Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 55 del v našem katalogu avtorja Giovanni Lanfranco
Kratek opis
Med vsemi originali, ki jih je pustil Giovanni Lanfranco, je najbolj znan The Council of Gods (1624), ki se nahaja v kolekciji Galerija Borghese, Rim. Takoj za njima sta Roman Naumachia (1635) in Madonna and Child with the Infant Saint John the Baptist (1630). Naš katalog vsebuje 55 del umetnika Giovanni Lanfranco; galerija je ohranila 55 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
In the heart of Rome, a quiet intimacy unfolds within Madonna and Child with the Infant Saint John the Baptist. The Italian artist Giovanni Lanfranco breathes life into this scene, capturing a tender moment that feels as though it is happening in the present. Created about 1630–1632, the work emerges from a period of intense creative energy in the city. The figures exist in a space of soft light and…
In this large-scale oil on canvas, we find ourselves witnessing a moment of profound upheaval. The scene, titled Funeral Rites of a Roman Emperor, captures the chaotic energy of a historical transition. A diagonal composition directs the eye through a crowded, swirling mass of figures, leading upward toward the central, deceased emperor. There is a palpable sense of movement here, driven by the muscular, twisting bodies of combatants in the…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
The Allocution of a Roman Emperor is a significant oil on canvas by Giovanni Lanfranco. This work, also attributed to the artist as Giovanni di Stefano Lanfranco, captures a moment of intense oratorical address within a Roman setting. The painting depicts a leader delivering a formal speech to an assembly of troops and onlookers, a subject that allows for a profound exploration of human emotion and physical presence.
In the evocative engraving Christ Served by Angels, created in 1616, the Italian master Giovanni Lanfranco invites viewers into a profound moment where the earthly and the divine intersect. This work is far more than a mere religious illustration; it is a masterful display of Baroque dynamism, capturing a scene that vibrates with both tension and spiritual grace. Through his expert use of line and shadow, Lanfranco orchestrates a narrative…
We are looking at Gladiators at a Banquet, a significant work by the Italian painter Giovanni Lanfranco. This oil on canvas was executed about 1638, a period when the artist was establishing his presence within the Baroque movement. The scale of the piece is substantial, measuring 232.0 x 355.0cm, which lends a certain physical weight to the scene it depicts.
In the sweeping, dramatic tradition of the Italian Baroque, Giovanni Lanfranco’s "Norandino and Lucina Discovered by the Ogre" serves as a breathtaking window into a world where myth and peril collide. Painted in 1624, this masterpiece captures a pivotal moment of high drama: the sudden, terrifying intrusion of a monstrous force into a pastoral sanctuary. The composition is masterfully orchestrated to guide the viewer’s eye through a landscape of both…
Penitent Mary Magdalene1614 · Bavarske državne slikopisne zbirke
12
Roger Arriving in Bretagne Dismounts Angélique from the Hippogriff1616 · Galleria Nazionale delle Marche
13
Young Naked Man on a Bed with Cat1621
14
The Glorification of Christ surrounded by Saints1614 · Statens Museum For Kunst
15
Miracle of Saint Veranus1610
16
Assumption of Mary1631 · Bavarske državne slikopisne zbirke
17
Alexander and the Physician Filippo1630
18
Alexander Refuses the Water1630
19
The Last Supper1624 · National Gallery of Ireland
20
Three Capuchin Saints and a Bishop Worshipping Christ and the Cross1630 · Städel Museum
21
Elijah and the Raven1625
22
Saint Andrew Kneeling Before the Cross1637 · Gemäldegalerie
23
Coronation of the Virgin with St Augustine and St William of Aquitaine1616 · Louvre
24
Mary Magdalen Raised by Angels1616 · Museo di Capodimonte
25
Miracle of the Bread and Fish1620 · National Gallery of Ireland
26
Ecstasy of St Margaret of Cortona1622
27
The Prophet Elijah Awakened in the Desert by an Angel, Giovanni Lanfranco, 1624 - 16251625 · Rijksmuseum
28
Madonna and Child with Sts Anthony Abbot and James the Greater1622 · Kunsthistorisches Museum
29
LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINELouvre
30
St Ursula and the Virgins1622 · Galleria Nazionale d'Arte Antica
31
Saint SebastianStatens Museum For Kunst
32
SAINT CONRADMusée des Beaux-Arts de Lyon
33
AGAR DANS LE DESERT
34
Angélica e MedoroMuseu Nacional de Belas Artes
35
Liberation of Saint PeterBirmingham Museum of Art
36
Senecas dödNationalmuseum
37
Angelica and MedoroFondantico di Tiziana Sassòli
38
Right nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
39
Left nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
40
Saint OctaviusPinacoteca Stuard
41
Fidenza cathedral insideMuseo del Duomo e Cattedrale di Fidenza
42
Christ and the Woman of Samaria1620 · Muzej umetnosti in arheologije Ashmolean
43
Hagar in the WildernessLouvre
44
Saint LukeMusei Civici di Palazzo Farnese
45
Ecstasy of Saint Margaret of Cortona1622 · Palazzo Pitti
46
St Peter Healing St Agatha1614 · Galleria Nazionale
47
Moses and the Messengers from Canaan1621 · J. Paul Getty Museum
48
A Priest sacrificing for a Roman Emperor1635 · Muzej Prado
49
Elijah Receiving Bread from the Widow of Zarephath1621 · J. Paul Getty Museum
50
Nativity1600
51
Annunciation1620 · San Carlo ai Catinari
52
Christ Served by Angels1616 · Museo di Capodimonte
53
Venus Playing the Harp (Allegory of Music)1630 · Galleria Nazionale d'Arte Antica
54
La séparation de saint Paul et de saint Pierre allant au martyreChâteau de Versailles
55
St Andrea Avellino1624 · Sant'Andrea della Valle
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Giovanni Lanfranco | Slike iz tega seznama |
|---|---|---|---|
 Muzej Prado |
Madrid | 6 | Roman Naumachia, Funeral Rites of a Roman Emperor, Gladiators Fighting |
 J. Paul Getty Museum |
Los Angeles | 3 | Madonna and Child with the Infant Saint John the Baptist, Moses and the Messengers from Canaan, Elijah Receiving Bread from the Widow of Zarephath |
 Museo di Capodimonte |
Napoli | 3 | Christ Served by Angels, Mary Magdalen Raised by Angels, Christ Served by Angels |
 Louvre |
Pariz | 3 | Coronation of the Virgin with St Augustine and St William of Aquitaine, LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE, Hagar in the Wilderness |
 Museo del Duomo e Cattedrale di Fidenza |
Fidenza | 3 | Right nave of Fidenza cathedral, Left nave of Fidenza cathedral, Fidenza cathedral inside |
 Galerija Borghese |
Rim | 2 | The Council of Gods, Norandino and Lucina Discovered by the Ogre |
 Bavarske državne slikopisne zbirke |
München | 2 | Penitent Mary Magdalene, Assumption of Mary |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Glorification of Christ surrounded by Saints, Saint Sebastian |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
The Council of Gods (1624), Galerija Borghese, Rim. Zatem sledeta Roman Naumachia (1635) in Madonna and Child with the Infant Saint John the Baptist (1630).
42 let: delo The Council of Gods iz leta 1624, Giovanni Lanfranco pa je bil/a rojen/a leta 1582.
The Council of Gods, Roman Naumachia, Madonna and Child with the Infant Saint John the Baptist, Funeral Rites of a Roman Emperor, The Annunciation, Gladiators Fighting, The Allocution of a Roman Emperor, Christ Served by Angels, Gladiators at a Banquet in Norandino and Lucina Discovered by the Ogre. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 55 del avtorja Giovanni Lanfranco, datiranih od 1600 do 1638.
Večini v Muzej Prado (Madrid), J. Paul Getty Museum (Los Angeles) in Museo di Capodimonte (Napoli). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1620s: 16 od 55 del na tej strani je bilo izdelovanih takrat, med njimi pa The Council of Gods.
Na tej strani je najstarejše delo iz Nativity (1600) in najstarejše iz The Allocution of a Roman Emperor (1638).
People (10), Man (10) in Figures (8), na 55 delih na tej strani.
Oil On Canvas, za 24 od 55 del na tej strani.
Baroque, glede na originala na tej strani.
Roman Naumachia, Funeral Rites of a Roman Emperor in Gladiators Fighting: v muzeju Muzej Prado, Madrid se nahaja 6 del z te strani.
Giovanni Gaspare Lanfranco se je rodil leta 1582 v mestu Parma kot tretji sin Stefanoja in Cornelia Lanfranchi. Njegov umetni talent je bil prepoznan že v zgodnjih letih, kar mu je odprlo vrata podmentorstva pri Agostinu Carracciju, bratu znamenitega bolonjega umetnika Annibale Carracija. V mestu Parma je delal tudi skupaj s Sisto Badalocchiojem v palačah družine Farnese. Lanfrancoova izobraževalna pot se je nadaljevala v velikem studiu Annibalea Carracija v Rimu, kjer je sodeloval pri projektih, kot je Galleria Farnese, vključno z delom na panelu o Polifemu in Galateji. To obdobje ga je izpostavilo živahnemu umetniškemu okolju in postavilo trdne temelje za njegovo prihodnjo kariero.
Po smrti Annibalea Carracija leta 1609 se je Lanfranco na kratko vrnil v Parmo, preden se je do leta 1612 ponovno uveljavil v Rimu. Razvil je izstopajoč slog, ki ga odlikajo dinamične kompozicije, teatralna igra svetlobe in vizionarski pristop, posebej primeren za stropne freske. Čeprav so nanj delovali pozna dela Ludovica Carracija in morda tudi Caravaggio, je hkrati pokazal močno naklonjenost dekorativnemu slogu umetnika Correggia. Njegova zgodnja dela odražajo eklektično zmedo, saj vključujejo elemente različnih mojstrov, medtem ko je postopoma tvoril svojo lastno pot. Ključni vidik njegovega razvoja je bila sposobnost ustvarjanja iluzionističnih učinkov v freski, kar je bistveno prispevalo k barokni estetiki.
Lanfrancova kariera je cvetela pod pokrajem papeža Pavla V, ki mu je naročil štegra dela. Med njegovimi najpomembnejšimi dosežkiSOD veljajo:
Giovanni Lanfranco je igral ključno vlogo pri oblikovanju umetniške pokrajine Rimove v 17. stoletju. V boju za velika naročila se je zgolj vzpostavil ob Domenichinu, kar je prispevalo k obdobju intenzivne konkurenčnosti med vrhunskimi umetniki. Njegov inovativni pristop k slikanju fresk, še posebej njegovo mojstvo pri iluzionističnih tehnikah in dramatičnih kompozicijah, je vplival na naslednje generacije umetnikov. Lanfrancovo delo odraža širše trende baroka — osredotočenost na dinamiko, čustva in veličastnost — ter mu trdno utrdilo mesto med najpomembnejšimi slikarji svojega časa. Njegov vpliv je mogoče opaziti v kasnejših delih Francesco Solimene in drugih italijanskih mojstrov.
