Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 35 del v našem katalogu avtorja Lucien Simon
Kratek opis
Za oči galerije je najbolj znano sliko umetnika Lucien Simon delo On a Visit, Begging Sisters (1902), katere original visi v muzeju Petit Palais, Pariz. The Friends (1899) in Cirque forain, Finistère (1900) dopolnjujeta trijo, ki jo prepozna vsak pogled. Od 35 del avtorja Lucien Simon v našem katalogu galerija spodaj predstavlja 32 najbolj znanih; vsako je original z letom nastanka, pripadajočim mu muzejem in opisom tistega, kar ga dela edinstavnim.
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting depicts a circus scene set within a circular ring, viewed from the perspective of an observer situated within a darkened crowd. In the upper right quadrant, a female performer in a white tutu and pink tights is captured mid-motion, leaping or dancing while holding French tricolor flags. Below this central figure, the spectators are rendered as shadowed forms, their faces and bodies suggested through loose, expressive brushstrokes.…
In Jour d'été, portrait de mes enfants, Lucien Simon invites us into a quiet, sunlit interior where three children are positioned in a balanced triangular formation. This arrangement spans the foreground and middle ground, grounding the subjects within the airy space. A large open window serves as the primary source of light and depth, revealing a coastal landscape that extends toward a distant horizon. Through this aperture, the receding view…
In the Impressionist oil painting Bathers by Lucien Simon, a group of women is positioned at the edge of a body of water. The figures are shown in various states of undress, some engaged in the act of bathing while others prepare to enter the water. These women are situated near a large, dark cliff or rock formation that anchors the right side of the composition. The landscape consists of…
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
A group of figures gathers in a coastal village, their forms anchored against a heavy, overcast sky. The air feels thick, saturated with the moisture of the Atlantic. In the foreground, the people move with a quiet, stoic rhythm, their silhouettes defined by thick, textured brushstrokes that suggest the coarse fabric of their traditional attire. Earthy tones of ochre and muted brown settle over the scene, interrupted only by small,…
The oil painting titled Nausicaa presents a wide, horizontal scene set against a rugged, mountainous landscape. In the foreground and middle ground, a group of women are positioned near a body of water, such as a river or a coastline. The figures are distributed across the composition, creating a rhythmic movement through the space. Some women stand upon the rocky terrain, while others are situated within the water. The color…
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
Flower Volcano2004 · Royal Free Hospital
12
Wrestlers in Brittany1898 · Museum of Fine Arts Ghent (MSK)
13
Returning from Mass in PenmarchFinnish National Gallery
14
Talking in the TwilightNationalmuseum
15
The Fair
16
Le goûter1906
17
Intimité1944 · Musée des Beaux-Arts de Quimper
18
The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h1913 · Musée des Beaux-Arts de Quimper
19
Staging Post1913
20
The Fairground Parade1919 · Musée des Beaux-Arts de Quimper
21
After the War1919
22
Cheval effrayé1931
23
Quai de Kérity1938 · Musée d'Orsay
24
Bigoudènes devant les tréteaux1940 · Musée des Beaux-Arts de Quimper
25
In the Breton Countryside1945
26
Abstract Design2005 · Edgware Community Hospital
27
Red Abstract2004 · Royal Free Hospital
28
Departure of the Leave-Takers of the Great War at the Gare de Pont-l'Abbé
29
A Gust of WindPushkin State Museum
30
A Parisian Funeral
31
Strata2004 · Royal Free Hospital
32
Famille bigoudène en deuil1910 · Musée des Beaux-Arts de Quimper
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Lucien Simon | Slike iz tega seznama |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
Quimper | 5 | Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h, The Fairground Parade |
 Petit Palais |
Pariz | 3 | On a Visit, Begging Sisters, The Friends, Nausicaa |
 Musée d'Orsay |
Pariz | 3 | Jour d'été, portrait de mes enfants, The Communicants, Quai de Kérity |
 Royal Free Hospital |
London | 3 | Flower Volcano, Red Abstract, Strata |
 Narodni muzej za umetnost, arhitekturo in dizajn |
Oslo | 1 | Cirque forain, Finistère |
 National Museum of Fine Arts |
Buenos Aires | 1 | Bathers |
 Ermitaž |
Sankt Peterburg | 1 | Bretons |
 Musée d'Unterlinden |
Colmar | 1 | Le quai d'Audierne |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
In the quiet corners of art history, certain works possess the unique ability to halt time, inviting the viewer into a sanctuary of stillness. Lucien Simon’s 1944 masterpiece, Intimité, is precisely such a work. This evocative portrait captures a profound moment of connection between two figures, seated amidst an abundance of floral arrangements that seem to breathe alongside them. The painting does not merely depict a room; it constructs an…
On a Visit, Begging Sisters (1902), Petit Palais, Pariz. Zatem sledeta The Friends (1899) in Cirque forain, Finistère (1900).
41 let: delo On a Visit, Begging Sisters iz leta 1902, Lucien Simon pa je bil/a rojen/a leta 1861.
On a Visit, Begging Sisters, The Friends, Cirque forain, Finistère, Jour d'été, portrait de mes enfants, Bathers, The Communicants, Bretons, Nausicaa, Le quai d'Audierne in Sardine Fishery in Penmarc'h. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 35 del avtorja Lucien Simon, datiranih od 1898 do 1945.
Večini v Musée des Beaux-Arts de Quimper (Quimper), Petit Palais (Pariz) in Musée d'Orsay (Pariz). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1910s: 7 od 32 del na tej strani je bilo izdelovanih takrat, med njimi pa The Communicants.
Na tej strani je najstarejše delo iz Wrestlers in Brittany (1898) in najstarejše iz In the Breton Countryside (1945).
People (6), Water (4) in Sky (4), na 32 delih na tej strani.
Oil, za 6 od 32 del na tej strani.
Impressionism, glede na originala na tej strani.
Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h in The Fairground Parade: v muzeju Musée des Beaux-Arts de Quimper, Quimper se nahaja 5 del z te strani.
