Portret Olof Johan Södermark

11 najbolj znanih slik umetnika Olof Johan Södermark, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 11 del v našem katalogu avtorja Olof Johan Södermark

Kratek opis

Med vsemi originali, ki jih je pustil Olof Johan Södermark, je najbolj znan Peder Anker (1830), ki se nahaja v kolekciji Bogstad, Oslo. Takoj za njima sta The German Artist Franz Riepenhausen (1828) in Presumed Self Portrait (1827). Naš katalog vsebuje 11 del umetnika Olof Johan Södermark; galerija je ohranila 11 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1790 – 1848, Landskrona Parish Največ del: Nationalmuseum

10 najboljših slik umetnika Olof Johan Södermark: izbira galerije

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Portrait of Signora Vincensa avtorja Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Izbor umetnika Olof Johan Södermark se nadaljuje, od 11 do 11

Motivi, ki so očarali Olof Johan Södermark

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Olof Johan Södermark

3 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Olof Johan Södermark Slike iz tega seznama
Nationalmuseum, StockholmNationalmuseum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Olof Johan Södermark

Za katero delo je Olof Johan Södermark najbolj znan/a?Razkriti odgovor

Peder Anker (1830), Bogstad, Oslo. Zatem sledeta The German Artist Franz Riepenhausen (1828) in Presumed Self Portrait (1827).

Koliko je bil Olof Johan Södermark let, ko je nastalo delo Peder Anker?Razkriti odgovor

40 let: delo Peder Anker iz leta 1830, Olof Johan Södermark pa je bil/a rojen/a leta 1790.

Katera je deset najbolj znanih slik umetnika Olof Johan Södermark?Razkriti odgovor

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model in Portrait of Signora Vincensa. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Olof Johan Södermark?Razkriti odgovor

Naš katalog vsebuje 11 del avtorja Olof Johan Södermark, datiranih od 1827 do 1845.

V katerih muzejih so razložena remek dela umetnika Olof Johan Södermark?Razkriti odgovor

Večini v Nationalmuseum (Stockholm), Bogstad (Oslo) in National Portrait Gallery of Sweden (Strängnäs). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Olof Johan Södermark naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1830s: 4 od 11 del na tej strani je bilo izdelovanih takrat, med njimi pa Peder Anker.

Kakšna sta prva in zadnja znana originala umetnika Olof Johan Södermark?Razkriti odgovor

Na tej strani je najstarejše delo iz Presumed Self Portrait (1827) in najstarejše iz Grazia, Roman Model (1845).

Katera dela umetnika Olof Johan Södermark so razstavljena v muzeju Nationalmuseum?Razkriti odgovor

The German Artist Franz Riepenhausen, Presumed Self Portrait in Regina. Roman Girl with Choral Necklace and Earrings: v muzeju Nationalmuseum, Stockholm se nahaja 8 del z te strani.

Olof Johan Södermark: življenje in delo

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.