Portret Bernardo Bellotto

100 najbolj znanih slik umetnika Bernardo Bellotto, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 230 del v našem katalogu avtorja Bernardo Bellotto

Kratek opis

Med vsemi originali, ki jih je pustil Bernardo Bellotto, je najbolj znan Ruine Stare cerkve Kreuzkirche v Dresdnu (1765), ki se nahaja v kolekciji Gemäldegalerie Alte Meister, Dresden. Takoj za njima sta Dresden, the Frauenkirche and the Rampische Gasse (1749) in The Moat of the Zwinger in Dresden (1749). Naš katalog vsebuje 230 del umetnika Bernardo Bellotto; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1722 – 1780, Venecija Rococo Največ del: Staatliche Kunstsammlungen Dresden
Ruine Stare cerkve Kreuzkirche v Dresdnu (1765) avtorja Bernardo Bellotto1. Ruine Stare cerkve Kreuzkirche v Dresdnu 1765 Dresden, the Frauenkirche and the Rampische Gasse (1749) avtorja Bernardo Bellotto2. Dresden, the Frauenkirche and the Rampische Gasse 1749 The Moat of the Zwinger in Dresden (1749) avtorja Bernardo Bellotto3. The Moat of the Zwinger in Dresden 1749

10 najboljših slik umetnika Bernardo Bellotto: izbira galerije

1
Ruine Stare cerkve Kreuzkirche v Dresdnu (1765) avtorja Bernardo Bellotto

Ruine Stare cerkve Kreuzkirche v Dresdnu

1765 · Olje na platnu · Gemäldegalerie Alte Meister, Dresden

Bernardo Bellottovo delo, ‘Ruine Stare Kreutzkirche v Dresdnu’, ni zgolj prikaz ruševin; je poglobljen vpogled v duha preživetja in odpornosti mesta po katastrofi. Ustvarjeno leta 1765, slika ponuja ganljivo pričevanje o Dresdenu, ki se bori s posledicami uničenja, hkrati pa izžareva upanje za prihodnost. Bellottova mojstrstvo v *veduti*, italijanski tradiciji slikanja mestnih razgledov, doseže nove višine skozi natančno podobo ruševin Stare Kreutzkirche, obkroženih s še vedno stoječimi zgradbami – prizor,…

O tem originalu
2
Dresden, the Frauenkirche and the Rampische Gasse (1749) avtorja Bernardo Bellotto

Dresden, the Frauenkirche and the Rampische Gasse

1749 · Oil On Canvas · Gemäldegalerie Alte Meister, Dresden

In the quiet, luminous depths of Bernardo Bellotto’s 1749 masterpiece, Dresden, the Frauenkirche and the Rampische Gasse, we are invited to step through a portal into the eighteenth century. This breathtaking oil on canvas is far more than a mere topographical record; it is a soulful meditation on a city at its zenith. As the eye wanders across the panoramic vista, one is immediately struck by the imposing presence of…

Zgodba, ki skriva to unikatno umetniško delo
3
The Moat of the Zwinger in Dresden (1749) avtorja Bernardo Bellotto

The Moat of the Zwinger in Dresden

1749 · Oil On Canvas · Gemäldegalerie Alte Meister, Dresden

To look upon The Moat of the Zwinger in Dresden is to witness a moment of profound stillness from 1749. This canvas captures the Zwinger complex not as a mere fortification, but as a serene reflection of royal life during the reign of Augustus III. The water in the moat acts as a liquid mirror, its surface broken only by the gentle movement of small boats and the soft ripples…

O tem originalu
4
The Moat of the Zwinger in Dresden (detail) (1749) avtorja Bernardo Bellotto

The Moat of the Zwinger in Dresden (detail)

1749 · Oil On Canvas · Gemäldegalerie Alte Meister, Dresden

In the heart of 18th-century Saxony, amidst the burgeoning prosperity of the Enlightenment, Bernardo Bellotto captured a moment of profound serenity and architectural splendor. His masterpiece, The Moat of the Zwinger in Dresden, is far more than a mere topographical record; it is a luminous window into a vanished world. Painted in 1749, this work invites the viewer to step onto the banks of the Zwinger Palace’s moat, where the…

Zgodba, ki skriva to unikatno umetniško delo
5
Vienna, Panorama from Palais Kaunitz (1759) avtorja Bernardo Bellotto

Vienna, Panorama from Palais Kaunitz

1759 · Oil On Canvas · Muzej lepih umetnosti, Budimpešta

Completed in 1759, this panoramic view captures Vienna at a moment of imperial expansion under Maria Theresa. The composition utilizes a wide format to document the city's topographical layout, guiding the eye from the immediate foreground toward the distant skyline. St Stephen’s Cathedral and the Hofburg Palace emerge as central anchors within the urban sprawl, their silhouettes defined by the specific quality of light characteristic of the era. The work…

O tem originalu
6
Grand canal, view from north (1738) avtorja Bernardo Bellotto

Grand canal, view from north

1738 · Oil On Canvas · Narodna galerija Viktorije, Melbourne

In this work, titled Grand canal, view from north, the artist Bernardo Bellotto captures a specific moment within the Venetian cityscape. Painted about 1738, the scene focuses on the activity along the water, where several boats float upon the river. Some vessels occupy the foreground, while others drift toward the distance, creating a sense of depth across the waterway.

Zgodba, ki skriva to unikatno umetniško delo
7
The Fortress of Konigstein (1758) avtorja Bernardo Bellotto

The Fortress of Konigstein

1758 · Oil On Canvas · National Gallery of Art, Washington

The painting titled The Fortress of Konigstein was executed by the Italian artist Bernardo Bellotto in 1758. Bellotto was an urban landscape painter and printmaker who specialized in the veduta style. He was the nephew and pupil of Giovanni Antonio Canal. This specific work was part of a series of views commissioned by the Elector of Saxony, Augustus III.

Zgodba, ki skriva to unikatno umetniško delo
8
Allegory Inclinata Resurgit (1762) avtorja Bernardo Bellotto

Allegory Inclinata Resurgit

1762 · Oil On Canvas · Staatliche Kunstsammlungen Dresden, Dresden

The scene unfolds within the allegorical realm of Allegory Inclinata Resurgit, a painting that captures a moment of profound symbolic weight. Created by the hand of Bernardo Bellotto, this work invites the viewer into a staged, theatrical space where figures and architecture converge. The piece emerges from about 1762, a time when the artist was deeply engaged with the visual language of his era. Every element within the frame works…

O tem originalu
9
The Arsenal, Venice (1743) avtorja Bernardo Bellotto

The Arsenal, Venice

1743 · Narodna galerija Kanade, Ottawa

The artwork titled The Arsenal, Venice is a painting by the artist Bernardo Bellotto. This specific piece was executed about 1743. It belongs to a pair of paintings created by the artist during this period.

O tem originalu
10
Venetian Capriccio, View of Santa Maria dei Miracoli (1740) avtorja Bernardo Bellotto

Venetian Capriccio, View of Santa Maria dei Miracoli

1740 · Oil On Canvas · Niedersächsisches Landesmuseum, Hanover

In this work, titled Venetian Capriccio, View of Santa Maria dei Miracoli, the artist Bernardo Bellotto presents a detailed cityscape of Venice. Painted about 1740, the scene focuses on the architecture of the Santa Maria dei Miracoli church. It is a capriccio, a composition that uses a fanciful or imagined arrangement of real-world elements to create a specific atmosphere.

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Izbor umetnika Bernardo Bellotto se nadaljuje, od 11 do 100

11Pirna Seen from the Right Bank of the Elbe (1750) avtorja Bernardo BellottoPirna Seen from the Right Bank of the Elbe1750 12A Capriccio River Landscape with a Church to the Left (1765) avtorja Bernardo BellottoA Capriccio River Landscape with a Church to the Left1765 13Allegory Ex Arduis Immortalitas (1762) avtorja Bernardo BellottoAllegory Ex Arduis Immortalitas1762 · Staatliche Kunstsammlungen Dresden 14Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny (1763) avtorja Bernardo BellottoFantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny1763 · El Paso Museum of Art 15The Fortress of Königstein: Courtyard with the Magdalenenburg (1758) avtorja Bernardo BellottoThe Fortress of Königstein: Courtyard with the Magdalenenburg1758 · National Gallery of Art 16The Fortress of Königstein (1756) avtorja Bernardo BellottoThe Fortress of Königstein1756 17The Election of the King Stanislaus Augustus (1764) avtorja Bernardo BellottoThe Election of the King Stanislaus Augustus1764 18View of Wilanów meadows (1775) avtorja Bernardo BellottoView of Wilanów meadows1775 · Kraljevski grad v Varšavi 19Groom leading a horse (1773) avtorja Bernardo BellottoGroom leading a horse1773 · Narodni muzej v Varšavi 20The Elbe between Pirna and Pillnitz (1766) avtorja Bernardo BellottoThe Elbe between Pirna and Pillnitz1766 · Staatliche Kunstsammlungen Dresden 21Dresden, the Ruins of the Pirnaische Vorstadt (1766) avtorja Bernardo BellottoDresden, the Ruins of the Pirnaische Vorstadt1766 22View of Ujazdów from the Royal Baths (1776) avtorja Bernardo BellottoView of Ujazdów from the Royal Baths1776 · Narodni muzej v Varšavi 23Stable boy leading a horse (1773) avtorja Bernardo BellottoStable boy leading a horse1773 · Narodni muzej v Varšavi 24Rio dei Mendicanti with the Scuola di San Marco (detail) (1738) avtorja Bernardo BellottoRio dei Mendicanti with the Scuola di San Marco (detail)1738 · Gallerie dell'Accademia di Venezia 25The Imperial Palace Schönbrunn, Garden Side (1758) avtorja Bernardo BellottoThe Imperial Palace Schönbrunn, Garden Side1758 · Kunsthistorisches Museum 26View of Pirna from the Sonnenstein Castle (1750) avtorja Bernardo BellottoView of Pirna from the Sonnenstein Castle1750 · Ermitaž 27View of Pirna from the Right Bank of the Elba above the Town (1753) avtorja Bernardo BellottoView of Pirna from the Right Bank of the Elba above the Town1753 · Ermitaž 28The Kreuzkirche in Dresden (1747) avtorja Bernardo BellottoThe Kreuzkirche in Dresden1747 · Gemäldegalerie Alte Meister 29Stairs Leading to the Colonnade of a Palace (1762) avtorja Bernardo BellottoStairs Leading to the Colonnade of a Palace1762 · Staatliche Kunstsammlungen Dresden 30Lagoon landscape (1741) avtorja Bernardo BellottoLagoon landscape1741 31Venice (Marriage of the Doge with the Sea) (1727) avtorja Bernardo BellottoVenice (Marriage of the Doge with the Sea)1727 32The Grand Canal from the Campo San Vio, Venice (1727) avtorja Bernardo BellottoThe Grand Canal from the Campo San Vio, Venice1727 · Scottish National Gallery 33The Pantheon (1742) avtorja Bernardo BellottoThe Pantheon1742 · Dayton Art Institute 34View of the Tiber in Rome with the Castel Sant'Angelo (1743) avtorja Bernardo BellottoView of the Tiber in Rome with the Castel Sant'Angelo1743 · Detroit Institute of Arts 35Piazza San Marco, Venice (1740) avtorja Bernardo BellottoPiazza San Marco, Venice1740 · Cleveland Museum of Art 36The Piazzetta, Venice (1743) avtorja Bernardo BellottoThe Piazzetta, Venice1743 · Narodna galerija Kanade 37Piazza del Campidoglio with Santa Maria d'Aracoeli, Rome (1742) avtorja Bernardo BellottoPiazza del Campidoglio with Santa Maria d'Aracoeli, Rome1742 · Petworth House 38A View at the Entrance of the Grand Canal, Venice (1741) avtorja Bernardo BellottoA View at the Entrance of the Grand Canal, Venice1741 · Fitzwilliam Museum 39The Piazza San Martino, Lucca (1742) avtorja Bernardo BellottoThe Piazza San Martino, Lucca1742 · York Art Gallery 40Painting of the Church of Santa Maria Formosa, Venice (1742) avtorja Bernardo BellottoPainting of the Church of Santa Maria Formosa, Venice1742 41The Campo di SS. Giovanni e Paolo, Venice (1743) avtorja Bernardo BellottoThe Campo di SS. Giovanni e Paolo, Venice1743 · National Gallery of Art 42View of Via di Ripetta in Rome (1742) avtorja Bernardo BellottoView of Via di Ripetta in Rome1742 · Museum Kunstpalast 43View of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo (1743) avtorja Bernardo BellottoView of the Grand Canal: Santa Maria della Salute and the Dogana from Campo Santa Maria Zobenigo1743 · J. Paul Getty Museum 44View of Grand Canal with the Palazzi Foscari and Moro Lin (1734) avtorja Bernardo BellottoView of Grand Canal with the Palazzi Foscari and Moro Lin1734 · Nationalmuseum 45The harbor basin of San Marco on Ascension Day, Venice (1739) avtorja Bernardo BellottoThe harbor basin of San Marco on Ascension Day, Venice1739 46Colosseum and Arch of Constantine (Rome) (1742) avtorja Bernardo BellottoColosseum and Arch of Constantine (Rome)1742 47The Arch of Constantine (1742) avtorja Bernardo BellottoThe Arch of Constantine1742 · Kraljeva zbirka 48Signoria Square in Florence (1741) avtorja Bernardo BellottoSignoria Square in Florence1741 49View of the Grand Canal at San Stae (1738) avtorja Bernardo BellottoView of the Grand Canal at San Stae1738 50Arno in Florence (1742) avtorja Bernardo BellottoArno in Florence1742 51Capriccio Padovano (1740) avtorja Bernardo BellottoCapriccio Padovano1740 · Thyssen-Bornemisza Museum 52Pirna with the Dohna Gate (1754) avtorja Bernardo BellottoPirna with the Dohna Gate1754 · Staatliche Kunstsammlungen Dresden 53The Arno in Florence with the Ponte Vecchio (1745) avtorja Bernardo BellottoThe Arno in Florence with the Ponte Vecchio1745 · Fitzwilliam Museum 54The Arno in Florence with the Ponte Alla Carraia (1745) avtorja Bernardo BellottoThe Arno in Florence with the Ponte Alla Carraia1745 · Fitzwilliam Museum 55Capriccio with the Dolo lock (1748) avtorja Bernardo BellottoCapriccio with the Dolo lock1748 · Staatliche Kunstsammlungen Dresden 56The Lock at Dolo (1745) avtorja Bernardo BellottoThe Lock at Dolo1745 · Yale University Art Gallery 57The Grand Canal: Santa Lucia and the Church of the Scalzi, Venice (1750) avtorja Bernardo BellottoThe Grand Canal: Santa Lucia and the Church of the Scalzi, Venice1750 · Scottish National Gallery 58View of Pirna from the West, from the Corner of Wide Street (1755) avtorja Bernardo BellottoView of Pirna from the West, from the Corner of Wide Street1755 · Ermitaž 59View of Pirna, from Sonnestein Castle (1753) avtorja Bernardo BellottoView of Pirna, from Sonnestein Castle1753 · Pushkin State Museum 60View of Verona with the Castelvecchio and Ponte Scaligero (1745) avtorja Bernardo BellottoView of Verona with the Castelvecchio and Ponte Scaligero1745 · Philadelphia Museum of Art 61Dresden from the Right Bank of the Elbe, below the Augustus Bridge (1750) avtorja Bernardo BellottoDresden from the Right Bank of the Elbe, below the Augustus Bridge1750 · National Gallery of Ireland 62Dresden from the Right Bank of the Elbe above the Augustus Bridge (1750) avtorja Bernardo BellottoDresden from the Right Bank of the Elbe above the Augustus Bridge1750 · National Gallery of Ireland 63The Doge's Palace in Venice from the Sea (1750) avtorja Bernardo BellottoThe Doge's Palace in Venice from the Sea1750 · Musée municipal de Bourg-en-Bresse 64View of Pirna from the Right Bank of the Elba (1753) avtorja Bernardo BellottoView of Pirna from the Right Bank of the Elba1753 · Ermitaž 65The Moat of Zwinger in Dresden (1750) avtorja Bernardo BellottoThe Moat of Zwinger in Dresden1750 · Ermitaž 66Old Fortifications of Dresden (1749) avtorja Bernardo BellottoOld Fortifications of Dresden1749 · Ermitaž 67Market-Place of the Neustadt in Dresden (1751) avtorja Bernardo BellottoMarket-Place of the Neustadt in Dresden1751 · Ermitaž 68View of Pirna, from Sonnenstein Castle (1755) avtorja Bernardo BellottoView of Pirna, from Sonnenstein Castle1755 · Staatliche Kunstsammlungen Dresden 69Pirna from Kopitz (1753) avtorja Bernardo BellottoPirna from Kopitz1753 · Staatliche Kunstsammlungen Dresden 70The Zwinger in Dresden (1751) avtorja Bernardo BellottoThe Zwinger in Dresden1751 · Staatliche Kunstsammlungen Dresden 71The Old Ponte delle Navi in Verona (1746) avtorja Bernardo BellottoThe Old Ponte delle Navi in Verona1746 · Staatliche Kunstsammlungen Dresden 72The Old Market in Dresden from Schlossgasse (1750) avtorja Bernardo BellottoThe Old Market in Dresden from Schlossgasse1750 · Staatliche Kunstsammlungen Dresden 73The Old Fortifications in Dresden (1750) avtorja Bernardo BellottoThe Old Fortifications in Dresden1750 · Staatliche Kunstsammlungen Dresden 74Pirna from Posta (1753) avtorja Bernardo BellottoPirna from Posta1753 · Staatliche Kunstsammlungen Dresden 75Dresden from the left Bank of the Elbe above the Bridgehead of the Old Town (1748) avtorja Bernardo BellottoDresden from the left Bank of the Elbe above the Bridgehead of the Old Town1748 · Staatliche Kunstsammlungen Dresden 76View from the Bridge of Dresden on the Elbe (1749) avtorja Bernardo BellottoView from the Bridge of Dresden on the Elbe1749 · Fine Arts Museums of San Francisco 77Abbruch der Kreuzkirche, Dresden (1746) avtorja Bernardo BellottoAbbruch der Kreuzkirche, Dresden1746 78Piazza S. Marco, Venice (1746) avtorja Bernardo BellottoPiazza S. Marco, Venice1746 79The Old Market Square in Dresden (1750) avtorja Bernardo BellottoThe Old Market Square in Dresden1750 · Staatliche Kunstsammlungen Dresden 80The New Market Square in Dresden (1750) avtorja Bernardo BellottoThe New Market Square in Dresden1750 81Verona Veduta (1746) avtorja Bernardo BellottoVerona Veduta1746 · Powys Castle Museum 82View of Turin near the Royal Palace (1745) avtorja Bernardo BellottoView of Turin near the Royal Palace1745 · Galleria Sabauda 83New Market Square in Dresden (1750) avtorja Bernardo BellottoNew Market Square in Dresden1750 · Gemäldegalerie Alte Meister 84Dresden from the Left Bank of the Elbe, below the Fortifications (1748) avtorja Bernardo BellottoDresden from the Left Bank of the Elbe, below the Fortifications1748 · Gemäldegalerie Alte Meister 85Pirna Seen from the Harbour Town (1753) avtorja Bernardo BellottoPirna Seen from the Harbour Town1753 · Gemäldegalerie Alte Meister 86View of an Old Bridge Over the River Po, Turin (1745) avtorja Bernardo BellottoView of an Old Bridge Over the River Po, Turin1745 · Galleria Sabauda 87The Neuer Marktplatz in Dresden (1747) avtorja Bernardo BellottoThe Neuer Marktplatz in Dresden1747 · Ermitaž 88Venice (Rio di S. Fosca and S. Maria dei Servil) (1758) avtorja Bernardo BellottoVenice (Rio di S. Fosca and S. Maria dei Servil)1758 89View of München (1758) avtorja Bernardo BellottoView of München1758 90Venice: Riva degli Schiavoni towards the East (1760) avtorja Bernardo BellottoVenice: Riva degli Schiavoni towards the East1760 · John and Mable Ringling Museum of Art 91Venice: Piazza San Marco, Seen from the Campo San Basso (1760) avtorja Bernardo BellottoVenice: Piazza San Marco, Seen from the Campo San Basso1760 · John and Mable Ringling Museum of Art 92Saint Mark's Square, Venice (1756) avtorja Bernardo BellottoSaint Mark's Square, Venice1756 · National Gallery of Ireland 93Campo San Stin, Venice (1760) avtorja Bernardo BellottoCampo San Stin, Venice1760 94Old town of Dresden (1765) avtorja Bernardo BellottoOld town of Dresden1765 · Staatliche Kunsthalle Karlsruhe 95Pirna seen from the right bank of the Elbe (1756) avtorja Bernardo BellottoPirna seen from the right bank of the Elbe1756 · San Diego Museum of Art 96Architectural Capriccio (1765) avtorja Bernardo BellottoArchitectural Capriccio1765 · San Diego Museum of Art 97Nymphenburg Castle (1761) avtorja Bernardo BellottoNymphenburg Castle1761 98Architectural Caprice with a Palace (1765) avtorja Bernardo BellottoArchitectural Caprice with a Palace1765 · Bilbao Fine Arts Museum 99Venice: Canale Grande (1758) avtorja Bernardo BellottoVenice: Canale Grande1758 100View of Vienna with St. Charles's Church (1758) avtorja Bernardo BellottoView of Vienna with St. Charles's Church1758 · Museum Kunstpalast

Slavna platna umetnika Bernardo Bellotto, razdeljena po obdobjih

Early Period

1738 – 1743 · 3 del v tem seznamu
Grand canal, view from north (1738), Bernardo Bellotto #6 Grand canal, view from north 1738 · Narodna galerija Viktorije The Arsenal, Venice (1743), Bernardo Bellotto #9 The Arsenal, Venice 1743 · Narodna galerija Kanade Venetian Capriccio, View of Santa Maria dei Miracoli (1740), Bernardo Bellotto #10 Venetian Capriccio, View of Santa Maria dei Miracoli 1740 · Niedersächsisches Landesmuseum

Mature Period

1738 – 1766 · 17 del v tem seznamu
Ruine Stare cerkve Kreuzkirche v Dresdnu (1765), Bernardo Bellotto #1 Ruine Stare cerkve Kreuzkirche v Dresdnu 1765 · Gemäldegalerie Alte Meister Dresden, the Frauenkirche and the Rampische Gasse (1749), Bernardo Bellotto #2 Dresden, the Frauenkirche and the Rampische Gasse 1749 · Gemäldegalerie Alte Meister The Fortress of Konigstein (1758), Bernardo Bellotto #7 The Fortress of Konigstein 1758 · National Gallery of Art Allegory Inclinata Resurgit (1762), Bernardo Bellotto #8 Allegory Inclinata Resurgit 1762 · Staatliche Kunstsammlungen Dresden Pirna Seen from the Right Bank of the Elbe (1750), Bernardo Bellotto #11 Pirna Seen from the Right Bank of the Elbe 1750

Late Period

1773 – 1776 · 4 del v tem seznamu
View of Wilanów meadows (1775), Bernardo Bellotto #18 View of Wilanów meadows 1775 · Kraljevski grad v Varšavi Groom leading a horse (1773), Bernardo Bellotto #19 Groom leading a horse 1773 · Narodni muzej v Varšavi View of Ujazdów from the Royal Baths (1776), Bernardo Bellotto #22 View of Ujazdów from the Royal Baths 1776 · Narodni muzej v Varšavi Stable boy leading a horse (1773), Bernardo Bellotto #23 Stable boy leading a horse 1773 · Narodni muzej v Varšavi

Motivi, ki so očarali Bernardo Bellotto

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Sky 15 delo

The Fortress of Konigstein (1758), Bernardo Bellotto #7 The Fortress of Konigstein 1758 · National Gallery of Art The Arsenal, Venice (1743), Bernardo Bellotto #9 The Arsenal, Venice 1743 · Narodna galerija Kanade Venetian Capriccio, View of Santa Maria dei Miracoli (1740), Bernardo Bellotto #10 Venetian Capriccio, View of Santa Maria dei Miracoli 1740 · Niedersächsisches Landesmuseum A Capriccio River Landscape with a Church to the Left (1765), Bernardo Bellotto #12 A Capriccio River Landscape with a Church to the Left 1765

Architecture 13 delo

Ruine Stare cerkve Kreuzkirche v Dresdnu (1765), Bernardo Bellotto #1 Ruine Stare cerkve Kreuzkirche v Dresdnu 1765 · Gemäldegalerie Alte Meister The Moat of the Zwinger in Dresden (1749), Bernardo Bellotto #3 The Moat of the Zwinger in Dresden 1749 · Gemäldegalerie Alte Meister The Moat of the Zwinger in Dresden (detail) (1749), Bernardo Bellotto #4 The Moat of the Zwinger in Dresden (detail) 1749 · Gemäldegalerie Alte Meister Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny (1763), Bernardo Bellotto #14 Fantastic architecture with portrait of Franciszek Salezy Potocki and his son Stanisław Szczęsny 1763 · El Paso Museum of Art

People 10 delo

Grand canal, view from north (1738), Bernardo Bellotto #6 Grand canal, view from north 1738 · Narodna galerija Viktorije The Election of the King Stanislaus Augustus (1764), Bernardo Bellotto #17 The Election of the King Stanislaus Augustus 1764 Dresden, the Ruins of the Pirnaische Vorstadt (1766), Bernardo Bellotto #21 Dresden, the Ruins of the Pirnaische Vorstadt 1766 View of Ujazdów from the Royal Baths (1776), Bernardo Bellotto #22 View of Ujazdów from the Royal Baths 1776 · Narodni muzej v Varšavi

Trees 7 delo

The Fortress of Königstein (1756), Bernardo Bellotto #16 The Fortress of Königstein 1756 The Elbe between Pirna and Pillnitz (1766), Bernardo Bellotto #20 The Elbe between Pirna and Pillnitz 1766 · Staatliche Kunstsammlungen Dresden The Imperial Palace Schönbrunn, Garden Side (1758), Bernardo Bellotto #25 The Imperial Palace Schönbrunn, Garden Side 1758 · Kunsthistorisches Museum View of Pirna from the Right Bank of the Elba above the Town (1753), Bernardo Bellotto #27 View of Pirna from the Right Bank of the Elba above the Town 1753 · Ermitaž

Muzeji, ki hranijo originala umetnika Bernardo Bellotto

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Bernardo Bellotto Slike iz tega seznama
Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 19 Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas, The Elbe between Pirna and Pillnitz
Gemäldegalerie Alte Meister, DresdenGemäldegalerie Alte Meister Dresden 12 Ruine Stare cerkve Kreuzkirche v Dresdnu, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 11 View of Pirna from the Sonnenstein Castle, View of Pirna from the Right Bank of the Elba above the Town, View of Pirna from the West, from the Corner of Wide Street
Narodni muzej v Varšavi, VaršavaNarodni muzej v Varšavi Varšava 8 Groom leading a horse, View of Ujazdów from the Royal Baths, Stable boy leading a horse
National Gallery of Art, WashingtonNational Gallery of Art Washington 5 The Fortress of Konigstein, The Fortress of Königstein: Courtyard with the Magdalenenburg, The Campo di SS. Giovanni e Paolo, Venice
Fitzwilliam MuseumFitzwilliam Museum 3 A View at the Entrance of the Grand Canal, Venice, The Arno in Florence with the Ponte Vecchio, The Arno in Florence with the Ponte Alla Carraia
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 3 Dresden from the Right Bank of the Elbe, below the Augustus Bridge, Dresden from the Right Bank of the Elbe above the Augustus Bridge, Saint Mark's Square, Venice
Museum Kunstpalast, DüsseldorfMuseum Kunstpalast Düsseldorf 3 View of Via di Ripetta in Rome, View of Vienna with St. Charles's Church

Bernardo Bellotto desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Bernardo Bellotto

Za katero delo je Bernardo Bellotto najbolj znan/a?Razkriti odgovor

Ruine Stare cerkve Kreuzkirche v Dresdnu (1765), Gemäldegalerie Alte Meister, Dresden. Zatem sledeta Dresden, the Frauenkirche and the Rampische Gasse (1749) in The Moat of the Zwinger in Dresden (1749).

Koliko je bil Bernardo Bellotto let, ko je nastalo delo Ruine Stare cerkve Kreuzkirche v Dresdnu?Razkriti odgovor

43 let: delo Ruine Stare cerkve Kreuzkirche v Dresdnu iz leta 1765, Bernardo Bellotto pa je bil/a rojen/a leta 1722.

Katera je deset najbolj znanih slik umetnika Bernardo Bellotto?Razkriti odgovor

Ruine Stare cerkve Kreuzkirche v Dresdnu, Dresden, the Frauenkirche and the Rampische Gasse, The Moat of the Zwinger in Dresden, The Moat of the Zwinger in Dresden (detail), Vienna, Panorama from Palais Kaunitz, Grand canal, view from north, The Fortress of Konigstein, Allegory Inclinata Resurgit, The Arsenal, Venice in Venetian Capriccio, View of Santa Maria dei Miracoli. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Bernardo Bellotto?Razkriti odgovor

Naš katalog vsebuje 230 del avtorja Bernardo Bellotto, datiranih od 1734 do 1776.

V katerih muzejih so razložena remek dela umetnika Bernardo Bellotto?Razkriti odgovor

Večini v Staatliche Kunstsammlungen Dresden (Dresden), Gemäldegalerie Alte Meister (Dresden) in Ermitaž (Sankt Peterburg). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Bernardo Bellotto naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1740s: 39 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Dresden, the Frauenkirche and the Rampische Gasse.

Kakšna sta prva in zadnja znana originala umetnika Bernardo Bellotto?Razkriti odgovor

Na tej strani je najstarejše delo iz View of Grand Canal with the Palazzi Foscari and Moro Lin (1734) in najstarejše iz View of Ujazdów from the Royal Baths (1776).

Katere teme je Bernardo Bellotto najpogosteje izbiral?Razkriti odgovor

Sky (15), Architecture (13) in People (10), na 100 delih na tej strani.

Katero tehniko je Bernardo Bellotto najpogosteje uporabljal?Razkriti odgovor

Oil On Canvas, za 24 od 100 del na tej strani.

Kateri umetniški slog pripada Bernardo Bellotto?Razkriti odgovor

Rococo, glede na originala na tej strani.

Katera dela umetnika Bernardo Bellotto so razstavljena v muzeju Staatliche Kunstsammlungen Dresden?Razkriti odgovor

Allegory Inclinata Resurgit, Allegory Ex Arduis Immortalitas in The Elbe between Pirna and Pillnitz: v muzeju Staatliche Kunstsammlungen Dresden, Dresden se nahaja 15 del z te strani.

Bernardo Bellotto: življenje in delo

raneje življenje in izobraževanje

Bernardo Bellotto, znan italijanski namalovnik, je bil rojen v Veneciji okoli leta 1721/2 ali pa natančneje 30. januarja 1721. Bil je nevenek in učenik znamenitega Giovanni Antonio Canaletto, ki je bil izjemno pomemben osebnost venecijanske šole slikarstva.

umetniški stil in kariera

Bellotto njegov umetniški stil ga je karakteriziral izjemno podrobna predstavitev arhitektonskih in naravnih razgledov, poleg edinstvene kakovne osvetlitve vsake lokacije. Znal je po svoji izjemni sposobnosti ujetja same duše mestnih krajin, kar ga je vodilo do povabila različnih evropskih monarhov za delo.
  • potujeval je v Rim (1742), severno Italijo (1744-1745) in kasneje se je namestil v Dresdenu (1747-1758) na zahtevo kralja Augusta III Poljske.
  • njegova dela v Dresdenu so ohranila predvojno lepoto mest, ki je je zdaj uničena.
  • dobel je povabilo cesarice Marije Тереze za delo v Avstriji (1758), kjer je slikal pomnike tega mesta.

Značilna dela in dediščina

Med značilnimi deli Bellottoja so: Njegova dediščina presega samo umetnost; njegove sliki danes služijo kot referenca za rekonstrukcijo mest po uničenju.

Muzejji in zbirke

Dela Bellottoja se lahko najdejo v različnih muzejjih, vključno z Pinacoteco di Vicenza v Italiji. Za raziskovanje več njegovega umetniškega dela obiščite [https://OriginalUniqueArt.com/@/bernardo bellotto](https://OriginalUniqueArt.com/@/bernardo bellotto) in odkrijte svet umetnosti.

Referenca

* /sl/art/show/art-d3baj3-sl/ * [https://www.wikiart.org/en/bernardo-bellotto/](https://www.wikiart.org/en/bernardo-bellotto/) * [https://fr.wikipedia.org/wiki/bernardo_bellotto](https://fr.wikipedia.org/wiki/bernardo_bellotto)
Vsa dela avtorja Bernardo Bellotto: 230 →