Portret Martin Schaffner

36 najbolj znanih slik umetnika Martin Schaffner, galerijska izbira

Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 36 del v našem katalogu avtorja Martin Schaffner

Kratek opis

Med vsemi originali, ki jih je pustil Martin Schaffner, je najbolj znan Eitel Hans I. Besserer von Schnürpflingen (1529), ki se nahaja v kolekciji Bavarske državne slikopisne zbirke, München. Takoj za njima sta Portrait of a Man with Rosary (1521) in Wolfgang I. Count of Oettingen (1508). Naš katalog vsebuje 36 del umetnika Martin Schaffner; galerija je ohranila 36 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.

1478 – 1548, Ulm Največ del: Bavarske državne slikopisne zbirke

10 najboljših slik umetnika Martin Schaffner: izbira galerije

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Eitel Hans I. Besserer von Schnürpflingen (1529) avtorja Martin Schaffner

Eitel Hans I. Besserer von Schnürpflingen

1529 · Oil On Panel · Bavarske državne slikopisne zbirke, München

A man sits in the quiet weight of 1529. He is Eitel Hans I. Besserer von Schnürpflingen, captured in a moment of stillness that feels heavy with the gravity of his station. The light enters from the upper left, a soft, directional glow that carves the contours of a face marked by experience. His gaze is directed toward the right, looking past the viewer into an unseen space. He wears…

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Portrait of a Man with Rosary (1521) avtorja Martin Schaffner

Portrait of a Man with Rosary

1521 · Oil On Panel · Kunsthistorisches Museum, Dunaj

The portrait presents a middle-aged man in a three-quarter view, positioned from the waist up against a solid, deep teal-blue background. He wears a red beret and a central red doublet, partially covered by a black cloak lined with fur. His sleeves exhibit a patterned design in shades of grey and white. The man's hands are positioned to hold a red rosary, which hangs against his clothing. Light enters from…

Izbor umetnika Martin Schaffner se nadaljuje, od 11 do 36

11First Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo (1515) avtorja Martin SchaffnerFirst Wettenhausen Altar: Christ before Pilate Reverse: Christ in Limbo1515 · Bavarske državne slikopisne zbirke 12Departure of Christ from Mary (1507) avtorja Martin SchaffnerDeparture of Christ from Mary1507 · Bavarske državne slikopisne zbirke 13Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4 (1517) avtorja Martin SchaffnerSaint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 41517 · Staatliche Kunsthalle Karlsruhe 14The Temptation of St. Anthony by Demons, Salemer Altar Panel 2 (1517) avtorja Martin SchaffnerThe Temptation of St. Anthony by Demons, Salemer Altar Panel 21517 · Staatliche Kunsthalle Karlsruhe 15Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1 (1517) avtorja Martin SchaffnerSaint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 11517 · Staatliche Kunsthalle Karlsruhe 16Saints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon) (1518) avtorja Martin SchaffnerSaints Peter and Paul with the Sudarium of Saint Veronica (Vera Icon)1518 · Staatliche Kunsthalle Karlsruhe 17Saint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 3 (1517) avtorja Martin SchaffnerSaint Anthony, Tempted by Three Devils in Female Form, Salem Altar Panel 31517 · Staatliche Kunsthalle Karlsruhe 18Plague Altarpiece: Angry God the Father and Virgin Mary (1514) avtorja Martin SchaffnerPlague Altarpiece: Angry God the Father and Virgin Mary1514 · Bavarske državne slikopisne zbirke 19Plague Altarpiece: Christ with Saints Roch and Sebastian (1514) avtorja Martin SchaffnerPlague Altarpiece: Christ with Saints Roch and Sebastian1514 · Bavarske državne slikopisne zbirke 20Wettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds (1523) avtorja Martin SchaffnerWettenhauser High Altar: Presentation in the Temple Reverse: formerly Relief with Adoration of the Shepherds1523 · Bavarske državne slikopisne zbirke 21Wettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half) (1523) avtorja Martin SchaffnerWettenhauser High Altar: Annunciation to Mary Reverse: Farewell of Christ (left half)1523 · Bavarske državne slikopisne zbirke 22Battle of Saint George with the Dragon (1532) avtorja Martin SchaffnerBattle of Saint George with the Dragon1532 · Bavarske državne slikopisne zbirke 23Wettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber (1523) avtorja Martin SchaffnerWettenhauser High Altar: Death of Mary Reverse: Farewell of Christ (right half) with Donor Ulrich Hieber1523 · Bavarske državne slikopisne zbirke 24Wettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi (1523) avtorja Martin SchaffnerWettenhauser High Altar: Descent of the Holy Spirit Reverse Side: formerly Relief with Adoration of the Magi1523 · Bavarske državne slikopisne zbirke 25male portrait (1524) avtorja Martin Schaffnermale portrait1524 26Painted tabletop for Erasmus Stedelin (detail) (1533) avtorja Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 27Painted tabletop for Erasmus Stedelin (detail) (1533) avtorja Martin SchaffnerPainted tabletop for Erasmus Stedelin (detail)1533 · Staatliche Museen 28Anweiler epitaph avtorja Martin SchaffnerAnweiler epitaph 29The Adoration of the Magi avtorja Martin SchaffnerThe Adoration of the MagiBavarske državne slikopisne zbirke 30Adoration of the Magi avtorja Martin SchaffnerAdoration of the Magi 31Bildnis des Eitel Besserer Martin Schaffner avtorja Martin SchaffnerBildnis des Eitel Besserer Martin Schaffner 32The Adoration of the Magi. avtorja Martin SchaffnerThe Adoration of the Magi.Narodni muzej v Varšavi 33Painted tabletop for Erasmus Stedelin, detail woman with musical instruments avtorja Martin SchaffnerPainted tabletop for Erasmus Stedelin, detail woman with musical instruments 34Drachenkampf des Hl. Georg avtorja Martin SchaffnerDrachenkampf des Hl. Georg 35Farewell Christ from his mother avtorja Martin SchaffnerFarewell Christ from his mother 36Painted tabletop for Erasmus Stedelin (1533) avtorja Martin SchaffnerPainted tabletop for Erasmus Stedelin1533 · Staatliche Museen

Motivi, ki so očarali Martin Schaffner

Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.

Muzeji, ki hranijo originala umetnika Martin Schaffner

5 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Martin Schaffner Slike iz tega seznama
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 19 Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ
Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 Saint Anthony, Tempted by the Devil in the Form of a Woman, Salem Altar Panel 4, The Temptation of St. Anthony by Demons, Salemer Altar Panel 2, Saint Anthony, Praying Before the Deceased St. Paul, Salem Altar Panel 1
Staatliche Museen, KasselStaatliche Museen Kassel 3 Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin (detail), Painted tabletop for Erasmus Stedelin
Kunsthistorisches Museum, DunajKunsthistorisches Museum Dunaj 1 Portrait of a Man with Rosary
Narodni muzej v Varšavi, VaršavaNarodni muzej v Varšavi Varšava 1 The Adoration of the Magi.

Martin Schaffner desetletje za desetletjem: originali, ki definira vsako od njih

Delo po desetletjih

Izberite desetletje, da si ogledate original, ki ga opredeljuje.

Vprašanja zbirateljev o slikah umetnika Martin Schaffner

Za katero delo je Martin Schaffner najbolj znan/a?Razkriti odgovor

Eitel Hans I. Besserer von Schnürpflingen (1529), Bavarske državne slikopisne zbirke, München. Zatem sledeta Portrait of a Man with Rosary (1521) in Wolfgang I. Count of Oettingen (1508).

Koliko je bil Martin Schaffner let, ko je nastalo delo Eitel Hans I. Besserer von Schnürpflingen?Razkriti odgovor

51 let: delo Eitel Hans I. Besserer von Schnürpflingen iz leta 1529, Martin Schaffner pa je bil/a rojen/a leta 1478.

Katera je deset najbolj znanih slik umetnika Martin Schaffner?Razkriti odgovor

Eitel Hans I. Besserer von Schnürpflingen, Portrait of a Man with Rosary, Wolfgang I. Count of Oettingen, First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ, First Wettenhausen Altar: Capture of Christ Reverse: Christ before Pilate, First Wettenhausen Altar: Washing of the Feet of Christ Reverse: not preserved, First Wettenhausen Altar: Departure of Christ Reverse Side: Scourging of Christ, First Wettenhausen Altar: Entry of Christ into Jerusalem Reverse: Crowning with Thorns of Christ, First Wettenhausen Altar: Christ before Caiaphas Reverse: Resurrection of Christ in First Wettenhausen Altar: Denial of Peter and Mockery of Christ Reverse: not preserved. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.

Koliko slik je pustil Martin Schaffner?Razkriti odgovor

Naš katalog vsebuje 36 del avtorja Martin Schaffner, datiranih od 1507 do 1533.

V katerih muzejih so razložena remek dela umetnika Martin Schaffner?Razkriti odgovor

Večini v Bavarske državne slikopisne zbirke (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) in Staatliche Museen (Kassel). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.

V katerih letih je Martin Schaffner naslikal svoja najbolj znana dela?Razkriti odgovor

V obdobju 1510s: 15 od 36 del na tej strani je bilo izdelovanih takrat, med njimi pa First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ.

Kakšna sta prva in zadnja znana originala umetnika Martin Schaffner?Razkriti odgovor

Na tej strani je najstarejše delo iz Departure of Christ from Mary (1507) in najstarejše iz Painted tabletop for Erasmus Stedelin (detail) (1533).

Katere teme je Martin Schaffner najpogosteje izbiral?Razkriti odgovor

Man (3), Dark background (2) in Religious (2), na 36 delih na tej strani.

Katero tehniko je Martin Schaffner najpogosteje uporabljal?Razkriti odgovor

Oil On Panel, za 3 od 36 del na tej strani.

Katera dela umetnika Martin Schaffner so razstavljena v muzeju Bavarske državne slikopisne zbirke?Razkriti odgovor

Eitel Hans I. Besserer von Schnürpflingen, Wolfgang I. Count of Oettingen in First Wettenhausen Altar: The Last Supper Reverse Side: Carrying of the Cross of Christ: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 19 del z te strani.

Martin Schaffner: življenje in delo

Martin Schaffner: A Master of Detail in the Dawn of the Renaissance

Born in Ulm, Germany, around 1478, Martin Schaffner emerged as a significant figure within the burgeoning artistic landscape of the mid-15th century. While details surrounding his early life remain somewhat sparse – he was a man who largely worked behind the scenes, often serving as an assistant to more prominent masters – his output speaks volumes about his skill and dedication. Schaffner’s career unfolded primarily in Ulm, where he established himself as a respected painter and medallist, contributing significantly to the religious art that dominated the era. He wasn't a flamboyant innovator; rather, he was a meticulous craftsman, a master of detail who honed his abilities through diligent apprenticeship and a deep understanding of established artistic conventions.

Schaffner’s early training is believed to have been under Jörg Stocker, a renowned painter in Ulm. This association provided him with a solid foundation in the techniques of oil painting and fresco, crucial skills for creating the intricate scenes that would become his hallmark. However, it was through his work alongside other masters – particularly as an assistant – that he truly developed his distinctive style: one characterized by remarkable precision, vibrant colors, and a profound sense of realism. He wasn’t interested in grand gestures or revolutionary approaches; instead, he focused on faithfully rendering the subjects before him with painstaking accuracy.

Biblical Narratives and Tabletop Masterpieces

Schaffner's artistic output primarily revolved around religious themes, reflecting the prevailing devotional climate of the time. He frequently produced altarpieces – large-scale paintings intended for church interiors – depicting scenes from the Bible. These works are notable for their detailed depictions of figures, architectural settings, and symbolic elements. The “Adoration of the Magi,” a particularly striking example, showcases his mastery of perspective and color theory, creating a richly layered scene brimming with biblical significance. The painting exemplifies Early Netherlandish style, characterized by its meticulous detail and use of symbolism to convey theological messages.

Beyond altarpieces, Schaffner also excelled in producing smaller-scale works, often commissioned for private patrons. These included portraits – typically of wealthy merchants or members of the clergy – and intricately decorated tabletop scenes. The “Painted tabletop for Erasmus Stedelin” is a testament to his skill in creating miniature worlds within panels, depicting biblical narratives and allegorical figures with astonishing detail. These tabletop compositions were not merely decorative; they served as visual sermons, educating viewers on religious teachings through carefully arranged imagery.

Technique and Influences

Schaffner’s technique was rooted in the traditions of Northern European painting, particularly those practiced by artists working in Germany and the Netherlands. He employed oil paints with a remarkable degree of control, layering thin glazes to achieve luminous colors and subtle gradations of tone. His meticulous attention to detail is evident in every brushstroke, from the folds of clothing to the texture of fabrics. While he didn’t radically depart from established conventions, Schaffner demonstrated an exceptional ability to execute these techniques with unparalleled precision.

It's believed that his work was influenced by artists like Stefan Lochner and Hans Memling, both masters of detail and religious illustration. However, Schaffner developed a unique style characterized by a quiet solemnity and a focus on the human figure. He avoided dramatic compositions or overly expressive gestures, instead prioritizing clarity and accuracy in his depictions.

Legacy and Historical Significance

Martin Schaffner’s contribution to 15th-century art is often overshadowed by more flamboyant figures of the era, but his work holds considerable historical significance. He represents a crucial link between the Gothic and Renaissance periods, embodying the meticulous craftsmanship that characterized Northern European painting during this transitional time. His altarpieces and tabletop scenes provide valuable insights into the religious beliefs and artistic practices of the period.

Schaffner’s legacy lies not in groundbreaking innovations but in his unwavering commitment to excellence. He was a master of his craft, a diligent artist who dedicated his life to faithfully rendering the world around him with remarkable skill and precision. His work continues to be studied by art historians today as a testament to the enduring power of detail and the importance of craftsmanship in the creation of great art.