Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 205 del v našem katalogu avtorja Laurits Andersen Ring
Kratek opis
The wife of the old tailor. (1878) je slika umetnika Laurits Andersen Ring, ki pritegne največ pogledov. Nato se pogled smeri k The old tailor. (1878) in Follow Along. From Dosseringen in København. (1884). Med 205 dela umetnika Laurits Andersen Ring v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
The wife of the old tailor. by Laurits Andersen Ring is a somber and intimate oil portrait of a woman, executed about 1878. The composition is a close-up bust portrait where the subject is positioned slightly off-center. She is oriented toward the viewer's left, her gaze directed away from the center of the frame. The subject's expression appears pensive or weary, contributing to the quiet, domestic realism of the scene.
In "The old tailor." by Laurits Andersen Ring, a quiet, somber atmosphere settles over the scene. This close-up bust portrait captures a young man positioned slightly off-center, his gaze directed toward the viewer's left. He exists within a space defined by deep, dark tones, where blacks and dark greens dominate the surroundings. The composition feels intimate and heavy, pulling the viewer into a private, moody moment of introspection.
Follow Along. From Dosseringen in København. was painted by Laurits Andersen Ring. The artist was born in 1854 in the village of Ring, Denmark.
In this oil painting, Christmas visit, Laurits Andersen Ring invites us into a quiet, domestic moment. Created about 1882, the work captures a scene of stillness within a dimly lit, rustic interior. The atmosphere is one of hushed intimacy, focusing on the unvarnished reality of a private gathering. It is a study of presence and the weight of shared time.
In "Country interior" by Laurits Andersen Ring, a somber and quiet atmosphere settles over a domestic scene from about 1880. A large wooden table dominates the foreground, its heavy presence anchoring the space. This table creates a strong diagonal line that pulls the eye through the room toward the background. There, a seated figure rests in the shadows, quietly engaged in the rhythmic motion of needlework or knitting. The perspective…
Workers at a water pipe at Søndersø is an oil painting by the Danish artist Laurits Andersen Ring. The work dates to about 1885. The artist was born in Ring, Denmark, in 1854 and remained active until his death in 1933. His background was rooted in the rural traditions of his upbringing, as he was the son of a wheelmaker and a farmer's daughter.
A boy and a girl eating supper is an oil painting by the Danish artist Laurits Andersen Ring, executed about 1884. The work captures a quiet, domestic moment between two young children seated at a wooden table during a meal. Through this intimate arrangement, the artist explores themes of poverty, resilience, and the fundamental nature of familial connection.
In Et besøg i et skomagerværksted, Laurits Andersen Ring captures a quiet moment of conversation within a dimly lit interior. The scene, likely a shoemaker's workshop, is anchored by a small wooden table. A single glowing oil lamp sits at the center of the composition. This small flame dictates the entire world of the painting, casting a strong chiaroscuro effect that carves shapes out of the darkness. Deep shadows swallow…
In Drain Diggers, Laurits Andersen Ring presents a quiet, unvarnished moment of manual labor within a rural landscape. Painted about 1885, this realist oil painting captures two men engaged in the physical toil of working on a drainage system. One man stands at the edge of a trench, looking down into the earth, while the other is partially submerged within the excavation. There is a certain stillness to their labor,…
In Interior from a shoemaker's home. A man is reading the paper Socialdemokraten for two others., Laurits Andersen Ring captures a quiet, intimate scene within a modest room. Three men are gathered around a wooden table, their interaction forming the central focus of a medium shot. One man holds a newspaper, while another holds a pipe, suggesting a moment of shared reading or quiet discussion. The arrangement of the figures…
Interior with a man reading and a woman writing.1884
12
Interior from the village Ring1882
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Portrait of H. A. Brendekilde1882
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A boy showing a green pea to his grandmother1881
15
Time in a Village School. A Girl is up by the Chalkboard Beside the Teacher; four other Girls on the School Bench1886
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An Old Girl1888 · Ordrupgaard
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Harvest1886
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Skelet. Døden uden vinger1887
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Food distribution in Frederiksberg1887 · Sorø Art Museum
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Johanne Wilde at Her Loom1889
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Teglværksarbejdere. Ladby teglværk1892
22
Boy with a crossbow at the foot of a hill1890
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Smallholders in the village of Ring1887
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Mogenstrup Church1888 · Hirschsprung Collection
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Herman Kähler in his Workshop1890 · Randers Kunstmuseum
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A turner at his lathe1890
27
Footpath near Herlufsholm, Zealand1890 · Statens Museum For Kunst
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Evening. Death and the Old Woman1887 · Statens Museum For Kunst
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A boy sitting at the village pond.1887
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Young Woman Harvesting1889
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People leaving the church at Mogenstrup1889 · Fuglsang Art Museum
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The road through the village of Ring. Grey autumn day. A man is carrying a sack.1890
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From the grocer's stall in Mogenstrup inn.1889
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Road through a village with a man walking1887
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Portrait of a young woman in coat with fur collar and hat with veil1886
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Reclining nude1886
37
Foggy winter's day. Karrebæksminde1897 · Hirschsprung Collection
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Six portraits of potter Herman A. Kähler's children1898
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The Painter in the Village1897 · Statens Museum For Kunst
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Twilight. The Artist's Wife1898 · Statens Museum For Kunst
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Small-Holders. Zealand1898 · Statens Museum For Kunst
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The Artist's Wife by Lamplight1898 · Statens Museum For Kunst
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A Child Visiting his Grandparents on a Sunday1898 · Statens Museum For Kunst
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A Sunday morning at Karrebæksminde near the bridge.1898
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A boy doing his homework.1893
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The artist's wife Sigrid sewing in the lamplight. Karrebæksminde1898
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How are you, old friend1893
48
Visiting grandfather. Outside a house in Lille Næstved.1893
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Alone. Interior by lamplight with a man sitting in thought1899 · Ordrupgaard
50
“The Sower”. Frederiksværk1901
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The sick man1902 · Hirschsprung Collection
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Foggy winter day in Vinderø1901 · Fuglsang Art Museum
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Autumn weather. A man with a wheelbarrow on a path1903
54
In the Month of June1899 · Narodni muzej za umetnost, arhitekturo in dizajn
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Moder fortæller. Kunstnerens hustru og datter1901 · Statens Museum For Kunst
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A foggy morning. Boats on their way from Thurø to Svendborg, Denmark.1902
57
Snow landscape with the painter Aage Bertelsen at his work1905
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An organ grinder playing for the children of a village.1904
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The elderly couple have received a letter.1901
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Interior from Hanehoved Huse, a small fishing village in the parish of Melby1900
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Outside a farmhouse. Two women with a pram1906 · Ordrupgaard
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A short rest1908 · Niedersächsisches Landesmuseum
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The Sower1910 · Statens Museum For Kunst
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The Artist's Wife with the Family Caravan1911 · Statens Museum For Kunst
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Old thatched house.1910
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Interior with sewing woman1909
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Goldsmith Workshop1917 · Ordrupgaard
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Waiting for the Train. Level Crossing by Roskilde Highway1914 · Statens Museum For Kunst
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A son reading a letter to his mother.1913
70
Has it Stopped Raining?1922 · Statens Museum For Kunst
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At the Old House1919 · Nationalmuseum
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Ole Ring looks over Roskilde1925 · Ordrupgaard
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Parti fra Gasværkshavnen1882
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Winter scene1881 · Hirschsprung Collection
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Landscape, near Næstved. Evening light1880
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Two children walking along a road in the early spring.1885
77
A Stream Between Karrebæk Fjord and the Sea1890 · Ordrupgaard
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Along the rye field. Footpath with a grass-grown earthwork to the right, the rye field to the left. In the background a stile1887 · Randers Kunstmuseum
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Et halvtag ved keglebanen i Mogenstrup1888 · Ribe Kunstmuseum
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Road with Boy1887
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Raager på Pløjemarken1891 · Toledo Museum of Art
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Moor landscape from Jutland. Scene from Bryrup by Aarhus1888 · Niedersächsisches Landesmuseum
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Spring landscape with light green fields; small pond and to the right Mogenstrup1888
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Gleaners1887
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The Road at Mogenstrup, Zealand. Autumn1888 · Statens Museum For Kunst
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Gadekæret i Ring1890 · Statens Museum For Kunst
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A landscape near Bryrup, Jutland1888 · Statens Museum For Kunst
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Udsigt fra vinduet i Café Osborne op ad Frederiksberg Allé1889 · Statens Museum For Kunst
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A Rye Field near Ring Village1887 · Statens Museum For Kunst
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Harvest scene near the village of Ladby.1892
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From the garden of Lindegården in Horns Herred1890
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View from the beach in Hellebæk1889
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Road near Mogenstrup, Denmark.1889
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Rain. View from my window.1887
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Path Going past a Ripe Cornfield1886
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At the River's Mouth. Flower-covered Slope to the Right. On the Other Side of the River a Long Spit into the Fjord. Karrebæksminde1897
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Dansk sommerlandskap1895 · Narodni muzej za umetnost, arhitekturo in dizajn
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The Temple of Apollo, Pompeii1895 · Narodni muzej za umetnost, arhitekturo in dizajn
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Trunks of alders1893
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Lady at Karrebæksminde Beach, Zealand1898 · Statens Museum For Kunst
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Laurits Andersen Ring | Slike iz tega seznama |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 33 | Et besøg i et skomagerværksted, Drain Diggers, Footpath near Herlufsholm, Zealand |
 Ordrupgaard |
Gentofte | 16 | An Old Girl, Alone. Interior by lamplight with a man sitting in thought, Outside a farmhouse. Two women with a pram |
 Hirschsprung Collection |
Kopenhagen | 8 | Christmas visit, Country interior, Mogenstrup Church |
 Fuglsang Art Museum |
Guldborgsund | 4 | Workers at a water pipe at Søndersø, People leaving the church at Mogenstrup, Foggy winter day in Vinderø |
 Narodni muzej za umetnost, arhitekturo in dizajn |
Oslo | 4 | In the Month of June, Dansk sommerlandskap, The Temple of Apollo, Pompeii |
 Niedersächsisches Landesmuseum |
Hanover | 5 | A short rest, Moor landscape from Jutland. Scene from Bryrup by Aarhus |
 Randers Kunstmuseum |
Randers | 3 | Herman Kähler in his Workshop, Along the rye field. Footpath with a grass-grown earthwork to the right, the rye field to the left. In the background a stile |
 Nationalmuseum |
Stockholm | 5 | At the Old House |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The wife of the old tailor. by Laurits Andersen Ring is a somber and intimate oil portrait of a woman, executed about 1878. The composition is a close-up bust portrait where the subject is positioned slightly off-center. She is oriented toward the viewer's left, her gaze directed away from the center of the frame. The subject's expression appears pensive or weary, contributing to the quiet, domestic realism of the scene.
Follow Along. From Dosseringen in København. was painted by Laurits Andersen Ring. The artist was born in 1854 in the village of Ring, Denmark.
The scene unfolds in the heavy, sunlit air of a brickworks, captured in the work titled Teglværksarbejdere. Ladby teglværk. Created about 1892, this oil painting by Laurits Andersen Ring places the viewer directly into the rhythmic, physical reality of manual labor. The artist, Laurits Andersen Ring, turns his gaze toward the grit and the earth, focusing on the quiet, persistent dignity of those engaged in the taxing process of brickmaking.…
“The Sower”. Frederiksværk” by Laurits Andersen Ring, created about 1901, presents a realistic landscape depicting a rural agricultural scene under a vast, bright sky. The composition is dominated by a diagonal line formed by a freshly plowed field, which leads the viewer's eye from the foreground right toward the background left. In the foreground, a man is captured in profile walking toward the left. He is the sower, shown scattering…
Laurits Andersen Ring produced The Sower about 1910. The work centers on the dignity and hardship inherent in peasant life, capturing a solitary moment of agricultural labor. Through the figure of the sower, the painting utilizes the act of sowing as a symbol of the cycle of life and the necessity of survival.
An elderly man stands framed within the dark geometry of a doorway, his silhouette a heavy presence against the interior gloom. He leans slightly, peering out from the sheltered porch into a garden that feels damp and heavy with the scent of recent rain. His hands hold a closed umbrella, a silent companion in this moment of stillness. The world outside is a study in desaturated tones—muted greens, weathered teals,…
The wife of the old tailor. (1878). Zatem sledeta The old tailor. (1878) in Follow Along. From Dosseringen in København. (1884).
24 let: delo The wife of the old tailor. iz leta 1878, Laurits Andersen Ring pa je bil/a rojen/a leta 1854.
The wife of the old tailor., The old tailor., Follow Along. From Dosseringen in København., Christmas visit, Country interior, Workers at a water pipe at Søndersø, A boy and a girl eating supper, Et besøg i et skomagerværksted, Drain Diggers in Interior from a shoemaker's home. A man is reading the paper Socialdemokraten for two others.. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 205 del avtorja Laurits Andersen Ring, datiranih od 1878 do 1925.
Večini v Statens Museum For Kunst (Kopenhagen), Ordrupgaard (Gentofte) in Hirschsprung Collection (Kopenhagen). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 46 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Follow Along. From Dosseringen in København..
Na tej strani je najstarejše delo iz The wife of the old tailor. (1878) in najstarejše iz Ole Ring looks over Roskilde (1925).
Woman (28), Man (28) in Table (16), na 100 delih na tej strani.
Oil On Canvas, za 42 od 100 del na tej strani.
Et besøg i et skomagerværksted, Drain Diggers in Footpath near Herlufsholm, Zealand: v muzeju Statens Museum For Kunst, Kopenhagen se nahaja 20 del z te strani.
The history of Scandinavian art finds one of its most profound and poignant voices in Laurits Andersen Ring. Born on August 15th, 1854, in the quiet village of Ring near southern Zealand, his very name carries the essence of the soil from which he emerged. The son of a wheelmaker and a farmer's daughter, Ring’s early life was steeped in the rhythms of rural Denmark—a world defined by craftsmanship, seasonal shifts, and the unvarnished reality of peasant life. This intimate connection to the earth would later become the heartbeat of his work, allowing him to transcend mere landscape painting to capture the very spirit of a nation in transition.
Ring’s journey from an apprentice in his father's workshop to a titan of Danish modernism was marked by a restless, independent intellect. While he sought formal training at the Danish Academy of Arts in Copenhagen and studied under the renowned P.S. Krøyer, he famously recoiled from the suffocating constraints of academic dogma. He possessed an innate refusal to let classical discipline stifle his vision, preferring instead to explore the raw, emotive potential of light and shadow. This period of self-directed discovery allowed him to bridge the gap between two powerful movements: Social Realism and Symbolism.
To look upon a Ring masterpiece is to witness a delicate dance between the tangible and the ethereal. As a pioneer of Social Realism, he turned his gaze toward the marginalized, documenting the hardships, the toil, and the quiet dignity of the lower classes with an unflinching eye. His involvement in the political "Rifle Movement" during Denmark's turbulent era of the Council Presidency infused his canvases with a deep sense of empathy and social justice. He did not merely paint the poor; he painted their struggle, their resilience, and the heavy atmosphere of their existence.
Yet, within these realistic depictions, there lies a haunting Symbolist undertone. Ring had an uncanny ability to imbue a simple view of the Roskilde Fjord or a quiet summer day with a sense of profound mystery and existential weight. His landscapes often feel as though they are breathing, caught in a moment of spiritual suspension. Through subtle shifts in color and a masterful command of light, he transformed the familiar Danish countryside into a stage for the human psyche, where the boundary between the physical world and the internal emotional landscape becomes beautifully blurred.
The significance of L.A. Ring’s contribution to art cannot be overstated. His work was not merely a reflection of his time but a fundamental reshaping of the Danish cultural consciousness. His ability to weave together the political, the social, and the spiritual ensured that his paintings resonated far beyond the borders of Denmark. One of his most celebrated achievements, Summer Day by Roskilde Fjord, was rightfully included in the 2006 Danish Culture Canon, cementing his status as a master of the national identity.
Even today, Ring’s influence lingers in the way we perceive the relationship between humanity and nature. His legacy is defined by several key pillars:
When Laurits Andersen Ring passed away in 1933, he left behind more than just a collection of paintings; he left a visual vocabulary for the Danish soul. His works remain vital, evocative, and deeply moving, reminding every viewer that even in the most ordinary landscape, there exists a profound and sacred depth waiting to be discovered.
