Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 223 del v našem katalogu avtorja George Stubbs
Kratek opis
Whistlejacket (1762) je slika avtorja George Stubbs, ki pritegne največ pogledov; original se nahaja v muzeju National Gallery, London. Nato se pogled smeri k Lev napada konja (1765) in Lovilec v rjavi barvi z dvema španjeloma (1777). Med 223 dela umetnika George Stubbs v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
V tem olju na platnu iz leta 1762, ki ga je ustvaril George Stubbs, nas sreča Whistlejacket, veličastni rjav tekač, ki se zdi, kot da izhaja iz samega tkiva slikarstva. Konj pripada markizu Rockinghamu, njegova prisotnost pa je neposredna in prevladujoča. Konj ne stoji zgolj v miru; on se dviguje, ujet v nenaden, močan gib, ki izziva nepremihajnost medija. Muskulatura živali valoviti z lastnim življenjem, njegova energija pa je usmerjena…
George Stubbs’s "Lion Attacking a Horse" isn't merely a painting; it is a visceral encounter, a moment of primal struggle frozen in time. This powerful artwork, created in 1765, captures the raw intensity of two magnificent creatures locked in combat against a backdrop of untamed nature. It stands as a testament to Stubbs’s extraordinary ability to blend meticulous realism with a touch of romantic drama, creating an image that resonates…
A Bay Hunter With Two Spaniels: Elegance in Motion George Stubbs' "A Bay Hunter With Two Spaniels," painted in 1777, is more than just a depiction of horses and dogs; it’s an embodiment of the English countryside’s grace and the aristocratic pursuit of leisure. This masterpiece transports us to a tranquil dawn or dusk, where a magnificent bay hunter stands poised against a backdrop of gentle hills and ancient trees.…
Ujet v srce divje narave: Podoba Grosvenorskega lovca Georgea Stubbsa Predstavljajte si trenutek, ko se sonce spušča nad razgonetim britanskim krajoljem, barvno prelivajoč drevesne lisy in osvetljeva ploskanje konjev ter šepetje divjih psov. To je srce "Grosvenorskega lovca" (The Grosvenor Hunt) od Georgea Stubbsa, slika iz leta 1762, ki nas prenaša v čas, ko lov predstavljal več kot le šport – bil je ritual, tradicija in globlji odnos z naravo.…
George Stubbs’s “Tiger,” painted in 1771, isn’t merely a depiction of an animal; it's a visceral exploration of power, instinct, and the sublime. This oil painting, now housed within the collections of Google Arts & Culture, immediately commands attention with its dramatic composition and masterful use of light and shadow. The scene unfolds within a shadowy forest, a carefully constructed stage for the tiger’s predatory grace – a creature rendered…
George Stubbs's "Horse Frightened by a Lion," painted in 1770, isn’t merely a depiction of animals; it’s a visceral exploration of primal fear and the raw power of nature. This monumental oil painting, measuring an impressive 1261 x 1001 cm, commands attention with its masterful use of chiaroscuro – the dramatic interplay of light and shadow – characteristic of the Baroque period yet imbued with a distinctly Romantic sensibility. The…
In the grand tradition of British sporting art, few works command the room with as much raw vitality and anatomical precision as George Stubbs’s Whistlejacket. Painted in 1762, this monumental canvas transcends the boundaries of a mere portrait, offering instead a breathtaking study of power, grace, and kinetic energy. The subject, a magnificent bay Thoroughbred, is captured in a moment of suspended animation, galloping across a space that feels both…
George Stubbs' "Lord Grosvenor’s Arabian Stallion with a Groom," painted in 1765, isn’t merely a portrait; it’s a meticulously crafted tableau vivant—a snapshot of aristocratic leisure and the profound connection between man and beast. Stubbs, already recognized as the foremost painter of horses of his era, transcends simple representation, instead offering a deeply considered study of anatomy, movement, and psychological nuance. This work exemplifies his pioneering approach to animal painting,…
Subject and Composition The canvas opens to a dramatic tableau in which a lion, the undisputed monarch of the savannah, has seized a stag mid‑flight. The predator’s muscular frame dominates the foreground, its jaws poised as if about to deliver the decisive bite. Below, the stag’s antlers curl like twisted branches, its body caught in a moment of frantic escape. A solitary bird perches on a branch near the upper…
To gaze upon this depiction of a man mounted on his magnificent steed is to be swept away by the very energy of the late eighteenth century. George Stubbs, master chronicler of equine grace and human dignity, captures a moment brimming with aristocratic vitality. The central figure, the titular Baronet, commands attention not merely through his striking red jacket—a bold splash of color against the muted tones of the background—but…
A Lion attacking a Horse1770 · Yale University Art Gallery
12
Lion Devouring a Horse1763 · Tate Gallery
13
Horse Devoured by a Lion1763 · Tate Britain
14
Foxhound1760 · Yale Center for British Art
15
The Fall of Phaëton1777 · National Trust
16
Study of a Fowl, Lateral View, with skin and underlying fascial layers removed, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl'Yale Center for British Art
17
Freeman, The Earl of Clarendon's Gamekeeper, with a Dying Doe and Hound1800 · Yale Center for British Art
18
Prince of Wales Phaeton1793
19
Studies for or after "The third Duke of Richmond with the Charleton Hunt"1750 · Yale Center for British Art
20
A Dark Bay Thoroughbred in a Landscape1762
21
King Charles Spaniel1769
22
Volčji oks1790 · Walker Art Gallery
23
'Molly Long Legs' with Her Jockey1762 · Walker Art Gallery
24
Reaper1795 · Yale Center for British Art
25
Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances1769 · National Gallery of Art
26
Mares and Foals in a River Landscape1768
27
Viscount Gormanston's White Dog1781
28
Margaret Newton (née Coningsby), Countess of Coningsby in the Costume of the Charlton Hunt1760 · Yale Center for British Art
29
Self-Portrait1759 · Yale Center for British Art
30
Horse Attacked by a Lion (Episode C)1768 · Yale Center for British Art
31
White Poodle in a Punt1780 · National Gallery of Art
32
Viscount Gormanston's White Dog - George Stubbs2026
33
James Stanley1755
34
Two gentlemen going a shooting, with a view of Creswell Crags1767 · Narodni muzej v Varšavi
35
Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot1767 · Yale Center for British Art
36
Two Gentlemen Shooting1769 · Kraljevi muzeji lepih umetnosti na Belgiji
37
John Christian Santhague (d1. 821)1782 · Kraljeva zbirka
38
Sir Sidney Medows (1701-92)1778 · Kraljeva zbirka
39
Phaeton with a Pair of Cream Ponies and a Stable-Lad1780 · Yale Center for British Art
40
George IV (1762-1830), when Prince of Wales1791 · Kraljeva zbirka
41
A Bay Horse with a Groom1791 · Kraljeva zbirka
42
Portrait of a Gentleman1791 · Kraljeva zbirka
43
Lion and Lione1770 · Yale Center for British Art
44
Self-Portrait1775
45
Cheetah with two Indian servants and a deer1765
46
The Marquess of Rockingham's Arabian Stallion1780 · Scottish National Gallery
47
Pavian and Albino Makake1780
48
The Marquess of Rockingham1780 · Scottish National Gallery
49
George Stubbs1781 · National Portrait Gallery
50
Hound Coursing a Stag1762 · Philadelphia Museum of Art
51
Horse Attacked by a Lion1762
52
Greenland Falcon1780 · Yale Center for British Art
53
Isabella Salstonstall as Una in Spenser's 'Faerie Queene'1782 · Fitzwilliam College
54
Study of the Human Figure, Anterior View, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl'Yale Center for British Art
55
A Foxhound1760 · Yale Center for British Art
56
A Gentleman driving a Lady in a Phaeton1787
57
The Farmer's Wife and the Raven, from John Gay's 'Fables'1786 · Yale Center for British Art
58
Gimcrack with John Pratt up on Newmarket Heath1765 · Fitzwilliam College
59
'Lustre' Held by a Groom1762 · Yale Center for British Art
60
The Moose
61
James Stanley (b.c.1722)1755 · Walker Art Gallery
62
A Chestnut Racehorse
63
Lord and Lady in a Phaeton1787 · National Gallery
64
George Fothergill iz Yorka1746 · Ferens Art Gallery
65
Bulls Fighting1786 · Yale Center for British Art
66
Labourers1761 · Yale Center for British Art
67
James Stanley1755 · Walker Art Gallery
68
The Milbanke and Melbourne Families1769 · National Gallery
69
Joseph Smyth Esquire, Lieutenant of Whittlebury Forest, Northamptonshire, on a Dapple Grey Horse1764 · Fitzwilliam College
70
Harvest1785
71
Portrait of a dark brown and white Newfoundland spaniel1743
72
Untitled (Hound Chasing a Hare)1765 · Auckland Art Gallery Toi o Tāmaki
73
Horse Frightened by a Lion1762 · Yale Center for British Art
74
Turf, with Jockey up, at Newmarket1765 · Yale Center for British Art
75
Newmarket Heath, with a Rubbing-down House1765 · Yale Center for British Art
76
Mares and Foals in a Wooded Landscape1762
77
Horse Attacked by a Lion1765
78
Cheetah and Stag with Two Indians1765
79
Lord Grosvenor's Arabian Stallion with a Groom1765
80
Newmarket Heath, with a Rubbing Down House1765
81
Mares and foals are anxious before a looming storm1765
82
Frontal view of the skeleton of a horse, study No. 10 from 'The Anatomy of the Horse'1766
83
A Repose after Shooting1770 · Yale Center for British Art
84
Portrait of John Nelthorpe as a child1775
85
Pumpkin with a Stable Lad1774
86
'Pumpkin'1773 · Ascott House
87
Portrait of a Huntsman1768
88
The Moose1773 · The Hunterian Museum and Art Gallery
89
Mares and Foals under an Oak Tree1775
90
Mares and Foals in a Mountainous Landscape1769
91
Lady Reading in a Wooded Park1770
92
A Horse Frightened by a Lion1770
93
Otho, with John Larkin up1768
94
Portrait of Isabella Saltonstall1775
95
The Third Duke of Dorset's Hunter with a Groom and a Dog1768 · Metropolitanski muzej umetnosti
96
Mother and Child1774
97
Lion and Lioness1771 · Muzej fine arts
98
A Lion and Tiger1779 · Walker Art Gallery
99
Lord Clanbrassil with Hunter Mowbrary1769 · The Vestey Gallery of British Sporting Art
100
Firetail with his Trainer by the Rubbing-Down House on Newmarket Heath1773 · Iziko South African National Gallery
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga George Stubbs | Slike iz tega seznama |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 33 | A Lion Attacking a Stag, Baronet, Foxhound |
 Walker Art Gallery |
Liverpool | 9 | Horse Frightened by a Lion, Volčji oks, 'Molly Long Legs' with Her Jockey |
 Kraljeva zbirka |
London | 16 | John Christian Santhague (d1. 821), Sir Sidney Medows (1701-92), George IV (1762-1830), when Prince of Wales |
 National Gallery |
London | 4 | Whistlejacket, Lord and Lady in a Phaeton, The Milbanke and Melbourne Families |
 Fitzwilliam College |
Cambridge | 3 | Isabella Salstonstall as Una in Spenser's 'Faerie Queene', Gimcrack with John Pratt up on Newmarket Heath, Joseph Smyth Esquire, Lieutenant of Whittlebury Forest, Northamptonshire, on a Dapple Grey Horse |
 National Gallery of Art |
Washington | 2 | Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances, White Poodle in a Punt |
 Scottish National Gallery |
Edinburgh | 2 | The Marquess of Rockingham's Arabian Stallion, The Marquess of Rockingham |
 Tate Gallery |
London | 2 | Lion Devouring a Horse |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
Želite visokokakovosten reprodukcija tega mojstrovstva umetnosti? Obiščite WahooArt za brezhibno kvaliteto!
We are looking at Studies for or after "The third Duke of Richmond with the Charleton Hunt", a work by George Stubbs. Created in the late 1750s, this piece offers a glimpse into the artist's preparatory process. It functions as an alternative title for Huntsman with a Grey Hunter and Two Foxhounds: details from the Goodwood 'Hunting' picture. The work provides a focused look at specific elements intended for a…
V tem olju na platnu iz leta 1762, ki ga je ustvaril George Stubbs, nas sreča Whistlejacket, veličastni rjav tekač, ki se zdi, kot da izhaja iz samega tkiva slikarstva. Konj pripada markizu Rockinghamu, njegova prisotnost pa je neposredna in prevladujoča. Konj ne stoji zgolj v miru; on se dviguje, ujet v nenaden, močan gib, ki izziva nepremihajnost medija. Muskulatura živali valoviti z lastnim življenjem, njegova energija pa je usmerjena…
A Bay Hunter With Two Spaniels: Elegance in Motion George Stubbs' "A Bay Hunter With Two Spaniels," painted in 1777, is more than just a depiction of horses and dogs; it’s an embodiment of the English countryside’s grace and the aristocratic pursuit of leisure. This masterpiece transports us to a tranquil dawn or dusk, where a magnificent bay hunter stands poised against a backdrop of gentle hills and ancient trees.…
A white dog occupies the center of this 1781 composition, positioned with its head turned upward and its gaze directed toward something outside the frame. The animal's coat is primarily white, though it features specific dark markings that define its form. It stands upon a ground of muted tones, set against a landscape composed of trees and distant mountains. In the upper portion of the scene, a single bird is…
To gaze upon this depiction of a man mounted on his magnificent steed is to be swept away by the very energy of the late eighteenth century. George Stubbs, master chronicler of equine grace and human dignity, captures a moment brimming with aristocratic vitality. The central figure, the titular Baronet, commands attention not merely through his striking red jacket—a bold splash of color against the muted tones of the background—but…
In this 1800 composition, we find ourselves drawn into a dense woodland setting where the air feels heavy with the stillness of the forest. At the center of this scene is Thomas Freeman, the Earl of Clarendon’s gamekeeper, caught in a moment of profound solemnity. He holds the limp, wounded body of a doe, his hunting knife poised as he contemplates the end of a life. Beside him, a staghound…
Whistlejacket (1762), National Gallery, London. Zatem sledeta Lev napada konja (1765) in Lovilec v rjavi barvi z dvema španjeloma (1777).
38 let: delo Whistlejacket iz leta 1762, George Stubbs pa je bil/a rojen/a leta 1724.
Whistlejacket, Lev napada konja, Lovilec v rjavi barvi z dvema španjeloma, Lov na Grosvenorju, Tiger, Horse Frightened by a Lion, Whistlejacket, Lord Grosvenor, A Lion Attacking a Stag in Baronet. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 223 del avtorja George Stubbs, datiranih od 1743 do 1800.
Večini v Yale Center for British Art (New Haven), Walker Art Gallery (Liverpool) in Kraljeva zbirka (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1760s: 44 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Whistlejacket.
Na tej strani je najstarejše delo iz Portrait of a dark brown and white Newfoundland spaniel (1743) in najstarejše iz Freeman, The Earl of Clarendon's Gamekeeper, with a Dying Doe and Hound (1800).
Landscape (27), Horse (23) in Horses (13), na 100 delih na tej strani.
Oil On Canvas, za 39 od 100 del na tej strani.
Romanticism, glede na originala na tej strani.
A Lion Attacking a Stag, Baronet in Foxhound: v muzeju Yale Center for British Art, New Haven se nahaja 24 del z te strani.
