Posodobljeno oktober 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 214 del v našem katalogu avtorja John Linnell
Kratek opis
Med vsemi originali, ki jih je pustil John Linnell, je najbolj znan Mrs Clare (1834), ki se nahaja v kolekciji Art Gallery of South Australia, Adelaide. Takoj za njima sta William Collins, R.A. (1831) in Miss Jane Puxley (1826). Naš katalog vsebuje 214 del umetnika John Linnell; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
In this 1831 oil portrait, we encounter William Collins, R.A., presented in a manner that emphasizes his professional standing and personal gravity. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the left of the frame. There is a profound sense of stillness here. The lighting is handled with a deliberate chiaroscuro effect, where a soft light falls across his pale skin and light…
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
We are looking at Shepherd Boy Playing a Flute, a work painted by John Linnell in 1831. This piece captures a quiet moment in the life of a young shepherd boy as he plays a fipple flute. It is a delicate study of rural existence, rendered with a focus on the simplicity of the subject's task.
In this intimate portrait, titled Mr Clare, the artist John Linnell captures a quiet moment of introspection. Painted in London in 1834, the work presents a dignified subject through a focused, bust-length composition. The sitter gazes directly forward, his expression composed and steady, creating a sense of immediate presence between the subject and the viewer.
A Member of the Puxley Family is a portrait by John Linnell. Painted in 1826, the oil on canvas captures Jane Susanna Puxley, who lived from 1809 to 1829. She was the daughter of John Lavallin Puxley, a copper magnate from Dunboy Castle, County Cork, Ireland. The commission was requested by her father to preserve her likeness.
A Woman, Probably Lydia Price (née Rose)1835 · Yale Center for British Art
12
Sir Robert Peel (1788–1850), 2nd Bt, Prime Minister1838
13
The Reverend Edward Thomas Daniell (1804–1842)1840
14
The Fishing Party1851 · Auckland Art Gallery Toi o Tāmaki
15
Wheat1860 · Narodna galerija Viktorije
16
Mr Hooper, Confectioner of Holborn1837 · Temple Newsam House
17
Wayfarers
18
John Varley1830 · Muzej umetnosti in arheologije Ashmolean
19
Harvest Home, Sunset - The Last Load
20
Sun behind Clouds
21
In Dovedale1814 · Yale Center for British Art
22
In Dovedale1814 · Yale Center for British Art
23
Study of a Tree ('Study from Nature')1806
24
Study from Nature At Twickenham1806
25
Evening, Bayswater1818 · Yale Center for British Art
26
Evening, Storm Clearing Off1818 · Minneapolis Institute of Art
27
Richard Trevithick (1771–1833)1816
28
The Rest on the Flight into Egypt1827 · Yale Center for British Art
29
Noon1839 · Yale University Art Gallery
30
Sheep Grazing1835 · Yale Center for British Art
31
Lady King1832
32
Charles Norris (1779–1858)1837
33
Peter King, 7th Baron King of Ockham1832 · National Portrait Gallery
34
Abraham Entertaineth Three Angels1846 · Narodna galerija Kanade
35
Katherine Georgina Fonnereau1846
36
Thomas Carlyle (1795–1881), Historian and Essayist1844 · Scottish National Portrait Gallery
37
The Rise of the River. Around 18571850
38
Harvest Home, Sunset The Last Load1853
39
The Prophet Balaam and the Angel1859 · Museum of Fine Arts
40
A Finished Study for 'Reaping'1858 · Yale Center for British Art
41
A River Landscape, Sunset1860 · Yale Center for British Art
42
Contemplation1864
43
Gethsemane1849 · The Stirling Smith Art Gallery - Museum
44
At The Cottage Gate
45
Portrait of William Collins (1788-1847), ArtistNational Gallery of Ireland
46
Portrait of a LadyNational Gallery of Ireland
47
Unknown womanNationalmuseum
48
The CornfieldTe Whare O Rehua Sarjeant Gallery
49
The Timber Waggon
50
Driving The Flock
51
A Forest Road
52
View Of Southampton
53
Richard Trevithick
54
The Sandpits
55
Landscape
56
The Traveller's Rest
57
UntitledNational Portrait Gallery
58
Captain Holland Lecky
59
Landscape With Harvesters
60
Doctor Robert Walker
61
Samuel Rogers
62
Job Offering A Sacrifice On His Return To ProsperityFitzwilliam Museum
63
Katherine Georgina Fonnereau
64
Feeding The Chicks
65
John Leifchild (1780–1862)The Congregational Memorial Hall
66
Kensington Gravel Pits1849 · Harris Museum - Art Gallery
67
The Assumption of the Virgin1820 · Muzej umetnosti in arheologije Ashmolean
68
Sir Humphry Davy (1778–1829), znanstvenik (kopija po Sir Thomas Lawrence)1837 · Government Art Collection
69
Hanson Toot, View in DovedaleYale Center for British Art
70
Evening
71
Leading A Barge
72
Landscape With Sheep
73
A Cottage In A Wooded Landscape
74
A Surrey Lane
75
The Timber Wagon
76
Storm In Harvest
77
Windsor Forest
78
Boy Fishing
79
Woods And Forests
80
Study Of Buildings ('study From Nature')
81
James Mcmahon
82
Contemplation
83
Ploughing At Shoreham
84
Landscape In Surrey
85
Rocky Promontory
86
A Coast Scene
87
Sunset Over A Moorland LandscapeFitzwilliam Museum
88
Woody Landscape
89
On The Beach Near Cullercoats, Northumberland
90
Under The Hawthorn
91
Pointing Out The Way
92
Cornfield CradleYork Art Gallery
93
A View Of Hampstead Heath, London
94
Shoreham ValeFitzwilliam Museum
95
A Surrey Landscape
96
The Vale Of Dolwyddelan, As It Was
97
Summer Evening, Boys Bathing
98
Leith Hill, Surrey
99
The Bird's Nest
100
The Woodcutters
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga John Linnell | Slike iz tega seznama |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 17 | William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute |
 Fitzwilliam Museum |
7 | Job Offering A Sacrifice On His Return To Prosperity, Sunset Over A Moorland Landscape, Shoreham Vale | |
 National Portrait Gallery |
London | 4 | Peter King, 7th Baron King of Ockham, Untitled |
 Art Gallery of South Australia |
Adelaide | 2 | Mrs Clare, Mr Clare |
 Museum of Fine Arts |
Houston | 2 | John Gage, The Prophet Balaam and the Angel |
 Nationalmuseum |
Stockholm | 2 | Ung kvinna med gyllene gloria, Unknown woman |
 Muzej umetnosti in arheologije Ashmolean |
Oxford | 2 | John Varley, The Assumption of the Virgin |
 National Gallery of Ireland |
Dublin | 2 | Portrait of William Collins (1788-1847), Artist, Portrait of a Lady |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The oil on canvas titled Miss Jane Puxley is a portrait by the British painter John Linnell. It captures the likeness of Jane Susanna Puxley, who lived from 1809 to 1829. The work emerged in 1826, a year when the artist exhibited the piece at the Royal Academy. A quiet stillness settles over the subject, preserved in the pigment and the weave of the fabric.
An intimate bust-length portrait, rendered in oil on an oak panel, captures an elderly woman in a moment of stillness. The subject is positioned against a dark, indeterminate background, a choice that pushes her figure forward and focuses all attention on her character. Her attire consists of a heavy, textured bodice in deep brown tones, contrasted sharply by the luminous, translucent white of her lace cap and neckerchief. This interplay…
Mrs Clare (1834), Art Gallery of South Australia, Adelaide. Zatem sledeta William Collins, R.A. (1831) in Miss Jane Puxley (1826).
42 let: delo Mrs Clare iz leta 1834, John Linnell pa je bil/a rojen/a leta 1792.
Mrs Clare, William Collins, R.A., Miss Jane Puxley, Shepherd Boy Playing a Flute, Mr Clare, A Member of the Puxley Family, Lady Torrens and her Family, John Gage, Mr. Jacob Barring in Ung kvinna med gyllene gloria. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 214 del avtorja John Linnell, datiranih od 1806 do 1864.
Večini v Yale Center for British Art (New Haven), Fitzwilliam Museum in National Portrait Gallery (London). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1830s: 14 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Mrs Clare.
Na tej strani je najstarejše delo iz Study of a Tree ('Study from Nature') (1806) in najstarejše iz Contemplation (1864).
Portrait (8), Pastoral (7) in Victorian era (6), na 100 delih na tej strani.
Oil On Canvas, za 6 od 100 del na tej strani.
Romantic landscape painting, glede na originala na tej strani.
William Collins, R.A., Miss Jane Puxley in Shepherd Boy Playing a Flute: v muzeju Yale Center for British Art, New Haven se nahaja 14 del z te strani.
John Linnell (Bloomsbury, Združeno kraljestvo, 1959 – 1882) je bil britanski slikar, znan po svojih liričnih krajinah in intimnih portretih. Njegovo delo predstavlja fascinantno prepletanje tradicionalne britanske umetnosti z subtilnimi namigi na modernizem. Čeprav ni užival širokega priznanja med življenjem, je Linnell pustil trajen pečat v zgodovini britanskega slikarstva, njegov pristop pa je navdihnil številne poznejše generacije umetnikov.
Linnellovo umetniško potovanje se je začelo s strogim učenjem, ki je postavilo temelje za njegov prihodnji uspeh. Podrobnosti o njegovem zgodnjem izobraževanju so nekoliko nejasne, vendar je jasno, da je prejel trdno podlago v tradicionalnih tehnikah slikanja. Njegova zgodnja dela, čeprav niso bila široko priznana med njegovim življenjem, so že nakazovala mojstvo, ki ga bo kasneje dosegel. Pomembno vplivajoči umetniki na njegovo formiranje so bili Leonardo da Vinci in Vincent van Gogh, katerih dela je bilo mogoče najti tudi na platformah, kot je OriginalUniqueArt.com. Linnell se je zavedal pomena študija starih mojstrov in se trudil vključiti njihove tehnike in principe v svoje delo.
Linnellov slog je značilen s čudovitnim prepletom tradicionalne britanske umetnosti z subtilnimi namigi na modernizem. Kazal je izjaven smisel za detajle in sposobnost ujeti bistvo svojih motivov, ne glede na to, ali so bili krajine ali portreti. Njegova uporaba barve, teksture in kompozicije zaznamuje njegove slike. Posebno pozornost je posvečal svetlobi in atmosferi, ustvarjajoč subtilne in lirične prizore.
John Linnellov vpliv na britansko umetnost je nesporna. Njegov edinstven slog je navdihnil številne umetnike, njegova dela pa še danes praznujejo ljubitelji umetnosti po vsem svetu. Sposobno je kombiniral elemente romantike in neoklasicizma v svojem delu, kar kaže na globoko razumevanje umetniških tradicij, hkrati pa si je utrl lastno edinstveno pot. OriginalUniqueArt.com ponuja širok izbor njegovih slik, ki omogočajo dostop do njegovega dela tako izkušenim zbiralcem kot tistim, ki so šele začeli odkrivati svet likovne umetnosti.
Linnellov prispevek leži v njegovi sposobnosti prikazovanja vsakdanjega življenja – podeželskih prizorov, portretov pomembnih oseb – z realizmom, ki ga dopolnjuje umetniška občutljivost. Ujel je trenutke v času in jih ohranil na platnu za prihodnje generacije. Njegovo delo odraža družbeni in kulturni kontekst 19. stoletja v Veliki Britaniji ter ponuja dragocene vpoglede v življenje in vrednote tistega časa.
