Posodobljeno november 2026 · uvrščeno glede na naš skoraj priljubljenosti (iskanja, obiske in naročila za vsako delo) · 190 del v našem katalogu avtorja Hans Makart
Kratek opis
Med vsemi originali, ki jih je pustil Hans Makart, je najbolj znan Pet čutev (1879), ki se nahaja v kolekciji Österreichische Galerie Belvedere, Dunaj. Takoj za njima sta Der Triumph der Ariadne (1874) in Opferszene (1880). Naš katalog vsebuje 190 del umetnika Hans Makart; galerija je ohranila 100 del, ki jih svet najbolj oboževa, odlikovanih z datumom nastanka, pripadajočim muzajem in zgodbojo.
Ženske na sliki so v svoji podobi izjemno unikatne, saj vsaka prinaša različne pričede, pričesnice in oblike obrazov. Delujejo, kot da uživajo v skupnem času na prostem, v objemu naravne lepote, ki jih obdaja. Uporaba oljne barve na platnu omogoča bogate barvne odtenke in teksture, kar izpopolnjuje celoten vizualni doživetje in prisiljuje oko v globoko potovanje skozi barve.
In the grand tradition of nineteenth-century European painting, few works command the eye with such immediate, breathtaking authority as Hans Makart’s Der Triumph der Ariadne. Completed in 1874, this monumental oil on canvas is not merely a depiction of a mythological event; it is a visceral experience of joy, abundance, and theatrical grandeur. The painting breathes life into the Homeric legend of Ariadne, capturing the precise moment of her divine…
A Glimpse into the Artistic World of Hans Makart Hans Makart, a renowned Austrian painter, is celebrated for his captivating and detailed works that often depicted scenes from everyday life. One of his notable creations is Opferszene, an oil on canvas painting measuring 332 x 186 cm, completed in 1880. This masterpiece is currently housed at the prestigious Österreichische Galerie Belvedere in Vienna, Austria. The Composition and Elements of Opferszene…
To gaze upon Hans Makart's "Charlotte Wolter als Messalina" is to step directly into the opulent, dramatic heart of 19th-century European high society and Roman decadence. This magnificent oil on canvas, executed in 1875, transcends a mere portrait; it is a meticulously constructed tableau vivant, capturing the intoxicating blend of celebrity glamour and historical myth. At its core lies Charlotte Wolter, the celebrated actress whose very presence was synonymous with…
To stand before Hans Makart’s Geschmack is to step directly into a dream spun from opulent color and exquisite sensuality. Painted in 1879, this oil on canvas masterpiece transcends mere depiction; it is an immersion into the very essence of refined experience. The work, currently gracing the halls of the Österreichische Galerie Belvedere in Vienna, remains a potent testament to the height of Academic Art blended with a distinctly romantic…
In this 1870 oil on panel, we find ourselves drawn into a quiet, almost private moment of preparation. A young child, a putto, sits amidst the heavy tools of war, focused entirely on the task of cleaning a sword. There is a striking tension here between the small, vulnerable form of the boy and the colossal, muscular presence of Mars, whose weapons demand such meticulous care. The child’s expression is…
To gaze upon Hans Makart’s Sinnbild des fröhlichen Lebensgenusses is to step directly into a dreamscape painted with the richest pigments of the nineteenth century. This work, embodying the grandeur and polished idealism of Academicism, is far more than just a depiction of beauty; it is an overt celebration of life's most exquisite pleasures. The composition immediately draws the eye to the central figure—a radiant woman, perhaps an allegory for…
The oil painting titled Tasso and Eleonore d'Este captures a quiet, heavy moment between two figures. Created in 1869, this work by the Austrian artist Hans Makart centers on the poet Tasso and Eleonore d'Este. The canvas holds them in a stillness that feels weighted by the surrounding shadows and the texture of their garments.
In the grand tradition of nineteenth-century Academic Art, Hans Makart’s “Der Tod der Kleopatra” stands as more than a mere historical reconstruction; it is a visceral, immersive experience that captures the very essence of tragedy and opulence. Completed in 1875, this monumental oil on canvas invites the viewer into a private, somber moment of transition. The scene centers upon the legendary Cleopatra VII Philopator, depicted lying supine upon a lavish…
The gaze of a young woman meets the viewer in Portrait of a Lady, an intimate oil portrait painted by Hans Makart. Created in 1881, the work captures a moment of quietude, presenting the subject in a close-up bust composition. She exists within a space defined by deep, earthy tones, where the darkness of her surroundings seems to push her luminous, pale skin forward. There is a sense of stillness…
Portrait of a young woman1882 · Narodni muzej v Varšavi
12
Portrait of a Woman1857 · Bavarske državne slikopisne zbirke
13
The Five Senses: Hearing1850
14
The Five Senses: Touch1850
15
The five senses: smell1850
16
The Four Parts of the World1870
17
Spring1870 · Bavarske državne slikopisne zbirke
18
Portrait of Eugenie Scheuffelen1867
19
Sketch for a Triptych with Mythological Scenes1865
20
Dante and Virgil in Inferno1864
21
Female Portrait with Red Hat1865
22
Portrait of a Lady (Cecilie von Munkascy)1865
23
Portrait of a Lady with Red Feathered Hat, Prayer Book and Rosary1865
24
The Plague in Florenz, Triptych1868
25
Venice Pays Homage to Catharina Cornaro1865
26
Noble Society Goes by Ship1865
27
Alberich and the Rhinemaidens1865
28
Bathing Women1865
29
Cleopatra's Hunting Expedition on the Nile1869
30
Abundantia, The Gifts of Water1869
31
Abundantia, The Gifts of the Earth1869
32
Italian Woman (with Flowers)1869
33
The Scent, Allegorical Representation of the Senses1869
34
Female Allegorical Figure with Child on the Shoulder1869
35
Portrait of a Woman with Flowers (Egyptian Woman)1869
36
Bacchanalia (the Harvest)1869
37
Portrait Magdalena Plach1870
38
Suzanne and the 2 eldermen1865
39
Portrait of a lady in a white dress ( Eugenie Scheufelen)1865
40
Portrait of a lady1865
41
portrait of a woman1865
42
Portrait of woman with hat and red flower1865
43
"Historic" scene1868
44
Dramatical scene1868
45
Girl kneeling in front of a altar1865
46
Female figure reading1865
47
Tasso, reading his poems to prinzess Elemore d' Este1865
48
Mythological scene ?1865
49
Lying Cleopatra with snake1865
50
Party with musicians in an Ital. garden1865
51
Palace-scene: lady and gentleman1869
52
Portrait of a Lady with low-neck1869
53
Cleopatra1869
54
Death of Cleopatra1869
55
Bacchanalia1873
56
Bertha von Piloty1872
57
The Death of Cleopatra.1875
58
Venice pays tribute to Caterina Cornaro1873
59
Group of Bacchae1880 · Bavarske državne slikopisne zbirke
60
Hunt of Diana1879 · Bavarske državne slikopisne zbirke
61
Murillo, Velázquez, Leonardo da Vinci1881
62
Raphael, Rembrandt, Rubens1881
63
Two Mounted Fanfare Players1879
64
Three Mounted Standard Bearers1879
65
The Summer1880 · Alte Nationalgalerie
66
Holbein, Allegory of Painting, Dürer1881
67
Lili Lauser1877 · Bavarske državne slikopisne zbirke
68
Dame am Spinett1871 · Österreichische Galerie Belvedere
69
Die Jagd der Diana
70
Der Sommernachstraum, Entwurf zur Dekoration eines Raumes in der Hermesvilla
71
Faun und Nymph1872
72
Girl with Face Turned Away1873 · Bavarske državne slikopisne zbirke
73
The Rhinemaidens1883
74
Die Ernte1872 · Österreichische Galerie Belvedere
75
Portrait of Gottfried Prinz zu Hohenlohe Schillingsfurst1870
76
The Conclave1864 · Bavarske državne slikopisne zbirke
77
Color Sketch for the Ceiling "The Four Parts of the World"1870
78
Ceiling Painting in Four Parts, Depicting Putti, Flowers and Fruits (Night and Morning)1865
79
Design for an Amusement Palace in Wien, View, Floor Plan1869
80
Design for an Amusement Palace in Wien, View1869
81
Allegorische Darstellung (Deckenbild)1865
82
sketch for ceiling1865
83
oil sketch for a festival of gods1865
84
landscape1865
85
Schnitt durch eine Architektur 17 Jh.1869
86
Venice Pays Homage to Catarina Cornero1872 · Lenbachhaus
87
stillife: the violin of Johann Strauß1876 · Musée d'Orsay
88
An Egyptian Princess1875
89
Children's Round DanceBavarske državne slikopisne zbirke
90
Battle Between Romans and GermansBavarske državne slikopisne zbirke
91
Valkyrie and a Dying HeroNationalmuseum
92
Photography
93
karoline gomperz
94
ABUNDANTIA LES DONS DE LA TERRE
95
Le Triomphe de Bacchus et d'Ariane
96
ABUNDANTIA LES DONS DE LA MER
97
Abundantia - The Gifts of the EarthMuseum Boijmans Van Beuningen
98
Zerline Gabillon
99
Der Triumph der Ariadne (Detail)1874 · Österreichische Galerie Belvedere
100
Die Niljagd der Kleopatra1876 · Österreichische Galerie Belvedere
Četiri teme, ki se v teh originalih najpogosteje ponavljajo, vsaka z svojim vrhunskim primerom.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Hans Makart | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 10 | Portrait of a Lady, Portrait of a Woman, Spring |
 Österreichische Galerie Belvedere |
Dunaj | 10 | Pet čutev, Der Triumph der Ariadne, Opferszene |
 Alte Nationalgalerie |
Berlin | 2 | Tasso and Eleonore d'Este, The Summer |
 Lenbachhaus |
München | 2 | Venice Pays Homage to Catarina Cornero |
 Kunsthistorisches Museum |
Dunaj | 1 | Charlotte Wolter als Messalina |
 Staatliche Museen zu Berlin |
Berlin | 1 | Der Tod der Kleopatra |
 Narodni muzej v Varšavi |
Varšava | 1 | Portrait of a young woman |
 Musée d'Orsay |
Pariz | 1 | stillife: the violin of Johann Strauß |
Izberite desetletje, da si ogledate original, ki ga opredeljuje.
The gaze of the subject meets us in Portrait of a Woman, a work that captures a quiet moment of grace. This portrait, rendered by the Austrian artist Hans Makart, presents a woman whose presence feels immediate and steady. Created about 1857, the painting emerges from a period when Makart was establishing his presence within the artistic circles of his homeland. The subject sits in a composed manner, her expression…
The oil painting titled Tasso and Eleonore d'Este captures a quiet, heavy moment between two figures. Created in 1869, this work by the Austrian artist Hans Makart centers on the poet Tasso and Eleonore d'Este. The canvas holds them in a stillness that feels weighted by the surrounding shadows and the texture of their garments.
Ženske na sliki so v svoji podobi izjemno unikatne, saj vsaka prinaša različne pričede, pričesnice in oblike obrazov. Delujejo, kot da uživajo v skupnem času na prostem, v objemu naravne lepote, ki jih obdaja. Uporaba oljne barve na platnu omogoča bogate barvne odtenke in teksture, kar izpopolnjuje celoten vizualni doživetje in prisiljuje oko v globoko potovanje skozi barve.
A Glimpse into the Artistic World of Hans Makart Hans Makart, a renowned Austrian painter, is celebrated for his captivating and detailed works that often depicted scenes from everyday life. One of his notable creations is Opferszene, an oil on canvas painting measuring 332 x 186 cm, completed in 1880. This masterpiece is currently housed at the prestigious Österreichische Galerie Belvedere in Vienna, Austria. The Composition and Elements of Opferszene…
Pet čutev (1879), Österreichische Galerie Belvedere, Dunaj. Zatem sledeta Der Triumph der Ariadne (1874) in Opferszene (1880).
39 let: delo Pet čutev iz leta 1879, Hans Makart pa je bil/a rojen/a leta 1840.
Pet čutev, Der Triumph der Ariadne, Opferszene, Charlotte Wolter als Messalina, Geschmack, Ein Putto reinigt die Waffen des Mars, Sinnbild des fröhlichen Lebensgenusses, Tasso and Eleonore d'Este, Der Tod der Kleopatra in Portrait of a Lady. Zgornja lestica prikazuje leto nastanka in muzej za vsako delo.
Naš katalog vsebuje 190 del avtorja Hans Makart, datiranih od 1850 do 1883.
Večini v Bavarske državne slikopisne zbirke (München), Österreichische Galerie Belvedere (Dunaj) in Alte Nationalgalerie (Berlin). Zgoraj navedena tabela muzejev vsebuje njihov celoten seznam.
V obdobju 1860s: 46 od 100 del na tej strani je bilo izdelovanih takrat, med njimi pa Tasso and Eleonore d'Este.
Na tej strani je najstarejše delo iz The Five Senses: Hearing (1850) in najstarejše iz The Rhinemaidens (1883).
Woman (47), Drapery (25) in People (17), na 100 delih na tej strani.
Oil On Canvas, za 54 od 100 del na tej strani.
Academicism, glede na originala na tej strani.
Portrait of a Lady, Portrait of a Woman in Spring: v muzeju Bavarske državne slikopisne zbirke, München se nahaja 10 del z te strani.
Umetniška pot Hansa Makarta se je začela v Salzburgu, kjer se je rodil v družini z globokimi povezavami do habsburškega dvora. Čeprav je že na začetku kazal velik potencial, se je med letoma 1850 in 1851 vštolil na Dunajsko akademijo, vendar so njegove težave s tehniko risanja privedle do njegovega odhoda iz akademskih okrogov. Zaveden svojih strasti do barv, je Makart med letoma 1861 in 1865 študiral v Münchenu pod mentorstvom Karla Theodora von Pilotija. To obdobje je bilo ključno za oblikovanje njegovega umetniškega sloga in razvoj njegove značilne uporabe živahnih odtenkov. Kasnejša potovanja v London, Pariz in Rim so mu razširila obzorje evropskih umetnostnih gibanj in tehnik ter bogato obogatila njegovo umetniško perspektivo.
Makartov prepoznavni slog, znan pod imenom »Makartstil«, je bil zaznamovan z obilno dekorativnostjo, živahnimi barvami in teatralno dovršenostjo, kar je močno vplivalo na vizualne umetnosti v Avstrijsko-O🇭ungariji in širše. Njegova zgodnja dela, kot je Lavoisier v zapori, so pokazala njegov vzrastajoči občutek za barvo, medtem ko je Vitez in vodne nymph izpostavil njegovo dekorativno talento. Z razvijanjem slave so njegova slika, kot sta Moderne amoretti in
Med njegovimi najbolj izstopajočimi deli tvorijo:
Makart je črpal navdih iz dela Karla Theodora von Pilotija, evropskih umetnostnih gibanj, vključno s simbolizmom in art nouveau, ter iz mojstrov, kot je bil Peter Paul Rubens. Njegov luksuzen studio na Dunaju je postal pomembno družbeno središče, ki je privabljalo kraljeviče, politike, umetnike in pisce. Ključni trenutek v njegovi karieri je bila oblikovanje prireditve za srebrno poroko cesarja Franja Jožefa I. in cesarice Elizabete od Bavarije (Sisi) leta zględno 1879. Ta pretrpela predstava, znana kot »Makartov karneval«, je osvojila javnost z njegovim talentom za kostume in scenografijo. Leta 1879 je bil imenovan za profesorja na Dunajski akademiji, kar je utrdilo njegovo mesto v umetniškem etablismentu. Njegov vpliv je sega tudi do Gustava Klimta, ki je kasneje postal ključna figura v gibanju Dunajske secesije.
Makartova zgodnja smrt leta 1884 v age 44 let je označila konec ene dobe. Njegova obsežna zbirka antikov in umetnin je bila razprodana na dražbi, s čimer se je njegova dediščina razpršila po različnih zbogah. Kljub kritikam nekih akademskih krogov glede zgodovinske natičnosti, je Makartov vpliv na dunajsko kulturo in umetniške trende nepodrobno. Postal je personifikacija obdobja obilnega veličastja in estetske inovacije. Njegovo del se še danes cenimo zaradi živahnih barv, dekorativne bogatosti in edinstvene atmosfere, ki jo je ustvaril, kar mu zagotavlja nepozabno mesto v avstrijski umetnosti 19. stoletja.
