement. The piece exists today within a private collection, preserved away from the public eye.
The oil painting titled Portrait of Lisbeth in Blue was executed by the French artist Maurice Denis. This work was completed in September 1921. The subject of the portrait is Elisabeth Graterolle, who is referred to as Lisbeth. The artist captured her likeness during a specific period of personal transition, as the painting was created shortly before his marriage to her in 1922.
In this 1933 oil painting, we find ourselves standing on the periphery of a sacred, communal ritual. The scene captures the First Communion of a young girl named Léopoldine, set against the soft, muted backdrop of the Fourqueux landscape. There is a profound stillness here, as if the air itself has paused to respect the gravity of the ceremony. A young girl, dressed in white, occupies the center of our…
Tri muze (1893), Musée d'Orsay, Pariz. Zatem sledeta The Annunciation under the Arch with Lilies (1913) in The Seasons Series September (1891).
23 let: delo Tri muze iz leta 1893, Maurice Denis pa je bil/a rojen/a leta 1870.
Tri muze, The Annunciation under the Arch with Lilies, The Seasons Series September, Portrait of Madame de la Laurencie and children, Degas and his model, LA LUTTE DE JACOB AVEC L ANGE, Landscape with Hooded Man, April, Procession or Pardon at Perros-Guirec in Mother and Child. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 267 del avtorja Maurice Denis, datiranih od 1888 do 1939.
Večini v Ermitaž (Sankt Peterburg), Musée d'Orsay (Pariz) in Cleveland Museum of Art (Cleveland). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1890s: 57 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Tri muze.
Na tej strani je najstarejše delo iz PAUVRE PECHEUR (1888) in najstarejše iz Sainte Odile (1939).
People (16), Woman (14) in Figures (10), na 100 delih na tej strani.
Oil On Canvas, za 30 od 100 del na tej strani.
Post-impressionism in Baroque revival, glede na originala na tej strani.
Panel 3. Psyche Discovers that Her Mysterious Lover is Eros, Panel 4. The Vengeance of Venus in wedding procession: v muzeju Ermitaž, Sankt Peterburg se nahaja 7 del z te strani.
Maurice Denis, rojen v obalnem mestu Granville v Franciji leta 1870, zavzema fascinanten položaj v zgodovini umetnosti – ključna figura na prehodu iz impresionizma v burno rast moderne umetnosti. Njegovo življenje je bilo posvečeno usklajevanju duhovnih hrepenenj z umetniško inovativnostjo, kar je vodilo do opusov, ki so globoko osebni in hkrati močno vplivni. Že od zgodnje mladosti je Denis kazal občutljivost za sugestiven učinek vizualne izkušnje, še posebej znotraj sakralnih prostorov otroške cerkve. Igra svetlobe, barve in kadila je sprožila celoživotno fascinacijo s simbolizmom in potencialom umetnosti, da izraža nekaj več kot le reprezentacijo. Ta oblikovalni vpliv je postal definicija njegovega umetniškega vizije, ki ga loči od mnogih sodobnikov, osredotočenih na ujemanje prehodnih trenutkov čutnega zaznavanja. Denisa ni zanimalo samo *kaj* vidi, ampak tudi *kako* se to počuti – in kako je ta občutek mogoče prenesti v vizualni jezik, ki izraža nedotangibilno.
Denisova umetniška pot se je odločno obrnila, ko je postal osrednji član Les Nabis, skupine mladih umetnikov, ki so želeli revolucionirati slikarstvo z bolj duhovnim in simboličnim pristopom. Ime “Nabis” samo – anagram besede "proroki" – je razkrilo njihove ambicije ustvariti umetnost, ki ni bila le dekorativna, ampak je imela globlji, skoraj religiozen pomen. Skupaj s Paulom Sérusierjem in Pierrom Bonnardom je Denis zavrnil naturalizem impresionizma v korist sploščenih perspektiv, živih barv in sugestivnih vzorcev. To ni bilo zapuščanje spretnosti; šlo je za ponovno opredelitev njenega namena. Nabis so verjeli, da bi morala biti umetnost sinteza oblike in ideje, premišljeno sestavljena ureditev elementov, zasnovana za izzivanje čustev in predlaganje pomena. Denis je to filozofijo najbolj slavno artikuliral v svojem dictum: “Ne pozabite, da slikarstvo – kot ravna površina z barvami, urejenimi v določenih odnosih – nima nič skupnega s slikovito imitacijo narave.” Ta izjava je postala temeljni kamen moderne estetike in utrla pot gibanjem, kot sta kubizem in fauvizem. Njegova zgodnja dela iz tega obdobja, kot je *Le Mystère Catholique* (1889), prikazujejo njegovo raziskovanje verskih tem skozi značilno simbolično prizmo – odstop od tradicionalnega akademskega slikarstva.
Skozi celotno kariero se je Denisov slog fascinantno razvil. Čeprav je ostal zavezan načelom simbolizma in duhovne ekspresije, je eksperimentiral z različnimi tehnikami in vplivi. Sprva navdihnjen s živimi barvami in sploščenimi oblikami Gauguina in japonskih tiskovin, se je pozneje obrnilo k bolj strukturirani kompoziciji Paula Cézanna, da bi našel novo obliko klasicizma, zasidrano v modernih občutljivostih. Ta premik je očiten v njegovih slikah iz 90-ih let in zgodnjega 20. stoletja, ki kažejo večji poudarek na obliki, ravnotežju in jasnosti. Ni šlo za posnemanje Cézanna; šlo je za absorpcijo lekcij strukturne strogosti in njihovo uporabo v njegovi edinstveni viziji. To obdobje ga je vodilo tudi globlje v versko tematiko, saj je verjel, da ima umetnost vitalno vlogo pri oživitvi duhovnega življenja. Njegovo delo je postajalo vse bolj prežeto s čutom serenosti in kontemplacije, ki odraža njegovo osebno vero in željo ustvariti podobe, ki bi navdihnile spoštovanje in pobožnost.
Denisov vpliv se je razširil onkraj njegovih lastnih slik. Bil je tudi plodovit pisatelj in umetniški kritik, ki je svoje estetske teorije artikuliral v številnih esejih in člankih. Njegove ideje so pomagale oblikovati razvoj moderne umetnosti in navdihnile generacije umetnikov, da raziščejo nove načine reprezentacije resničnosti in izražanja notranjih svetov. Leta 1919 je ustanovil Ateljeje Svete Umetnosti (Workshops of Sacred Art), kolektiv posvečen obnovi cerkev in ustvarjanju verskih del, ki bi utelešala tako umetniško odličnost kot duhovno globino. Ta pobuda je odražala njegovo prepričanje, da bi morala biti umetnost integralni del vsakdanjega življenja, bogatila človeške izkušnje in spodbujala občutek skupnosti. Njegova vizija obnove svete umetnosti – ne kot vrnitev k preteklosti, ampak kot ponovna domišljija tradicije v luči modernega občutljivost. Maurice Denis je umrl leta 1943 in za seboj pustil bogat in raznolik opus, ki še danes odmeva pri občinstvu. Njegove slike, spisi in pedagoški napori so utrdili njegov položaj kot ključne figure v prehodu iz impresionizma v moderno umetnost – most med svetovi, ki za vedno oblikuje naše razumevanje moči in namena umetniškega izraza.
