Portret Anna Dorothea Therbusch

36 najbolj znanih slik umetnika Anna Dorothea Therbusch, vsaka popolnoma edinstvena

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 37 del v našem katalogu avtorja Anna Dorothea Therbusch

Kratek opis

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) je slika avtorja Anna Dorothea Therbusch, ki pritegne največ pogledov; original se nahaja v muzeju Bavarske državne slikopisne zbirke, München. Nato se pogled smeri k Portrait of Prince Augustus Ferdinand of Prussia (1773) in A Scientist Seated at a Desk by Candlelight (1767). Med 37 dela umetnika Anna Dorothea Therbusch v našem katalogu so ta 36 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.

1721 – 1782, Berlin Rococo Največ del: Gemäldegalerie

10 najboljjših slik umetnika Anna Dorothea Therbusch skozi oči galerije

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Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) avtorja Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bavarske državne slikopisne zbirke, München

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

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Portrait of Prince Augustus Ferdinand of Prussia (1773) avtorja Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Ermitaž, Sankt Peterburg

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

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A Scientist Seated at a Desk by Candlelight (1767) avtorja Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Cleveland

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

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Portrait of Alexander Friedrich von Woldeck (1781) avtorja Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlin

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

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Portrait of Anna Elizabeth Louise Ferdinanda of Prussia (1773) avtorja Anna Dorothea Therbusch

Portrait of Anna Elizabeth Louise Ferdinanda of Prussia

1773 · Oil On Canvas · Ermitaž, Sankt Peterburg

This work is the Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, a significant oil on canvas painted by Anna Dorothea Therbusch. The subject of this portrait is Anna Elisabeth Luise, Markgräfin von Brandenburg-Schwedt. She was a woman of notable standing, having married Prinz Ferdinand von Preußen in 1755.

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Self Portrait (1740) avtorja Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum For Kunst, Kopenhagen

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

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A Man, Glass in Hand, Lit by a Candle (1750) avtorja Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

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Portrait of Anna von Wartensleben (1760) avtorja Anna Dorothea Therbusch

Portrait of Anna von Wartensleben

1760 · Oil On Canvas · Narodni muzej v Varšavi, Varšava

In the Portrait of Anna von Wartensleben by Anna Dorothea Therbusch, the sitter is captured in a three-quarter length view. She sits slightly off-center, a placement that lends a sense of poised dignity to her presence. Her expression remains calm and composed, meeting the viewer with a steady, quiet stillness. The composition holds her within an elegant interior, where the weight of the surroundings anchors her figure.

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Portrait of Amalie Princess of Prussia (1723-1787) (1771) avtorja Anna Dorothea Therbusch

Portrait of Amalie Princess of Prussia (1723-1787)

1771 · Oil On Canvas · Gemäldegalerie, Berlin

The air in the room feels heavy with the scent of fresh blooms and the quiet rustle of silk. Amalie, Princess of Prussia, sits poised in a plush green armchair, her presence commanding the space without a single word. She is draped in a voluminous gown of shimmering white and silver, a sea of satin and lace that catches the light with every subtle movement. Her pale skin glows against…

Slavna platna umetnika Anna Dorothea Therbusch, od številk 11 do 36

11Self-portrait (1773) avtorja Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Museum 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) avtorja Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) avtorja Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) avtorja Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) avtorja Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) avtorja Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) avtorja Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) avtorja Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) avtorja Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) avtorja Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Narodni muzej v Varšavi 21Self-Portrait (1782) avtorja Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) avtorja Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) avtorja Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Akademija likovnih umetnosti v Dunaju 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) avtorja Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Ermitaž 25Self-Portrait (1776) avtorja Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch avtorja Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute avtorja Anna Dorothea TherbuschWoman playing a lute 28Friedrich II avtorja Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor avtorja Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope avtorja Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee avtorja Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. avtorja Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist avtorja Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria avtorja Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz avtorja Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) avtorja Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Neues Palais

Slavna platna umetnika Anna Dorothea Therbusch, razdeljena po obdobjih

Motivi, ki so očarali Anna Dorothea Therbusch

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Anna Dorothea Therbusch

8 muzejev, ki vsebujo največ slik na tej strani.

Muzeji Mesto Sloga Anna Dorothea Therbusch Slike iz tega seznama
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Narodni muzej v Varšavi, VaršavaNarodni muzej v Varšavi Varšava 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 A Scientist Seated at a Desk by Candlelight
Statens Museum For Kunst, KopenhagenStatens Museum For Kunst Kopenhagen 1 Self Portrait
Herzog Anton Ulrich Museum, BrunswickHerzog Anton Ulrich Museum Brunswick 1 Self-portrait

Anna Dorothea Therbusch skozi desetetja: vsak unikatni original za vsako obdobje

Slikorstva po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Slike umetnika Anna Dorothea Therbusch: vprašanja za galerijo

Katero je najbolj znano delo umetnika Anna Dorothea Therbusch?Razkriti odgovor

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bavarske državne slikopisne zbirke, München. Zatem sledeta Portrait of Prince Augustus Ferdinand of Prussia (1773) in A Scientist Seated at a Desk by Candlelight (1767).

Pri kateri dobe je Anna Dorothea Therbusch ustvaril Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit?Razkriti odgovor

42 let: delo Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit iz leta 1763, Anna Dorothea Therbusch pa je bil/a rojen/a leta 1721.

Katera desetina slik avtorja Anna Dorothea Therbusch je najbolj znana?Razkriti odgovor

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben in Portrait of Amalie Princess of Prussia (1723-1787). Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko je znanih del avtorja Anna Dorothea Therbusch?Razkriti odgovor

Naš katalog vsebuje 37 del avtorja Anna Dorothea Therbusch, datiranih od 1740 do 1782.

Kje si lahko ogledate najslavnejše originale umetnika Anna Dorothea Therbusch?Razkriti odgovor

Večini v Gemäldegalerie (Berlin), Ermitaž (Sankt Peterburg) in Alte Nationalgalerie (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerem obdobju je Anna Dorothea Therbusch ustvaril svoja najbolj znana dela?Razkriti odgovor

V obdobju 1770s: 15 od 36 del na tej strani je bilo izdelovanih takrat, med njimi pa Portrait of Prince Augustus Ferdinand of Prussia.

Katero znano sliko je naslikal Anna Dorothea Therbusch najprej in katero najpozdneje?Razkriti odgovor

Na tej strani je najstarejše delo iz Self Portrait (1740) in najstarejše iz Self-Portrait (1782).

Katere teme je Anna Dorothea Therbusch najprej ravnate?Razkriti odgovor

Woman (13), Man (12) in Lace (7), na 36 delih na tej strani.

S katerimi materiali je Anna Dorothea Therbusch najpogosteje slikal?Razkriti odgovor

Oil On Canvas, za 21 od 36 del na tej strani.

Kateri umetniški slog predstavlja delo umetnika Anna Dorothea Therbusch?Razkriti odgovor

Rococo, glede na originala na tej strani.

Katere originale Anna Dorothea Therbusch lahko vidim v muzeju Gemäldegalerie?Razkriti odgovor

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man in Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: v muzeju Gemäldegalerie, Berlin se nahaja 5 del z te strani.

Anna Dorothea Therbusch: portret umetnika

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.