Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 194 del v našem katalogu avtorja Hans Thoma
Kratek opis
Apollo and Marsyas (1888) je slika avtorja Hans Thoma, ki pritegne največ pogledov; original se nahaja v muzeju Art Institute of Chicago, Chicago. Nato se pogled smeri k Mother and Child in a Garden (1906) in The Artist (1866). Med 194 dela umetnika Hans Thoma v našem katalogu so ta 100 najbolj znana; vsako je edinstven original, predstavljen z letnico nastanka, muzejem in razlogom za njegovo nečasenost.
In a quiet, wooded glade, two figures sit amidst the vertical shadows of cypress trees. The air feels heavy with the scent of damp earth and sun-warmed pine. On the left, Apollo holds his lyre, the instrument a delicate extension of his frame. To the right, Marsyas breathes life into the aulos, the double flute requiring a deep, rhythmic lung capacity. They are nude, their musculature rendered with a soft,…
The garden is held in the blue shadows of dusk. An older woman sits as a stable, triangular anchor against the dark, organic curves of tree trunks and reaching branches. She wears a garment of muted crimson, a single pulse of color amidst the deep indigos and earthy browns of the night. In her arms, she cradles an infant wrapped in pale swaddling. The light is low and directional, catching…
In the tender embrace of The Artist, Hans Thoma invites us into a private, domestic moment that feels both timeless and deeply personal. The painting presents a poignant portrait of two women—one older, one younger—caught in a shared instance of quiet contemplation. The elder woman, her features softened by wisdom and framed by spectacles, holds an open book, her focus anchored to the written word. Beside her, the younger woman…
The Art Author Conrad Fiedler is a portrait painted by Hans Thoma in 1884. The subject, Conrad Fiedler, was a German art historian, philosopher, collector, patron, and author of art theoretical writings. He lived from 1841 to 1895. The brush captures a man of thought, a figure defined by his intellectual weight and his deep connection to the study of art.
This 1876 portrait presents a medium close-up of a bearded man in profile, facing toward the right. The composition is rendered in a grayscale palette, utilizing a range of tones from deep blacks in the subject's formal attire to pale, luminous highlights on the forehead, cheek, and white shirt. The subject's face is defined by subtle lines that trace the contours of the skin and the voluminous, thick texture of…
The air thickens with the heat of an unfolding allegory in The War. Painted by Hans Thoma in 1907, this oil on canvas captures a moment of intense, fiery upheaval. The work exists within the permanent collection of the Städel Museum, where it remains a powerful presence. Every brushstroke contributes to a scene that feels caught in the middle of a sudden, violent transformation.
The artwork titled Portrait of Mrs. Cella Thoma is a painting by the artist Hans Thoma. Created in 1883, this work belongs to the portrait genre. The subject of the piece is Cella Thoma.
In this oil painting from 1897, we find ourselves in a landscape that feels heavy with the weight of what is about to happen. The scene is set during the quiet, golden hours of twilight, where the warmth of the sunset sky meets the deepening shadows of a dense, lush forest. At the center of this composition, a tree trunk draped in a stark white cloth acts as a vertical…
is an oil painting by Hans Thoma. Created in 1878, the work belongs to a period in the artist's career that reflects his engagement with the spiritual and the natural world. Thoma, who lived from 1839 to 1924, developed a distinct visual language that often bridged the gap between academic tradition and a more personal, imaginative vision.
The composition centers on a sunlit shoreline where a muscular male figure meets a group of women. This man, Hercules, is depicted with a powerful physique and holds a heavy club in his hand. He stands on the sand, his body positioned to face Hesione, the daughter of King Laomedon of Troy. Hesione is draped in a white garment that flows around her form, and her expression carries a mixture…
Feeding chickens1867 · Staatliche Kunsthalle Karlsruhe
12
Portrait of Ida Müller, née Scholderer1877 · Städel Museum
13
Portrait of Ela with a basket1883 · Narodni muzej v Varšavi
14
Woman portrait1882 · Kunsthalle Mannheim
15
Christ and Saint PeterNarodni muzej v Varšavi
16
Forest Interior with Reading Boy1860 · Staatliche Kunsthalle Karlsruhe
17
Peasant Boy at the Edge of the Forest1862 · Staatliche Kunsthalle Karlsruhe
18
Stony Path at the Forest Edge with Seated Man1860 · Staatliche Kunsthalle Karlsruhe
19
Bouquet of wild flowers1872 · Alte Nationalgalerie
20
The bee friend1863 · Alte Nationalgalerie
21
Summer Morning in the Bernau Valley1863 · Augustiner Museum
22
The bee friend1863 · Staatliche Kunsthalle Karlsruhe
23
Young farmer at the grain field1862 · Staatliche Kunsthalle Karlsruhe
24
The Village Fiddler1871 · Staatliche Kunsthalle Karlsruhe
25
The Shepherd with goat1869 · Landesmuseum Mainz
26
Girl feeding chicken1870 · Bavarske državne slikopisne zbirke
27
Agathe Thoma, sister of the artist1868
28
Agathe with a white dog1869 · Staatliche Kunsthalle Karlsruhe
29
Artist's Mother in a Little Room1870 · Kunst Museum Winterthur | Reinhart am Stadtgarten
30
Portrait of the painter Wilhelm Steinhausen1869 · Staatliche Kunsthalle Karlsruhe
31
In the sunshine1867 · Staatliche Kunsthalle Karlsruhe
32
Sewing girl1868 · Staatliche Kunsthalle Karlsruhe
33
Forester Kollmann1872 · Bavarske državne slikopisne zbirke
34
Otto Frölicher1875 · Bavarske državne slikopisne zbirke
35
Barbara Kollmann1876 · Bavarske državne slikopisne zbirke
36
Angel Concert1876
37
Scuffling Boys1872 · Staatliche Kunsthalle Karlsruhe
38
Hamlet and Horatio at Ophelia's Grave1872 · Staatliche Kunsthalle Karlsruhe
39
Spring in the mountains, Children dancing in a ring1874
40
In the Hammock1876 · Städel Museum
41
The siblings1873 · Staatliche Kunsthalle Karlsruhe
42
On the field1876 · Rijksmuseum Twenthe
43
Summer1872 · Alte Nationalgalerie
44
A Peaceful Sunday1876 · Hamburger Kunsthalle
45
children + chickens1873
46
Dance of Faun + puttos1874
47
Diana under the tree1878 · National Museum in Wrocław
48
Portrait of Agathe, artist’s sister1873 · Narodni muzej v Varšavi
49
Stream Landscape with Bathing Boys1879
50
Boy by the Brook1880
51
Haymaking1883
52
Riding on a Bird1885 · Städel Museum
53
Self portrait1880 · Staatliche Kunstsammlungen Dresden
54
Portrait of a woman1884 · Bavarske državne slikopisne zbirke
55
Tritonenzug1882 · Staatliche Kunsthalle Karlsruhe
56
Lemon seller1880
57
Grandmother and Granddaughter with a Vegetable Basket1883
58
Girl with amoret Flora1881
59
Spring-landscape with young girl and 4 angels1879
60
young woman with child1880
61
The gardener1881 · Staatliche Kunsthalle Karlsruhe
62
The Sculptor Erwin Kurz1887 · Lenbachhaus
63
Through the Floods1889
64
In Paradise1891 · Staatliche Kunsthalle Karlsruhe
65
Såmannen1888 · Narodni muzej za umetnost, arhitekturo in dizajn
66
Knight Saint George1889 · Alte Nationalgalerie
67
Archers1887 · Alte Nationalgalerie
68
Guardian in front of the Garden of Love1890 · Alte Nationalgalerie
69
Girl Portrait (Ella with straw hat)1888 · Alte Nationalgalerie
70
Still life with a hare, pheasants and a lobster.1889 · Narodni muzej v Varšavi
71
Portrait of the Artist’s Sister Agathe1886 · Augustiner Museum
72
Approaching thunderstorm1889 · Von der Heydt Museum
73
Female centaur near a cascade1886
74
Hercules, liberating the king's daughter1890
75
Uphill1886
76
Market scene1889 · Kunsthalle Mannheim
77
Temptation of Christ1890 · Narodni muzej v Varšavi
78
Satyr's family (bringing up of Zeus)1886 · Narodni muzej v Varšavi
79
Angel with the star of Bethlehem1887 · Narodni muzej v Varšavi
80
The Norns1889 · Staatliche Kunsthalle Karlsruhe
81
Olive Grove at Lake Garda1897 · Dallas Museum of Art
82
group of young shepherds in landscape1894
83
Young faun and singing boy1895
84
Paradise1901 · Staatliche Kunsthalle Karlsruhe
85
Christ as Gardener1901 · Staatliche Kunsthalle Karlsruhe
86
Fairy tale - Knight1904 · Narodni muzej v Varšavi
87
Portrait of the artist's adopted daughter - Elli Blaue.1903 · Narodni muzej v Varšavi
88
Grainfield near Oberursel1902 · Von der Heydt Museum
89
Easter Triptych: Hell1907 · Staatliche Kunsthalle Karlsruhe
90
Easter Triptych: Fields of the Blessed (Paradise)1907 · Staatliche Kunsthalle Karlsruhe
91
Easter Triptych: Resurrection of Christ1907 · Staatliche Kunsthalle Karlsruhe
92
Triptych: the Source1910 · Staatliche Kunsthalle Karlsruhe
93
Angels – Annunciation1906 · Narodni muzej v Varšavi
94
Annunciation to the Shepherds1906 · Narodni muzej v Varšavi
95
God the Father above the shed1906 · Narodni muzej v Varšavi
96
Virgin Mary's adoration of the Child in the shed1906 · Narodni muzej v Varšavi
97
Frederick I, Grand Duke of Baden1909 · Staatliche Kunsthalle Karlsruhe
98
The Flight into Egypt1876 · Alte Nationalgalerie
99
Lowland at the Rhine1869 · Alte Nationalgalerie
100
Firs by the Forest Stream1861 · Staatliche Kunsthalle Karlsruhe
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Hans Thoma | Slike iz tega seznama |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 59 | The Artist, Portrait of Mrs. Cella Thoma, Feeding chickens |
 Narodni muzej v Varšavi |
Varšava | 19 | Portrait of Ela with a basket, Christ and Saint Peter, Portrait of Agathe, artist’s sister |
 Alte Nationalgalerie |
Berlin | 16 | The Art Author Conrad Fiedler, Cloud of Angels, Bouquet of wild flowers |
 Bavarske državne slikopisne zbirke |
München | 11 | Firmin Straub, Girl feeding chicken, Forester Kollmann |
 Städel Museum |
Frankfurt | 6 | The War, Portrait of Ida Müller, née Scholderer, In the Hammock |
 Kunsthalle Mannheim |
Mannheim | 3 | Woman portrait, Market scene |
 Augustiner Museum |
Freiburg | 3 | Summer Morning in the Bernau Valley, Portrait of the Artist’s Sister Agathe |
 Von der Heydt Museum |
Wuppertal | 2 | Approaching thunderstorm, Grainfield near Oberursel |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
In the tender embrace of The Artist, Hans Thoma invites us into a private, domestic moment that feels both timeless and deeply personal. The painting presents a poignant portrait of two women—one older, one younger—caught in a shared instance of quiet contemplation. The elder woman, her features softened by wisdom and framed by spectacles, holds an open book, her focus anchored to the written word. Beside her, the younger woman…
This 1876 portrait presents a medium close-up of a bearded man in profile, facing toward the right. The composition is rendered in a grayscale palette, utilizing a range of tones from deep blacks in the subject's formal attire to pale, luminous highlights on the forehead, cheek, and white shirt. The subject's face is defined by subtle lines that trace the contours of the skin and the voluminous, thick texture of…
In a quiet, wooded glade, two figures sit amidst the vertical shadows of cypress trees. The air feels heavy with the scent of damp earth and sun-warmed pine. On the left, Apollo holds his lyre, the instrument a delicate extension of his frame. To the right, Marsyas breathes life into the aulos, the double flute requiring a deep, rhythmic lung capacity. They are nude, their musculature rendered with a soft,…
In this oil painting from 1897, we find ourselves in a landscape that feels heavy with the weight of what is about to happen. The scene is set during the quiet, golden hours of twilight, where the warmth of the sunset sky meets the deepening shadows of a dense, lush forest. At the center of this composition, a tree trunk draped in a stark white cloth acts as a vertical…
The garden is held in the blue shadows of dusk. An older woman sits as a stable, triangular anchor against the dark, organic curves of tree trunks and reaching branches. She wears a garment of muted crimson, a single pulse of color amidst the deep indigos and earthy browns of the night. In her arms, she cradles an infant wrapped in pale swaddling. The light is low and directional, catching…
Three vertical panels hold a quiet, allegorical world. In the left section, a nude male figure leans toward a small waterfall, his hands reaching for the moving water. The center panel presents a woman in a flowing lavender robe, her fingers plucking a lute while a small child sits at her feet. To the right, a young man rests upon a rock, his gaze turned back toward the center, a…
Apollo and Marsyas (1888), Art Institute of Chicago, Chicago. Zatem sledeta Mother and Child in a Garden (1906) in The Artist (1866).
49 let: delo Apollo and Marsyas iz leta 1888, Hans Thoma pa je bil/a rojen/a leta 1839.
Apollo and Marsyas, Mother and Child in a Garden, The Artist, The Art Author Conrad Fiedler, Firmin Straub, The War, Portrait of Mrs. Cella Thoma, Adam and Eve, Cloud of Angels in Hercules delivering Hesione. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 194 del avtorja Hans Thoma, datiranih od 1860 do 1910.
Večini v Staatliche Kunsthalle Karlsruhe (Karlsruhe), Narodni muzej v Varšavi (Varšava) in Alte Nationalgalerie (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1880s: 31 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Apollo and Marsyas.
Na tej strani je najstarejše delo iz Forest Interior with Reading Boy (1860) in najstarejše iz Triptych: the Source (1910).
Woman (35), Trees (31) in Sky (25), na 100 delih na tej strani.
Oil On Canvas, za 55 od 100 del na tej strani.
Romanticism, glede na originala na tej strani.
The Artist, Portrait of Mrs. Cella Thoma in Feeding chickens: v muzeju Staatliche Kunsthalle Karlsruhe, Karlsruhe se nahaja 28 del z te strani.
Hans Thoma stoji kot edinstvena figura v nemški umetniški zgodovini, znana po svojih vzburjajočih pejzažih in portretih, ki zajamejo duh regije Črne gozd—kraja, ki je globoko utrjen v njegovi umetniški viziji. Rodjen leta 1839 v Bernau bei Berlin, se je odpravil na umetniško pot, ki jo je zaznamovala neomajna zvestoba tradiciji in folkloru njegove domovine. Njegovo življenje je bilo nežno uravnoteženje med natančnim opazovanjem in globokim občutkom romantičnega idealizma, kar je prineslo celoto del, ki deluje hkrati zakoreninjeno v zemlji in vzvišeno zaradi svoje sanljive kakovosti.
Thomove formative leta so oblikovali preprosti ritmi podeželskega življenja; očetovo poklice uroloža je v njem vdel natančnost in izjemno pozornost do detajlov, ki bi kasneje prežela vsak njegov potezni tah.
Leta 1859 se je vписаval v Akademijo v Karlsruhe, kjer so ga mentorirali mojstri, kot sta Johann Wilhelm Schirmer in Ludwig Des Coulbres. To obdobje je postavilo temelje njegove mojstrstva v tehnikah slikanja pejzaža. Čeprav so ga kasnejša potovanja skozi Düsseldorf, Pariz, Italijo, München in Frankfurt izpostavila vrtlovnici različnih umetniških tokov, so le ta mednarodna srečanja utrdila njegovo predanost zajemanju bistva nemškega podeželja in brezčasne lepote narave.Thomov prepoznavni slog se upira enostavnemu razvrščanju, vendar ima nedvomljive sorodnosti s predrafaelitno gibanjem. Podobno kot dela Dante Gabriel Rossettija ali Johna Everetta Millaisa, je Thoma prednostno dajal zajemanju atmosferskih pogojev in izražanju globokih čustev skozi subtilne tonske variacije in svetle palete barv. Njegova fascinacija z drobnimi detajli naravnega sveta—teksturo lista, svetlo, ki se prežira skozi krošnje, ali tiho prisotnost pastnih krav—odraža predanost realizmu, ki ga pogosto ublaži domišljijska, skoraj mistična vizija.
Linija nemških mojstrov je prav tako igrala ključno vlogo pri oblikovanju njegove estetike. Dela Albrechta Dürerja in Lucasa Cranacha starejšega so služila kot globoki vplivi, ki so oblikovali njegove kompozicijske izbire ter sposobnost prikazovanja natančnih obrisov in premišnega senčenja. Ta zlitje klasične natančnosti in romantične čustvenosti mu je omogočilo ustvarjanje scen, ki so delovale hkrati zgodovinsko zakoreninjeno in čustveno neposredno. Ne glede na to, ali skozi čрно-belo risbo, kot je njegov Youthful Self Portrait, ali živopisen, barvami nasičen pejzaž, kot je Autumn Tree in front of Wiesental, je Thoma 】tehnično umevanje ostalo osredotočeno na iskanje resnice znotraj narave.
V svoji karieri je Thoma dosegel stopnjo priznanja, ki ga je postavila v srce nemške umetnostne scene. Njegova sposobnost, da vzbudi mir skozi bujno zelenobo in puhaste nebe, kot je videti v delih, kot je Landscape With Cloud, dokazuje skoraj impresionistično občutljivost za svetlobo in zrak. Ni slikal le prizorov; slikal je vzdušje kulture in pokrajine ter spremenil Črnni gozd v simbol trajnega miru in pastirskega čednega.
Zgodovinski pomen Hansa Thome leži v njegovi sposobnosti, da premosti vrzel med zastrežajočimi akademskimi tradicijami 19. stoletja in naraščajočo čustvenostjo moderne umetnosti. Med njegove dosežke sodijo:
Danes Thomova dela še vedno odmevajo pri gledalcih, ki iščejo potesilo v idiličnem in večnem. Njegove slike ostajajo okna v svet, kjer narava in človeštvo obstajata v harmoničnem, čudovito podrobno plesnem koraku.
